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The Escorial Monastery, designed by Juan Bautista de Toledo and Juan de Herrera, 1563-84 (photo)
The Escorial Monastery, designed by Juan Bautista de Toledo and Juan de Herrera, 1563-84 (photo)

BAL17510: The Escorial Monastery, designed by Juan Bautista de Toledo and Juan de Herrera, 1563-84 (photo), Spanish School, (16th century) / Bridgeman Images

ID: BAL17510

The Escorial Monastery, designed by Juan Bautista de Toledo and Juan de Herrera, 1563-84 (photo)

Spanish School, (16th century)

The Flight of the Swallows, 1906
The Flight of the Swallows, 1906

EDB52932: The Flight of the Swallows, 1906, Lorimer, John Henry (1856-1936) / Bridgeman Images

ID: EDB52932

The Flight of the Swallows, 1906

Lorimer, John Henry (1856-1936)

Kitchen Interior (oil on panel)
Kitchen Interior (oil on panel)

XIR53779: Kitchen Interior (oil on panel), Bruegel, Pieter the Elder (c.1525-69) (after) / Bridgeman Images

ID: XIR53779

Kitchen Interior (oil on panel)

Bruegel, Pieter the Elder (c.1525-69) (after)

Aureus (obverse) of Nero (AD 54-AD 68) wearing a laurel wreath.(gold) Inscription: NERO CAESAR AVGVSVS
Aureus (obverse) of Nero (AD 54-AD 68) wearing a laurel wreath.(gold) Inscription: NERO CAESAR AVGVSVS

BAL46886: Aureus (obverse) of Nero (AD 54-AD 68) wearing a laurel wreath.(gold) Inscription: NERO CAESAR AVGVSVS, Roman, (1st century AD) / Bridgeman Images

ID: BAL46886

Aureus (obverse) of Nero (AD 54-AD 68) wearing a laurel wreath.(gold) Inscription: NERO CAESAR AVGVSVS

Roman, (1st century AD)

The Hen, Panel from the 'Christ in the Wilderness' Series, 1939
The Hen, Panel from the 'Christ in the Wilderness' Series, 1939

ARB50622: The Hen, Panel from the 'Christ in the Wilderness' Series, 1939, Spencer, Stanley (1891-1959) / Bridgeman Images

ID: ARB50622

The Hen, Panel from the 'Christ in the Wilderness' Series, 1939

Spencer, Stanley (1891-1959)

Cloister of the convent, rebuilt in 1442 (photo)
Cloister of the convent, rebuilt in 1442 (photo)

FAB50487: Cloister of the convent, rebuilt in 1442 (photo), Michelozzo di Bartolommeo (1396-1472) / Bridgeman Images

ID: FAB50487

Cloister of the convent, rebuilt in 1442 (photo)

Michelozzo di Bartolommeo (1396-1472)

Orpheus Charming the Animals
Orpheus Charming the Animals

RAF46918: Orpheus Charming the Animals, Bouttats, Jacob (fl.c.1675) / Bridgeman Images

ID: RAF46918

Orpheus Charming the Animals

Bouttats, Jacob (fl.c.1675)

Owl on a Grave, 1836-7 (sepia)
Owl on a Grave, 1836-7 (sepia)

BAL47564: Owl on a Grave, 1836-7 (sepia), Friedrich, Caspar David (1774-1840) / Bridgeman Images

ID: BAL47564

Owl on a Grave, 1836-7 (sepia)

Friedrich, Caspar David (1774-1840)

Blue Cow, 1914 (tempera on paper)
Blue Cow, 1914 (tempera on paper)

NUM117981: Blue Cow, 1914 (tempera on paper), Marc, Franz (1880-1916) / Bridgeman Images

ID: NUM117981

Blue Cow, 1914 (tempera on paper)

Marc, Franz (1880-1916)

House, outside and inside, 1930 (no 141) (w/c & pen on paper on cardboard)
House, outside and inside, 1930 (no 141) (w/c & pen on paper on cardboard)

NUM117803: House, outside and inside, 1930 (no 141) (w/c & pen on paper on cardboard), Klee, Paul (1879-1940) / Bridgeman Images

ID: NUM117803

House, outside and inside, 1930 (no 141) (w/c & pen on paper on cardboard)

Klee, Paul (1879-1940)

Interior of the basilica, early 4th century AD (photo)
Interior of the basilica, early 4th century AD (photo)

BAL114781: Interior of the basilica, early 4th century AD (photo) / Bridgeman Images

ID: BAL114781

Interior of the basilica, early 4th century AD (photo)

A Sea Ghost, 1887 (oil on canvas)
A Sea Ghost, 1887 (oil on canvas)

TWG114730: A Sea Ghost, 1887 (oil on canvas), Watts, George Frederic (1817-1904) / Bridgeman Images

ID: TWG114730

A Sea Ghost, 1887 (oil on canvas)

Watts, George Frederic (1817-1904)

TSM H.1524 Siege of Vienna by Suleyman I (1494-1566) the Magnificent, in 1529, from the 'Hunername' by Lokman, detail of Vienna, 1588 (gouache on paper)
TSM H.1524 Siege of Vienna by Suleyman I (1494-1566) the Magnificent, in 1529, from the 'Hunername' by Lokman, detail of Vienna, 1588 (gouache on paper)

XIR176283: TSM H.1524 Siege of Vienna by Suleyman I (1494-1566) the Magnificent, in 1529, from the 'Hunername' by Lokman, detail of Vienna, 1588 (gouache on paper), Islamic School, (16th century) / Bridgeman Images

ID: XIR176283

TSM H.1524 Siege of Vienna by Suleyman I (1494-1566) the Magnificent, in 1529, from the 'Hunername' by Lokman, detail of Vienna, 1588 (gouache on paper)

Islamic School, (16th century)

Feeding the Chickens (oil on canvas)
Feeding the Chickens (oil on canvas)

BAL177085: Feeding the Chickens (oil on canvas), Lund, Frederick Christian (1826-1901) / Bridgeman Images

ID: BAL177085

Feeding the Chickens (oil on canvas)

Lund, Frederick Christian (1826-1901)

Cannibal Feast, engraved by Theodor de Bry (1528-98) (engraving)
Cannibal Feast, engraved by Theodor de Bry (1528-98) (engraving)

STC134378: Cannibal Feast, engraved by Theodor de Bry (1528-98) (engraving), White, John (fl.1570-93) / Bridgeman Images

ID: STC134378

Cannibal Feast, engraved by Theodor de Bry (1528-98) (engraving)

White, John (fl.1570-93)

Portrait of Count Roger Bussy de Rabutin (1618-93) (oil on canvas)
Portrait of Count Roger Bussy de Rabutin (1618-93) (oil on canvas)

XIR173498: Portrait of Count Roger Bussy de Rabutin (1618-93) (oil on canvas), Lefebvre, Claude (1632-75) / Bridgeman Images

ID: XIR173498

Portrait of Count Roger Bussy de Rabutin (1618-93) (oil on canvas)

Lefebvre, Claude (1632-75)

The Concert of Angels, 1534-36 (fresco) (detail) (see 175762)
The Concert of Angels, 1534-36 (fresco) (detail) (see 175762)

BEN175779: The Concert of Angels, 1534-36 (fresco) (detail) (see 175762), Ferrari, Gaudenzio (1474/80-1546) / Bridgeman Images

ID: BEN175779

The Concert of Angels, 1534-36 (fresco) (detail) (see 175762)

Ferrari, Gaudenzio (1474/80-1546)

Interior of the Cafe de Manouri, c.1775 (red chalk on paper)
Interior of the Cafe de Manouri, c.1775 (red chalk on paper)

XIR176239: Interior of the Cafe de Manouri, c.1775 (red chalk on paper), Vaujas, Jacques Treton de (1756-1827) / Bridgeman Images

ID: XIR176239

Interior of the Cafe de Manouri, c.1775 (red chalk on paper)

Vaujas, Jacques Treton de (1756-1827)

'Holmes was Working Hard Over a Chemical Investigation', illustration for 'The Naval Treaty', by Arthur Conan Doyle (1859-1930), published in 'Strand Magazine', October and November 1893 (engraving) (b/w photo)
'Holmes was Working Hard Over a Chemical Investigation', illustration for 'The Naval Treaty', by Arthur Conan Doyle (1859-1930), published in 'Strand Magazine', October and November 1893 (engraving) (b/w photo)

STC176437: 'Holmes was Working Hard Over a Chemical Investigation', illustration for 'The Naval Treaty', by Arthur Conan Doyle (1859-1930), published in 'Strand Magazine', October and November 1893 (engraving) (b/w photo), Paget, Sidney (1860-1908) / Bridgeman Images

ID: STC176437

'Holmes was Working Hard Over a Chemical Investigation', illustration for 'The Naval Treaty', by Arthur Conan Doyle (1859-1930), published in 'Strand Magazine', October and November 1893 (engraving) (b/w photo)

Paget, Sidney (1860-1908)

The Annunciation (oil on canvas)
The Annunciation (oil on canvas)

XIR245192: The Annunciation (oil on canvas), Greco, El (Domenico Theotocopuli) (1541-1614) / Bridgeman Images

ID: XIR245192

The Annunciation (oil on canvas)

Greco, El (Domenico Theotocopuli) (1541-1614)

Merchant's woman with a mirror (oil on canvas)
Merchant's woman with a mirror (oil on canvas)

XAB244848: Merchant's woman with a mirror (oil on canvas), Kustodiev, Boris Mikhailovich (1878-1927) / Bridgeman Images

ID: XAB244848

Merchant's woman with a mirror (oil on canvas)

Kustodiev, Boris Mikhailovich (1878-1927)

Facsimile of the telephone invented by Alexander Graham Bell (1847-1922) made by the Western Electric Company
Facsimile of the telephone invented by Alexander Graham Bell (1847-1922) made by the Western Electric Company

XIR246434: Facsimile of the telephone invented by Alexander Graham Bell (1847-1922) made by the Western Electric Company, French School, (20th century) / Bridgeman Images

ID: XIR246434

Facsimile of the telephone invented by Alexander Graham Bell (1847-1922) made by the Western Electric Company

French School, (20th century)

The creating of a Knight Templar, from a manuscript of 'Romance of Lancelot of the Lake', published c.1820-30 (colour litho)
The creating of a Knight Templar, from a manuscript of 'Romance of Lancelot of the Lake', published c.1820-30 (colour litho)

STC247568: The creating of a Knight Templar, from a manuscript of 'Romance of Lancelot of the Lake', published c.1820-30 (colour litho), Italian School, (19th century) / Bridgeman Images

ID: STC247568

The creating of a Knight Templar, from a manuscript of 'Romance of Lancelot of the Lake', published c.1820-30 (colour litho)

Italian School, (19th century)

Bodhisattva Avalokitesvara, from Central Java, 9th-10th century (bronze)
Bodhisattva Avalokitesvara, from Central Java, 9th-10th century (bronze)

XIR246473: Bodhisattva Avalokitesvara, from Central Java, 9th-10th century (bronze), Indonesian / Bridgeman Images

ID: XIR246473

Bodhisattva Avalokitesvara, from Central Java, 9th-10th century (bronze)

Indonesian

Old Woman, c.1618-19 (oil on canvas)
Old Woman, c.1618-19 (oil on canvas)

XIR242455: Old Woman, c.1618-19 (oil on canvas), Tour, Georges de la (1593-1652) / Bridgeman Images

ID: XIR242455

Old Woman, c.1618-19 (oil on canvas)

Tour, Georges de la (1593-1652)

Phaedra, Theseus and Hippolytus, illustration from Act III Scene 5 of 'Phedre' by Jean Racine (1639-99) engraved by Raphael Urbain Massard (1775-1843) 1824 (engraving)
Phaedra, Theseus and Hippolytus, illustration from Act III Scene 5 of 'Phedre' by Jean Racine (1639-99) engraved by Raphael Urbain Massard (1775-1843) 1824 (engraving)

XIR239566: Phaedra, Theseus and Hippolytus, illustration from Act III Scene 5 of 'Phedre' by Jean Racine (1639-99) engraved by Raphael Urbain Massard (1775-1843) 1824 (engraving), Girodet de Roucy-Trioson, Anne Louis (1767-1824) (after) / Bridgeman Images

ID: XIR239566

Phaedra, Theseus and Hippolytus, illustration from Act III Scene 5 of 'Phedre' by Jean Racine (1639-99) engraved by Raphael Urbain Massard (1775-1843) 1824 (engraving)

Girodet de Roucy-Trioson, Anne Louis (1767-1824) (after)

Harriet Hosmer (1830-1908) on ladder with her sculpture of Thomas Hart Benton (1782-1858), c.1860 (b/w photo)
Harriet Hosmer (1830-1908) on ladder with her sculpture of Thomas Hart Benton (1782-1858), c.1860 (b/w photo)

SLS249118: Harriet Hosmer (1830-1908) on ladder with her sculpture of Thomas Hart Benton (1782-1858), c.1860 (b/w photo), American Photographer, (19th century) / Bridgeman Images

ID: SLS249118

Harriet Hosmer (1830-1908) on ladder with her sculpture of Thomas Hart Benton (1782-1858), c.1860 (b/w photo)

American Photographer, (19th century)

ds 1171 fol.9 Historiated initial 'P' depicting the Nativity, from a gradual and antiphon (vellum)
ds 1171 fol.9 Historiated initial 'P' depicting the Nativity, from a gradual and antiphon (vellum)

XIR229391: ds 1171 fol.9 Historiated initial 'P' depicting the Nativity, from a gradual and antiphon (vellum), Italian School, (15th century) / Bridgeman Images

ID: XIR229391

ds 1171 fol.9 Historiated initial 'P' depicting the Nativity, from a gradual and antiphon (vellum)

Italian School, (15th century)

Ideal proportions revealed to be based on the human body, published by Gottardo da Ponte, Como, 1521 (engraving)
Ideal proportions revealed to be based on the human body, published by Gottardo da Ponte, Como, 1521 (engraving)

STC255923: Ideal proportions revealed to be based on the human body, published by Gottardo da Ponte, Como, 1521 (engraving), Cesariano, Cesare di Lorenzo (1483-1543) / Bridgeman Images

ID: STC255923

Ideal proportions revealed to be based on the human body, published by Gottardo da Ponte, Como, 1521 (engraving)

Cesariano, Cesare di Lorenzo (1483-1543)

Sir Anthony van Dyck (1599-1641) in London, 1837 (oil on canvas)
Sir Anthony van Dyck (1599-1641) in London, 1837 (oil on canvas)

XIR234106: Sir Anthony van Dyck (1599-1641) in London, 1837 (oil on canvas), Roqueplan, Camille-Joseph-Etienne (1800-55) / Bridgeman Images

ID: XIR234106

Sir Anthony van Dyck (1599-1641) in London, 1837 (oil on canvas)

Roqueplan, Camille-Joseph-Etienne (1800-55)

Mr H Angelo's Fencing Academy, engraved by Charles Rosenberg, 1791 (hand coloured aquatint)
Mr H Angelo's Fencing Academy, engraved by Charles Rosenberg, 1791 (hand coloured aquatint)

XYC234967: Mr H Angelo's Fencing Academy, engraved by Charles Rosenberg, 1791 (hand coloured aquatint), Rowlandson, Thomas (1756-1827) (after) / Bridgeman Images

ID: XYC234967

Mr H Angelo's Fencing Academy, engraved by Charles Rosenberg, 1791 (hand coloured aquatint)

Rowlandson, Thomas (1756-1827) (after)

Side view of a Mule-Jenny, c.1830 (litho)
Side view of a Mule-Jenny, c.1830 (litho)

KWE258407: Side view of a Mule-Jenny, c.1830 (litho), Lowry, Joseph Wilson (1803-79) / Bridgeman Images

ID: KWE258407

Side view of a Mule-Jenny, c.1830 (litho)

Lowry, Joseph Wilson (1803-79)

House in Aasgaardstrand, 1905 (oil on canvas)
House in Aasgaardstrand, 1905 (oil on canvas)

CH257483: House in Aasgaardstrand, 1905 (oil on canvas), Munch, Edvard (1863-1944) / Bridgeman Images

ID: CH257483

House in Aasgaardstrand, 1905 (oil on canvas)

Munch, Edvard (1863-1944)

Promenade, 1895 (colour litho)
Promenade, 1895 (colour litho)

FIT282856: Promenade, 1895 (colour litho), Bonnard, Pierre (1867-1947) / Bridgeman Images

ID: FIT282856

Promenade, 1895 (colour litho)

Bonnard, Pierre (1867-1947)

The Battle of Leipzig, 16-19 October 1813 (oil on canvas)
The Battle of Leipzig, 16-19 October 1813 (oil on canvas)

XAB283551: The Battle of Leipzig, 16-19 October 1813 (oil on canvas), Sauerweid, Alexander Ivanovich (1783-1844) / Bridgeman Images

ID: XAB283551

The Battle of Leipzig, 16-19 October 1813 (oil on canvas)

Sauerweid, Alexander Ivanovich (1783-1844)

Portrait Group, 1897-98 (pencil, pen & watercolour on paper)
Portrait Group, 1897-98 (pencil, pen & watercolour on paper)

UCL284461: Portrait Group, 1897-98 (pencil, pen & watercolour on paper), John, Gwen (1876-1939) / Bridgeman Images

ID: UCL284461

Portrait Group, 1897-98 (pencil, pen & watercolour on paper)

John, Gwen (1876-1939)


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