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2490880 Search Results

Black-backed Gulls, illustration from 'Wildfowl and Waders' (colour litho)
Black-backed Gulls, illustration from 'Wildfowl and Waders' (colour litho)

IL288863: Black-backed Gulls, illustration from 'Wildfowl and Waders' (colour litho), Southgate, Frank (1872-1916) / Bridgeman Images

ID: IL288863

Black-backed Gulls, illustration from 'Wildfowl and Waders' (colour litho)

Southgate, Frank (1872-1916)

A Man Loaded with Mischief, or Matrimony, c.1766 (colour etching)
A Man Loaded with Mischief, or Matrimony, c.1766 (colour etching)

XCF290992: A Man Loaded with Mischief, or Matrimony, c.1766 (colour etching), English School, (18th century) / Bridgeman Images

ID: XCF290992

A Man Loaded with Mischief, or Matrimony, c.1766 (colour etching)

English School, (18th century)

Aspidophorus Chiloensis and Agriopus Hispidus, plate 7 from 'The Zoology of the Voyage of H.M.S Beagle, 1832-36' by Charles Darwin (litho)
Aspidophorus Chiloensis and Agriopus Hispidus, plate 7 from 'The Zoology of the Voyage of H.M.S Beagle, 1832-36' by Charles Darwin (litho)

XJF294049: Aspidophorus Chiloensis and Agriopus Hispidus, plate 7 from 'The Zoology of the Voyage of H.M.S Beagle, 1832-36' by Charles Darwin (litho), English School, (19th century) / Bridgeman Images

ID: XJF294049

Aspidophorus Chiloensis and Agriopus Hispidus, plate 7 from 'The Zoology of the Voyage of H.M.S Beagle, 1832-36' by Charles Darwin (litho)

English School, (19th century)

The different types of work for Parisian women before and during the 1st World War, cover illustration of 'Le Petit Journal', 26th November, 1916 (colour litho)
The different types of work for Parisian women before and during the 1st World War, cover illustration of 'Le Petit Journal', 26th November, 1916 (colour litho)

CHT307819: The different types of work for Parisian women before and during the 1st World War, cover illustration of 'Le Petit Journal', 26th November, 1916 (colour litho), French School, (20th century) / Bridgeman Images

ID: CHT307819

The different types of work for Parisian women before and during the 1st World War, cover illustration of 'Le Petit Journal', 26th November, 1916 (colour litho)

French School, (20th century)

Herbert Spencer (1820-1903) (b/w photo)
Herbert Spencer (1820-1903) (b/w photo)

XJF343184: Herbert Spencer (1820-1903) (b/w photo), English School / Bridgeman Images

ID: XJF343184

Herbert Spencer (1820-1903) (b/w photo)

English School

The Scent of a Rose, c.1890 (oil on canvas)
The Scent of a Rose, c.1890 (oil on canvas)

CH343560: The Scent of a Rose, c.1890 (oil on canvas), Privat-Livemont, Henri Theodore (1861-1936) / Bridgeman Images

ID: CH343560

The Scent of a Rose, c.1890 (oil on canvas)

Privat-Livemont, Henri Theodore (1861-1936)

'Let's Laugh', cover of
'Let's Laugh', cover of

CHT344017: 'Let's Laugh', cover of "Rions" magazine, 1908 (colour litho), Wallace (fl.1908) / Bridgeman Images

ID: CHT344017

'Let's Laugh', cover of "Rions" magazine, 1908 (colour litho)

Wallace (fl.1908)

2nd Lord Howard of Effingham (oil on panel)
2nd Lord Howard of Effingham (oil on panel)

DON322148: 2nd Lord Howard of Effingham (oil on panel), Mytens, Daniel (1590-c.1648) / Bridgeman Images

ID: DON322148

2nd Lord Howard of Effingham (oil on panel)

Mytens, Daniel (1590-c.1648)

Thus it was that Parsifal began his Pilgrimage, from 'The Stories of Wagner's Operas' by J. Walker McSpadden, 1905 (colour litho)
Thus it was that Parsifal began his Pilgrimage, from 'The Stories of Wagner's Operas' by J. Walker McSpadden, 1905 (colour litho)

STC323684: Thus it was that Parsifal began his Pilgrimage, from 'The Stories of Wagner's Operas' by J. Walker McSpadden, 1905 (colour litho), Leeke, Ferdinand (1859-1923) / Bridgeman Images

ID: STC323684

Thus it was that Parsifal began his Pilgrimage, from 'The Stories of Wagner's Operas' by J. Walker McSpadden, 1905 (colour litho)

Leeke, Ferdinand (1859-1923)

The Market of Verona, 1884 (oil on panel)
The Market of Verona, 1884 (oil on panel)

XPH324128: The Market of Verona, 1884 (oil on panel), Menzel, Adolph Friedrich Erdmann von (1815-1905) / Bridgeman Images

ID: XPH324128

The Market of Verona, 1884 (oil on panel)

Menzel, Adolph Friedrich Erdmann von (1815-1905)

Portrait of King William III at the Battle of the Boyne in 1690 (oil on canvas)
Portrait of King William III at the Battle of the Boyne in 1690 (oil on canvas)

CH325759: Portrait of King William III at the Battle of the Boyne in 1690 (oil on canvas), Wyck, Jan (1640-1700) (circle of) / Bridgeman Images

ID: CH325759

Portrait of King William III at the Battle of the Boyne in 1690 (oil on canvas)

Wyck, Jan (1640-1700) (circle of)

Necklace with vulture pendant, from the tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gold encrusted with lapis lazuli and cornelian) (see also 228214)
Necklace with vulture pendant, from the tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gold encrusted with lapis lazuli and cornelian) (see also 228214)

XBP324491: Necklace with vulture pendant, from the tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gold encrusted with lapis lazuli and cornelian) (see also 228214), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

ID: XBP324491

Necklace with vulture pendant, from the tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gold encrusted with lapis lazuli and cornelian) (see also 228214)

Egyptian 18th Dynasty (c.1567-1320 BC)

Portrait of Theofan Prokopovich (1681-1736) (oil on canvas)
Portrait of Theofan Prokopovich (1681-1736) (oil on canvas)

XAB329141: Portrait of Theofan Prokopovich (1681-1736) (oil on canvas), Russian School, (18th century) / Bridgeman Images

ID: XAB329141

Portrait of Theofan Prokopovich (1681-1736) (oil on canvas)

Russian School, (18th century)

The Fall of the Rebel Angels, 1562 (oil on panel) (detail of 74037)
The Fall of the Rebel Angels, 1562 (oil on panel) (detail of 74037)

XIR331640: The Fall of the Rebel Angels, 1562 (oil on panel) (detail of 74037), Bruegel, Pieter the Elder (c.1525-69) / Bridgeman Images

ID: XIR331640

The Fall of the Rebel Angels, 1562 (oil on panel) (detail of 74037)

Bruegel, Pieter the Elder (c.1525-69)

Septentrionalium Terrarum descriptio, 1595 (coloured engraving)
Septentrionalium Terrarum descriptio, 1595 (coloured engraving)

NBY332291: Septentrionalium Terrarum descriptio, 1595 (coloured engraving), Mercator, Gerardus (1512-94) / Bridgeman Images

ID: NBY332291

Septentrionalium Terrarum descriptio, 1595 (coloured engraving)

Mercator, Gerardus (1512-94)

Ms 149 t.1 fol.95 Marriage Scene, from the 'Histoire des Nobles Princes de Hainaut', by Jacques de Guise, 15th century (vellum)
Ms 149 t.1 fol.95 Marriage Scene, from the 'Histoire des Nobles Princes de Hainaut', by Jacques de Guise, 15th century (vellum)

XIR336986: Ms 149 t.1 fol.95 Marriage Scene, from the 'Histoire des Nobles Princes de Hainaut', by Jacques de Guise, 15th century (vellum), French School, (15th century) / Bridgeman Images

ID: XIR336986

Ms 149 t.1 fol.95 Marriage Scene, from the 'Histoire des Nobles Princes de Hainaut', by Jacques de Guise, 15th century (vellum)

French School, (15th century)

Charlotte Bronte working on 'Jane Eyre' (litho)
Charlotte Bronte working on 'Jane Eyre' (litho)

STC335864: Charlotte Bronte working on 'Jane Eyre' (litho), English School / Bridgeman Images

ID: STC335864

Charlotte Bronte working on 'Jane Eyre' (litho)

English School

'Serenity', illustration for Book VI of the Aeneid (oil on canvas)
'Serenity', illustration for Book VI of the Aeneid (oil on canvas)

XIR349819: 'Serenity', illustration for Book VI of the Aeneid (oil on canvas), Martin, Henri Jean Guillaume (1860-1943) / Bridgeman Images

ID: XIR349819

'Serenity', illustration for Book VI of the Aeneid (oil on canvas)

Martin, Henri Jean Guillaume (1860-1943)

Michael Soutzo (Mihai Sutu), Prince of Moldavia 1819-21, engraved by Lemercier for 'Voyage a Athenes et Constantinople', written and illustrated by Dupre, 1828 (colour litho)
Michael Soutzo (Mihai Sutu), Prince of Moldavia 1819-21, engraved by Lemercier for 'Voyage a Athenes et Constantinople', written and illustrated by Dupre, 1828 (colour litho)

CHT293618: Michael Soutzo (Mihai Sutu), Prince of Moldavia 1819-21, engraved by Lemercier for 'Voyage a Athenes et Constantinople', written and illustrated by Dupre, 1828 (colour litho), Dupre, Louis (1789-1837) (after) / Bridgeman Images

ID: CHT293618

Michael Soutzo (Mihai Sutu), Prince of Moldavia 1819-21, engraved by Lemercier for 'Voyage a Athenes et Constantinople', written and illustrated by Dupre, 1828 (colour litho)

Dupre, Louis (1789-1837) (after)

Architectural design for the Headquarters of the Midland Bank, Poultry, London (w/c on paper)
Architectural design for the Headquarters of the Midland Bank, Poultry, London (w/c on paper)

XCF307312: Architectural design for the Headquarters of the Midland Bank, Poultry, London (w/c on paper), Gotch, John A. (1852-1942) & Saunders, Charles (1859-1944) / Bridgeman Images

ID: XCF307312

Architectural design for the Headquarters of the Midland Bank, Poultry, London (w/c on paper)

Gotch, John A. (1852-1942) & Saunders, Charles (1859-1944)

Fleet Street and St. Paul's, 1897, photograph from The Times (sepia photo)
Fleet Street and St. Paul's, 1897, photograph from The Times (sepia photo)

STC306649: Fleet Street and St. Paul's, 1897, photograph from The Times (sepia photo), English Photographer, (19th century) / Bridgeman Images

ID: STC306649

Fleet Street and St. Paul's, 1897, photograph from The Times (sepia photo)

English Photographer, (19th century)

Signature of Ludvig van Beethoven (pen & ink)
Signature of Ludvig van Beethoven (pen & ink)

KWE417975: Signature of Ludvig van Beethoven (pen & ink), Beethoven, Ludwig van (1770-1827) / Bridgeman Images

ID: KWE417975

Signature of Ludvig van Beethoven (pen & ink)

Beethoven, Ludwig van (1770-1827)

Street in Bombay, from 'India Ancient and Modern', 1867 (colour litho)
Street in Bombay, from 'India Ancient and Modern', 1867 (colour litho)

STC418228: Street in Bombay, from 'India Ancient and Modern', 1867 (colour litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC418228

Street in Bombay, from 'India Ancient and Modern', 1867 (colour litho)

Simpson, William 'Crimea' (1823-99)

The Last Supper (oil on canvas)
The Last Supper (oil on canvas)

XIR420041: The Last Supper (oil on canvas), Verdier, Francois (1651-1730) / Bridgeman Images

ID: XIR420041

The Last Supper (oil on canvas)

Verdier, Francois (1651-1730)

The Tail of Mull from Iona (oil on canvas)
The Tail of Mull from Iona (oil on canvas)

CH426488: The Tail of Mull from Iona (oil on canvas), Cadell, Francis Campbell Boileau (1883-1937) / Bridgeman Images

ID: CH426488

The Tail of Mull from Iona (oil on canvas)

Cadell, Francis Campbell Boileau (1883-1937)

A Foggy Night in London (oil on canvas)
A Foggy Night in London (oil on canvas)

TW426558: A Foggy Night in London (oil on canvas), Whistler, James Abbott McNeill (1834-1903) (style of) / Bridgeman Images

ID: TW426558

A Foggy Night in London (oil on canvas)

Whistler, James Abbott McNeill (1834-1903) (style of)

Captain Cook taking possession of New South Wales, c.1910 (colour litho)
Captain Cook taking possession of New South Wales, c.1910 (colour litho)

IL433772: Captain Cook taking possession of New South Wales, c.1910 (colour litho), Gilfillan, John Alexander (1793-1867) (after) / Bridgeman Images

ID: IL433772

Captain Cook taking possession of New South Wales, c.1910 (colour litho)

Gilfillan, John Alexander (1793-1867) (after)

Old State House, Boston, in c.1870, from 'American Pictures' published by the Religious Tract Society, 1876 (engraving)
Old State House, Boston, in c.1870, from 'American Pictures' published by the Religious Tract Society, 1876 (engraving)

KWE171048: Old State House, Boston, in c.1870, from 'American Pictures' published by the Religious Tract Society, 1876 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE171048

Old State House, Boston, in c.1870, from 'American Pictures' published by the Religious Tract Society, 1876 (engraving)

English School, (19th century)

Postcard depicting Robert Schumann (1810-56) with Muses, c.1910 (colour litho)
Postcard depicting Robert Schumann (1810-56) with Muses, c.1910 (colour litho)

CHT169683: Postcard depicting Robert Schumann (1810-56) with Muses, c.1910 (colour litho), Schweninger, Karl the Elder (1818-87) (after) / Bridgeman Images

ID: CHT169683

Postcard depicting Robert Schumann (1810-56) with Muses, c.1910 (colour litho)

Schweninger, Karl the Elder (1818-87) (after)

Attic red figure amphora depicting Ares and Aphrodite in a chariot fighting the giants (pottery)
Attic red figure amphora depicting Ares and Aphrodite in a chariot fighting the giants (pottery)

XIR173126: Attic red figure amphora depicting Ares and Aphrodite in a chariot fighting the giants (pottery), Suessula Painter (c.420-390 BC) / Bridgeman Images

ID: XIR173126

Attic red figure amphora depicting Ares and Aphrodite in a chariot fighting the giants (pottery)

Suessula Painter (c.420-390 BC)

Orangery, from 'De Nederlandze Hesperides' by Jan Commelin, published 1676 (engraving)
Orangery, from 'De Nederlandze Hesperides' by Jan Commelin, published 1676 (engraving)

STC171668: Orangery, from 'De Nederlandze Hesperides' by Jan Commelin, published 1676 (engraving), Dutch School, (17th century) / Bridgeman Images

ID: STC171668

Orangery, from 'De Nederlandze Hesperides' by Jan Commelin, published 1676 (engraving)

Dutch School, (17th century)

Allegory of the Concordat between Napoleon Bonaparte (1769-1821) and Pope Pius VII (1742-1823) 1801 (coloured engraving) (see also 175951)
Allegory of the Concordat between Napoleon Bonaparte (1769-1821) and Pope Pius VII (1742-1823) 1801 (coloured engraving) (see also 175951)

CHT173595: Allegory of the Concordat between Napoleon Bonaparte (1769-1821) and Pope Pius VII (1742-1823) 1801 (coloured engraving) (see also 175951), French School, (19th century) / Bridgeman Images

ID: CHT173595

Allegory of the Concordat between Napoleon Bonaparte (1769-1821) and Pope Pius VII (1742-1823) 1801 (coloured engraving) (see also 175951)

French School, (19th century)

Portrait of Madame de Pompadour, 1752 (pastel on paper)
Portrait of Madame de Pompadour, 1752 (pastel on paper)

XIR172646: Portrait of Madame de Pompadour, 1752 (pastel on paper), Tour, Maurice Quentin de la (1704-88) / Bridgeman Images

ID: XIR172646

Portrait of Madame de Pompadour, 1752 (pastel on paper)

Tour, Maurice Quentin de la (1704-88)

Figaro, illustration from Act I Scene 2 of 'The Barber of Seville' by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by L. Wolff, 1876 (engraving)
Figaro, illustration from Act I Scene 2 of 'The Barber of Seville' by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by L. Wolff, 1876 (engraving)

XIR173125: Figaro, illustration from Act I Scene 2 of 'The Barber of Seville' by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by L. Wolff, 1876 (engraving), Bayard, Emile Antoine (1837-91) (after) / Bridgeman Images

ID: XIR173125

Figaro, illustration from Act I Scene 2 of 'The Barber of Seville' by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by L. Wolff, 1876 (engraving)

Bayard, Emile Antoine (1837-91) (after)

Copyist Writing upon a Sheet of Vellum, from a manuscript, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)
Copyist Writing upon a Sheet of Vellum, from a manuscript, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)

XJF173284: Copyist Writing upon a Sheet of Vellum, from a manuscript, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving), French School, (15th century) (after) / Bridgeman Images

ID: XJF173284

Copyist Writing upon a Sheet of Vellum, from a manuscript, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)

French School, (15th century) (after)

City of God' according to St. Augustine, from a manuscript translated by Raoul de Presles, illustration from 'Science and Literature of the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)
City of God' according to St. Augustine, from a manuscript translated by Raoul de Presles, illustration from 'Science and Literature of the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)

XJF173298: City of God' according to St. Augustine, from a manuscript translated by Raoul de Presles, illustration from 'Science and Literature of the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving), French School, (15th century) (after) / Bridgeman Images

ID: XJF173298

City of God' according to St. Augustine, from a manuscript translated by Raoul de Presles, illustration from 'Science and Literature of the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)

French School, (15th century) (after)


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