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looting of a house in Sicily in 1893 by brigand “Petity Diary” of 9 December 1893
looting of a house in Sicily in 1893 by brigand “Petity Diary” of 9 December 1893

XEE4412435: looting of a house in Sicily in 1893 by brigand “Petity Diary” of 9 December 1893, Unknown Artist / Bridgeman Images

ID: XEE4412435

looting of a house in Sicily in 1893 by brigand “Petity Diary” of 9 December 1893

Unknown Artist

Potscard depicting James Watt's Steam Machine, exhibited at the Conservatoire National des Arts et Metiers in Paris (print)
Potscard depicting James Watt's Steam Machine, exhibited at the Conservatoire National des Arts et Metiers in Paris (print)

PCT4275427: Potscard depicting James Watt's Steam Machine, exhibited at the Conservatoire National des Arts et Metiers in Paris (print), French School, (19th-20th century) / Bridgeman Images

ID: PCT4275427

Potscard depicting James Watt's Steam Machine, exhibited at the Conservatoire National des Arts et Metiers in Paris (print)

French School, (19th-20th century)

Portrait of Henry IV of France, in armor, 17th century (painting)
Portrait of Henry IV of France, in armor, 17th century (painting)

LRI4581686: Portrait of Henry IV of France, in armor, 17th century (painting), French School, (17th century) / Bridgeman Images

ID: LRI4581686

Portrait of Henry IV of France, in armor, 17th century (painting)

French School, (17th century)

Philip K Dick, 1977
Philip K Dick, 1977

HUP5942249: Philip K Dick, 1977 / Bridgeman Images

ID: HUP5942249

Philip K Dick, 1977

Studio, Quai Saint-Michel, 1916 (oil on canvas)
Studio, Quai Saint-Michel, 1916 (oil on canvas)

PCW5942428: Studio, Quai Saint-Michel, 1916 (oil on canvas), Matisse, Henri (1869-1954) / © Succession H. Matisse / DACS 2024 / Bridgeman Images

ID: PCW5942428

Studio, Quai Saint-Michel, 1916 (oil on canvas)

Matisse, Henri (1869-1954) / © Succession H. Matisse / DACS 2024

George Plantagenet, 1st Duke of Clarence (oil on canvas)
George Plantagenet, 1st Duke of Clarence (oil on canvas)

MOU5937945: George Plantagenet, 1st Duke of Clarence (oil on canvas), English School / Bridgeman Images

ID: MOU5937945

George Plantagenet, 1st Duke of Clarence (oil on canvas)

English School

The Drinking Contest of Dionysos and Heracles, c.100 AD (mosaic)
The Drinking Contest of Dionysos and Heracles, c.100 AD (mosaic)

WAM5324959: The Drinking Contest of Dionysos and Heracles, c.100 AD (mosaic), Roman / Bridgeman Images

ID: WAM5324959

The Drinking Contest of Dionysos and Heracles, c.100 AD (mosaic)

Roman

Self-Portrait with the Spanish Flu, 1919 (oil on canvas)
Self-Portrait with the Spanish Flu, 1919 (oil on canvas)

XOS3745691: Self-Portrait with the Spanish Flu, 1919 (oil on canvas), Munch, Edvard (1863-1944) / Bridgeman Images

ID: XOS3745691

Self-Portrait with the Spanish Flu, 1919 (oil on canvas)

Munch, Edvard (1863-1944)

Self Portrait, c.1791 (oil on canvas)
Self Portrait, c.1791 (oil on canvas)

LRI4582476: Self Portrait, c.1791 (oil on canvas), Vigee-Lebrun, Elisabeth Louise (1755-1842) / Bridgeman Images

ID: LRI4582476

Self Portrait, c.1791 (oil on canvas)

Vigee-Lebrun, Elisabeth Louise (1755-1842)

Adam Naming the Beasts, 1810 (tempera on canvas)
Adam Naming the Beasts, 1810 (tempera on canvas)

GLS219827: Adam Naming the Beasts, 1810 (tempera on canvas), Blake, William (1757-1827) / Bridgeman Images

ID: GLS219827

Adam Naming the Beasts, 1810 (tempera on canvas)

Blake, William (1757-1827)

Jerusalem The Emanation of The Giant Albion;
Jerusalem The Emanation of The Giant Albion;

XND70246: Jerusalem The Emanation of The Giant Albion; "Such visions have appeared to me", 1804 (relief etching, white line engraving, w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XND70246

Jerusalem The Emanation of The Giant Albion; "Such visions have appeared to me", 1804 (relief etching, white line engraving, w/c)

Blake, William (1757-1827)

Joseph of Arimathea preaching to the inhabitants of Britain
Joseph of Arimathea preaching to the inhabitants of Britain

BAL6043: Joseph of Arimathea preaching to the inhabitants of Britain, Blake, William (1757-1827) / Bridgeman Images

ID: BAL6043

Joseph of Arimathea preaching to the inhabitants of Britain

Blake, William (1757-1827)

Paradise Lost: Creation of the fish and birds.
Paradise Lost: Creation of the fish and birds.

XLF3779890: Paradise Lost: Creation of the fish and birds., Dore, Gustave (1832-83) / Bridgeman Images

ID: XLF3779890

Paradise Lost: Creation of the fish and birds.

Dore, Gustave (1832-83)

a knight templar on horseback, 14th century, 1861 (lithograph)
a knight templar on horseback, 14th century, 1861 (lithograph)

XLF3780136: a knight templar on horseback, 14th century, 1861 (lithograph), Mercuri, Paolo (1804-84) / Bridgeman Images

ID: XLF3780136

a knight templar on horseback, 14th century, 1861 (lithograph)

Mercuri, Paolo (1804-84)

French soldiers at Battle of Malakoff, Crimean War, from Cassell's History of England (print)
French soldiers at Battle of Malakoff, Crimean War, from Cassell's History of England (print)

XLF3785909: French soldiers at Battle of Malakoff, Crimean War, from Cassell's History of England (print), Unknown Artist / Bridgeman Images

ID: XLF3785909

French soldiers at Battle of Malakoff, Crimean War, from Cassell's History of England (print)

Unknown Artist

Mother and Calf, 2018 (oil on canvas)
Mother and Calf, 2018 (oil on canvas)

MAD3960024: Mother and Calf, 2018 (oil on canvas), Adlington, Mark / Bridgeman Images

ID: MAD3960024

Mother and Calf, 2018 (oil on canvas)

Adlington, Mark

Don Quixote and the Windmills from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - engraved by Heliodore Joseph Pisan (1822-90) after drawing by Gustave Dore
Don Quixote and the Windmills from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - engraved by Heliodore Joseph Pisan (1822-90) after drawing by Gustave Dore

XEE4155593: Don Quixote and the Windmills from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - engraved by Heliodore Joseph Pisan (1822-90) after drawing by Gustave Dore, Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: XEE4155593

Don Quixote and the Windmills from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - engraved by Heliodore Joseph Pisan (1822-90) after drawing by Gustave Dore

Dore, Gustave (1832-83) (after)

Luigi Galvani, professor in Bologna, discovered, in 1780, the irritability of the frog muscles by electricity - in “Album of Science; illustrious scientists; Great discoveries””” 1896.
Luigi Galvani, professor in Bologna, discovered, in 1780, the irritability of the frog muscles by electricity - in “Album of Science; illustrious scientists; Great discoveries””” 1896.

XEE4115295: Luigi Galvani, professor in Bologna, discovered, in 1780, the irritability of the frog muscles by electricity - in “Album of Science; illustrious scientists; Great discoveries””” 1896., French School, (19th century) / Bridgeman Images

ID: XEE4115295

Luigi Galvani, professor in Bologna, discovered, in 1780, the irritability of the frog muscles by electricity - in “Album of Science; illustrious scientists; Great discoveries””” 1896.

French School, (19th century)

Zoological chart (ornithology): from bottom to top: The serin hupe (serin des canaries or serinus canaria) and the serin des canaries on a branch. Illustration in “The History of the Birds, Painted in Their Appearing and Sensitive Aspects” by Francois Nicolas Martinet (1731-1800). Private collection.
Zoological chart (ornithology): from bottom to top: The serin hupe (serin des canaries or serinus canaria) and the serin des canaries on a branch. Illustration in “The History of the Birds, Painted in Their Appearing and Sensitive Aspects” by Francois Nicolas Martinet (1731-1800). Private collection.

XEE4124234: Zoological chart (ornithology): from bottom to top: The serin hupe (serin des canaries or serinus canaria) and the serin des canaries on a branch. Illustration in “The History of the Birds, Painted in Their Appearing and Sensitive Aspects” by Francois Nicolas Martinet (1731-1800). Private collection., Martinet, Francois Nicolas (1731-1800) / Bridgeman Images

ID: XEE4124234

Zoological chart (ornithology): from bottom to top: The serin hupe (serin des canaries or serinus canaria) and the serin des canaries on a branch. Illustration in “The History of the Birds, Painted in Their Appearing and Sensitive Aspects” by Francois Nicolas Martinet (1731-1800). Private collection.

Martinet, Francois Nicolas (1731-1800)

Red Dragon with St. George and Virgin on Horse (pencil and coloured crayon on paper)
Red Dragon with St. George and Virgin on Horse (pencil and coloured crayon on paper)

WAY155026: Red Dragon with St. George and Virgin on Horse (pencil and coloured crayon on paper), Anderson, Wayne / Bridgeman Images

ID: WAY155026

Red Dragon with St. George and Virgin on Horse (pencil and coloured crayon on paper)

Anderson, Wayne

First Footing
First Footing

PS72763: First Footing, Scott, Pat (1932-2017) / Bridgeman Images

ID: PS72763

First Footing

Scott, Pat (1932-2017)

Sulky girl, 2016 (oil on canvas board)
Sulky girl, 2016 (oil on canvas board)

AQQ6108384: Sulky girl, 2016 (oil on canvas board), French, Genevieve / Bridgeman Images

ID: AQQ6108384

Sulky girl, 2016 (oil on canvas board)

French, Genevieve

Double Mask for the Gelede Society, attributed to Eshubyi workshop, mid to late 19th century (wood, pigment, & traces of indigo)
Double Mask for the Gelede Society, attributed to Eshubyi workshop, mid to late 19th century (wood, pigment, & traces of indigo)

STM752762: Double Mask for the Gelede Society, attributed to Eshubyi workshop, mid to late 19th century (wood, pigment, & traces of indigo), Yoruba Culture (19th century) / Bridgeman Images

ID: STM752762

Double Mask for the Gelede Society, attributed to Eshubyi workshop, mid to late 19th century (wood, pigment, & traces of indigo)

Yoruba Culture (19th century)

Munitions Workers during World War 1
Munitions Workers during World War 1

XLF3786766: Munitions Workers during World War 1 / Bridgeman Images

ID: XLF3786766

Munitions Workers during World War 1

Till Eulenspiegel, Frontispiece (engraving)
Till Eulenspiegel, Frontispiece (engraving)

XLF3789971: Till Eulenspiegel, Frontispiece (engraving), French School, (18th century) / Bridgeman Images

ID: XLF3789971

Till Eulenspiegel, Frontispiece (engraving)

French School, (18th century)

Woman with a crinoline dress c. 1860 (photo)
Woman with a crinoline dress c. 1860 (photo)

PVD1682251: Woman with a crinoline dress c. 1860 (photo) / Bridgeman Images

ID: PVD1682251

Woman with a crinoline dress c. 1860 (photo)

Woman buried with dog (cast)
Woman buried with dog (cast)

IMJ6380621: Woman buried with dog (cast), Prehistoric / Bridgeman Images

ID: IMJ6380621

Woman buried with dog (cast)

Prehistoric

Japan: Emperor Saga was the 52nd emperor of Japan, according to the traditional order of succession. (r. notionally 806-809). 14th century painting on silk
Japan: Emperor Saga was the 52nd emperor of Japan, according to the traditional order of succession. (r. notionally 806-809). 14th century painting on silk

PFH1773577: Japan: Emperor Saga was the 52nd emperor of Japan, according to the traditional order of succession. (r. notionally 806-809). 14th century painting on silk / Bridgeman Images

ID: PFH1773577

Japan: Emperor Saga was the 52nd emperor of Japan, according to the traditional order of succession. (r. notionally 806-809). 14th century painting on silk

Avant armour, c.1445 (steel)
Avant armour, c.1445 (steel)

GLS443750: Avant armour, c.1445 (steel), Italian School, (15th century) / Bridgeman Images

ID: GLS443750

Avant armour, c.1445 (steel)

Italian School, (15th century)

Experimenting in the properties of magnetic metals, from Chapter 5 of De Magnete, Magneticisque Corporibus, et de Magno Magnete Tellure, pub. Petrus Short, London, 1600 (engraving)
Experimenting in the properties of magnetic metals, from Chapter 5 of De Magnete, Magneticisque Corporibus, et de Magno Magnete Tellure, pub. Petrus Short, London, 1600 (engraving)

STC312690: Experimenting in the properties of magnetic metals, from Chapter 5 of De Magnete, Magneticisque Corporibus, et de Magno Magnete Tellure, pub. Petrus Short, London, 1600 (engraving), Gilbert, William (1544-1603) / Bridgeman Images

ID: STC312690

Experimenting in the properties of magnetic metals, from Chapter 5 of De Magnete, Magneticisque Corporibus, et de Magno Magnete Tellure, pub. Petrus Short, London, 1600 (engraving)

Gilbert, William (1544-1603)

Portrait of Nicolaes van Heuvel, his wife Susanna van Halmael, their daughter Maria and an unknown daughter, c.1635 (oil on canvas)
Portrait of Nicolaes van Heuvel, his wife Susanna van Halmael, their daughter Maria and an unknown daughter, c.1635 (oil on canvas)

CIN402949: Portrait of Nicolaes van Heuvel, his wife Susanna van Halmael, their daughter Maria and an unknown daughter, c.1635 (oil on canvas), Hals, Frans (1582/3-1666) / Bridgeman Images

ID: CIN402949

Portrait of Nicolaes van Heuvel, his wife Susanna van Halmael, their daughter Maria and an unknown daughter, c.1635 (oil on canvas)

Hals, Frans (1582/3-1666)

Samson and Delilah, c.1621 (oil on canvas)
Samson and Delilah, c.1621 (oil on canvas)

XCL499718: Samson and Delilah, c.1621 (oil on canvas) , Honthorst, Gerrit van (1590-1656) / Bridgeman Images

ID: XCL499718

Samson and Delilah, c.1621 (oil on canvas)

Honthorst, Gerrit van (1590-1656)

The Cardinal of Richelieu (1585 - 1642), French prelate and statesman (detail of the upper body), 1636 (oil on canvas)
The Cardinal of Richelieu (1585 - 1642), French prelate and statesman (detail of the upper body), 1636 (oil on canvas)

CND897630: The Cardinal of Richelieu (1585 - 1642), French prelate and statesman (detail of the upper body), 1636 (oil on canvas), Champaigne, Philippe de (1602-74) / Bridgeman Images

ID: CND897630

The Cardinal of Richelieu (1585 - 1642), French prelate and statesman (detail of the upper body), 1636 (oil on canvas)

Champaigne, Philippe de (1602-74)

Art of writing, plate from Diderot's 'Encyclopedie' (engraving)
Art of writing, plate from Diderot's 'Encyclopedie' (engraving)

STC312693: Art of writing, plate from Diderot's 'Encyclopedie' (engraving), French School, (18th century) / Bridgeman Images

ID: STC312693

Art of writing, plate from Diderot's 'Encyclopedie' (engraving)

French School, (18th century)

Taxis of the Marne
Taxis of the Marne

SZT2490547: Taxis of the Marne / Bridgeman Images

ID: SZT2490547

Taxis of the Marne

Jean Bodin 1530-1596 (colour engraving)
Jean Bodin 1530-1596 (colour engraving)

XRH1712139: Jean Bodin 1530-1596 (colour engraving), French School / Bridgeman Images

ID: XRH1712139

Jean Bodin 1530-1596 (colour engraving)

French School


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