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Angel. Baronci Altarpiece. (oil on panel, 1500-1501)
Angel. Baronci Altarpiece. (oil on panel, 1500-1501)

LRI4610430: Angel. Baronci Altarpiece. (oil on panel, 1500-1501), Raphael (Raffaello Sanzio of Urbino) (1483-1520) / Bridgeman Images

ID: LRI4610430

Angel. Baronci Altarpiece. (oil on panel, 1500-1501)

Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Portrait of Francois I (1494-1547), 16th century (oil on canvas)
Portrait of Francois I (1494-1547), 16th century (oil on canvas)

JLJ4613379: Portrait of Francois I (1494-1547), 16th century (oil on canvas), Clouet, Francois (c.1510-72) (school of) / Bridgeman Images

ID: JLJ4613379

Portrait of Francois I (1494-1547), 16th century (oil on canvas)

Clouet, Francois (c.1510-72) (school of)

Young women puppet throwing into the air with a cloth a rag doll, 1792 (oil on canvas)
Young women puppet throwing into the air with a cloth a rag doll, 1792 (oil on canvas)

JLJ4653291: Young women puppet throwing into the air with a cloth a rag doll, 1792 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: JLJ4653291

Young women puppet throwing into the air with a cloth a rag doll, 1792 (oil on canvas)

Goya y Lucientes, Francisco Jose de (1746-1828)

Interview of Napoleon I (1769-1821) and Francois II (1768-1835), 19th century (oil on canvas)
Interview of Napoleon I (1769-1821) and Francois II (1768-1835), 19th century (oil on canvas)

JLJ4645988: Interview of Napoleon I (1769-1821) and Francois II (1768-1835), 19th century (oil on canvas), Gros, Antoine Jean (1771-1835) / Bridgeman Images

ID: JLJ4645988

Interview of Napoleon I (1769-1821) and Francois II (1768-1835), 19th century (oil on canvas)

Gros, Antoine Jean (1771-1835)

Emperor Napoleon I presents his son the King of Rome to the dignitaries of the Empire on 20/03/1811 (oil on canvas)
Emperor Napoleon I presents his son the King of Rome to the dignitaries of the Empire on 20/03/1811 (oil on canvas)

JLJ4642854: Emperor Napoleon I presents his son the King of Rome to the dignitaries of the Empire on 20/03/1811 (oil on canvas), Rouget, Georges (1784-1869) / Bridgeman Images

ID: JLJ4642854

Emperor Napoleon I presents his son the King of Rome to the dignitaries of the Empire on 20/03/1811 (oil on canvas)

Rouget, Georges (1784-1869)

Two young people playing and playing, 1751 (oil on canvas)
Two young people playing and playing, 1751 (oil on canvas)

JLJ4643201: Two young people playing and playing, 1751 (oil on canvas), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images

ID: JLJ4643201

Two young people playing and playing, 1751 (oil on canvas)

Fragonard, Jean-Honore (1732-1806)

Portrait of Louis de Rouvroy, Duke of Saint Simon (1675-1755) Memorialist, 1887 (oil on canvas)
Portrait of Louis de Rouvroy, Duke of Saint Simon (1675-1755) Memorialist, 1887 (oil on canvas)

JLJ4642934: Portrait of Louis de Rouvroy, Duke of Saint Simon (1675-1755) Memorialist, 1887 (oil on canvas), Viger du Vigneau, Perrine (1832-1894) / Bridgeman Images

ID: JLJ4642934

Portrait of Louis de Rouvroy, Duke of Saint Simon (1675-1755) Memorialist, 1887 (oil on canvas)

Viger du Vigneau, Perrine (1832-1894)

Workmen smelters working in a metallurgical plant, 1887 (oil on canvas)
Workmen smelters working in a metallurgical plant, 1887 (oil on canvas)

JLJ4666276: Workmen smelters working in a metallurgical plant, 1887 (oil on canvas), Rixens, Jean-Andre (1846-1924) / Bridgeman Images

ID: JLJ4666276

Workmen smelters working in a metallurgical plant, 1887 (oil on canvas)

Rixens, Jean-Andre (1846-1924)

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145774: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145774

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

Dore, Gustave (1832-83)

Cov. of the book “” Extraordinary Voyages: Five Weeks in Balloon and Voyage au Centre de la Terre” by Jules Verne, ed. Hetzel, 19th century
Cov. of the book “” Extraordinary Voyages: Five Weeks in Balloon and Voyage au Centre de la Terre” by Jules Verne, ed. Hetzel, 19th century

LSE4092721: Cov. of the book “” Extraordinary Voyages: Five Weeks in Balloon and Voyage au Centre de la Terre” by Jules Verne, ed. Hetzel, 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4092721

Cov. of the book “” Extraordinary Voyages: Five Weeks in Balloon and Voyage au Centre de la Terre” by Jules Verne, ed. Hetzel, 19th century

Unknown Artist, (19th century)

Scenes of Missing Kingdoms: Funeral Ceremonies in Egyptian Mausolees. The regaining pharaoh, who in his capacity as high priest of worship, was in charge of the sacrifices in honor of his predecessors, is specifically occupied as an officer before the god Sebek or Sobek, at the head of Crocodile. Chromolithography of the 19th century.
Scenes of Missing Kingdoms: Funeral Ceremonies in Egyptian Mausolees. The regaining pharaoh, who in his capacity as high priest of worship, was in charge of the sacrifices in honor of his predecessors, is specifically occupied as an officer before the god Sebek or Sobek, at the head of Crocodile. Chromolithography of the 19th century.

XEE4155955: Scenes of Missing Kingdoms: Funeral Ceremonies in Egyptian Mausolees. The regaining pharaoh, who in his capacity as high priest of worship, was in charge of the sacrifices in honor of his predecessors, is specifically occupied as an officer before the god Sebek or Sobek, at the head of Crocodile. Chromolithography of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4155955

Scenes of Missing Kingdoms: Funeral Ceremonies in Egyptian Mausolees. The regaining pharaoh, who in his capacity as high priest of worship, was in charge of the sacrifices in honor of his predecessors, is specifically occupied as an officer before the god Sebek or Sobek, at the head of Crocodile. Chromolithography of the 19th century.

Unknown Artist, (19th century)

Portrait of Henry David Thoreau (1817-1862) - American essayist, poet, philosopher, abolitionist, naturalist, tax resister, development critic, surveyor, and historian
Portrait of Henry David Thoreau (1817-1862) - American essayist, poet, philosopher, abolitionist, naturalist, tax resister, development critic, surveyor, and historian

XEE4163302: Portrait of Henry David Thoreau (1817-1862) - American essayist, poet, philosopher, abolitionist, naturalist, tax resister, development critic, surveyor, and historian, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4163302

Portrait of Henry David Thoreau (1817-1862) - American essayist, poet, philosopher, abolitionist, naturalist, tax resister, development critic, surveyor, and historian

Unknown Artist, (19th century)

Composition No. I, with Red and Black, 1929 (oil on canvas)
Composition No. I, with Red and Black, 1929 (oil on canvas)

XOS3956471: Composition No. I, with Red and Black, 1929 (oil on canvas), Mondrian, Piet (1872-1944) / Bridgeman Images

ID: XOS3956471

Composition No. I, with Red and Black, 1929 (oil on canvas)

Mondrian, Piet (1872-1944)

Pantagruel following a course of geography - in “” Gargantua”” by Rabelais, ill. Gustave Dore, 1873
Pantagruel following a course of geography - in “” Gargantua”” by Rabelais, ill. Gustave Dore, 1873

LSE4096511: Pantagruel following a course of geography - in “” Gargantua”” by Rabelais, ill. Gustave Dore, 1873, Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4096511

Pantagruel following a course of geography - in “” Gargantua”” by Rabelais, ill. Gustave Dore, 1873

Dore, Gustave (1832-83)

Mammoth hunting scene, Stone Age.
Mammoth hunting scene, Stone Age.

XEE4133873: Mammoth hunting scene, Stone Age., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4133873

Mammoth hunting scene, Stone Age.

Unknown Artist, (19th century)

Kvennagong
Kvennagong

OVR6370681: Kvennagong, Astrup, Nikolai (1880-1928) / Bridgeman Images

ID: OVR6370681

Kvennagong

Astrup, Nikolai (1880-1928)

Portrait of Edward Wolfe, 1918
Portrait of Edward Wolfe, 1918

CH6380619: Portrait of Edward Wolfe, 1918, Hamnett, Nina (1890-1956) / Bridgeman Images

ID: CH6380619

Portrait of Edward Wolfe, 1918

Hamnett, Nina (1890-1956)

The Death of Cleopatra, 1892 (oil on canvas)
The Death of Cleopatra, 1892 (oil on canvas)

XCS6041638: The Death of Cleopatra, 1892 (oil on canvas), Arthur, Reginald (fl.1880-96) / Bridgeman Images

ID: XCS6041638

The Death of Cleopatra, 1892 (oil on canvas)

Arthur, Reginald (fl.1880-96)

Chandra-Bhaga (Path to Triloknath), 1932 (tempera on canvas)
Chandra-Bhaga (Path to Triloknath), 1932 (tempera on canvas)

NRR5642655: Chandra-Bhaga (Path to Triloknath), 1932 (tempera on canvas), Roerich, Nicholas (1874-1947) / Bridgeman Images

ID: NRR5642655

Chandra-Bhaga (Path to Triloknath), 1932 (tempera on canvas)

Roerich, Nicholas (1874-1947)

Pilot in Rough Weather (oil on canvas)
Pilot in Rough Weather (oil on canvas)

OVR5671627: Pilot in Rough Weather (oil on canvas), Krohg, Christian (1852-1925) / Bridgeman Images

ID: OVR5671627

Pilot in Rough Weather (oil on canvas)

Krohg, Christian (1852-1925)

Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand).
Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand).

LSE4313476: Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand)., Couture, Thomas (1815-79) / Bridgeman Images

ID: LSE4313476

Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand).

Couture, Thomas (1815-79)

Francoise d'Aubigne (Madame de Maintenon, 1635-1719). Painting by Peter I Mignard, known as the Roman (1612-1695), oil on canvas, French art, 17th century. Museum of Fine Arts in Niort.
Francoise d'Aubigne (Madame de Maintenon, 1635-1719). Painting by Peter I Mignard, known as the Roman (1612-1695), oil on canvas, French art, 17th century. Museum of Fine Arts in Niort.

LSE4314761: Francoise d'Aubigne (Madame de Maintenon, 1635-1719). Painting by Peter I Mignard, known as the Roman (1612-1695), oil on canvas, French art, 17th century. Museum of Fine Arts in Niort., Mignard, Pierre (1612-95) / Bridgeman Images

ID: LSE4314761

Francoise d'Aubigne (Madame de Maintenon, 1635-1719). Painting by Peter I Mignard, known as the Roman (1612-1695), oil on canvas, French art, 17th century. Museum of Fine Arts in Niort.

Mignard, Pierre (1612-95)

Palace of Versailles at the time of Louis XIV.
Palace of Versailles at the time of Louis XIV.

XEE4411244: Palace of Versailles at the time of Louis XIV., French School, (19th century) / Bridgeman Images

ID: XEE4411244

Palace of Versailles at the time of Louis XIV.

French School, (19th century)

Conquest of the North Pole, 1909 (lithograph)
Conquest of the North Pole, 1909 (lithograph)

XEE4412385: Conquest of the North Pole, 1909 (lithograph), French School, (20th century) / Bridgeman Images

ID: XEE4412385

Conquest of the North Pole, 1909 (lithograph)

French School, (20th century)

Transformations of Paris under the Second Empire, Haussmann Paris. The sewer from the Strasbourg train station to the Seine: view taken from the grand room on the day of the inauguration of the boulevard de Sebastopol. Visit of General Espinasse Minister of the Interior in 1858.
Transformations of Paris under the Second Empire, Haussmann Paris. The sewer from the Strasbourg train station to the Seine: view taken from the grand room on the day of the inauguration of the boulevard de Sebastopol. Visit of General Espinasse Minister of the Interior in 1858.

XEE4404833: Transformations of Paris under the Second Empire, Haussmann Paris. The sewer from the Strasbourg train station to the Seine: view taken from the grand room on the day of the inauguration of the boulevard de Sebastopol. Visit of General Espinasse Minister of the Interior in 1858., French School, (19th century) / Bridgeman Images

ID: XEE4404833

Transformations of Paris under the Second Empire, Haussmann Paris. The sewer from the Strasbourg train station to the Seine: view taken from the grand room on the day of the inauguration of the boulevard de Sebastopol. Visit of General Espinasse Minister of the Interior in 1858.

French School, (19th century)

Miguel de Cervantes, Spanish writer (1547 - 1616) after hombres y Mujeres celebres. Barcelona 1877.
Miguel de Cervantes, Spanish writer (1547 - 1616) after hombres y Mujeres celebres. Barcelona 1877.

XEE4403665: Miguel de Cervantes, Spanish writer (1547 - 1616) after hombres y Mujeres celebres. Barcelona 1877., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4403665

Miguel de Cervantes, Spanish writer (1547 - 1616) after hombres y Mujeres celebres. Barcelona 1877.

Unknown Artist, (19th century)

Portrait of Blaise Pascal - painting by Francois Quesnel, (1595-1661), circa 1691. museum of Versailles.
Portrait of Blaise Pascal - painting by Francois Quesnel, (1595-1661), circa 1691. museum of Versailles.

GIA4811361: Portrait of Blaise Pascal - painting by Francois Quesnel, (1595-1661), circa 1691. museum of Versailles., Quesnel, Francois (1543-1619) (after) / Bridgeman Images

ID: GIA4811361

Portrait of Blaise Pascal - painting by Francois Quesnel, (1595-1661), circa 1691. museum of Versailles.

Quesnel, Francois (1543-1619) (after)

Model of the air screw made from the drawing of Leonardo da Vinci (Leonardo da Vinci), flying machine, helicopter ancestor - Museum of Science and Technology of Leonardo da Vinci, Milan
Model of the air screw made from the drawing of Leonardo da Vinci (Leonardo da Vinci), flying machine, helicopter ancestor - Museum of Science and Technology of Leonardo da Vinci, Milan

GIA4811167: Model of the air screw made from the drawing of Leonardo da Vinci (Leonardo da Vinci), flying machine, helicopter ancestor - Museum of Science and Technology of Leonardo da Vinci, Milan, Vinci, Leonardo da (1452-1519) (after) / Bridgeman Images

ID: GIA4811167

Model of the air screw made from the drawing of Leonardo da Vinci (Leonardo da Vinci), flying machine, helicopter ancestor - Museum of Science and Technology of Leonardo da Vinci, Milan

Vinci, Leonardo da (1452-1519) (after)

Portrait of Montesquieu (1689 - 1755) in medallion, 1728.
Portrait of Montesquieu (1689 - 1755) in medallion, 1728.

GIA4814794: Portrait of Montesquieu (1689 - 1755) in medallion, 1728., French School, (18th century) / Bridgeman Images

ID: GIA4814794

Portrait of Montesquieu (1689 - 1755) in medallion, 1728.

French School, (18th century)

Portrait Of Erasmus Of Rotterdam, 16th century (oil on canvas)
Portrait Of Erasmus Of Rotterdam, 16th century (oil on canvas)

JLJ4680842: Portrait Of Erasmus Of Rotterdam, 16th century (oil on canvas), Holbein the Younger, Hans (1497/8-1543) / Bridgeman Images

ID: JLJ4680842

Portrait Of Erasmus Of Rotterdam, 16th century (oil on canvas)

Holbein the Younger, Hans (1497/8-1543)

Saint Jerome Reading, 17th century (oil on canvas)
Saint Jerome Reading, 17th century (oil on canvas)

JLJ4686789: Saint Jerome Reading, 17th century (oil on canvas), Tour, Georges de la (1593-1652) / Bridgeman Images

ID: JLJ4686789

Saint Jerome Reading, 17th century (oil on canvas)

Tour, Georges de la (1593-1652)

Philip IV the Beautiful, a flower of lily in the right hand, c.1555-1566 (miniature)
Philip IV the Beautiful, a flower of lily in the right hand, c.1555-1566 (miniature)

JLJ4690217: Philip IV the Beautiful, a flower of lily in the right hand, c.1555-1566 (miniature), French School, (16th century) / Bridgeman Images

ID: JLJ4690217

Philip IV the Beautiful, a flower of lily in the right hand, c.1555-1566 (miniature)

French School, (16th century)

Last Judgement, c.1435 (tempera on oak)
Last Judgement, c.1435 (tempera on oak)

JLJ4690625: Last Judgement, c.1435 (tempera on oak), Lochner, Stephan (fl.1442-1451) / Bridgeman Images

ID: JLJ4690625

Last Judgement, c.1435 (tempera on oak)

Lochner, Stephan (fl.1442-1451)

View of Salvador, formerly known as Bahia, capital of Brazil in 1549, when it was founded - Engraving of the 16th century
View of Salvador, formerly known as Bahia, capital of Brazil in 1549, when it was founded - Engraving of the 16th century

GIA4710475: View of Salvador, formerly known as Bahia, capital of Brazil in 1549, when it was founded - Engraving of the 16th century, Unknown Artist, (16th century) / Bridgeman Images

ID: GIA4710475

View of Salvador, formerly known as Bahia, capital of Brazil in 1549, when it was founded - Engraving of the 16th century

Unknown Artist, (16th century)

Les mines d'argent à Potosi, en Bolivie. Gravure du 19eme siecle.
Les mines d'argent à Potosi, en Bolivie. Gravure du 19eme siecle.

GIA4730967: Les mines d'argent à Potosi, en Bolivie. Gravure du 19eme siecle., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4730967

Les mines d'argent à Potosi, en Bolivie. Gravure du 19eme siecle.

Unknown Artist, (19th century)

Portrait of Titus Lucretius Carus (Lucrece) Roman philosopher and poet in “” De Rerum natura””, Engraving 18th century.
Portrait of Titus Lucretius Carus (Lucrece) Roman philosopher and poet in “” De Rerum natura””, Engraving 18th century.

GIA4786954: Portrait of Titus Lucretius Carus (Lucrece) Roman philosopher and poet in “” De Rerum natura””, Engraving 18th century., Unknown artist, (18th century) / Bridgeman Images

ID: GIA4786954

Portrait of Titus Lucretius Carus (Lucrece) Roman philosopher and poet in “” De Rerum natura””, Engraving 18th century.

Unknown artist, (18th century)


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