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Poster advertising travel between Hamburg and New York with the shipping company Cunard (colour lithograph)
Poster advertising travel between Hamburg and New York with the shipping company Cunard (colour lithograph)

CH1770121: Poster advertising travel between Hamburg and New York with the shipping company Cunard (colour lithograph), Bohrdt, Hans (1857-1945) / Bridgeman Images

ID: CH1770121

Poster advertising travel between Hamburg and New York with the shipping company Cunard (colour lithograph)

Bohrdt, Hans (1857-1945)

A Walk at Dusk, c.1830-5 (oil on canvas)
A Walk at Dusk, c.1830-5 (oil on canvas)

XOS3077087: A Walk at Dusk, c.1830-5 (oil on canvas), Friedrich, Caspar David (1774-1840) / Bridgeman Images

ID: XOS3077087

A Walk at Dusk, c.1830-5 (oil on canvas)

Friedrich, Caspar David (1774-1840)

Nicholas Boylston, c.1769 (oil on canvas)
Nicholas Boylston, c.1769 (oil on canvas)

BST2837516: Nicholas Boylston, c.1769 (oil on canvas), Copley, John Singleton (1738-1815) / Bridgeman Images

ID: BST2837516

Nicholas Boylston, c.1769 (oil on canvas)

Copley, John Singleton (1738-1815)

The cranium, 1489 (pen & ink over black chalk on paper) (verso of 441167)
The cranium, 1489 (pen & ink over black chalk on paper) (verso of 441167)

ROC3740758: The cranium, 1489 (pen & ink over black chalk on paper) (verso of 441167), Vinci, Leonardo da (1452-1519) / Bridgeman Images

ID: ROC3740758

The cranium, 1489 (pen & ink over black chalk on paper) (verso of 441167)

Vinci, Leonardo da (1452-1519)

A sprig of blackberry (Rubus fruticosus), c.1505-10 (red chalk with touches of pen and ink on paper)
A sprig of blackberry (Rubus fruticosus), c.1505-10 (red chalk with touches of pen and ink on paper)

ROC5907199: A sprig of blackberry (Rubus fruticosus), c.1505-10 (red chalk with touches of pen and ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

ID: ROC5907199

A sprig of blackberry (Rubus fruticosus), c.1505-10 (red chalk with touches of pen and ink on paper)

Vinci, Leonardo da (1452-1519)

Portrait of Marie de Medicis (1573 - 1642), wife of Henry IV and mother of Louis XIII Painting by Frans Pourbus Le Jeune (Francois (Franz) Porbus, 1569-1622) circa 1609. Pitti Palace, Florence.
Portrait of Marie de Medicis (1573 - 1642), wife of Henry IV and mother of Louis XIII Painting by Frans Pourbus Le Jeune (Francois (Franz) Porbus, 1569-1622) circa 1609. Pitti Palace, Florence.

LRI4582279: Portrait of Marie de Medicis (1573 - 1642), wife of Henry IV and mother of Louis XIII Painting by Frans Pourbus Le Jeune (Francois (Franz) Porbus, 1569-1622) circa 1609. Pitti Palace, Florence., Pourbus, Frans II (1569-1622) / Bridgeman Images

ID: LRI4582279

Portrait of Marie de Medicis (1573 - 1642), wife of Henry IV and mother of Louis XIII Painting by Frans Pourbus Le Jeune (Francois (Franz) Porbus, 1569-1622) circa 1609. Pitti Palace, Florence.

Pourbus, Frans II (1569-1622)

Champetre dance The announcement to the shepherds, 1480 (miniature)
Champetre dance The announcement to the shepherds, 1480 (miniature)

JLJ4599856: Champetre dance The announcement to the shepherds, 1480 (miniature), Testard, Robinet (fl.1475-1523) / Bridgeman Images

ID: JLJ4599856

Champetre dance The announcement to the shepherds, 1480 (miniature)

Testard, Robinet (fl.1475-1523)

Universal suffrage: A polling station, 1889 (painting)
Universal suffrage: A polling station, 1889 (painting)

JLJ4595213: Universal suffrage: A polling station, 1889 (painting), Bramtot, Alfred-Henri (1852-94) / Bridgeman Images

ID: JLJ4595213

Universal suffrage: A polling station, 1889 (painting)

Bramtot, Alfred-Henri (1852-94)

Saint John Evangelist. Marble Sculpture, 1412-1415
Saint John Evangelist. Marble Sculpture, 1412-1415

LRI4594416: Saint John Evangelist. Marble Sculpture, 1412-1415, Donatello, (c.1386-1466) / Bridgeman Images

ID: LRI4594416

Saint John Evangelist. Marble Sculpture, 1412-1415

Donatello, (c.1386-1466)

Earth at the end of Permian - Ring arcs over the Permian Earth - A ring of rocks and dust is orbiting the Earth. The massive continent below is Pangee and the ocean to the west is Panthalassa. This is what Earth was supposed to look like at the end of Permian, about 260 million years ago, before the first dinosaurs appeared. This ring around the Earth was of earthly origin, constitutes debris thrown into orbit by collision with a meteorite or comet. Over time, these debris have either fallen or fallen back to Earth in a meteorite rain. A dusty ring arc orbits four thousand miles above Earth's equator. The massive continent below is Pangea and the ocean to the west is Panthalassa. This is how the Earth may have appeared during the end of the Permian period, a time just prior to the appearance of the dinosaurs, when continental drift was pulling Pangea apart into the seven continents we know today. 260 million years ago the Earth may have been host to ring arcs similar to the incomplete rings that currently circumscribe the planet Neptune. Unlike Neptune's rings, the ring arcs around the Earth were of terrestrial origin, debris thrown into orbit by a collision with a large meteorite or comet. The debris consisted of tiny pebbles that were once molten droplets of ejecta, long since cooled in the vacuum of space. The orbit of the ring arc would eventually decay, returning the debris back to Earth as a shower of meteorites. This debris is found on Earth's surface today in the form of dark, glassy objects known as tektites
Earth at the end of Permian - Ring arcs over the Permian Earth - A ring of rocks and dust is orbiting the Earth. The massive continent below is Pangee and the ocean to the west is Panthalassa. This is what Earth was supposed to look like at the end of Permian, about 260 million years ago, before the first dinosaurs appeared. This ring around the Earth was of earthly origin, constitutes debris thrown into orbit by collision with a meteorite or comet. Over time, these debris have either fallen or fallen back to Earth in a meteorite rain. A dusty ring arc orbits four thousand miles above Earth's equator. The massive continent below is Pangea and the ocean to the west is Panthalassa. This is how the Earth may have appeared during the end of the Permian period, a time just prior to the appearance of the dinosaurs, when continental drift was pulling Pangea apart into the seven continents we know today. 260 million years ago the Earth may have been host to ring arcs similar to the incomplete rings that currently circumscribe the planet Neptune. Unlike Neptune's rings, the ring arcs around the Earth were of terrestrial origin, debris thrown into orbit by a collision with a large meteorite or comet. The debris consisted of tiny pebbles that were once molten droplets of ejecta, long since cooled in the vacuum of space. The orbit of the ring arc would eventually decay, returning the debris back to Earth as a shower of meteorites. This debris is found on Earth's surface today in the form of dark, glassy objects known as tektites

PIX4633164: Earth at the end of Permian - Ring arcs over the Permian Earth - A ring of rocks and dust is orbiting the Earth. The massive continent below is Pangee and the ocean to the west is Panthalassa. This is what Earth was supposed to look like at the end of Permian, about 260 million years ago, before the first dinosaurs appeared. This ring around the Earth was of earthly origin, constitutes debris thrown into orbit by collision with a meteorite or comet. Over time, these debris have either fallen or fallen back to Earth in a meteorite rain. A dusty ring arc orbits four thousand miles above Earth's equator. The massive continent below is Pangea and the ocean to the west is Panthalassa. This is how the Earth may have appeared during the end of the Permian period, a time just prior to the appearance of the dinosaurs, when continental drift was pulling Pangea apart into the seven continents we know today. 260 million years ago the Earth may have been host to ring arcs similar to the incomplete rings that currently circumscribe the planet Neptune. Unlike Neptune's rings, the ring arcs around the Earth were of terrestrial origin, debris thrown into orbit by a collision with a large meteorite or comet. The debris consisted of tiny pebbles that were once molten droplets of ejecta, long since cooled in the vacuum of space. The orbit of the ring arc would eventually decay, returning the debris back to Earth as a shower of meteorites. This debris is found on Earth's surface today in the form of dark, glassy objects known as tektites / Bridgeman Images

ID: PIX4633164

Earth at the end of Permian - Ring arcs over the Permian Earth - A ring of rocks and dust is orbiting the Earth. The massive continent below is Pangee and the ocean to the west is Panthalassa. This is what Earth was supposed to look like at the end of Permian, about 260 million years ago, before the first dinosaurs appeared. This ring around the Earth was of earthly origin, constitutes debris thrown into orbit by collision with a meteorite or comet. Over time, these debris have either fallen or fallen back to Earth in a meteorite rain. A dusty ring arc orbits four thousand miles above Earth's equator. The massive continent below is Pangea and the ocean to the west is Panthalassa. This is how the Earth may have appeared during the end of the Permian period, a time just prior to the appearance of the dinosaurs, when continental drift was pulling Pangea apart into the seven continents we know today. 260 million years ago the Earth may have been host to ring arcs similar to the incomplete

Portrait of Louis XIV king of France, protector of the Royal Academy of Painting and Sculpture, with the sceptre of Charles V dit de Charlemagne, 17th century (oil on canvas)
Portrait of Louis XIV king of France, protector of the Royal Academy of Painting and Sculpture, with the sceptre of Charles V dit de Charlemagne, 17th century (oil on canvas)

JLJ4574013: Portrait of Louis XIV king of France, protector of the Royal Academy of Painting and Sculpture, with the sceptre of Charles V dit de Charlemagne, 17th century (oil on canvas), Testelin, Henri (1616-95) / Bridgeman Images

ID: JLJ4574013

Portrait of Louis XIV king of France, protector of the Royal Academy of Painting and Sculpture, with the sceptre of Charles V dit de Charlemagne, 17th century (oil on canvas)

Testelin, Henri (1616-95)

The Blue or Nude Room at the Fan, 1891 (painting)
The Blue or Nude Room at the Fan, 1891 (painting)

JLJ4574538: The Blue or Nude Room at the Fan, 1891 (painting), Ranson, Paul (1863-1909) / Bridgeman Images

ID: JLJ4574538

The Blue or Nude Room at the Fan, 1891 (painting)

Ranson, Paul (1863-1909)

Virgin and Child and Six Angels (Virgin of the pomegranate), circa 1887 (tempera on wood)
Virgin and Child and Six Angels (Virgin of the pomegranate), circa 1887 (tempera on wood)

LRI4575619: Virgin and Child and Six Angels (Virgin of the pomegranate), circa 1887 (tempera on wood), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

ID: LRI4575619

Virgin and Child and Six Angels (Virgin of the pomegranate), circa 1887 (tempera on wood)

Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510)

Le baiser Sculpture en marble, 1886 (marble)
Le baiser Sculpture en marble, 1886 (marble)

JLJ4566862: Le baiser Sculpture en marble, 1886 (marble), Rodin, Auguste (1840-1917) / Bridgeman Images

ID: JLJ4566862

Le baiser Sculpture en marble, 1886 (marble)

Rodin, Auguste (1840-1917)

Detail of the Nilotic mosaic of Preneste (Palestrina) from the shrine of the deity of Fortune Primigenia, 80 BC
Detail of the Nilotic mosaic of Preneste (Palestrina) from the shrine of the deity of Fortune Primigenia, 80 BC

LRI4587904: Detail of the Nilotic mosaic of Preneste (Palestrina) from the shrine of the deity of Fortune Primigenia, 80 BC, Roman, (1st century BC) / Bridgeman Images

ID: LRI4587904

Detail of the Nilotic mosaic of Preneste (Palestrina) from the shrine of the deity of Fortune Primigenia, 80 BC

Roman, (1st century BC)

The deity Leto carrying Apollo child in his arms. Sculpture of clay, 510-500 BC
The deity Leto carrying Apollo child in his arms. Sculpture of clay, 510-500 BC

LRI4689671: The deity Leto carrying Apollo child in his arms. Sculpture of clay, 510-500 BC, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689671

The deity Leto carrying Apollo child in his arms. Sculpture of clay, 510-500 BC

Etruscan, (6th century BC)

Donatien Alphonse Francois de Sade (1740-1814) better known as Marquis de Sade. Engraving from the beginning of the 19th century.
Donatien Alphonse Francois de Sade (1740-1814) better known as Marquis de Sade. Engraving from the beginning of the 19th century.

GIA4696924: Donatien Alphonse Francois de Sade (1740-1814) better known as Marquis de Sade. Engraving from the beginning of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4696924

Donatien Alphonse Francois de Sade (1740-1814) better known as Marquis de Sade. Engraving from the beginning of the 19th century.

Unknown Artist, (19th century)

Portrait of Charles Dickens (1812-1870), English writer.
Portrait of Charles Dickens (1812-1870), English writer.

GIA4789389: Portrait of Charles Dickens (1812-1870), English writer., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4789389

Portrait of Charles Dickens (1812-1870), English writer.

Unknown Artist, (19th century)

Portrait of the philosopher Epictete (Epictetus or Epiktetos) (around 50 - 125/130) of the Stoician school.
Portrait of the philosopher Epictete (Epictetus or Epiktetos) (around 50 - 125/130) of the Stoician school.

GIA4807295: Portrait of the philosopher Epictete (Epictetus or Epiktetos) (around 50 - 125/130) of the Stoician school., Unknown Artist, (17th century) / Bridgeman Images

ID: GIA4807295

Portrait of the philosopher Epictete (Epictetus or Epiktetos) (around 50 - 125/130) of the Stoician school.

Unknown Artist, (17th century)

Dante and his poem the 'Divine Comedy', 1465 (tempera on panel)
Dante and his poem the 'Divine Comedy', 1465 (tempera on panel)

GIM5038370: Dante and his poem the 'Divine Comedy', 1465 (tempera on panel), Domenico di Michelino, (1417-91) / Bridgeman Images

ID: GIM5038370

Dante and his poem the 'Divine Comedy', 1465 (tempera on panel)

Domenico di Michelino, (1417-91)

Portrait of General Charles de Gaulle (1890-1970) in London in 1940
Portrait of General Charles de Gaulle (1890-1970) in London in 1940

IBE5358173: Portrait of General Charles de Gaulle (1890-1970) in London in 1940, Unknown photographer, (20th century) / Bridgeman Images

ID: IBE5358173

Portrait of General Charles de Gaulle (1890-1970) in London in 1940

Unknown photographer, (20th century)

Adam and Eve, 1628-9 (oil on canvas)
Adam and Eve, 1628-9 (oil on canvas)

XOS2920904: Adam and Eve, 1628-9 (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: XOS2920904

Adam and Eve, 1628-9 (oil on canvas)

Rubens, Peter Paul (1577-1640)

Johannes Gutenberg (print)
Johannes Gutenberg (print)

XLF3782344: Johannes Gutenberg (print), Unknown Artist / Bridgeman Images

ID: XLF3782344

Johannes Gutenberg (print)

Unknown Artist

Till Eulenspiegel, from 'Till Eulenspiegel' Christoph Reitzer (print)
Till Eulenspiegel, from 'Till Eulenspiegel' Christoph Reitzer (print)

XLF3781132: Till Eulenspiegel, from 'Till Eulenspiegel' Christoph Reitzer (print), German School / Bridgeman Images

ID: XLF3781132

Till Eulenspiegel, from 'Till Eulenspiegel' Christoph Reitzer (print)

German School

Gustav Holst leaning on
Gustav Holst leaning on

XLE3757492: Gustav Holst leaning on / Bridgeman Images

ID: XLE3757492

Gustav Holst leaning on

Title Page for 'Minna von Barnhelm' by Gotthold Ephraim Lessing (print)
Title Page for 'Minna von Barnhelm' by Gotthold Ephraim Lessing (print)

XLA3749258: Title Page for 'Minna von Barnhelm' by Gotthold Ephraim Lessing (print), German School, (18th century) / Bridgeman Images

ID: XLA3749258

Title Page for 'Minna von Barnhelm' by Gotthold Ephraim Lessing (print)

German School, (18th century)

The Indian village of Secoton, c.1570-80 (w/c on paper) (see 1692)
The Indian village of Secoton, c.1570-80 (w/c on paper) (see 1692)

BAL99069: The Indian village of Secoton, c.1570-80 (w/c on paper) (see 1692), White, John (fl.1570-93) / Bridgeman Images

ID: BAL99069

The Indian village of Secoton, c.1570-80 (w/c on paper) (see 1692)

White, John (fl.1570-93)

Tomb of the Scipios (Sepolcro degli Scipioni), 3rd Century a.D.
Tomb of the Scipios (Sepolcro degli Scipioni), 3rd Century a.D.

MEP852287: Tomb of the Scipios (Sepolcro degli Scipioni), 3rd Century a.D. / Bridgeman Images

ID: MEP852287

Tomb of the Scipios (Sepolcro degli Scipioni), 3rd Century a.D.

A portrait of John Mortlock of Cambridge and Abington Hall, Great Abington, Cambridgeshire, 1779 (oil on canvas) (see 197912 for pair)
A portrait of John Mortlock of Cambridge and Abington Hall, Great Abington, Cambridgeshire, 1779 (oil on canvas) (see 197912 for pair)

AGN332898: A portrait of John Mortlock of Cambridge and Abington Hall, Great Abington, Cambridgeshire, 1779 (oil on canvas) (see 197912 for pair), Downman, John (c.1750-1824) / Bridgeman Images

ID: AGN332898

A portrait of John Mortlock of Cambridge and Abington Hall, Great Abington, Cambridgeshire, 1779 (oil on canvas) (see 197912 for pair)

Downman, John (c.1750-1824)

Count of St. Germain, famous alchemist, 1783 (engraving)
Count of St. Germain, famous alchemist, 1783 (engraving)

XIR382412: Count of St. Germain, famous alchemist, 1783 (engraving), Thomas, N. (c.1750-1812) / Bridgeman Images

ID: XIR382412

Count of St. Germain, famous alchemist, 1783 (engraving)

Thomas, N. (c.1750-1812)

Portrait of Tsar Nicholas I of Russia, 1826 (oil on canvas)
Portrait of Tsar Nicholas I of Russia, 1826 (oil on canvas)

CTS336334: Portrait of Tsar Nicholas I of Russia, 1826 (oil on canvas), Dawe, George (1781-1829) / Bridgeman Images

ID: CTS336334

Portrait of Tsar Nicholas I of Russia, 1826 (oil on canvas)

Dawe, George (1781-1829)

The Seine at Port-Villez, 1894 (oil on canvas)
The Seine at Port-Villez, 1894 (oil on canvas)

XIR347321: The Seine at Port-Villez, 1894 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: XIR347321

The Seine at Port-Villez, 1894 (oil on canvas)

Monet, Claude (1840-1926)

Wagtail and Wisteria, Edo period, 1834 (colour woodblock print)
Wagtail and Wisteria, Edo period, 1834 (colour woodblock print)

FSG349308: Wagtail and Wisteria, Edo period, 1834 (colour woodblock print), Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: FSG349308

Wagtail and Wisteria, Edo period, 1834 (colour woodblock print)

Hokusai, Katsushika (1760-1849)

The Crossing Sweeper, 1858 (oil on canvas)
The Crossing Sweeper, 1858 (oil on canvas)

MOL384756: The Crossing Sweeper, 1858 (oil on canvas), Frith, William Powell (1819-1909) / Bridgeman Images

ID: MOL384756

The Crossing Sweeper, 1858 (oil on canvas)

Frith, William Powell (1819-1909)

The Whistling Boy, 1902 (oil on canvas)
The Whistling Boy, 1902 (oil on canvas)

CIN402926: The Whistling Boy, 1902 (oil on canvas), Duveneck, Frank (1848-1919) / Bridgeman Images

ID: CIN402926

The Whistling Boy, 1902 (oil on canvas)

Duveneck, Frank (1848-1919)

The Stone Pickers, 1887 (oil on canvas)
The Stone Pickers, 1887 (oil on canvas)

TW426897: The Stone Pickers, 1887 (oil on canvas), Clausen, George (1852-1944) / Bridgeman Images

ID: TW426897

The Stone Pickers, 1887 (oil on canvas)

Clausen, George (1852-1944)


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