1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2527806 Search Results

Revolutionary Ideal is Supreme: The Long March of 1935 (colour litho)
Revolutionary Ideal is Supreme: The Long March of 1935 (colour litho)

CHT225139: Revolutionary Ideal is Supreme: The Long March of 1935 (colour litho) / Bridgeman Images

ID: CHT225139

Revolutionary Ideal is Supreme: The Long March of 1935 (colour litho)

The Large Pine, 1895-97 (oil on canvas)
The Large Pine, 1895-97 (oil on canvas)

XIR162359: The Large Pine, 1895-97 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

ID: XIR162359

The Large Pine, 1895-97 (oil on canvas)

Cezanne, Paul (1839-1906)

Torso, 1928-32 (oil on canvas)
Torso, 1928-32 (oil on canvas)

XIR162378: Torso, 1928-32 (oil on canvas), Malevich, Kazimir Severinovich (1878-1935) / Bridgeman Images

ID: XIR162378

Torso, 1928-32 (oil on canvas)

Malevich, Kazimir Severinovich (1878-1935)

The Studio of Apelles (oil on panel)
The Studio of Apelles (oil on panel)

XCF282092: The Studio of Apelles (oil on panel), Haecht, Willem van II (1593-1637) / Bridgeman Images

ID: XCF282092

The Studio of Apelles (oil on panel)

Haecht, Willem van II (1593-1637)

The great Spanish inquisitor, Fray Tomas de Torquemada (1420-1498), among the Catholic kings Ferdinand II and Isabella 1st of Castile, 1478. Engraving by Baude after a painting by Jean-Paul Laurens (Jean Paul) (1838-1921).
The great Spanish inquisitor, Fray Tomas de Torquemada (1420-1498), among the Catholic kings Ferdinand II and Isabella 1st of Castile, 1478. Engraving by Baude after a painting by Jean-Paul Laurens (Jean Paul) (1838-1921).

XEE4404410: The great Spanish inquisitor, Fray Tomas de Torquemada (1420-1498), among the Catholic kings Ferdinand II and Isabella 1st of Castile, 1478. Engraving by Baude after a painting by Jean-Paul Laurens (Jean Paul) (1838-1921)., Laurens, Jean Paul (1838-1921) (after) / Bridgeman Images

ID: XEE4404410

The great Spanish inquisitor, Fray Tomas de Torquemada (1420-1498), among the Catholic kings Ferdinand II and Isabella 1st of Castile, 1478. Engraving by Baude after a painting by Jean-Paul Laurens (Jean Paul) (1838-1921).

Laurens, Jean Paul (1838-1921) (after)

Ancient Rome: the eccentricites of the Roman Emperor Heliogabale (or elagabal) (203-222) parading on a chariot pulled by women (Ancient rome: roman emperor Elagabalus (Heliogabalus) parading on a chariot pulled by women) Engraving from “The Roman Imperatrices” 1888 Private collection
Ancient Rome: the eccentricites of the Roman Emperor Heliogabale (or elagabal) (203-222) parading on a chariot pulled by women (Ancient rome: roman emperor Elagabalus (Heliogabalus) parading on a chariot pulled by women) Engraving from “The Roman Imperatrices” 1888 Private collection

ELD4876740: Ancient Rome: the eccentricites of the Roman Emperor Heliogabale (or elagabal) (203-222) parading on a chariot pulled by women (Ancient rome: roman emperor Elagabalus (Heliogabalus) parading on a chariot pulled by women) Engraving from “The Roman Imperatrices” 1888 Private collection / Bridgeman Images

ID: ELD4876740

Ancient Rome: the eccentricites of the Roman Emperor Heliogabale (or elagabal) (203-222) parading on a chariot pulled by women (Ancient rome: roman emperor Elagabalus (Heliogabalus) parading on a chariot pulled by women) Engraving from “The Roman Imperatrices” 1888 Private collection

Hunting Scene
Hunting Scene

BAL11042: Hunting Scene, Alken, Henry Thomas (1785-1851) / Bridgeman Images

ID: BAL11042

Hunting Scene

Alken, Henry Thomas (1785-1851)

Nativity and concert of angels from the Isenheim Altarpiece, central panel (oil on panel)
Nativity and concert of angels from the Isenheim Altarpiece, central panel (oil on panel)

XIR4110: Nativity and concert of angels from the Isenheim Altarpiece, central panel (oil on panel), Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528) / Bridgeman Images

ID: XIR4110

Nativity and concert of angels from the Isenheim Altarpiece, central panel (oil on panel)

Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528)

The Mill, 1751 (oil on canvas)
The Mill, 1751 (oil on canvas)

XIR82820: The Mill, 1751 (oil on canvas), Boucher, Francois (1703-70) / Bridgeman Images

ID: XIR82820

The Mill, 1751 (oil on canvas)

Boucher, Francois (1703-70)

Venus and the Three Graces Offering Gifts to a Young Girl, detail of one of the Graces (fresco) (detail from 33760) (see also 93891, 93893-4)
Venus and the Three Graces Offering Gifts to a Young Girl, detail of one of the Graces (fresco) (detail from 33760) (see also 93891, 93893-4)

PWI93892: Venus and the Three Graces Offering Gifts to a Young Girl, detail of one of the Graces (fresco) (detail from 33760) (see also 93891, 93893-4), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

ID: PWI93892

Venus and the Three Graces Offering Gifts to a Young Girl, detail of one of the Graces (fresco) (detail from 33760) (see also 93891, 93893-4)

Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510)

Ascent of the Montgolfier brothers hot-air balloon before the royal family at Versailles in 1783 (colour engraving)
Ascent of the Montgolfier brothers hot-air balloon before the royal family at Versailles in 1783 (colour engraving)

NUM113330: Ascent of the Montgolfier brothers hot-air balloon before the royal family at Versailles in 1783 (colour engraving), French School, (18th century) / Bridgeman Images

ID: NUM113330

Ascent of the Montgolfier brothers hot-air balloon before the royal family at Versailles in 1783 (colour engraving)

French School, (18th century)

Reverse of the royal seal of Henry II (1133-1189) depicting the king on horseback
Reverse of the royal seal of Henry II (1133-1189) depicting the king on horseback

XIR113404: Reverse of the royal seal of Henry II (1133-1189) depicting the king on horseback, English School, (12th century) / Bridgeman Images

ID: XIR113404

Reverse of the royal seal of Henry II (1133-1189) depicting the king on horseback

English School, (12th century)

Oarsmen at Chatou, 1879 (oil on canvas)
Oarsmen at Chatou, 1879 (oil on canvas)

XOS741870: Oarsmen at Chatou, 1879 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: XOS741870

Oarsmen at Chatou, 1879 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

Imperial Federation (colour litho)
Imperial Federation (colour litho)

LLM726786: Imperial Federation (colour litho), Crane, Walter (1845-1915) (after) / Bridgeman Images

ID: LLM726786

Imperial Federation (colour litho)

Crane, Walter (1845-1915) (after)

Reception at the Court of the Sultan Selim III (1761-1807) (oil on canvas)
Reception at the Court of the Sultan Selim III (1761-1807) (oil on canvas)

XIR154602: Reception at the Court of the Sultan Selim III (1761-1807) (oil on canvas), Turkish School, (18th century) / Bridgeman Images

ID: XIR154602

Reception at the Court of the Sultan Selim III (1761-1807) (oil on canvas)

Turkish School, (18th century)

Gentlemen race. Before the Departure, 1862 (oil on canvas)
Gentlemen race. Before the Departure, 1862 (oil on canvas)

XIR197265: Gentlemen race. Before the Departure, 1862 (oil on canvas), Degas, Edgar (1834-1917) / Bridgeman Images

ID: XIR197265

Gentlemen race. Before the Departure, 1862 (oil on canvas)

Degas, Edgar (1834-1917)

Final battle between Hernando Cortes (1485-1547) and Cuauhtemoc at Tenochtitlan, August 1521, illustration from a facsimile of a Mexican Indian picture history 'Lienzo de Tlaxcala' of c.1550, 1892 (colour litho)
Final battle between Hernando Cortes (1485-1547) and Cuauhtemoc at Tenochtitlan, August 1521, illustration from a facsimile of a Mexican Indian picture history 'Lienzo de Tlaxcala' of c.1550, 1892 (colour litho)

CHT195203: Final battle between Hernando Cortes (1485-1547) and Cuauhtemoc at Tenochtitlan, August 1521, illustration from a facsimile of a Mexican Indian picture history 'Lienzo de Tlaxcala' of c.1550, 1892 (colour litho), Mexican School, (19th century) / Bridgeman Images

ID: CHT195203

Final battle between Hernando Cortes (1485-1547) and Cuauhtemoc at Tenochtitlan, August 1521, illustration from a facsimile of a Mexican Indian picture history 'Lienzo de Tlaxcala' of c.1550, 1892 (colour litho)

Mexican School, (19th century)

Gulf of Palermo, looking towards Cape Zafferano, c.1845 (oil on canvas)
Gulf of Palermo, looking towards Cape Zafferano, c.1845 (oil on canvas)

LNT185624: Gulf of Palermo, looking towards Cape Zafferano, c.1845 (oil on canvas), Goetzloff, Carl Wilhelm (1799-1866) / Bridgeman Images

ID: LNT185624

Gulf of Palermo, looking towards Cape Zafferano, c.1845 (oil on canvas)

Goetzloff, Carl Wilhelm (1799-1866)

Interior, Woman Reading, 1880 (oil on canvas)
Interior, Woman Reading, 1880 (oil on canvas)

BRM176793: Interior, Woman Reading, 1880 (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

ID: BRM176793

Interior, Woman Reading, 1880 (oil on canvas)

Caillebotte, Gustave (1848-94)

Portrait of Gabriel Faure (1845-1924) (oil on canvas)
Portrait of Gabriel Faure (1845-1924) (oil on canvas)

JHG176246: Portrait of Gabriel Faure (1845-1924) (oil on canvas), Sargent, John Singer (1856-1925) / Bridgeman Images

ID: JHG176246

Portrait of Gabriel Faure (1845-1924) (oil on canvas)

Sargent, John Singer (1856-1925)

Chained monkey in a landscape
Chained monkey in a landscape

RAF80096: Chained monkey in a landscape, Hondecoeter, Melchior de (1636-95) / Bridgeman Images

ID: RAF80096

Chained monkey in a landscape

Hondecoeter, Melchior de (1636-95)

The Watch (The White Wall), c.1871 (panel)
The Watch (The White Wall), c.1871 (panel)

ACI80684: The Watch (The White Wall), c.1871 (panel), Fattori, Giovanni (1825-1908) / Bridgeman Images

ID: ACI80684

The Watch (The White Wall), c.1871 (panel)

Fattori, Giovanni (1825-1908)

Oostzijdse Mill with Extended Blue, Yellow and Purple Sky, c.1907-early 1908 (oil on canvas)
Oostzijdse Mill with Extended Blue, Yellow and Purple Sky, c.1907-early 1908 (oil on canvas)

HGM78205: Oostzijdse Mill with Extended Blue, Yellow and Purple Sky, c.1907-early 1908 (oil on canvas), Mondrian, Piet (1872-1944) / Bridgeman Images

ID: HGM78205

Oostzijdse Mill with Extended Blue, Yellow and Purple Sky, c.1907-early 1908 (oil on canvas)

Mondrian, Piet (1872-1944)

Discussion of the Reform of the Calendar under Pope Gregory XIII (1502-85) replaced by the Gregorian Calendar, Rome, 15 October 1582 (oil on panel) (see also 102626)
Discussion of the Reform of the Calendar under Pope Gregory XIII (1502-85) replaced by the Gregorian Calendar, Rome, 15 October 1582 (oil on panel) (see also 102626)

XAL175117: Discussion of the Reform of the Calendar under Pope Gregory XIII (1502-85) replaced by the Gregorian Calendar, Rome, 15 October 1582 (oil on panel) (see also 102626), Italian School, (16th century) / Bridgeman Images

ID: XAL175117

Discussion of the Reform of the Calendar under Pope Gregory XIII (1502-85) replaced by the Gregorian Calendar, Rome, 15 October 1582 (oil on panel) (see also 102626)

Italian School, (16th century)

The Orangerie at the Chateau de Versailles (oil on canvas)
The Orangerie at the Chateau de Versailles (oil on canvas)

XIR174842: The Orangerie at the Chateau de Versailles (oil on canvas), Allegrain, Etienne (1644-1736) / Bridgeman Images

ID: XIR174842

The Orangerie at the Chateau de Versailles (oil on canvas)

Allegrain, Etienne (1644-1736)

The Apotheosis of St. Thomas Aquinas, 1631 (oil on canvas)
The Apotheosis of St. Thomas Aquinas, 1631 (oil on canvas)

XJL54281: The Apotheosis of St. Thomas Aquinas, 1631 (oil on canvas), Zurbaran, Francisco de (1598-1664) / Bridgeman Images

ID: XJL54281

The Apotheosis of St. Thomas Aquinas, 1631 (oil on canvas)

Zurbaran, Francisco de (1598-1664)

Astarte Syriaca, 1877 (oil on canvas)
Astarte Syriaca, 1877 (oil on canvas)

MAN62973: Astarte Syriaca, 1877 (oil on canvas), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

ID: MAN62973

Astarte Syriaca, 1877 (oil on canvas)

Rossetti, Dante Gabriel Charles (1828-82)

Summer Evening, Skagen, 1908
Summer Evening, Skagen, 1908

BON40325: Summer Evening, Skagen, 1908, Kroyer, Peder Severin (1851-1909) / Bridgeman Images

ID: BON40325

Summer Evening, Skagen, 1908

Kroyer, Peder Severin (1851-1909)

Theseus Fighting the Minotaur, detail from an Attic black-figure amphora (pottery)
Theseus Fighting the Minotaur, detail from an Attic black-figure amphora (pottery)

XIR39289: Theseus Fighting the Minotaur, detail from an Attic black-figure amphora (pottery), Greek school, (6th century BC) / Bridgeman Images

ID: XIR39289

Theseus Fighting the Minotaur, detail from an Attic black-figure amphora (pottery)

Greek school, (6th century BC)

The Genius of Shakespeare, published in 1888 (chromo litho)
The Genius of Shakespeare, published in 1888 (chromo litho)

XND70426: The Genius of Shakespeare, published in 1888 (chromo litho), English School, (19th century) / Bridgeman Images

ID: XND70426

The Genius of Shakespeare, published in 1888 (chromo litho)

English School, (19th century)

The Great Gallery showing the Rococo decorative scheme of gilded ornamental framework and white panelling devised by Nikolaus Pacassi, 18th century (photo)
The Great Gallery showing the Rococo decorative scheme of gilded ornamental framework and white panelling devised by Nikolaus Pacassi, 18th century (photo)

XAM68952: The Great Gallery showing the Rococo decorative scheme of gilded ornamental framework and white panelling devised by Nikolaus Pacassi, 18th century (photo) / Bridgeman Images

ID: XAM68952

The Great Gallery showing the Rococo decorative scheme of gilded ornamental framework and white panelling devised by Nikolaus Pacassi, 18th century (photo)

Archduke Maximilian Franz visiting Marie Antoinette (1755-93) and Louis XVI (1754-93) c.1775 (oil on canvas)
Archduke Maximilian Franz visiting Marie Antoinette (1755-93) and Louis XVI (1754-93) c.1775 (oil on canvas)

XAM72445: Archduke Maximilian Franz visiting Marie Antoinette (1755-93) and Louis XVI (1754-93) c.1775 (oil on canvas), Hauzinger, Josef (1728-86) / Bridgeman Images

ID: XAM72445

Archduke Maximilian Franz visiting Marie Antoinette (1755-93) and Louis XVI (1754-93) c.1775 (oil on canvas)

Hauzinger, Josef (1728-86)

Scarborough, 1825 (watercolour)
Scarborough, 1825 (watercolour)

XCF8710: Scarborough, 1825 (watercolour), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: XCF8710

Scarborough, 1825 (watercolour)

Turner, Joseph Mallord William (1775-1851)

Picking grapes, from the Tomb of Nakht, New Kingdom (wall painting)
Picking grapes, from the Tomb of Nakht, New Kingdom (wall painting)

XIR18951: Picking grapes, from the Tomb of Nakht, New Kingdom (wall painting), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

ID: XIR18951

Picking grapes, from the Tomb of Nakht, New Kingdom (wall painting)

Egyptian 18th Dynasty (c.1567-1320 BC)

Young men playing with sticks and a ball, Athens, c.510 BC (marble)
Young men playing with sticks and a ball, Athens, c.510 BC (marble)

LEE60009: Young men playing with sticks and a ball, Athens, c.510 BC (marble), Greek school, (6th century BC) / Bridgeman Images

ID: LEE60009

Young men playing with sticks and a ball, Athens, c.510 BC (marble)

Greek school, (6th century BC)

Steatite Pasupati seal, Mohenjodaro, 2300-1750 BC
Steatite Pasupati seal, Mohenjodaro, 2300-1750 BC

SCP57227: Steatite Pasupati seal, Mohenjodaro, 2300-1750 BC / Bridgeman Images

ID: SCP57227

Steatite Pasupati seal, Mohenjodaro, 2300-1750 BC


Back to top