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Study of figures for 'The Adoration of the Magi' (pen and ink on paper)
Study of figures for 'The Adoration of the Magi' (pen and ink on paper)

XIR154608: Study of figures for 'The Adoration of the Magi' (pen and ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

ID: XIR154608

Study of figures for 'The Adoration of the Magi' (pen and ink on paper)

Vinci, Leonardo da (1452-1519)

Still Life with Ham (oil on canvas)
Still Life with Ham (oil on canvas)

XIR154672: Still Life with Ham (oil on canvas), Claesz, Pieter (1597-1660) (attr.to) / Bridgeman Images

ID: XIR154672

Still Life with Ham (oil on canvas)

Claesz, Pieter (1597-1660) (attr.to)

The Threshing Machine (Loiret) 1896 (oil on canvas)
The Threshing Machine (Loiret) 1896 (oil on canvas)

XIR154731: The Threshing Machine (Loiret) 1896 (oil on canvas), Rigolot, Albert Gabriel (1862-1932) / Bridgeman Images

ID: XIR154731

The Threshing Machine (Loiret) 1896 (oil on canvas)

Rigolot, Albert Gabriel (1862-1932)

Binnenalster with the Lombardsbrucke, Hamburg, 1910 (pastel on paper)
Binnenalster with the Lombardsbrucke, Hamburg, 1910 (pastel on paper)

XKH144729: Binnenalster with the Lombardsbrucke, Hamburg, 1910 (pastel on paper), Liebermann, Max (1847-1935) / Bridgeman Images

ID: XKH144729

Binnenalster with the Lombardsbrucke, Hamburg, 1910 (pastel on paper)

Liebermann, Max (1847-1935)

Poster advertising 'Vite Aspro', 1964 (colour litho)
Poster advertising 'Vite Aspro', 1964 (colour litho)

XIR188819: Poster advertising 'Vite Aspro', 1964 (colour litho), Savignac, Raymond (1907-2002) / Bridgeman Images

ID: XIR188819

Poster advertising 'Vite Aspro', 1964 (colour litho)

Savignac, Raymond (1907-2002)

Astrological table of the Sun, from the 'Book of Good and Bad Fortune' (vellum)
Astrological table of the Sun, from the 'Book of Good and Bad Fortune' (vellum)

XIR155538: Astrological table of the Sun, from the 'Book of Good and Bad Fortune' (vellum), Italian School, (15th century) / Bridgeman Images

ID: XIR155538

Astrological table of the Sun, from the 'Book of Good and Bad Fortune' (vellum)

Italian School, (15th century)

Detail of Dead Swiss, 1990 (tins, photographs, lamps and cables)
Detail of Dead Swiss, 1990 (tins, photographs, lamps and cables)

XKH146405: Detail of Dead Swiss, 1990 (tins, photographs, lamps and cables), Boltanski, Christian (b.1944) / Bridgeman Images

ID: XKH146405

Detail of Dead Swiss, 1990 (tins, photographs, lamps and cables)

Boltanski, Christian (b.1944)

Construction of a Wheat Market, 1765 (oil on canvas)
Construction of a Wheat Market, 1765 (oil on canvas)

XIR182981: Construction of a Wheat Market, 1765 (oil on canvas), Demachy, Pierre Antoine (1723-1807) / Bridgeman Images

ID: XIR182981

Construction of a Wheat Market, 1765 (oil on canvas)

Demachy, Pierre Antoine (1723-1807)

Henri Coiffier-Ruze d'Effiat (1620-42) Marquis de Cinq-Mars, c.1837 (oil on canvas)
Henri Coiffier-Ruze d'Effiat (1620-42) Marquis de Cinq-Mars, c.1837 (oil on canvas)

XIR191389: Henri Coiffier-Ruze d'Effiat (1620-42) Marquis de Cinq-Mars, c.1837 (oil on canvas), Lestang-Parade, Leon de (1810-87) / Bridgeman Images

ID: XIR191389

Henri Coiffier-Ruze d'Effiat (1620-42) Marquis de Cinq-Mars, c.1837 (oil on canvas)

Lestang-Parade, Leon de (1810-87)

The Normans fight and kill those who were with King Harold, Bayeux Tapestry (wool embroidery on linen)
The Normans fight and kill those who were with King Harold, Bayeux Tapestry (wool embroidery on linen)

XIR183148: The Normans fight and kill those who were with King Harold, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

ID: XIR183148

The Normans fight and kill those who were with King Harold, Bayeux Tapestry (wool embroidery on linen)

English School, (11th century)

View of the Champs-Elysees from the Place de l'Etoile, 1878 (oil on canvas)
View of the Champs-Elysees from the Place de l'Etoile, 1878 (oil on canvas)

BOO183851: View of the Champs-Elysees from the Place de l'Etoile, 1878 (oil on canvas), Grandjean, Edmond Georges (1844-1909) / Bridgeman Images

ID: BOO183851

View of the Champs-Elysees from the Place de l'Etoile, 1878 (oil on canvas)

Grandjean, Edmond Georges (1844-1909)

The Imperial Family on Horseback (coloured engraving)
The Imperial Family on Horseback (coloured engraving)

XIR192398: The Imperial Family on Horseback (coloured engraving), French School, (19th century) / Bridgeman Images

ID: XIR192398

The Imperial Family on Horseback (coloured engraving)

French School, (19th century)

An Uprising in city hall square at Fourmies, illustration from 'Le Monde Illustre', 9th May 1891 (engraving) (b/w photo)
An Uprising in city hall square at Fourmies, illustration from 'Le Monde Illustre', 9th May 1891 (engraving) (b/w photo)

CHT184383: An Uprising in city hall square at Fourmies, illustration from 'Le Monde Illustre', 9th May 1891 (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT184383

An Uprising in city hall square at Fourmies, illustration from 'Le Monde Illustre', 9th May 1891 (engraving) (b/w photo)

French School, (19th century)

The Tomb of Lorenzo de Medici (1449-92) detail of Dawn, 1520-24 (marble)
The Tomb of Lorenzo de Medici (1449-92) detail of Dawn, 1520-24 (marble)

XIR199147: The Tomb of Lorenzo de Medici (1449-92) detail of Dawn, 1520-24 (marble), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: XIR199147

The Tomb of Lorenzo de Medici (1449-92) detail of Dawn, 1520-24 (marble)

Buonarroti, Michelangelo (1475-1564)

Poverty in Paris: The Passage Gergovie, 1884 (colour litho)
Poverty in Paris: The Passage Gergovie, 1884 (colour litho)

CHT219395: Poverty in Paris: The Passage Gergovie, 1884 (colour litho), Myrbach-Rheinfeld, Felicien baron de (b.1853) (after) / Bridgeman Images

ID: CHT219395

Poverty in Paris: The Passage Gergovie, 1884 (colour litho)

Myrbach-Rheinfeld, Felicien baron de (b.1853) (after)

The Five Senses - Sight (oil on canvas)
The Five Senses - Sight (oil on canvas)

XIR226022: The Five Senses - Sight (oil on canvas), Bosse, Abraham (1602-76) (after) / Bridgeman Images

ID: XIR226022

The Five Senses - Sight (oil on canvas)

Bosse, Abraham (1602-76) (after)

St. Peter's Prayer before the Raising of Tabitha, c.1654-55 (pen & ink on paper)
St. Peter's Prayer before the Raising of Tabitha, c.1654-55 (pen & ink on paper)

BBC206166: St. Peter's Prayer before the Raising of Tabitha, c.1654-55 (pen & ink on paper), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: BBC206166

St. Peter's Prayer before the Raising of Tabitha, c.1654-55 (pen & ink on paper)

Rembrandt Harmensz. van Rijn (1606-69)

St. Luke Painting the Virgin (oil on panel)
St. Luke Painting the Virgin (oil on panel)

BBC206174: St. Luke Painting the Virgin (oil on panel), Raphael, Sanzio of Urbino (1483-1520) (attr. to) / Bridgeman Images

ID: BBC206174

St. Luke Painting the Virgin (oil on panel)

Raphael, Sanzio of Urbino (1483-1520) (attr. to)

East View of the Forts Jellali and Merani, Muskah, Arabia, June 1793 (w/c, pen & ink and pencil on paper)
East View of the Forts Jellali and Merani, Muskah, Arabia, June 1793 (w/c, pen & ink and pencil on paper)

XYC206193: East View of the Forts Jellali and Merani, Muskah, Arabia, June 1793 (w/c, pen & ink and pencil on paper), Daniell, Thomas (1749-1840) & William (1769-1837) / Bridgeman Images

ID: XYC206193

East View of the Forts Jellali and Merani, Muskah, Arabia, June 1793 (w/c, pen & ink and pencil on paper)

Daniell, Thomas (1749-1840) & William (1769-1837)

Mars, illustration from 'Festkalender' published in Leipzig c.1910 (colour lithograph)
Mars, illustration from 'Festkalender' published in Leipzig c.1910 (colour lithograph)

AFC215860: Mars, illustration from 'Festkalender' published in Leipzig c.1910 (colour lithograph), Thoma, Hans (1839-1924) / Bridgeman Images

ID: AFC215860

Mars, illustration from 'Festkalender' published in Leipzig c.1910 (colour lithograph)

Thoma, Hans (1839-1924)

The Calling of St. Peter, from a series of Scenes of the New Testament (fresco)
The Calling of St. Peter, from a series of Scenes of the New Testament (fresco)

XAL249271: The Calling of St. Peter, from a series of Scenes of the New Testament (fresco), Barna da Siena (fl.1350-55) / Bridgeman Images

ID: XAL249271

The Calling of St. Peter, from a series of Scenes of the New Testament (fresco)

Barna da Siena (fl.1350-55)

Portrait of Alexander Hamilton (1755/57-1804) (litho)
Portrait of Alexander Hamilton (1755/57-1804) (litho)

KWE254733: Portrait of Alexander Hamilton (1755/57-1804) (litho), Chappel, Alonzo (1828-87) (after) / Bridgeman Images

ID: KWE254733

Portrait of Alexander Hamilton (1755/57-1804) (litho)

Chappel, Alonzo (1828-87) (after)

Street urchins in Lambeth (b/w photo)
Street urchins in Lambeth (b/w photo)

STC244751: Street urchins in Lambeth (b/w photo), English Photographer, (19th century) / Bridgeman Images

ID: STC244751

Street urchins in Lambeth (b/w photo)

English Photographer, (19th century)

Boris Godunov with Ivan the Terrible (oil on canvas)
Boris Godunov with Ivan the Terrible (oil on canvas)

BAL269913: Boris Godunov with Ivan the Terrible (oil on canvas), Repin, Ilya Efimovich (1844-1930) / Bridgeman Images

ID: BAL269913

Boris Godunov with Ivan the Terrible (oil on canvas)

Repin, Ilya Efimovich (1844-1930)

Benito Mussolini (1883-1945) 1930s (b/w photo)
Benito Mussolini (1883-1945) 1930s (b/w photo)

CHT247729: Benito Mussolini (1883-1945) 1930s (b/w photo), Italian Photographer, (20th century) / Bridgeman Images

ID: CHT247729

Benito Mussolini (1883-1945) 1930s (b/w photo)

Italian Photographer, (20th century)

Canis Antarcticus
Canis Antarcticus

XJF272226: Canis Antarcticus, English School / Bridgeman Images

ID: XJF272226

Canis Antarcticus

English School

'Here Begynneth the Knightes Tale', illustration from 'The Canterbury Tales' by Geoffrey Chaucer (c.1345-1400) printed by William Caxton (c.1422-91) 1434 (woodcut) (later colouration)
'Here Begynneth the Knightes Tale', illustration from 'The Canterbury Tales' by Geoffrey Chaucer (c.1345-1400) printed by William Caxton (c.1422-91) 1434 (woodcut) (later colouration)

XCF209222: 'Here Begynneth the Knightes Tale', illustration from 'The Canterbury Tales' by Geoffrey Chaucer (c.1345-1400) printed by William Caxton (c.1422-91) 1434 (woodcut) (later colouration), English School, (15th century) / Bridgeman Images

ID: XCF209222

'Here Begynneth the Knightes Tale', illustration from 'The Canterbury Tales' by Geoffrey Chaucer (c.1345-1400) printed by William Caxton (c.1422-91) 1434 (woodcut) (later colouration)

English School, (15th century)

Jacques Cartier (1491-1557) illustration from Volume IV of 'Narrative and Critical History of America', 1886 (engraving) (later colouration)
Jacques Cartier (1491-1557) illustration from Volume IV of 'Narrative and Critical History of America', 1886 (engraving) (later colouration)

BAL209230: Jacques Cartier (1491-1557) illustration from Volume IV of 'Narrative and Critical History of America', 1886 (engraving) (later colouration), English School, (19th century) / Bridgeman Images

ID: BAL209230

Jacques Cartier (1491-1557) illustration from Volume IV of 'Narrative and Critical History of America', 1886 (engraving) (later colouration)

English School, (19th century)

Adam Naming the Beasts, 1810 (tempera on canvas)
Adam Naming the Beasts, 1810 (tempera on canvas)

GLS219827: Adam Naming the Beasts, 1810 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

ID: GLS219827

Adam Naming the Beasts, 1810 (tempera on canvas)

Blake, William (1757-1827)

Reclining Nude, 1983 (oil on canvas)
Reclining Nude, 1983 (oil on canvas)

XJL211805: Reclining Nude, 1983 (oil on canvas), Naranjo, Eduardo (20th century) / Bridgeman Images

ID: XJL211805

Reclining Nude, 1983 (oil on canvas)

Naranjo, Eduardo (20th century)

Isadora Duncan (1877-1927) c.1903-04 (b/w photo)
Isadora Duncan (1877-1927) c.1903-04 (b/w photo)

CHT239523: Isadora Duncan (1877-1927) c.1903-04 (b/w photo), Elvira Studio (19th-20th century) / Bridgeman Images

ID: CHT239523

Isadora Duncan (1877-1927) c.1903-04 (b/w photo)

Elvira Studio (19th-20th century)

The Puppet Theatre (w/c on paper)
The Puppet Theatre (w/c on paper)

XIR227213: The Puppet Theatre (w/c on paper), Pinelli, Achille (1809-41) / Bridgeman Images

ID: XIR227213

The Puppet Theatre (w/c on paper)

Pinelli, Achille (1809-41)

Suit of armour and matching horse armour
Suit of armour and matching horse armour

XBP227794: Suit of armour and matching horse armour, English School, (15th century) / Bridgeman Images

ID: XBP227794

Suit of armour and matching horse armour

English School, (15th century)

The Bosquet des Bains d'Apollo, 18th century (oil on canvas)
The Bosquet des Bains d'Apollo, 18th century (oil on canvas)

XIR237934: The Bosquet des Bains d'Apollo, 18th century (oil on canvas), Robert, Hubert (1733-1808) / Bridgeman Images

ID: XIR237934

The Bosquet des Bains d'Apollo, 18th century (oil on canvas)

Robert, Hubert (1733-1808)

Priest in ceremonial robes, Isle of Jaina (clay & paint)
Priest in ceremonial robes, Isle of Jaina (clay & paint)

XBP231895: Priest in ceremonial robes, Isle of Jaina (clay & paint), Mayan / Bridgeman Images

ID: XBP231895

Priest in ceremonial robes, Isle of Jaina (clay & paint)

Mayan

Ms 18 fol.84v Charles the Bold, Duke of Burgundy, receiving the envoys from France and Guyenne, from the Memoirs of Philippe of Commines (1445-1509) (vellum)
Ms 18 fol.84v Charles the Bold, Duke of Burgundy, receiving the envoys from France and Guyenne, from the Memoirs of Philippe of Commines (1445-1509) (vellum)

XIR239924: Ms 18 fol.84v Charles the Bold, Duke of Burgundy, receiving the envoys from France and Guyenne, from the Memoirs of Philippe of Commines (1445-1509) (vellum), French School, (16th century) / Bridgeman Images

ID: XIR239924

Ms 18 fol.84v Charles the Bold, Duke of Burgundy, receiving the envoys from France and Guyenne, from the Memoirs of Philippe of Commines (1445-1509) (vellum)

French School, (16th century)


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