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Siege of Vienna, 28th October 1848
Siege of Vienna, 28th October 1848

XAM82648: Siege of Vienna, 28th October 1848, Austrian School, (19th century) / Bridgeman Images

ID: XAM82648

Siege of Vienna, 28th October 1848

Austrian School, (19th century)

Woman with two little girls (pastel)
Woman with two little girls (pastel)

PWI82858: Woman with two little girls (pastel), Degas, Edgar (1834-1917) / Bridgeman Images

ID: PWI82858

Woman with two little girls (pastel)

Degas, Edgar (1834-1917)

Tea at Englefield Green (gouache on paper)
Tea at Englefield Green (gouache on paper)

CMN95611: Tea at Englefield Green (gouache on paper), Sandby, Paul (1725-1809) / Bridgeman Images

ID: CMN95611

Tea at Englefield Green (gouache on paper)

Sandby, Paul (1725-1809)

King Louis-Philippe (1830-48) Disembarking at Portsmouth, 8th October 1844, 1846 (oil on canvas)
King Louis-Philippe (1830-48) Disembarking at Portsmouth, 8th October 1844, 1846 (oil on canvas)

XIR75710: King Louis-Philippe (1830-48) Disembarking at Portsmouth, 8th October 1844, 1846 (oil on canvas), Isabey, Louis Eugene Gabriel (1803-86) / Bridgeman Images

ID: XIR75710

King Louis-Philippe (1830-48) Disembarking at Portsmouth, 8th October 1844, 1846 (oil on canvas)

Isabey, Louis Eugene Gabriel (1803-86)

Ecce Homo, 1634 (oil on paper mounted onto canvas)
Ecce Homo, 1634 (oil on paper mounted onto canvas)

BAL75901: Ecce Homo, 1634 (oil on paper mounted onto canvas), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: BAL75901

Ecce Homo, 1634 (oil on paper mounted onto canvas)

Rembrandt Harmensz. van Rijn (1606-69)

Tippoo Sultan (1749-99) plate from 'Picturesque Scenery in the Kingdom of Mysore', engraved by Edmund Scott (1758-1810) 1805 (engraving)
Tippoo Sultan (1749-99) plate from 'Picturesque Scenery in the Kingdom of Mysore', engraved by Edmund Scott (1758-1810) 1805 (engraving)

STC86343: Tippoo Sultan (1749-99) plate from 'Picturesque Scenery in the Kingdom of Mysore', engraved by Edmund Scott (1758-1810) 1805 (engraving), Orme, Edward (1774-c.1820) (after) / Bridgeman Images

ID: STC86343

Tippoo Sultan (1749-99) plate from 'Picturesque Scenery in the Kingdom of Mysore', engraved by Edmund Scott (1758-1810) 1805 (engraving)

Orme, Edward (1774-c.1820) (after)

Derwentwater Looking South, 1786 (pen & ink and w/c on paper)
Derwentwater Looking South, 1786 (pen & ink and w/c on paper)

LMG109198: Derwentwater Looking South, 1786 (pen & ink and w/c on paper), Towne, Francis (1740-1816) / Bridgeman Images

ID: LMG109198

Derwentwater Looking South, 1786 (pen & ink and w/c on paper)

Towne, Francis (1740-1816)

Study of a Girl, c.1918-19 (oil on canvas)
Study of a Girl, c.1918-19 (oil on canvas)

FIT109643: Study of a Girl, c.1918-19 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: FIT109643

Study of a Girl, c.1918-19 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

Mist in the Canyon, 1914 (oil on canvas)
Mist in the Canyon, 1914 (oil on canvas)

CH89234: Mist in the Canyon, 1914 (oil on canvas), Moran, Thomas (1837-1926) / Bridgeman Images

ID: CH89234

Mist in the Canyon, 1914 (oil on canvas)

Moran, Thomas (1837-1926)

Chart describing the Movement of the Planets, from 'A Celestial Atlas, or The Harmony of the Universe' (Atlas coelestis seu harmonia macrocosmica) pub. by Joannes Janssonius, Amsterdam, 1660-61 (hand coloured engraving)
Chart describing the Movement of the Planets, from 'A Celestial Atlas, or The Harmony of the Universe' (Atlas coelestis seu harmonia macrocosmica) pub. by Joannes Janssonius, Amsterdam, 1660-61 (hand coloured engraving)

STC129822: Chart describing the Movement of the Planets, from 'A Celestial Atlas, or The Harmony of the Universe' (Atlas coelestis seu harmonia macrocosmica) pub. by Joannes Janssonius, Amsterdam, 1660-61 (hand coloured engraving), Cellarius, Andreas (c.1596-1665) / Bridgeman Images

ID: STC129822

Chart describing the Movement of the Planets, from 'A Celestial Atlas, or The Harmony of the Universe' (Atlas coelestis seu harmonia macrocosmica) pub. by Joannes Janssonius, Amsterdam, 1660-61 (hand coloured engraving)

Cellarius, Andreas (c.1596-1665)

The Flight into Egypt, 1500s (oil on canvas)
The Flight into Egypt, 1500s (oil on canvas)

XAB128296: The Flight into Egypt, 1500s (oil on canvas), Titian (Tiziano Vecellio) (c.1488-1576) / Bridgeman Images

ID: XAB128296

The Flight into Egypt, 1500s (oil on canvas)

Titian (Tiziano Vecellio) (c.1488-1576)

Portrait of Nadir Shah Afshar of Persia (1688-1747), 1700-25 (opaque w/c on paper)
Portrait of Nadir Shah Afshar of Persia (1688-1747), 1700-25 (opaque w/c on paper)

STC153481: Portrait of Nadir Shah Afshar of Persia (1688-1747), 1700-25 (opaque w/c on paper), Mughal School (18th century) / Bridgeman Images

ID: STC153481

Portrait of Nadir Shah Afshar of Persia (1688-1747), 1700-25 (opaque w/c on paper)

Mughal School (18th century)

A Fairy Tale (oil on canvas)
A Fairy Tale (oil on canvas)

NWP153550: A Fairy Tale (oil on canvas), Symons, Mark Lancelot (1887-1935) / Bridgeman Images

ID: NWP153550

A Fairy Tale (oil on canvas)

Symons, Mark Lancelot (1887-1935)

Planisphere, from 'Atlas Coelestis', engraved by Pieter Schenk (1660-1719) and Gerard Valk (1651-1726) (colour engraving)
Planisphere, from 'Atlas Coelestis', engraved by Pieter Schenk (1660-1719) and Gerard Valk (1651-1726) (colour engraving)

XIR154166: Planisphere, from 'Atlas Coelestis', engraved by Pieter Schenk (1660-1719) and Gerard Valk (1651-1726) (colour engraving), Cellarius, Andreas (c.1596-1665) (after) / Bridgeman Images

ID: XIR154166

Planisphere, from 'Atlas Coelestis', engraved by Pieter Schenk (1660-1719) and Gerard Valk (1651-1726) (colour engraving)

Cellarius, Andreas (c.1596-1665) (after)

A DAR (Dining and Desk Chair), designed by Eames, Charles (1907-70) and Ray (1912-88), 1953 (moulded fibreglass and metal rod)
A DAR (Dining and Desk Chair), designed by Eames, Charles (1907-70) and Ray (1912-88), 1953 (moulded fibreglass and metal rod)

BON133185: A DAR (Dining and Desk Chair), designed by Eames, Charles (1907-70) and Ray (1912-88), 1953 (moulded fibreglass and metal rod), Eames, Charles (1907-78) and Eames, Ray (1912-88) / Bridgeman Images

ID: BON133185

A DAR (Dining and Desk Chair), designed by Eames, Charles (1907-70) and Ray (1912-88), 1953 (moulded fibreglass and metal rod)

Eames, Charles (1907-78) and Eames, Ray (1912-88)

The Drunkard Being Led Home (panel)
The Drunkard Being Led Home (panel)

JKR69455: The Drunkard Being Led Home (panel), Brueghel, Pieter the Younger (c.1564-1638) / Bridgeman Images

ID: JKR69455

The Drunkard Being Led Home (panel)

Brueghel, Pieter the Younger (c.1564-1638)

Portrait of Baroness Pontalba, 1841
Portrait of Baroness Pontalba, 1841

AGN48064: Portrait of Baroness Pontalba, 1841, Legrand de St. Aubin, Amelie (b.1798) / Bridgeman Images

ID: AGN48064

Portrait of Baroness Pontalba, 1841

Legrand de St. Aubin, Amelie (b.1798)

Heart of Snow
Heart of Snow

WH48897: Heart of Snow, Hughes, Edward Robert (1851-1914) / Bridgeman Images

ID: WH48897

Heart of Snow

Hughes, Edward Robert (1851-1914)

Pomander, decorated with chased scrollwork enclosing black enamel, silver-gilt, probably English, c.1580
Pomander, decorated with chased scrollwork enclosing black enamel, silver-gilt, probably English, c.1580

MJC33112: Pomander, decorated with chased scrollwork enclosing black enamel, silver-gilt, probably English, c.1580 / Bridgeman Images

ID: MJC33112

Pomander, decorated with chased scrollwork enclosing black enamel, silver-gilt, probably English, c.1580

The Alchemist, 1652 (oil on canvas)
The Alchemist, 1652 (oil on canvas)

BAL49343: The Alchemist, 1652 (oil on canvas), Teniers, David the Younger (1610-90) / Bridgeman Images

ID: BAL49343

The Alchemist, 1652 (oil on canvas)

Teniers, David the Younger (1610-90)

Portrait of George Frederick Handel (1685-1759) (oil on canvas)
Portrait of George Frederick Handel (1685-1759) (oil on canvas)

BH34408: Portrait of George Frederick Handel (1685-1759) (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

ID: BH34408

Portrait of George Frederick Handel (1685-1759) (oil on canvas)

Hogarth, William (1697-1764)

The Shipment of Napoleon's Ashes Aboard the 'Belle-Poule' at Saint Helena, 15th October 1840, 1842 (oil on canvas)
The Shipment of Napoleon's Ashes Aboard the 'Belle-Poule' at Saint Helena, 15th October 1840, 1842 (oil on canvas)

XIR50508: The Shipment of Napoleon's Ashes Aboard the 'Belle-Poule' at Saint Helena, 15th October 1840, 1842 (oil on canvas), Isabey, Louis Eugene Gabriel (1803-86) / Bridgeman Images

ID: XIR50508

The Shipment of Napoleon's Ashes Aboard the 'Belle-Poule' at Saint Helena, 15th October 1840, 1842 (oil on canvas)

Isabey, Louis Eugene Gabriel (1803-86)

Dessert, 1653-54 (oil on canvas)
Dessert, 1653-54 (oil on canvas)

MEL48645: Dessert, 1653-54 (oil on canvas), Kalf, Willem (1619-93) / Bridgeman Images

ID: MEL48645

Dessert, 1653-54 (oil on canvas)

Kalf, Willem (1619-93)

Detail from a portrait of Anne Boleyn (1504-36) c.1533 (oil on canvas)
Detail from a portrait of Anne Boleyn (1504-36) c.1533 (oil on canvas)

MFI123681: Detail from a portrait of Anne Boleyn (1504-36) c.1533 (oil on canvas), English School, (16th century) / Bridgeman Images

ID: MFI123681

Detail from a portrait of Anne Boleyn (1504-36) c.1533 (oil on canvas)

English School, (16th century)

The Chaos, engraved by Bernard Picart (1673-1733), 1731 (engraving)
The Chaos, engraved by Bernard Picart (1673-1733), 1731 (engraving)

STC133992: The Chaos, engraved by Bernard Picart (1673-1733), 1731 (engraving), Diepenbeeck, Abraham Jansz. van (1596-1675) (after) / Bridgeman Images

ID: STC133992

The Chaos, engraved by Bernard Picart (1673-1733), 1731 (engraving)

Diepenbeeck, Abraham Jansz. van (1596-1675) (after)

A Horse Frightened by a Lion, 1770 (oil on canvas)
A Horse Frightened by a Lion, 1770 (oil on canvas)

WGL131797: A Horse Frightened by a Lion, 1770 (oil on canvas), Stubbs, George (1724-1806) / Bridgeman Images

ID: WGL131797

A Horse Frightened by a Lion, 1770 (oil on canvas)

Stubbs, George (1724-1806)

Michael Faraday's Study on the second floor at The Royal Institution, 1850-55 (w/c on paper)
Michael Faraday's Study on the second floor at The Royal Institution, 1850-55 (w/c on paper)

TRI137594: Michael Faraday's Study on the second floor at The Royal Institution, 1850-55 (w/c on paper), Moore, Harriet Jane (1801-1884) / Bridgeman Images

ID: TRI137594

Michael Faraday's Study on the second floor at The Royal Institution, 1850-55 (w/c on paper)

Moore, Harriet Jane (1801-1884)

The Return to China, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)
The Return to China, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

BAL122552: The Return to China, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho), English School, (20th century) / Bridgeman Images

ID: BAL122552

The Return to China, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

English School, (20th century)

The City Gate of Hoorn (oil on canvas)
The City Gate of Hoorn (oil on canvas)

XKH146773: The City Gate of Hoorn (oil on canvas), Beerstraten, Jan Abrahamsz. (1622-66) / Bridgeman Images

ID: XKH146773

The City Gate of Hoorn (oil on canvas)

Beerstraten, Jan Abrahamsz. (1622-66)

Plan of the Church of the Holy Sepulchre, Jerusalem (engraving)
Plan of the Church of the Holy Sepulchre, Jerusalem (engraving)

KWE102542: Plan of the Church of the Holy Sepulchre, Jerusalem (engraving), French School, (19th century) / Bridgeman Images

ID: KWE102542

Plan of the Church of the Holy Sepulchre, Jerusalem (engraving)

French School, (19th century)

Above the Mountain Peaks, 1917 (gouache)
Above the Mountain Peaks, 1917 (gouache)

HGM81136: Above the Mountain Peaks, 1917 (gouache), Klee, Paul (1879-1940) / Bridgeman Images

ID: HGM81136

Above the Mountain Peaks, 1917 (gouache)

Klee, Paul (1879-1940)

f.86v Charles Martel looks after punishment and banishment of two men', from the Grandes Chroniques de France, 1375-79 (vellum)
f.86v Charles Martel looks after punishment and banishment of two men', from the Grandes Chroniques de France, 1375-79 (vellum)

XIR83892: f.86v Charles Martel looks after punishment and banishment of two men', from the Grandes Chroniques de France, 1375-79 (vellum), French School, (14th century) / Bridgeman Images

ID: XIR83892

f.86v Charles Martel looks after punishment and banishment of two men', from the Grandes Chroniques de France, 1375-79 (vellum)

French School, (14th century)

Hercules Supporting the World Flanked by Euclid and Ptolemy, from the 'Camerino', 1596 (fresco)
Hercules Supporting the World Flanked by Euclid and Ptolemy, from the 'Camerino', 1596 (fresco)

BEN124355: Hercules Supporting the World Flanked by Euclid and Ptolemy, from the 'Camerino', 1596 (fresco), Carracci, Annibale (1560-1609) / Bridgeman Images

ID: BEN124355

Hercules Supporting the World Flanked by Euclid and Ptolemy, from the 'Camerino', 1596 (fresco)

Carracci, Annibale (1560-1609)

American naval vessel in a Japanese harbour, 1861 (colour woodcut)
American naval vessel in a Japanese harbour, 1861 (colour woodcut)

BAL122991: American naval vessel in a Japanese harbour, 1861 (colour woodcut), Hiroshige, Utagawa II (1829-1869) / Bridgeman Images

ID: BAL122991

American naval vessel in a Japanese harbour, 1861 (colour woodcut)

Hiroshige, Utagawa II (1829-1869)

Diana and Actaeon, thought to be the work of Queen Elizabeth I (1533-1603) 16th century (embroidery)
Diana and Actaeon, thought to be the work of Queen Elizabeth I (1533-1603) 16th century (embroidery)

MFI123747: Diana and Actaeon, thought to be the work of Queen Elizabeth I (1533-1603) 16th century (embroidery), English School, (16th century) / Bridgeman Images

ID: MFI123747

Diana and Actaeon, thought to be the work of Queen Elizabeth I (1533-1603) 16th century (embroidery)

English School, (16th century)

The Guilty, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)
The Guilty, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

XCF137309: The Guilty, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho), Pyne, William Henry (1769-1843) / Bridgeman Images

ID: XCF137309

The Guilty, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

Pyne, William Henry (1769-1843)


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