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Guell Crypt with its 'tilted column', built by Antonio Gaudi (1852-1926) in 1908-15 (photo)
Guell Crypt with its 'tilted column', built by Antonio Gaudi (1852-1926) in 1908-15 (photo)

LEE58408: Guell Crypt with its 'tilted column', built by Antonio Gaudi (1852-1926) in 1908-15 (photo), Gaudi, Antoni (1852-1926) / Bridgeman Images

ID: LEE58408

Guell Crypt with its 'tilted column', built by Antonio Gaudi (1852-1926) in 1908-15 (photo)

Gaudi, Antoni (1852-1926)

St. Cecilia Accompanied by Three Angels
St. Cecilia Accompanied by Three Angels

XJL61174: St. Cecilia Accompanied by Three Angels, Coxie or Coxcie, Michiel I (1499-1592) / Bridgeman Images

ID: XJL61174

St. Cecilia Accompanied by Three Angels

Coxie or Coxcie, Michiel I (1499-1592)

Still Life with a Fan, c.1889 (oil on canvas)
Still Life with a Fan, c.1889 (oil on canvas)

XIR83766: Still Life with a Fan, c.1889 (oil on canvas), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: XIR83766

Still Life with a Fan, c.1889 (oil on canvas)

Gauguin, Paul (1848-1903)

Portrait of Alessandro Farnese (1546-92) 3rd Duke of Parma, Governor-General of the Netherlands (panel)
Portrait of Alessandro Farnese (1546-92) 3rd Duke of Parma, Governor-General of the Netherlands (panel)

MOU83921: Portrait of Alessandro Farnese (1546-92) 3rd Duke of Parma, Governor-General of the Netherlands (panel), Dutch School, (16th century) / Bridgeman Images

ID: MOU83921

Portrait of Alessandro Farnese (1546-92) 3rd Duke of Parma, Governor-General of the Netherlands (panel)

Dutch School, (16th century)

Interior of a dining hall, 1866
Interior of a dining hall, 1866

BAL84600: Interior of a dining hall, 1866, Yeames, William Frederick (1835-1918) / Bridgeman Images

ID: BAL84600

Interior of a dining hall, 1866

Yeames, William Frederick (1835-1918)

Title page of volume I of the English Dictionary by Dr Samuel Johnson (1709-84), pub. in 1755 (print)
Title page of volume I of the English Dictionary by Dr Samuel Johnson (1709-84), pub. in 1755 (print)

XTD84808: Title page of volume I of the English Dictionary by Dr Samuel Johnson (1709-84), pub. in 1755 (print), English School, (18th century) / Bridgeman Images

ID: XTD84808

Title page of volume I of the English Dictionary by Dr Samuel Johnson (1709-84), pub. in 1755 (print)

English School, (18th century)

View of the Fontanka River from the grotto and the Guest Palace, etched by Grigory Anikievich Kachalov (1711/12-1759), 1753 (etching with engraving)
View of the Fontanka River from the grotto and the Guest Palace, etched by Grigory Anikievich Kachalov (1711/12-1759), 1753 (etching with engraving)

BOO74453: View of the Fontanka River from the grotto and the Guest Palace, etched by Grigory Anikievich Kachalov (1711/12-1759), 1753 (etching with engraving), Makhaev, Mikhail Ivanovich (c.1718-1770) (after) / Bridgeman Images

ID: BOO74453

View of the Fontanka River from the grotto and the Guest Palace, etched by Grigory Anikievich Kachalov (1711/12-1759), 1753 (etching with engraving)

Makhaev, Mikhail Ivanovich (c.1718-1770) (after)

An Entertaining Evening
An Entertaining Evening

BAL82735: An Entertaining Evening, Lancerotto, Egisto (1848-1916) / Bridgeman Images

ID: BAL82735

An Entertaining Evening

Lancerotto, Egisto (1848-1916)

Rocks near the Caves below the Chateau Noir, c.1904 (oil on canvas)
Rocks near the Caves below the Chateau Noir, c.1904 (oil on canvas)

PWI82826: Rocks near the Caves below the Chateau Noir, c.1904 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

ID: PWI82826

Rocks near the Caves below the Chateau Noir, c.1904 (oil on canvas)

Cezanne, Paul (1839-1906)

Portrait of Charles Cordier (1777-1870) 1811 (oil on canvas)
Portrait of Charles Cordier (1777-1870) 1811 (oil on canvas)

XIR83539: Portrait of Charles Cordier (1777-1870) 1811 (oil on canvas), Ingres, Jean Auguste Dominique (1780-1867) / Bridgeman Images

ID: XIR83539

Portrait of Charles Cordier (1777-1870) 1811 (oil on canvas)

Ingres, Jean Auguste Dominique (1780-1867)

Reclining Nude, 1931
Reclining Nude, 1931

GG80981: Reclining Nude, 1931, Mercer, Edward Stanley (1889-1932) / Bridgeman Images

ID: GG80981

Reclining Nude, 1931

Mercer, Edward Stanley (1889-1932)

The Presentation of Christ in the Temple, c.1556
The Presentation of Christ in the Temple, c.1556

JFS81266: The Presentation of Christ in the Temple, c.1556, Lotto, Lorenzo (c.1480-1556) / Bridgeman Images

ID: JFS81266

The Presentation of Christ in the Temple, c.1556

Lotto, Lorenzo (c.1480-1556)

A View of the Calle de Alcala, Madrid, c.1750 (oil on canvas)
A View of the Calle de Alcala, Madrid, c.1750 (oil on canvas)

RAF81453: A View of the Calle de Alcala, Madrid, c.1750 (oil on canvas), Joli, Antonio (1700-77) / Bridgeman Images

ID: RAF81453

A View of the Calle de Alcala, Madrid, c.1750 (oil on canvas)

Joli, Antonio (1700-77)

The River of Paradise, no.82 from 'The Apocalypse of Angers', 1373-87 (tapestry)
The River of Paradise, no.82 from 'The Apocalypse of Angers', 1373-87 (tapestry)

XIR83995: The River of Paradise, no.82 from 'The Apocalypse of Angers', 1373-87 (tapestry), Bataille, Nicolas (fl. 1363-1400) / Bridgeman Images

ID: XIR83995

The River of Paradise, no.82 from 'The Apocalypse of Angers', 1373-87 (tapestry)

Bataille, Nicolas (fl. 1363-1400)

The Breakfast, plate 3 from 'Anglo Indians', engraved by J. Bouvier, 1842 (litho)
The Breakfast, plate 3 from 'Anglo Indians', engraved by J. Bouvier, 1842 (litho)

STC82081: The Breakfast, plate 3 from 'Anglo Indians', engraved by J. Bouvier, 1842 (litho), Tayler, William (1808-92) (after) / Bridgeman Images

ID: STC82081

The Breakfast, plate 3 from 'Anglo Indians', engraved by J. Bouvier, 1842 (litho)

Tayler, William (1808-92) (after)

Coats of Arms of Richard III (1483-85) and Anne Neville (pen & ink with wash on paper)
Coats of Arms of Richard III (1483-85) and Anne Neville (pen & ink with wash on paper)

XND75968: Coats of Arms of Richard III (1483-85) and Anne Neville (pen & ink with wash on paper), English School / Bridgeman Images

ID: XND75968

Coats of Arms of Richard III (1483-85) and Anne Neville (pen & ink with wash on paper)

English School

The Gin Shop, 1829 (etching)
The Gin Shop, 1829 (etching)

XND76065: The Gin Shop, 1829 (etching), Cruikshank, George (1792-1878) / Bridgeman Images

ID: XND76065

The Gin Shop, 1829 (etching)

Cruikshank, George (1792-1878)

The Owner's Enclosure, c.1930-5
The Owner's Enclosure, c.1930-5

BAL76285: The Owner's Enclosure, c.1930-5, Dufy, Raoul (1877-1953) / Bridgeman Images

ID: BAL76285

The Owner's Enclosure, c.1930-5

Dufy, Raoul (1877-1953)

The Harvest (w/c on paper)
The Harvest (w/c on paper)

HGM78268: The Harvest (w/c on paper), Mauve, Anton (1838-88) / Bridgeman Images

ID: HGM78268

The Harvest (w/c on paper)

Mauve, Anton (1838-88)

The Road to Essoyes, 1901 (oil on canvas)
The Road to Essoyes, 1901 (oil on canvas)

BAL76852: The Road to Essoyes, 1901 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: BAL76852

The Road to Essoyes, 1901 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

Signor Lablache as Dr. Dulcamara, the quack doctor in the opera 'The Elixir of Love' (L'Elisir D'Amore) by Gaetano Donizetti (1797-1848) (coloured engraving)
Signor Lablache as Dr. Dulcamara, the quack doctor in the opera 'The Elixir of Love' (L'Elisir D'Amore) by Gaetano Donizetti (1797-1848) (coloured engraving)

BAL78079: Signor Lablache as Dr. Dulcamara, the quack doctor in the opera 'The Elixir of Love' (L'Elisir D'Amore) by Gaetano Donizetti (1797-1848) (coloured engraving), English School, (19th century) / Bridgeman Images

ID: BAL78079

Signor Lablache as Dr. Dulcamara, the quack doctor in the opera 'The Elixir of Love' (L'Elisir D'Amore) by Gaetano Donizetti (1797-1848) (coloured engraving)

English School, (19th century)

Virgo (the Virgin) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice,1485 (woodcut)
Virgo (the Virgin) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice,1485 (woodcut)

STC86219: Virgo (the Virgin) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice,1485 (woodcut), Italian School, (15th century) / Bridgeman Images

ID: STC86219

Virgo (the Virgin) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice,1485 (woodcut)

Italian School, (15th century)

Trompe l'oeil letter rack with a print of an old man, 1703 (panel)
Trompe l'oeil letter rack with a print of an old man, 1703 (panel)

RAF86396: Trompe l'oeil letter rack with a print of an old man, 1703 (panel), Colyer or Collier, Edwaert (c.1640-c.1707) / Bridgeman Images

ID: RAF86396

Trompe l'oeil letter rack with a print of an old man, 1703 (panel)

Colyer or Collier, Edwaert (c.1640-c.1707)

Assembly of Free Masons for the Initiation of a Master, from 'The Ceremonies of Religion and Custom', c.1733 (engraving)
Assembly of Free Masons for the Initiation of a Master, from 'The Ceremonies of Religion and Custom', c.1733 (engraving)

STC88456: Assembly of Free Masons for the Initiation of a Master, from 'The Ceremonies of Religion and Custom', c.1733 (engraving), French School, (18th century) / Bridgeman Images

ID: STC88456

Assembly of Free Masons for the Initiation of a Master, from 'The Ceremonies of Religion and Custom', c.1733 (engraving)

French School, (18th century)

Mural from the Tombs of the Kings of Thebes, discovered by G. Belzoni, plate 19 from `Plates Illustrative of the Researches in Egypt and Nubia`, engraved by Charles Hullmandel (1789-1850) 1820-22 (litho)
Mural from the Tombs of the Kings of Thebes, discovered by G. Belzoni, plate 19 from `Plates Illustrative of the Researches in Egypt and Nubia`, engraved by Charles Hullmandel (1789-1850) 1820-22 (litho)

STC88806: Mural from the Tombs of the Kings of Thebes, discovered by G. Belzoni, plate 19 from `Plates Illustrative of the Researches in Egypt and Nubia`, engraved by Charles Hullmandel (1789-1850) 1820-22 (litho), Belzoni, Giovanni Battista (1778-1823) (after) / Bridgeman Images

ID: STC88806

Mural from the Tombs of the Kings of Thebes, discovered by G. Belzoni, plate 19 from `Plates Illustrative of the Researches in Egypt and Nubia`, engraved by Charles Hullmandel (1789-1850) 1820-22 (litho)

Belzoni, Giovanni Battista (1778-1823) (after)

The Approach to Christmas, engraved by George Hunt (engraving)
The Approach to Christmas, engraved by George Hunt (engraving)

STC88740: The Approach to Christmas, engraved by George Hunt (engraving), Pollard, James (1797-1867) (after) / Bridgeman Images

ID: STC88740

The Approach to Christmas, engraved by George Hunt (engraving)

Pollard, James (1797-1867) (after)

Alexander Borodin (print)
Alexander Borodin (print)

XJF342424: Alexander Borodin (print), Russian Photographer, (19th century) / Bridgeman Images

ID: XJF342424

Alexander Borodin (print)

Russian Photographer, (19th century)

An angel announcing to the shepherds of Bethlehem the birth of Jesus
An angel announcing to the shepherds of Bethlehem the birth of Jesus

LLM339654: An angel announcing to the shepherds of Bethlehem the birth of Jesus, Hole, William Brassey (1846-1917) / Bridgeman Images

ID: LLM339654

An angel announcing to the shepherds of Bethlehem the birth of Jesus

Hole, William Brassey (1846-1917)

Three Ballet Dancers, c.1878 (monotype on paper)
Three Ballet Dancers, c.1878 (monotype on paper)

XCK339959: Three Ballet Dancers, c.1878 (monotype on paper), Degas, Edgar (1834-1917) / Bridgeman Images

ID: XCK339959

Three Ballet Dancers, c.1878 (monotype on paper)

Degas, Edgar (1834-1917)

Poster for the 'Saison Russe' at the Theatre du Chatelet, 1909 (charcoal & chalk on paper)
Poster for the 'Saison Russe' at the Theatre du Chatelet, 1909 (charcoal & chalk on paper)

XJF342494: Poster for the 'Saison Russe' at the Theatre du Chatelet, 1909 (charcoal & chalk on paper), Serov, Valentin Aleksandrovich (1865-1911) / Bridgeman Images

ID: XJF342494

Poster for the 'Saison Russe' at the Theatre du Chatelet, 1909 (charcoal & chalk on paper)

Serov, Valentin Aleksandrovich (1865-1911)

Woollen figure of a jaguar, Paracas Culture, c.1500 BC (textile)
Woollen figure of a jaguar, Paracas Culture, c.1500 BC (textile)

XBP343149: Woollen figure of a jaguar, Paracas Culture, c.1500 BC (textile), Peruvian School / Bridgeman Images

ID: XBP343149

Woollen figure of a jaguar, Paracas Culture, c.1500 BC (textile)

Peruvian School

The Artist's Palette with a Landscape, c.1878-80 (oil on panel)
The Artist's Palette with a Landscape, c.1878-80 (oil on panel)

XCK339887: The Artist's Palette with a Landscape, c.1878-80 (oil on panel), Pissarro, Camille (1830-1903) / Bridgeman Images

ID: XCK339887

The Artist's Palette with a Landscape, c.1878-80 (oil on panel)

Pissarro, Camille (1830-1903)

The West Front from the South West (photo)
The West Front from the South West (photo)

DVY345154: The West Front from the South West (photo) / Bridgeman Images

ID: DVY345154

The West Front from the South West (photo)

Portrait of German industrialist Robert Bosch, 1936 (b/w photo)
Portrait of German industrialist Robert Bosch, 1936 (b/w photo)

XDR355807: Portrait of German industrialist Robert Bosch, 1936 (b/w photo), German Photographer, (20th Century) / Bridgeman Images

ID: XDR355807

Portrait of German industrialist Robert Bosch, 1936 (b/w photo)

German Photographer, (20th Century)

The Labours of Psyche, 1873 (tempera on panel)
The Labours of Psyche, 1873 (tempera on panel)

PNH359452: The Labours of Psyche, 1873 (tempera on panel), Stanhope, John Roddam Spencer (1829-1908) / Bridgeman Images

ID: PNH359452

The Labours of Psyche, 1873 (tempera on panel)

Stanhope, John Roddam Spencer (1829-1908)

By the Sea, 1887 (oil on canvas)
By the Sea, 1887 (oil on canvas)

PNH353059: By the Sea, 1887 (oil on canvas), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: PNH353059

By the Sea, 1887 (oil on canvas)

Gauguin, Paul (1848-1903)


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