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18-inch Hadley quadrant or octant, c.1760 (wood, brass & glass)
18-inch Hadley quadrant or octant, c.1760 (wood, brass & glass)

MFR348317: 18-inch Hadley quadrant or octant, c.1760 (wood, brass & glass), Adams, George (1750-95) / Bridgeman Images

ID: MFR348317

18-inch Hadley quadrant or octant, c.1760 (wood, brass & glass)

Adams, George (1750-95)

Folio from an album; A School Scene, Tabriz, Iran, Safavid period, c.1540 (opaque watercolour, ink and gold on paper)
Folio from an album; A School Scene, Tabriz, Iran, Safavid period, c.1540 (opaque watercolour, ink and gold on paper)

FSG348808: Folio from an album; A School Scene, Tabriz, Iran, Safavid period, c.1540 (opaque watercolour, ink and gold on paper), Persian School, (16th century) / Bridgeman Images

ID: FSG348808

Folio from an album; A School Scene, Tabriz, Iran, Safavid period, c.1540 (opaque watercolour, ink and gold on paper)

Persian School, (16th century)

Descending Geese of the Koto, Edo period, c.1766 (colour woodblock print)
Descending Geese of the Koto, Edo period, c.1766 (colour woodblock print)

FSG348996: Descending Geese of the Koto, Edo period, c.1766 (colour woodblock print), Harunobu, Suzuki (1725-70) / Bridgeman Images

ID: FSG348996

Descending Geese of the Koto, Edo period, c.1766 (colour woodblock print)

Harunobu, Suzuki (1725-70)

Djed pillar pectoral and wedjet eye pectoral, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gold cloisonne with glass paste) (see also 149410)
Djed pillar pectoral and wedjet eye pectoral, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gold cloisonne with glass paste) (see also 149410)

XBP341826: Djed pillar pectoral and wedjet eye pectoral, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gold cloisonne with glass paste) (see also 149410), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

ID: XBP341826

Djed pillar pectoral and wedjet eye pectoral, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gold cloisonne with glass paste) (see also 149410)

Egyptian 18th Dynasty (c.1567-1320 BC)

An Exact Representation of the Form and Manner in Which Exposed and Deserted Young Children are admitted into the Foundling Hospital, 1749 (engraving)
An Exact Representation of the Form and Manner in Which Exposed and Deserted Young Children are admitted into the Foundling Hospital, 1749 (engraving)

CF332119: An Exact Representation of the Form and Manner in Which Exposed and Deserted Young Children are admitted into the Foundling Hospital, 1749 (engraving), Parr, Nathaniel (1723-60) / Bridgeman Images

ID: CF332119

An Exact Representation of the Form and Manner in Which Exposed and Deserted Young Children are admitted into the Foundling Hospital, 1749 (engraving)

Parr, Nathaniel (1723-60)

Queen Maev, frontispiece from 'Myths and Legends of the Celtic Race' by T.W. Rolleston, 1911 (colour litho)
Queen Maev, frontispiece from 'Myths and Legends of the Celtic Race' by T.W. Rolleston, 1911 (colour litho)

STC323704: Queen Maev, frontispiece from 'Myths and Legends of the Celtic Race' by T.W. Rolleston, 1911 (colour litho), Leyendecker, Joseph Christian (1874-1951) / Bridgeman Images

ID: STC323704

Queen Maev, frontispiece from 'Myths and Legends of the Celtic Race' by T.W. Rolleston, 1911 (colour litho)

Leyendecker, Joseph Christian (1874-1951)

Rilke in Moscow, c.1930 (oil on canvas)
Rilke in Moscow, c.1930 (oil on canvas)

XPH324151: Rilke in Moscow, c.1930 (oil on canvas), Pasternak, Leonid Osipovic (1862-1945) / Bridgeman Images

ID: XPH324151

Rilke in Moscow, c.1930 (oil on canvas)

Pasternak, Leonid Osipovic (1862-1945)

Duchenne de Boulogne with a 'victim patient', 1862 (b/w photo)
Duchenne de Boulogne with a 'victim patient', 1862 (b/w photo)

XJF270040: Duchenne de Boulogne with a 'victim patient', 1862 (b/w photo), French Photographer, (19th century) / Bridgeman Images

ID: XJF270040

Duchenne de Boulogne with a 'victim patient', 1862 (b/w photo)

French Photographer, (19th century)

Hebe, 1784 (oil on canvas)
Hebe, 1784 (oil on canvas)

XAB269912: Hebe, 1784 (oil on canvas), Ramos y Albertos, Francisco Javier (1744-1817) / Bridgeman Images

ID: XAB269912

Hebe, 1784 (oil on canvas)

Ramos y Albertos, Francisco Javier (1744-1817)

Resting (oil on canvas)
Resting (oil on canvas)

KEL260079: Resting (oil on canvas), Gilbert, Victor Gabriel (1847-1933) / Bridgeman Images

ID: KEL260079

Resting (oil on canvas)

Gilbert, Victor Gabriel (1847-1933)

Florence Nightingale (1820-1910) illustration from 'World Noted Women' by Mary Cowden Clarke, 1858 (engraving)
Florence Nightingale (1820-1910) illustration from 'World Noted Women' by Mary Cowden Clarke, 1858 (engraving)

KWE259804: Florence Nightingale (1820-1910) illustration from 'World Noted Women' by Mary Cowden Clarke, 1858 (engraving), Staal, Pierre Gustave Eugene (Gustave) (1817-82) (after) / Bridgeman Images

ID: KWE259804

Florence Nightingale (1820-1910) illustration from 'World Noted Women' by Mary Cowden Clarke, 1858 (engraving)

Staal, Pierre Gustave Eugene (Gustave) (1817-82) (after)

Dancing Couple, 1914 (oil on canvas)
Dancing Couple, 1914 (oil on canvas)

FFA274499: Dancing Couple, 1914 (oil on canvas), Kirchner, Ernst Ludwig (1880-1938) / Bridgeman Images

ID: FFA274499

Dancing Couple, 1914 (oil on canvas)

Kirchner, Ernst Ludwig (1880-1938)

Poster advertising 'Strega' liquer, 1906 (colour litho)
Poster advertising 'Strega' liquer, 1906 (colour litho)

SIT276139: Poster advertising 'Strega' liquer, 1906 (colour litho), Chappuis, Alberto (fl.1900s) / Bridgeman Images

ID: SIT276139

Poster advertising 'Strega' liquer, 1906 (colour litho)

Chappuis, Alberto (fl.1900s)

Queen Anne and William, Duke of Gloucester (oil on canvas)
Queen Anne and William, Duke of Gloucester (oil on canvas)

XCF272200: Queen Anne and William, Duke of Gloucester (oil on canvas), Kneller, Godfrey (1646-1723) (after) / Bridgeman Images

ID: XCF272200

Queen Anne and William, Duke of Gloucester (oil on canvas)

Kneller, Godfrey (1646-1723) (after)

Group of explorers, Judea District, Palestine, 1867 (b/w photo)
Group of explorers, Judea District, Palestine, 1867 (b/w photo)

PEF320890: Group of explorers, Judea District, Palestine, 1867 (b/w photo), Phillips, Sergeant Henry (fl.1866-67) / Bridgeman Images

ID: PEF320890

Group of explorers, Judea District, Palestine, 1867 (b/w photo)

Phillips, Sergeant Henry (fl.1866-67)

River bank, c.1830 (watercolour on paper)
River bank, c.1830 (watercolour on paper)

XIR360257: River bank, c.1830 (watercolour on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: XIR360257

River bank, c.1830 (watercolour on paper)

Turner, Joseph Mallord William (1775-1851)

The Last Interview between President Lincoln and General McClellan at Antietam, 1862 (b/w photo)
The Last Interview between President Lincoln and General McClellan at Antietam, 1862 (b/w photo)

STC354349: The Last Interview between President Lincoln and General McClellan at Antietam, 1862 (b/w photo), Brady, Mathew (1823-96) & studio / Bridgeman Images

ID: STC354349

The Last Interview between President Lincoln and General McClellan at Antietam, 1862 (b/w photo)

Brady, Mathew (1823-96) & studio

The Cedars of Lebanon, 1861 (oil on canvas)
The Cedars of Lebanon, 1861 (oil on canvas)

PNH354603: The Cedars of Lebanon, 1861 (oil on canvas), Lear, Edward (1812-88) / Bridgeman Images

ID: PNH354603

The Cedars of Lebanon, 1861 (oil on canvas)

Lear, Edward (1812-88)

A Pneumatical Engine and it's parts, from Boyle's 'Spring and Weight of the Air' published in 1661 (engraving)
A Pneumatical Engine and it's parts, from Boyle's 'Spring and Weight of the Air' published in 1661 (engraving)

XJF354297: A Pneumatical Engine and it's parts, from Boyle's 'Spring and Weight of the Air' published in 1661 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF354297

A Pneumatical Engine and it's parts, from Boyle's 'Spring and Weight of the Air' published in 1661 (engraving)

English School, (17th century)

Sketch for 'Composition II', 1910 (oil on board)
Sketch for 'Composition II', 1910 (oil on board)

CH378467: Sketch for 'Composition II', 1910 (oil on board), Kandinsky, Wassily (1866-1944) / Bridgeman Images

ID: CH378467

Sketch for 'Composition II', 1910 (oil on board)

Kandinsky, Wassily (1866-1944)

Hut in the Trees, 1892 (oil on canvas)
Hut in the Trees, 1892 (oil on canvas)

CH376139: Hut in the Trees, 1892 (oil on canvas), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: CH376139

Hut in the Trees, 1892 (oil on canvas)

Gauguin, Paul (1848-1903)

Charles Robert Darwin (b/w photo)
Charles Robert Darwin (b/w photo)

XJF438455: Charles Robert Darwin (b/w photo), Lock and Whitfield (19th century) / Bridgeman Images

ID: XJF438455

Charles Robert Darwin (b/w photo)

Lock and Whitfield (19th century)

Frontispiece to 'The Picture of Dorian Gray' by Oscar Wilde, published in 1925 (litho)
Frontispiece to 'The Picture of Dorian Gray' by Oscar Wilde, published in 1925 (litho)

XJF365325: Frontispiece to 'The Picture of Dorian Gray' by Oscar Wilde, published in 1925 (litho), Keen, Henry (fl.1920-30) / Bridgeman Images

ID: XJF365325

Frontispiece to 'The Picture of Dorian Gray' by Oscar Wilde, published in 1925 (litho)

Keen, Henry (fl.1920-30)

Ballerina Reading Le Figaro, c.1885 (oil on panel)
Ballerina Reading Le Figaro, c.1885 (oil on panel)

CH424195: Ballerina Reading Le Figaro, c.1885 (oil on panel), Gervex, Henri (1852-1929) / Bridgeman Images

ID: CH424195

Ballerina Reading Le Figaro, c.1885 (oil on panel)

Gervex, Henri (1852-1929)

The Couple, c.1932-33 (oil on board)
The Couple, c.1932-33 (oil on board)

JSC382132: The Couple, c.1932-33 (oil on board), Banting, John (1902-72) / Bridgeman Images

ID: JSC382132

The Couple, c.1932-33 (oil on board)

Banting, John (1902-72)

Tranquility (w/c)
Tranquility (w/c)

XPG379464: Tranquility (w/c), Strachan, Arthur Claude (1865-1935) / Bridgeman Images

ID: XPG379464

Tranquility (w/c)

Strachan, Arthur Claude (1865-1935)

Noon Day
Noon Day

XPG379481: Noon Day, Swanwick, Joseph Harold (1866-1929) / Bridgeman Images

ID: XPG379481

Noon Day

Swanwick, Joseph Harold (1866-1929)

Map of the World, 1671 (woodblock print)
Map of the World, 1671 (woodblock print)

XJF387451: Map of the World, 1671 (woodblock print), Japanese School, (17th century) / Bridgeman Images

ID: XJF387451

Map of the World, 1671 (woodblock print)

Japanese School, (17th century)

Robin Hood and his Merry Men, 1859 (mixed media on paper)
Robin Hood and his Merry Men, 1859 (mixed media on paper)

CH402201: Robin Hood and his Merry Men, 1859 (mixed media on paper), Warren, Edmund George (1834-1909) / Bridgeman Images

ID: CH402201

Robin Hood and his Merry Men, 1859 (mixed media on paper)

Warren, Edmund George (1834-1909)

The Garden Gate (w/c with scratching out on paper)
The Garden Gate (w/c with scratching out on paper)

CH401660: The Garden Gate (w/c with scratching out on paper), Allingham, Helen (1848-1926) / Bridgeman Images

ID: CH401660

The Garden Gate (w/c with scratching out on paper)

Allingham, Helen (1848-1926)

Illustration from a portfolio of watercolours of shoes (w/c on paper)
Illustration from a portfolio of watercolours of shoes (w/c on paper)

STC404435: Illustration from a portfolio of watercolours of shoes (w/c on paper), German School, (20th century) / Bridgeman Images

ID: STC404435

Illustration from a portfolio of watercolours of shoes (w/c on paper)

German School, (20th century)

The Sideboard, 1917 (oil on plywood)
The Sideboard, 1917 (oil on plywood)

XBP390285: The Sideboard, 1917 (oil on plywood), Gris, Juan (1887-1927) / Bridgeman Images

ID: XBP390285

The Sideboard, 1917 (oil on plywood)

Gris, Juan (1887-1927)

The Mariner regrets his shooting of the Albatross, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The Mariner regrets his shooting of the Albatross, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393832: The Mariner regrets his shooting of the Albatross, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: XJF393832

The Mariner regrets his shooting of the Albatross, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

Dore, Gustave (1832-83)

Lateral Diagram of the Bones of the Human Skull, 1906 (engraving)
Lateral Diagram of the Bones of the Human Skull, 1906 (engraving)

GRC2622231: Lateral Diagram of the Bones of the Human Skull, 1906 (engraving), German School, (20th century) / Bridgeman Images

ID: GRC2622231

Lateral Diagram of the Bones of the Human Skull, 1906 (engraving)

German School, (20th century)

Self portrait, 1910 (w/c & charcoal on paper)
Self portrait, 1910 (w/c & charcoal on paper)

CH2646951: Self portrait, 1910 (w/c & charcoal on paper), Schiele, Egon (1890-1918) / Bridgeman Images

ID: CH2646951

Self portrait, 1910 (w/c & charcoal on paper)

Schiele, Egon (1890-1918)

Cyclamen (Cyclamen europaeum) (colour litho)
Cyclamen (Cyclamen europaeum) (colour litho)

PRX2639318: Cyclamen (Cyclamen europaeum) (colour litho), German School, (19th century) / Bridgeman Images

ID: PRX2639318

Cyclamen (Cyclamen europaeum) (colour litho)

German School, (19th century)


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