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Gulliver Taking his Final Leave of the Land of the Houyhnhnms, c.1769 (oil on canvas)
Gulliver Taking his Final Leave of the Land of the Houyhnhnms, c.1769 (oil on canvas)

XYC220947: Gulliver Taking his Final Leave of the Land of the Houyhnhnms, c.1769 (oil on canvas), Gilpin, Sawrey (1733-1807) / Bridgeman Images

ID: XYC220947

Gulliver Taking his Final Leave of the Land of the Houyhnhnms, c.1769 (oil on canvas)

Gilpin, Sawrey (1733-1807)

Jean Paul SARTRE à Milan, avril 1961.
Jean Paul SARTRE à Milan, avril 1961.

OLA5334399: Jean Paul SARTRE à Milan, avril 1961. / Bridgeman Images

ID: OLA5334399

Jean Paul SARTRE à Milan, avril 1961.

Portrait of the Italian castrate Carlo Farinelli (known as Carlo Broschi, 1705-1782), at the court of Philip II of Spain, wearing the white coat of the Order of Calatrava (Portrait of Farinelli, Italian castrato singer) Painting by Corrado Giaquinto (1703-1766), Around 1740-1745 Civico Museo Bibliografico Musical, Bologna
Portrait of the Italian castrate Carlo Farinelli (known as Carlo Broschi, 1705-1782), at the court of Philip II of Spain, wearing the white coat of the Order of Calatrava (Portrait of Farinelli, Italian castrato singer) Painting by Corrado Giaquinto (1703-1766), Around 1740-1745 Civico Museo Bibliografico Musical, Bologna

LRI4627132: Portrait of the Italian castrate Carlo Farinelli (known as Carlo Broschi, 1705-1782), at the court of Philip II of Spain, wearing the white coat of the Order of Calatrava (Portrait of Farinelli, Italian castrato singer) Painting by Corrado Giaquinto (1703-1766), Around 1740-1745 Civico Museo Bibliografico Musical, Bologna, Giacquinto, Corrado (1703-65) / Bridgeman Images

ID: LRI4627132

Portrait of the Italian castrate Carlo Farinelli (known as Carlo Broschi, 1705-1782), at the court of Philip II of Spain, wearing the white coat of the Order of Calatrava (Portrait of Farinelli, Italian castrato singer) Painting by Corrado Giaquinto (1703-1766), Around 1740-1745 Civico Museo Bibliografico Musical, Bologna

Giacquinto, Corrado (1703-65)

Roman Art: “” Still life of peaches and dried fruit”” Roman fresco from Pompei. 1st century BC-1st century AD. Preserve at the National Archaeological Museum of Naples. Italy
Roman Art: “” Still life of peaches and dried fruit”” Roman fresco from Pompei. 1st century BC-1st century AD. Preserve at the National Archaeological Museum of Naples. Italy

LRI4639267: Roman Art: “” Still life of peaches and dried fruit”” Roman fresco from Pompei. 1st century BC-1st century AD. Preserve at the National Archaeological Museum of Naples. Italy, Roman, (1st century BC) / Bridgeman Images

ID: LRI4639267

Roman Art: “” Still life of peaches and dried fruit”” Roman fresco from Pompei. 1st century BC-1st century AD. Preserve at the National Archaeological Museum of Naples. Italy

Roman, (1st century BC)

Greyhound and head of a greyhound, from the The Vallardi Album (pen & ink on paper) (b/w photo)
Greyhound and head of a greyhound, from the The Vallardi Album (pen & ink on paper) (b/w photo)

XIR242724: Greyhound and head of a greyhound, from the The Vallardi Album (pen & ink on paper) (b/w photo), Pisanello, Antonio (1395-1455) / Bridgeman Images

ID: XIR242724

Greyhound and head of a greyhound, from the The Vallardi Album (pen & ink on paper) (b/w photo)

Pisanello, Antonio (1395-1455)

Madonna and Child with singing angels, c.1477 (oil on panel)
Madonna and Child with singing angels, c.1477 (oil on panel)

ATT430757: Madonna and Child with singing angels, c.1477 (oil on panel), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

ID: ATT430757

Madonna and Child with singing angels, c.1477 (oil on panel)

Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510)

The Lady and the Unicorn: 'Taste' (tapestry) (detail of 11821)
The Lady and the Unicorn: 'Taste' (tapestry) (detail of 11821)

XIR238684: The Lady and the Unicorn: 'Taste' (tapestry) (detail of 11821), French School, (15th century) / Bridgeman Images

ID: XIR238684

The Lady and the Unicorn: 'Taste' (tapestry) (detail of 11821)

French School, (15th century)

military parade at Stone Town in front of Beit-al-Ajaib (House of Wonders) in Zanzibar, Tanzania after 1896
military parade at Stone Town in front of Beit-al-Ajaib (House of Wonders) in Zanzibar, Tanzania after 1896

PVD1682939: military parade at Stone Town in front of Beit-al-Ajaib (House of Wonders) in Zanzibar, Tanzania after 1896 / Bridgeman Images

ID: PVD1682939

military parade at Stone Town in front of Beit-al-Ajaib (House of Wonders) in Zanzibar, Tanzania after 1896

Urban VI, pope in the 14th century (engraving)
Urban VI, pope in the 14th century (engraving)

PVD1684269: Urban VI, pope in the 14th century (engraving) / Bridgeman Images

ID: PVD1684269

Urban VI, pope in the 14th century (engraving)

Two women strikers on picket line during the
Two women strikers on picket line during the

PVD1694072: Two women strikers on picket line during the "Uprising of the 20,000", garment workers strike, New York, february 1910 / Bridgeman Images

ID: PVD1694072

Two women strikers on picket line during the "Uprising of the 20,000", garment workers strike, New York, february 1910

Guillaume de Nogaret (1260-1313) councillor and keeper of the seal to PhilipIV of France, engraving colrized document
Guillaume de Nogaret (1260-1313) councillor and keeper of the seal to PhilipIV of France, engraving colrized document

TAD1744339: Guillaume de Nogaret (1260-1313) councillor and keeper of the seal to PhilipIV of France, engraving colrized document / Bridgeman Images

ID: TAD1744339

Guillaume de Nogaret (1260-1313) councillor and keeper of the seal to PhilipIV of France, engraving colrized document

Scene of meal, is an illumination extracting from the manuscript entitled
Scene of meal, is an illumination extracting from the manuscript entitled

TAD1744492: Scene of meal, is an illumination extracting from the manuscript entitled "Facta et dicta memorabilia" written by Valerius Maximus and translated by Simon de Hesdin and Nicolas de Gonesse, dating of the XVth century / Bridgeman Images

ID: TAD1744492

Scene of meal, is an illumination extracting from the manuscript entitled "Facta et dicta memorabilia" written by Valerius Maximus and translated by Simon de Hesdin and Nicolas de Gonesse, dating of the XVth century

Coronation of French king Hugues Capet (940-996) in Noyon in 987, illumination from
Coronation of French king Hugues Capet (940-996) in Noyon in 987, illumination from

TAD1758635: Coronation of French king Hugues Capet (940-996) in Noyon in 987, illumination from "Grandes Chroniques de France" 14th century / Bridgeman Images

ID: TAD1758635

Coronation of French king Hugues Capet (940-996) in Noyon in 987, illumination from "Grandes Chroniques de France" 14th century

Tulips in a Staffordshire Jug (oil on canvas)
Tulips in a Staffordshire Jug (oil on canvas)

CH1766637: Tulips in a Staffordshire Jug (oil on canvas), Carrington, Dora (1893-1932) / Bridgeman Images

ID: CH1766637

Tulips in a Staffordshire Jug (oil on canvas)

Carrington, Dora (1893-1932)

De Gaulle in the desert
De Gaulle in the desert

GEG1779374: De Gaulle in the desert / Bridgeman Images

ID: GEG1779374

De Gaulle in the desert

Departure of the conscripts for the great war, c. late august early september 1914 . notice the graffitis written on the train :
Departure of the conscripts for the great war, c. late august early september 1914 . notice the graffitis written on the train :

DAZ1780588: Departure of the conscripts for the great war, c. late august early september 1914 . notice the graffitis written on the train : "long live Paris!", long live France!", "long live Belgium!" (Belgium was attacked by Germany and Austria on late august), "Back home after the victory or within three years" (they believed in the blitzkrieg or lightning war, and anyway the military duty lasted three years at that time), "To Berlin" (the French thought they could easily invade Berlin) / Bridgeman Images

ID: DAZ1780588

Departure of the conscripts for the great war, c. late august early september 1914 . notice the graffitis written on the train : "long live Paris!", long live France!", "long live Belgium!" (Belgium was attacked by Germany and Austria on late august), "Back home after the victory or within three years" (they believed in the blitzkrieg or lightning war, and anyway the military duty lasted three years at that time), "To Berlin" (the French thought they could easily invade Berlin)

The Houses
The Houses

GEG1784372: The Houses / Bridgeman Images

ID: GEG1784372

The Houses

Georges Perec
Georges Perec

SAI1933232: Georges Perec, Saint Paul, René / Bridgeman Images

ID: SAI1933232

Georges Perec

Saint Paul, René

Boulevard De Clichy, 1887 (oil on canvas)
Boulevard De Clichy, 1887 (oil on canvas)

FIA5400725: Boulevard De Clichy, 1887 (oil on canvas), Gogh, Vincent van (1853-90) / Bridgeman Images

ID: FIA5400725

Boulevard De Clichy, 1887 (oil on canvas)

Gogh, Vincent van (1853-90)

Charles Dickens standing at a desk, colourised by Oliver Clyde, 2020, original image by George Herbert Watkins, 1858-59 (digital)
Charles Dickens standing at a desk, colourised by Oliver Clyde, 2020, original image by George Herbert Watkins, 1858-59 (digital)

DHM6334698: Charles Dickens standing at a desk, colourised by Oliver Clyde, 2020, original image by George Herbert Watkins, 1858-59 (digital), Clyde, Oliver & Watkins, George Herbert (fl.c.1858) / Bridgeman Images

ID: DHM6334698

Charles Dickens standing at a desk, colourised by Oliver Clyde, 2020, original image by George Herbert Watkins, 1858-59 (digital)

Clyde, Oliver & Watkins, George Herbert (fl.c.1858)

La cueillette des pommes, c. 1884-1885 (oil on faience)
La cueillette des pommes, c. 1884-1885 (oil on faience)

CH7058020: La cueillette des pommes, c. 1884-1885 (oil on faience), Pissarro, Camille (1830-1903) / Bridgeman Images

ID: CH7058020

La cueillette des pommes, c. 1884-1885 (oil on faience)

Pissarro, Camille (1830-1903)

William John Warner aka Cheiro (1866-1936) Irishman and a famous and colorful occult figure of the early 20th century
William John Warner aka Cheiro (1866-1936) Irishman and a famous and colorful occult figure of the early 20th century

PVD1692694: William John Warner aka Cheiro (1866-1936) Irishman and a famous and colorful occult figure of the early 20th century / Bridgeman Images

ID: PVD1692694

William John Warner aka Cheiro (1866-1936) Irishman and a famous and colorful occult figure of the early 20th century

Le Domaine D'Arnheim, 1938 (oil on canvas)
Le Domaine D'Arnheim, 1938 (oil on canvas)

GR27755: Le Domaine D'Arnheim, 1938 (oil on canvas), Magritte, Rene (1898-1967) / Bridgeman Images

ID: GR27755

Le Domaine D'Arnheim, 1938 (oil on canvas)

Magritte, Rene (1898-1967)

White Circle, 1918 (oil on canvas)
White Circle, 1918 (oil on canvas)

SRM38456: White Circle, 1918 (oil on canvas), Rodchenko, Alexander (1891-1956) / Bridgeman Images

ID: SRM38456

White Circle, 1918 (oil on canvas)

Rodchenko, Alexander (1891-1956)

Sioux Chiefs, plate from `The North American Indian', 1907 (photogravure)
Sioux Chiefs, plate from `The North American Indian', 1907 (photogravure)

BAL68498: Sioux Chiefs, plate from `The North American Indian', 1907 (photogravure), Curtis, Edward Sheriff (1868-1952) / Bridgeman Images

ID: BAL68498

Sioux Chiefs, plate from `The North American Indian', 1907 (photogravure)

Curtis, Edward Sheriff (1868-1952)

Maria Riezler-White (1917-95), grandaughter of the artist, with dachshund on her knee, 1925
Maria Riezler-White (1917-95), grandaughter of the artist, with dachshund on her knee, 1925

PFA73323: Maria Riezler-White (1917-95), grandaughter of the artist, with dachshund on her knee, 1925, Liebermann, Max (1847-1935) / Bridgeman Images

ID: PFA73323

Maria Riezler-White (1917-95), grandaughter of the artist, with dachshund on her knee, 1925

Liebermann, Max (1847-1935)

The Woman from Martinique, 1931 (oil on canvas)
The Woman from Martinique, 1931 (oil on canvas)

BAL76312: The Woman from Martinique, 1931 (oil on canvas), Dufy, Raoul (1877-1953) / Bridgeman Images

ID: BAL76312

The Woman from Martinique, 1931 (oil on canvas)

Dufy, Raoul (1877-1953)

Magnificat, 1909 (oil on canvas)
Magnificat, 1909 (oil on canvas)

XIR83579: Magnificat, 1909 (oil on canvas), Denis, Maurice (1870-1943) / Bridgeman Images

ID: XIR83579

Magnificat, 1909 (oil on canvas)

Denis, Maurice (1870-1943)

In the Fields, 1910
In the Fields, 1910

PWI83700: In the Fields, 1910, Rousseau, Henri J.F. (Le Douanier) (1844-1910) / Bridgeman Images

ID: PWI83700

In the Fields, 1910

Rousseau, Henri J.F. (Le Douanier) (1844-1910)

Still life with Lilies, 1996 (watercolour)
Still life with Lilies, 1996 (watercolour)

ACP84919: Still life with Lilies, 1996 (watercolour), Cooper, Alison / Bridgeman Images

ID: ACP84919

Still life with Lilies, 1996 (watercolour)

Cooper, Alison

Portrait of Lady Sassoon, 1907
Portrait of Lady Sassoon, 1907

HOU86914: Portrait of Lady Sassoon, 1907, Sargent, John Singer (1856-1925) / Bridgeman Images

ID: HOU86914

Portrait of Lady Sassoon, 1907

Sargent, John Singer (1856-1925)

The Return of Ulysses, 1973 (oil on canvas)
The Return of Ulysses, 1973 (oil on canvas)

PWI91844: The Return of Ulysses, 1973 (oil on canvas), Chirico, Giorgio de (1888-1978) / Bridgeman Images

ID: PWI91844

The Return of Ulysses, 1973 (oil on canvas)

Chirico, Giorgio de (1888-1978)

Composition, 1930 (w/c, pencil & ink on paper)
Composition, 1930 (w/c, pencil & ink on paper)

NUM117573: Composition, 1930 (w/c, pencil & ink on paper), Kandinsky, Wassily (1866-1944) / Bridgeman Images

ID: NUM117573

Composition, 1930 (w/c, pencil & ink on paper)

Kandinsky, Wassily (1866-1944)

Cup and Saucer, 1923 (china)
Cup and Saucer, 1923 (china)

XAB134497: Cup and Saucer, 1923 (china), Kandinsky, Wassily (1866-1944) / Bridgeman Images

ID: XAB134497

Cup and Saucer, 1923 (china)

Kandinsky, Wassily (1866-1944)

Blue Red, 1964 (oil on canvas)
Blue Red, 1964 (oil on canvas)

DTR140404: Blue Red, 1964 (oil on canvas), Kelly, Ellsworth (1923-2015) / Bridgeman Images

ID: DTR140404

Blue Red, 1964 (oil on canvas)

Kelly, Ellsworth (1923-2015)

'The Last Supper', Wheelers Lunch, 1963 (b/w photo) (see also 5318260-83)
'The Last Supper', Wheelers Lunch, 1963 (b/w photo) (see also 5318260-83)

JDK5318273: 'The Last Supper', Wheelers Lunch, 1963 (b/w photo) (see also 5318260-83) / Bridgeman Images

ID: JDK5318273

'The Last Supper', Wheelers Lunch, 1963 (b/w photo) (see also 5318260-83)


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