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A British Druid, engraved by van der Gucht, 1723 (engraving)
A British Druid, engraved by van der Gucht, 1723 (engraving)

XJF387472: A British Druid, engraved by van der Gucht, 1723 (engraving), Stukeley, William (1687-1765) (after) / Bridgeman Images

ID: XJF387472

A British Druid, engraved by van der Gucht, 1723 (engraving)

Stukeley, William (1687-1765) (after)

Heliogabalus, High Priest of the Sun, 1866 (pencil & watercolour heightened with bodycolour with gum arabic)
Heliogabalus, High Priest of the Sun, 1866 (pencil & watercolour heightened with bodycolour with gum arabic)

CH378651: Heliogabalus, High Priest of the Sun, 1866 (pencil & watercolour heightened with bodycolour with gum arabic), Solomon, Simeon (1840-1905) / Bridgeman Images

ID: CH378651

Heliogabalus, High Priest of the Sun, 1866 (pencil & watercolour heightened with bodycolour with gum arabic)

Solomon, Simeon (1840-1905)

Thomas Edison in his laboratory, 1906 (silver gelatin print)
Thomas Edison in his laboratory, 1906 (silver gelatin print)

MNY381400: Thomas Edison in his laboratory, 1906 (silver gelatin print), Byron Company (fl.1890-1942) / Bridgeman Images

ID: MNY381400

Thomas Edison in his laboratory, 1906 (silver gelatin print)

Byron Company (fl.1890-1942)

Detail of angel musicians from a painting of the Virgin and Child surrounded by six angels, 1437-44 (oil & gold on wood)
Detail of angel musicians from a painting of the Virgin and Child surrounded by six angels, 1437-44 (oil & gold on wood)

XIR387393: Detail of angel musicians from a painting of the Virgin and Child surrounded by six angels, 1437-44 (oil & gold on wood), Sassetta (Stefano di Giovanni di Consolo) (c.1392-1450) / Bridgeman Images

ID: XIR387393

Detail of angel musicians from a painting of the Virgin and Child surrounded by six angels, 1437-44 (oil & gold on wood)

Sassetta (Stefano di Giovanni di Consolo) (c.1392-1450)

The Hermitage at Pontoise, 1884 (oil on canvas)
The Hermitage at Pontoise, 1884 (oil on canvas)

XIR407388: The Hermitage at Pontoise, 1884 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

ID: XIR407388

The Hermitage at Pontoise, 1884 (oil on canvas)

Cezanne, Paul (1839-1906)

Haymaking (Le Foins), c.1870-90 (oil on oak panel)
Haymaking (Le Foins), c.1870-90 (oil on oak panel)

ALM403362: Haymaking (Le Foins), c.1870-90 (oil on oak panel), Boudin, Eugene Louis (1824-98) / Bridgeman Images

ID: ALM403362

Haymaking (Le Foins), c.1870-90 (oil on oak panel)

Boudin, Eugene Louis (1824-98)

Map of Genoa and Florence, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)
Map of Genoa and Florence, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)

STC121063: Map of Genoa and Florence, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC121063

Map of Genoa and Florence, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

Young Child and a Big Dog (oil on canvas)
Young Child and a Big Dog (oil on canvas)

NUM119773: Young Child and a Big Dog (oil on canvas), Toro, Luigi (1836-1900) / Bridgeman Images

ID: NUM119773

Young Child and a Big Dog (oil on canvas)

Toro, Luigi (1836-1900)

Map of the Coast of New England, Observed and Described by Captain John Smith (1580-1631) 1614, from 'Generall Historie', 1624 (engraving) (b&w photo)
Map of the Coast of New England, Observed and Described by Captain John Smith (1580-1631) 1614, from 'Generall Historie', 1624 (engraving) (b&w photo)

BAL124142: Map of the Coast of New England, Observed and Described by Captain John Smith (1580-1631) 1614, from 'Generall Historie', 1624 (engraving) (b&w photo), Passe, Simon de (1595-1647) / Bridgeman Images

ID: BAL124142

Map of the Coast of New England, Observed and Described by Captain John Smith (1580-1631) 1614, from 'Generall Historie', 1624 (engraving) (b&w photo)

Passe, Simon de (1595-1647)

Standing Nude Woman, c.1898-99 (oil on canvas)
Standing Nude Woman, c.1898-99 (oil on canvas)

NUM121576: Standing Nude Woman, c.1898-99 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

ID: NUM121576

Standing Nude Woman, c.1898-99 (oil on canvas)

Cezanne, Paul (1839-1906)

Easter Procession, 1861 (oil on canvas)
Easter Procession, 1861 (oil on canvas)

XAB122108: Easter Procession, 1861 (oil on canvas), Perov, Vasili Grigorevich (1833-82) / Bridgeman Images

ID: XAB122108

Easter Procession, 1861 (oil on canvas)

Perov, Vasili Grigorevich (1833-82)

Primula auricula, engraved by Victor, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving)
Primula auricula, engraved by Victor, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving)

NP125911: Primula auricula, engraved by Victor, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images

ID: NP125911

Primula auricula, engraved by Victor, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving)

Redoute, Pierre Joseph (1759-1840) (after)

The Resolution Beating Through the Ice with the Discovery in the most Imminent Danger in the Distance, from 'Views in the South Seas', pub. 1792 (etching)
The Resolution Beating Through the Ice with the Discovery in the most Imminent Danger in the Distance, from 'Views in the South Seas', pub. 1792 (etching)

NP125996: The Resolution Beating Through the Ice with the Discovery in the most Imminent Danger in the Distance, from 'Views in the South Seas', pub. 1792 (etching), Webber, John (1750-93) / Bridgeman Images

ID: NP125996

The Resolution Beating Through the Ice with the Discovery in the most Imminent Danger in the Distance, from 'Views in the South Seas', pub. 1792 (etching)

Webber, John (1750-93)

Portrait of Henri Edmond Cross (1856-1910) 1898 (oil on canvas) (see 20769)
Portrait of Henri Edmond Cross (1856-1910) 1898 (oil on canvas) (see 20769)

XIR140248: Portrait of Henri Edmond Cross (1856-1910) 1898 (oil on canvas) (see 20769), Luce, Maximilien (1858-1941) / Bridgeman Images

ID: XIR140248

Portrait of Henri Edmond Cross (1856-1910) 1898 (oil on canvas) (see 20769)

Luce, Maximilien (1858-1941)

Old Woman, 1909 (oil on canvas) (b/w photo)
Old Woman, 1909 (oil on canvas) (b/w photo)

FFA145392: Old Woman, 1909 (oil on canvas) (b/w photo), Klimt, Gustav (1862-1918) / Bridgeman Images

ID: FFA145392

Old Woman, 1909 (oil on canvas) (b/w photo)

Klimt, Gustav (1862-1918)

Gerhart Hauptmann, 1912 (oil on canvas)
Gerhart Hauptmann, 1912 (oil on canvas)

XKH144749: Gerhart Hauptmann, 1912 (oil on canvas), Liebermann, Max (1847-1935) / Bridgeman Images

ID: XKH144749

Gerhart Hauptmann, 1912 (oil on canvas)

Liebermann, Max (1847-1935)

Dominican Monk at his Desk, from the Cycle of 'Forty Illustrious Members of the Dominican Order', in the Chapterhouse, 1342 (fresco)
Dominican Monk at his Desk, from the Cycle of 'Forty Illustrious Members of the Dominican Order', in the Chapterhouse, 1342 (fresco)

KAB146155: Dominican Monk at his Desk, from the Cycle of 'Forty Illustrious Members of the Dominican Order', in the Chapterhouse, 1342 (fresco), Tommaso da Modena (1325-76) / Bridgeman Images

ID: KAB146155

Dominican Monk at his Desk, from the Cycle of 'Forty Illustrious Members of the Dominican Order', in the Chapterhouse, 1342 (fresco)

Tommaso da Modena (1325-76)

Lady with a Tall Hat, c.1917, (pencil on paper)
Lady with a Tall Hat, c.1917, (pencil on paper)

FFA145846: Lady with a Tall Hat, c.1917, (pencil on paper), Klimt, Gustav (1862-1918) / Bridgeman Images

ID: FFA145846

Lady with a Tall Hat, c.1917, (pencil on paper)

Klimt, Gustav (1862-1918)

Refuse Collector, from 'Costumes of Great Britain', published by William Miller, 1805 (colour litho)
Refuse Collector, from 'Costumes of Great Britain', published by William Miller, 1805 (colour litho)

XZL148138: Refuse Collector, from 'Costumes of Great Britain', published by William Miller, 1805 (colour litho), Pyne, William Henry (1769-1843) / Bridgeman Images

ID: XZL148138

Refuse Collector, from 'Costumes of Great Britain', published by William Miller, 1805 (colour litho)

Pyne, William Henry (1769-1843)

Frederick II the Great (1712-86) in Lissa, 1757, Bonsoir, Messieurs!, 1858 (oil on canvas)
Frederick II the Great (1712-86) in Lissa, 1757, Bonsoir, Messieurs!, 1858 (oil on canvas)

XKH144798: Frederick II the Great (1712-86) in Lissa, 1757, Bonsoir, Messieurs!, 1858 (oil on canvas), Menzel, Adolph Friedrich Erdmann von (1815-1905) / Bridgeman Images

ID: XKH144798

Frederick II the Great (1712-86) in Lissa, 1757, Bonsoir, Messieurs!, 1858 (oil on canvas)

Menzel, Adolph Friedrich Erdmann von (1815-1905)

The Unemployed of London: Inscription on the Gates, West India Docks, from 'The Illustrated London News', 20th February 1886 (engraving)
The Unemployed of London: Inscription on the Gates, West India Docks, from 'The Illustrated London News', 20th February 1886 (engraving)

BAL127855: The Unemployed of London: Inscription on the Gates, West India Docks, from 'The Illustrated London News', 20th February 1886 (engraving), English School, (19th century) / Bridgeman Images

ID: BAL127855

The Unemployed of London: Inscription on the Gates, West India Docks, from 'The Illustrated London News', 20th February 1886 (engraving)

English School, (19th century)

The Newborn Tapir and Its Mother, in the Zoological Society's Gardens, from 'The Illustrated London News', 25th February 1882 (engraving)
The Newborn Tapir and Its Mother, in the Zoological Society's Gardens, from 'The Illustrated London News', 25th February 1882 (engraving)

BAL127949: The Newborn Tapir and Its Mother, in the Zoological Society's Gardens, from 'The Illustrated London News', 25th February 1882 (engraving), English School, (19th century) / Bridgeman Images

ID: BAL127949

The Newborn Tapir and Its Mother, in the Zoological Society's Gardens, from 'The Illustrated London News', 25th February 1882 (engraving)

English School, (19th century)

Gustavian Style Interior with Card-Players (oil on canvas)
Gustavian Style Interior with Card-Players (oil on canvas)

XOS128580: Gustavian Style Interior with Card-Players (oil on canvas), Hillestrom, Pehr (1732-1816) / Bridgeman Images

ID: XOS128580

Gustavian Style Interior with Card-Players (oil on canvas)

Hillestrom, Pehr (1732-1816)

Portrait of Tsar Michael III Fyodorovich (1596-1645), 1728 (oil on canvas)
Portrait of Tsar Michael III Fyodorovich (1596-1645), 1728 (oil on canvas)

XAB128209: Portrait of Tsar Michael III Fyodorovich (1596-1645), 1728 (oil on canvas), Wedekind, Johann Heinrich (1674-1736) / Bridgeman Images

ID: XAB128209

Portrait of Tsar Michael III Fyodorovich (1596-1645), 1728 (oil on canvas)

Wedekind, Johann Heinrich (1674-1736)

Flora MacDonald (1722-90), engraved by J. Faber,1747 (mezzotint engraving)
Flora MacDonald (1722-90), engraved by J. Faber,1747 (mezzotint engraving)

DRB128841: Flora MacDonald (1722-90), engraved by J. Faber,1747 (mezzotint engraving), Hudson, Thomas (1701-79) (after) / Bridgeman Images

ID: DRB128841

Flora MacDonald (1722-90), engraved by J. Faber,1747 (mezzotint engraving)

Hudson, Thomas (1701-79) (after)

The Destruction of the Danish Fleet before Copenhagen, April 2nd 1801, engraved by Bailey for J. Jenkins's 'Naval Achievements', 1816 (colour engraving)
The Destruction of the Danish Fleet before Copenhagen, April 2nd 1801, engraved by Bailey for J. Jenkins's 'Naval Achievements', 1816 (colour engraving)

STC131123: The Destruction of the Danish Fleet before Copenhagen, April 2nd 1801, engraved by Bailey for J. Jenkins's 'Naval Achievements', 1816 (colour engraving), Whitcombe, Thomas (c.1752-1824) (after) / Bridgeman Images

ID: STC131123

The Destruction of the Danish Fleet before Copenhagen, April 2nd 1801, engraved by Bailey for J. Jenkins's 'Naval Achievements', 1816 (colour engraving)

Whitcombe, Thomas (c.1752-1824) (after)

Immanuel Kant (engraving)
Immanuel Kant (engraving)

XJF133394: Immanuel Kant (engraving), English School, (19th century) / Bridgeman Images

ID: XJF133394

Immanuel Kant (engraving)

English School, (19th century)

Reproduction of a poster advertising the 'Cafe Rajah', 1897 (colour litho)
Reproduction of a poster advertising the 'Cafe Rajah', 1897 (colour litho)

STC138815: Reproduction of a poster advertising the 'Cafe Rajah', 1897 (colour litho), Meunier, Henri Georges Jean Isidore (1873-1922) / Bridgeman Images

ID: STC138815

Reproduction of a poster advertising the 'Cafe Rajah', 1897 (colour litho)

Meunier, Henri Georges Jean Isidore (1873-1922)

A Jubilee Portrait of Queen Victoria (1819-1901) Laughing, 21 June 1887 (sepia photo)
A Jubilee Portrait of Queen Victoria (1819-1901) Laughing, 21 June 1887 (sepia photo)

STC138850: A Jubilee Portrait of Queen Victoria (1819-1901) Laughing, 21 June 1887 (sepia photo), English School, (19th century) / Bridgeman Images

ID: STC138850

A Jubilee Portrait of Queen Victoria (1819-1901) Laughing, 21 June 1887 (sepia photo)

English School, (19th century)

Antiseptic Surgery, 1882 (engraving)
Antiseptic Surgery, 1882 (engraving)

XJF140217: Antiseptic Surgery, 1882 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF140217

Antiseptic Surgery, 1882 (engraving)

English School, (19th century)

Cloud Study, 1821 (oil on paper on board)
Cloud Study, 1821 (oil on paper on board)

XYC129320: Cloud Study, 1821 (oil on paper on board), Constable, John (1776-1837) / Bridgeman Images

ID: XYC129320

Cloud Study, 1821 (oil on paper on board)

Constable, John (1776-1837)

Calla Aethiopica with Butterfly and Caterpillar (watercolour and gouache over pencil on vellum)
Calla Aethiopica with Butterfly and Caterpillar (watercolour and gouache over pencil on vellum)

MAA129986: Calla Aethiopica with Butterfly and Caterpillar (watercolour and gouache over pencil on vellum), Conyers, Matilda (1753-1803) / Bridgeman Images

ID: MAA129986

Calla Aethiopica with Butterfly and Caterpillar (watercolour and gouache over pencil on vellum)

Conyers, Matilda (1753-1803)

Jacob's Dream, 1705 (oil on canvas)
Jacob's Dream, 1705 (oil on canvas)

XYC127209: Jacob's Dream, 1705 (oil on canvas), Thornhill, James (1675-1734) / Bridgeman Images

ID: XYC127209

Jacob's Dream, 1705 (oil on canvas)

Thornhill, James (1675-1734)

Trepanned Skull, from 'Incidents of Travel and Exploration in the Land of the Incas' by E. George Squier, pub. in 1878 (engraving)
Trepanned Skull, from 'Incidents of Travel and Exploration in the Land of the Incas' by E. George Squier, pub. in 1878 (engraving)

BAL129784: Trepanned Skull, from 'Incidents of Travel and Exploration in the Land of the Incas' by E. George Squier, pub. in 1878 (engraving), English School, (19th century) / Bridgeman Images

ID: BAL129784

Trepanned Skull, from 'Incidents of Travel and Exploration in the Land of the Incas' by E. George Squier, pub. in 1878 (engraving)

English School, (19th century)

The Flight of Faust and Mephistopheles, 1896
The Flight of Faust and Mephistopheles, 1896

XAB134992: The Flight of Faust and Mephistopheles, 1896, Vrubel, Mikhail Aleksandrovich (1856-1910) / Bridgeman Images

ID: XAB134992

The Flight of Faust and Mephistopheles, 1896

Vrubel, Mikhail Aleksandrovich (1856-1910)

Plate XX from Volume I of 'The Mathematical Principles of Natural Philosophy' by Sir Isaac Newton (1642-1727) engraved by John Lodge (fl. 1782) 1777 (engraving)
Plate XX from Volume I of 'The Mathematical Principles of Natural Philosophy' by Sir Isaac Newton (1642-1727) engraved by John Lodge (fl. 1782) 1777 (engraving)

BAL136311: Plate XX from Volume I of 'The Mathematical Principles of Natural Philosophy' by Sir Isaac Newton (1642-1727) engraved by John Lodge (fl. 1782) 1777 (engraving), English School, (18th century) / Bridgeman Images

ID: BAL136311

Plate XX from Volume I of 'The Mathematical Principles of Natural Philosophy' by Sir Isaac Newton (1642-1727) engraved by John Lodge (fl. 1782) 1777 (engraving)

English School, (18th century)


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