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Exterior view of the dome of S.Maria del Fiore, designed by Filippo Brunelleschi (1377-1446) 1420-36 (photo)
Exterior view of the dome of S.Maria del Fiore, designed by Filippo Brunelleschi (1377-1446) 1420-36 (photo)

BEN133944: Exterior view of the dome of S.Maria del Fiore, designed by Filippo Brunelleschi (1377-1446) 1420-36 (photo) / Bridgeman Images

Madonna with Child and St John in a Landscape (oil on panel)
Madonna with Child and St John in a Landscape (oil on panel)

BEN134170: Madonna with Child and St John in a Landscape (oil on panel), Granacci, Francesco (1477-1543) / Bridgeman Images

View of the vaulted dome (photo)
View of the vaulted dome (photo)

BEN138681: View of the vaulted dome (photo) / Bridgeman Images

Kiss of Judas (fresco) (see 138683 and 138685)
Kiss of Judas (fresco) (see 138683 and 138685)

BEN138684: Kiss of Judas (fresco) (see 138683 and 138685) / Bridgeman Images

Visitation, c.760 (fresco) (see 138680 & 138686)
Visitation, c.760 (fresco) (see 138680 & 138686)

BEN138687: Visitation, c.760 (fresco) (see 138680 & 138686) / Bridgeman Images

Aureus (obverse) with the bust of Lucius Verus (AD 161-AD 169) draped and cuirassed. (gold) Inscription: L VERVS AVG ARMENIACVS
Aureus (obverse) with the bust of Lucius Verus (AD 161-AD 169) draped and cuirassed. (gold) Inscription: L VERVS AVG ARMENIACVS

BEN147897: Aureus (obverse) with the bust of Lucius Verus (AD 161-AD 169) draped and cuirassed. (gold) Inscription: L VERVS AVG ARMENIACVS, Roman, (2nd century) / Bridgeman Images

The Virgin's Wedding Procession, detail of the musicians, c,1305 (fresco) (detail of 65205)
The Virgin's Wedding Procession, detail of the musicians, c,1305 (fresco) (detail of 65205)

BEN102754: The Virgin's Wedding Procession, detail of the musicians, c,1305 (fresco) (detail of 65205), Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images

Maesta, detail of St. Peter, 1315 (fresco)
Maesta, detail of St. Peter, 1315 (fresco)

BEN103279: Maesta, detail of St. Peter, 1315 (fresco), Martini, Simone (1284-1344) / Bridgeman Images

Maesta, detail of St. Michael, 1315 (fresco)
Maesta, detail of St. Michael, 1315 (fresco)

BEN103281: Maesta, detail of St. Michael, 1315 (fresco), Martini, Simone (1284-1344) / Bridgeman Images

The 'Fontana di Pegaso' (Fountain of Pegasus) designed for Cardinal Giovanni Francesco Gambara by Giacomo Vignola (1507-73) 1568 (photo)
The 'Fontana di Pegaso' (Fountain of Pegasus) designed for Cardinal Giovanni Francesco Gambara by Giacomo Vignola (1507-73) 1568 (photo)

BEN104428: The 'Fontana di Pegaso' (Fountain of Pegasus) designed for Cardinal Giovanni Francesco Gambara by Giacomo Vignola (1507-73) 1568 (photo), Vignola, Jacopo [Giacomo] (Barozzi da) (1507-73) / Bridgeman Images

The first floor hall (photo)
The first floor hall (photo)

BEN104434: The first floor hall (photo) / Bridgeman Images

The 'Fontana di Pegaso' (Fountain of Pegasus) designed for Cardinal Giovanni Francesco Gambara by Giacomo Vignola (1507-73) 1568 (photo)
The 'Fontana di Pegaso' (Fountain of Pegasus) designed for Cardinal Giovanni Francesco Gambara by Giacomo Vignola (1507-73) 1568 (photo)

BEN104436: The 'Fontana di Pegaso' (Fountain of Pegasus) designed for Cardinal Giovanni Francesco Gambara by Giacomo Vignola (1507-73) 1568 (photo), Vignola, Jacopo [Giacomo] (Barozzi da) (1507-73) / Bridgeman Images

View of the surrounding town (photo)
View of the surrounding town (photo)

BEN104437: View of the surrounding town (photo) / Bridgeman Images

The 'Camera con Fregio di Amorini' (Chamber of the Cupid Frieze) detail of the central area of the ceiling decorated with a relief of the Medici coat of arms and an allegory of night, 1520's (fresco and stucco)
The 'Camera con Fregio di Amorini' (Chamber of the Cupid Frieze) detail of the central area of the ceiling decorated with a relief of the Medici coat of arms and an allegory of night, 1520's (fresco and stucco)

BEN106209: The 'Camera con Fregio di Amorini' (Chamber of the Cupid Frieze) detail of the central area of the ceiling decorated with a relief of the Medici coat of arms and an allegory of night, 1520's (fresco and stucco), Romano, Giulio (1492-1546) / Bridgeman Images

The loggia, detail of lunette in the vault depicting Pan and satyrs, 1520's (fresco)
The loggia, detail of lunette in the vault depicting Pan and satyrs, 1520's (fresco)

BEN106210: The loggia, detail of lunette in the vault depicting Pan and satyrs, 1520's (fresco), Romano, Giulio (1492-1546) / Bridgeman Images

The Martyrdom of St. Lawrence, detail of the head of the saint, 1613 (marble) (detail of 106230)
The Martyrdom of St. Lawrence, detail of the head of the saint, 1613 (marble) (detail of 106230)

BEN106232: The Martyrdom of St. Lawrence, detail of the head of the saint, 1613 (marble) (detail of 106230), Bernini, Gian Lorenzo (1598-1680) / Bridgeman Images

The 'Teatro dell'Aqua' (Water Theatre) a semicircular nymphaeum with statuary and fountains, detail of a statue of the goddess Flora becoming a marine divinity, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) and completed by Giovanni Fontana (1540-1614) and Carlo Maderno (1556-1629) 1601 (photo)
The 'Teatro dell'Aqua' (Water Theatre) a semicircular nymphaeum with statuary and fountains, detail of a statue of the goddess Flora becoming a marine divinity, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) and completed by Giovanni Fontana (1540-1614) and Carlo Maderno (1556-1629) 1601 (photo)

BEN106248: The 'Teatro dell'Aqua' (Water Theatre) a semicircular nymphaeum with statuary and fountains, detail of a statue of the goddess Flora becoming a marine divinity, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) and completed by Giovanni Fontana (1540-1614) and Carlo Maderno (1556-1629) 1601 (photo) / Bridgeman Images

View of the rear facade, detail of the first floor entrance and loggia, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo)
View of the rear facade, detail of the first floor entrance and loggia, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo)

BEN106251: View of the rear facade, detail of the first floor entrance and loggia, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo), Porta, Giacomo della (1532-1602) / Bridgeman Images

The 'Sala Cinese' (Chinese Room) detail of furnishings (photo) (see also 106254-55)
The 'Sala Cinese' (Chinese Room) detail of furnishings (photo) (see also 106254-55)

BEN106256: The 'Sala Cinese' (Chinese Room) detail of furnishings (photo) (see also 106254-55), Porta, Giacomo della (1532-1602) / Bridgeman Images

Salon with floral motif wallpaper, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo)
Salon with floral motif wallpaper, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo)

BEN106258: Salon with floral motif wallpaper, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo), Porta, Giacomo della (1532-1602) / Bridgeman Images

Decorative iron gate at the entrance to the rear of the villa looking onto the 'Teatro del'Aqua' (Water Theatre) 1601 (photo)
Decorative iron gate at the entrance to the rear of the villa looking onto the 'Teatro del'Aqua' (Water Theatre) 1601 (photo)

BEN106266: Decorative iron gate at the entrance to the rear of the villa looking onto the 'Teatro del'Aqua' (Water Theatre) 1601 (photo) / Bridgeman Images

The 'Columns of Hercules', detail of mosaic decoration, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo) (see also 106249)
The 'Columns of Hercules', detail of mosaic decoration, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo) (see also 106249)

BEN106267: The 'Columns of Hercules', detail of mosaic decoration, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo) (see also 106249) / Bridgeman Images

View of the 'Cortile d'Onore' (Courtyard of Honor) designed by Giuliano da Sangallo (c.1443-1516) 1513 (photo)
View of the 'Cortile d'Onore' (Courtyard of Honor) designed by Giuliano da Sangallo (c.1443-1516) 1513 (photo)

BEN106272: View of the 'Cortile d'Onore' (Courtyard of Honor) designed by Giuliano da Sangallo (c.1443-1516) 1513 (photo) / Bridgeman Images

Salone (photo)
Salone (photo)

BEN106277: Salone (photo), Italian School, (19th century) / Bridgeman Images

The 'Sala Marconi' (Marconi Room) detail of a frieze representing scenes from the life of Alessandro de'Medici (1510-37) (fresco)
The 'Sala Marconi' (Marconi Room) detail of a frieze representing scenes from the life of Alessandro de'Medici (1510-37) (fresco)

BEN106280: The 'Sala Marconi' (Marconi Room) detail of a frieze representing scenes from the life of Alessandro de'Medici (1510-37) (fresco) / Bridgeman Images

The Chamber of the Senate (photo)
The Chamber of the Senate (photo)

BEN106288: The Chamber of the Senate (photo) / Bridgeman Images

View of the south facade, 16th century (photo)
View of the south facade, 16th century (photo)

BEN107103: View of the south facade, 16th century (photo) / Bridgeman Images

Lateral view of the villa and garden, 16th century (photo)
Lateral view of the villa and garden, 16th century (photo)

BEN107104: Lateral view of the villa and garden, 16th century (photo) / Bridgeman Images

The facade, detail of the main entrance, designed by Giorgio Vasari (1511-74) Giacomo Vignola (1507-75) and Bartolomeo Ammannati (1511-92) 1551-55 (photo)
The facade, detail of the main entrance, designed by Giorgio Vasari (1511-74) Giacomo Vignola (1507-75) and Bartolomeo Ammannati (1511-92) 1551-55 (photo)

BEN107119: The facade, detail of the main entrance, designed by Giorgio Vasari (1511-74) Giacomo Vignola (1507-75) and Bartolomeo Ammannati (1511-92) 1551-55 (photo) / Bridgeman Images

View of the gateway leading to the second courtyard, designed by Bartolomeo Ammannati (1511-92) 1551-55 (photo)
View of the gateway leading to the second courtyard, designed by Bartolomeo Ammannati (1511-92) 1551-55 (photo)

BEN107121: View of the gateway leading to the second courtyard, designed by Bartolomeo Ammannati (1511-92) 1551-55 (photo) / Bridgeman Images

View of the garden, detail of the parterre, designed by Giorgio Vasari (1511-74) Giacomo Vignola (1507-73) and Bartolomeo Ammannati (1511-92) 1551-55 (photo)
View of the garden, detail of the parterre, designed by Giorgio Vasari (1511-74) Giacomo Vignola (1507-73) and Bartolomeo Ammannati (1511-92) 1551-55 (photo)

BEN107133: View of the garden, detail of the parterre, designed by Giorgio Vasari (1511-74) Giacomo Vignola (1507-73) and Bartolomeo Ammannati (1511-92) 1551-55 (photo) / Bridgeman Images

The atrium, with red granite columns and a coffered barrel vaulted ceiling, designed by Antonio da Sangallo the Younger (1483-1546) 1517 (photo)
The atrium, with red granite columns and a coffered barrel vaulted ceiling, designed by Antonio da Sangallo the Younger (1483-1546) 1517 (photo)

BEN107142: The atrium, with red granite columns and a coffered barrel vaulted ceiling, designed by Antonio da Sangallo the Younger (1483-1546) 1517 (photo) / Bridgeman Images

The 'Sala delle Fatiche d'Ercole' (Hall of the Labours of Hercules) designed by Antonio da Sangallo the Younger (1483-1546) Michelangelo (1475-1564) Giacomo Vignola (1507-1573) and Giacomo della Porta (1532-1602) 1517 (photo)
The 'Sala delle Fatiche d'Ercole' (Hall of the Labours of Hercules) designed by Antonio da Sangallo the Younger (1483-1546) Michelangelo (1475-1564) Giacomo Vignola (1507-1573) and Giacomo della Porta (1532-1602) 1517 (photo)

BEN107149: The 'Sala delle Fatiche d'Ercole' (Hall of the Labours of Hercules) designed by Antonio da Sangallo the Younger (1483-1546) Michelangelo (1475-1564) Giacomo Vignola (1507-1573) and Giacomo della Porta (1532-1602) 1517 (photo) / Bridgeman Images

The 'Sala delle Fatiche d'Ercole' (Hall of the Labours of Hercules) detail of the monumental fireplace flanked by sculptures of 'Abundance' and 'Peace' by Giacomo Della Porta (1532-1602) 1517-89 (photo)
The 'Sala delle Fatiche d'Ercole' (Hall of the Labours of Hercules) detail of the monumental fireplace flanked by sculptures of 'Abundance' and 'Peace' by Giacomo Della Porta (1532-1602) 1517-89 (photo)

BEN107152: The 'Sala delle Fatiche d'Ercole' (Hall of the Labours of Hercules) detail of the monumental fireplace flanked by sculptures of 'Abundance' and 'Peace' by Giacomo Della Porta (1532-1602) 1517-89 (photo) / Bridgeman Images

Bedroom, detail of frieze depicting towns under Medici rule, Fiesole, 1564-75 (fresco)
Bedroom, detail of frieze depicting towns under Medici rule, Fiesole, 1564-75 (fresco)

BEN107159: Bedroom, detail of frieze depicting towns under Medici rule, Fiesole, 1564-75 (fresco), Nanni di B. Bigio (d.1568) & Bartolomeo Ammannati (1511-92) / Bridgeman Images

Bedroom, detail of frieze depicting towns under Medici rule, possibly Cortona, 1564-75 (fresco)
Bedroom, detail of frieze depicting towns under Medici rule, possibly Cortona, 1564-75 (fresco)

BEN107160: Bedroom, detail of frieze depicting towns under Medici rule, possibly Cortona, 1564-75 (fresco), Nanni di B. Bigio (d.1568) & Bartolomeo Ammannati (1511-92) / Bridgeman Images


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