KWE392511:
Plan of London in the 13th century, from 'A Short History of the English People' by J. R. Green, published 1893 (litho), English School, (19th century) / Bridgeman Images
ID: KWE392511
Plan of London in the 13th century, from 'A Short History of the English People' by J. R. Green, published 1893 (litho)
English School, (19th century)
KWE392520:
Map of Scotland in 1290, from 'A Short History of the English People' by J. R. Green, published 1893 (colour litho), English School, (19th century) / Bridgeman Images
ID: KWE392520
Map of Scotland in 1290, from 'A Short History of the English People' by J. R. Green, published 1893 (colour litho)
English School, (19th century)
KWE392527:
Henry Flood, from 'A Short History of the English People' by J. R. Green, published 1893 (litho), English School, (19th century) / Bridgeman Images
ID: KWE392527
Henry Flood, from 'A Short History of the English People' by J. R. Green, published 1893 (litho)
English School, (19th century)
KWE392534:
Bombay Green, South Mumbai, India in 1767, from 'A Short History of the English People' by J. R. Green, published 1893 (litho), English School, (19th century) / Bridgeman Images
ID: KWE392534
Bombay Green, South Mumbai, India in 1767, from 'A Short History of the English People' by J. R. Green, published 1893 (litho)
English School, (19th century)
KWE392538:
Map of Oxford, England, 12th to 13th century, from 'A Short History of the English People' by J. R. Green, published 1893 (litho), English School, (19th century) / Bridgeman Images
ID: KWE392538
Map of Oxford, England, 12th to 13th century, from 'A Short History of the English People' by J. R. Green, published 1893 (litho)
English School, (19th century)
KWE392543:
The capital of Uhehe, Tanzania, as it was in the late 19th century, from 'Africa Pintoresca', published 1888 (engraving), Spanish School, (19th century) / Bridgeman Images
ID: KWE392543
The capital of Uhehe, Tanzania, as it was in the late 19th century, from 'Africa Pintoresca', published 1888 (engraving)
Spanish School, (19th century)
KWE392544:
An improvised bridge in Central Africa, from 'Africa Pintoresca', published 1888 (engraving), Spanish School, (19th century) / Bridgeman Images
ID: KWE392544
An improvised bridge in Central Africa, from 'Africa Pintoresca', published 1888 (engraving)
Spanish School, (19th century)
KWE392546:
A rhinoceros attacks an expedition, from 'Africa Pintoresca', published 1888 (engraving), Spanish School, (19th century) / Bridgeman Images
ID: KWE392546
A rhinoceros attacks an expedition, from 'Africa Pintoresca', published 1888 (engraving)
Spanish School, (19th century)
KWE392547:
A village in Central Africa during the 19th century, from 'Africa Pintoresca', published 1888 (engraving), Spanish School, (19th century) / Bridgeman Images
ID: KWE392547
A village in Central Africa during the 19th century, from 'Africa Pintoresca', published 1888 (engraving)
Spanish School, (19th century)
KWE392557:
Giant crocodile threatens a boat on the Congo River during a 19th century expedition, from 'Africa Pintoresca', published 1888 (engraving), Spanish School, (19th century) / Bridgeman Images
ID: KWE392557
Giant crocodile threatens a boat on the Congo River during a 19th century expedition, from 'Africa Pintoresca', published 1888 (engraving)
Spanish School, (19th century)
KWE392561:
French and British explorers hunting hippopotamus on the Congo River in the 19th century, from 'Africa Pintoresca', published 1888 (engraving), Spanish School, (19th century) / Bridgeman Images
ID: KWE392561
French and British explorers hunting hippopotamus on the Congo River in the 19th century, from 'Africa Pintoresca', published 1888 (engraving)
Spanish School, (19th century)
XJF392645:
James Bradley, engraved by Edward Scriven (engraving), Hudson, Thomas (1701-79) (after) / Bridgeman Images
ID: XJF392645
James Bradley, engraved by Edward Scriven (engraving)
Hudson, Thomas (1701-79) (after)
XJF392647:
James Wilson, engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images
ID: XJF392647
James Wilson, engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', 1860 (engraving)
Mayall, John Jabez Edwin Paisley (1813-1901) (after)
XJF392649:
Sir George Cornewall Lewis, engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images
ID: XJF392649
Sir George Cornewall Lewis, engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
Mayall, John Jabez Edwin Paisley (1813-1901) (after)
XJF392657:
Sir John Somerset Pakington engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images
ID: XJF392657
Sir John Somerset Pakington engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', 1860 (engraving)
Mayall, John Jabez Edwin Paisley (1813-1901) (after)
XJF392659:
Alexander Hood, 1st Viscount Bridport, illustration from 'England's Battles by Sea and Land' by Lieut. Col. Williams, c.1890 (engraving), English School, (19th century) / Bridgeman Images
ID: XJF392659
Alexander Hood, 1st Viscount Bridport, illustration from 'England's Battles by Sea and Land' by Lieut. Col. Williams, c.1890 (engraving)
English School, (19th century)
XJF392661:
Philip Yorke, 1st Earl of Hardwicke, from 'Lodge's British Portraits', 1823 (engraving), English School, (19th century) / Bridgeman Images
ID: XJF392661
Philip Yorke, 1st Earl of Hardwicke, from 'Lodge's British Portraits', 1823 (engraving)
English School, (19th century)
XJF392663:
Archibald Campbell, from 'Lodge's British Painters', 1823 (litho), English School, (19th century) / Bridgeman Images
ID: XJF392663
Archibald Campbell, from 'Lodge's British Painters', 1823 (litho)
English School, (19th century)
XJF392669:
Sir John Jervis in 1795 (litho), Hoppner, John (1758-1810) (after) / Bridgeman Images
XJF393823:
The Ancient Mariner with the Wedding Guest first page of 'The Rime of the Ancient Mariner', by S.T. Coleridge, published by Harper & Sons, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images
ID: XJF393823
The Ancient Mariner with the Wedding Guest first page of 'The Rime of the Ancient Mariner', by S.T. Coleridge, published by Harper & Sons, New York, 1876 (wood engraving)
Dore, Gustave (1832-83)
XJF393856:
The Mariner begs the Hermit to give him absolution from his sin, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images
ID: XJF393856
The Mariner begs the Hermit to give him absolution from his sin, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
Dore, Gustave (1832-83)
XJF393872:
Coming home from church, illustration from 'Dombey and Son' by Charles Dickens, first published 1848 (litho), Browne, Hablot Knight (Phiz) (1815-92) / Bridgeman Images
ID: XJF393872
Coming home from church, illustration from 'Dombey and Son' by Charles Dickens, first published 1848 (litho)
Browne, Hablot Knight (Phiz) (1815-92)
XJF393874:
The Dombey Family, illustration from 'Dombey and Son' by Charles Dickens (1812-70) first published 1848 (litho), Browne, Hablot Knight (Phiz) (1815-92) / Bridgeman Images
ID: XJF393874
The Dombey Family, illustration from 'Dombey and Son' by Charles Dickens (1812-70) first published 1848 (litho)
Browne, Hablot Knight (Phiz) (1815-92)
XJF393879:
Illustration for Charles Dickens' Nicholas Nickleby, 1839 (lithograph), Browne, Hablot Knight (Phiz) (1815-92) / Bridgeman Images
ID: XJF393879
Illustration for Charles Dickens' Nicholas Nickleby, 1839 (lithograph)
Browne, Hablot Knight (Phiz) (1815-92)
XJF393889:
Scene I: The Rake Taking Possession of his Estate, 1735 (engraving), Hogarth, William (1697-1764) / Bridgeman Images
ID: XJF393889
Scene I: The Rake Taking Possession of his Estate, 1735 (engraving)
Hogarth, William (1697-1764)
XJF394228:
View of Piazza San Marco from the Bacino, Venice (engraving), Zucchi, Francesco (1692-1764) / Bridgeman Images
ID: XJF394228
View of Piazza San Marco from the Bacino, Venice (engraving)
Zucchi, Francesco (1692-1764)
XJF394242:
Pensioner's Hall, Charter House, engraved by John Rogers, 1830 (engraving), Shepherd, Thomas Hosmer (1792-1864) (after) / Bridgeman Images
ID: XJF394242
Pensioner's Hall, Charter House, engraved by John Rogers, 1830 (engraving)
Shepherd, Thomas Hosmer (1792-1864) (after)
XJF394243:
The Swiss Cottage, illustration from 'The Sporting World', 1844 (engraving), English School, (19th century) / Bridgeman Images
ID: XJF394243
The Swiss Cottage, illustration from 'The Sporting World', 1844 (engraving)
English School, (19th century)
XJF394252:
Edward, Prince of Wales, engraved by Emery Walker (engraving), Winterhalter, Franz Xaver (1806-73) (after) / Bridgeman Images
ID: XJF394252
Edward, Prince of Wales, engraved by Emery Walker (engraving)
Winterhalter, Franz Xaver (1806-73) (after)
XJF394277:
'It was a pleasant thing to see Mr. Pickwick in the centre of the group', illustration from 'The Pickwick Papers' by Charles Dickens (engraving), English School, (19th century) / Bridgeman Images
ID: XJF394277
'It was a pleasant thing to see Mr. Pickwick in the centre of the group', illustration from 'The Pickwick Papers' by Charles Dickens (engraving)
English School, (19th century)
XJF394291:
Greenwich in the Season, illustration from 'London, a Pilgrimage', 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images
ID: XJF394291
Greenwich in the Season, illustration from 'London, a Pilgrimage', 1872 (engraving)
Dore, Gustave (1832-83)
XJF394294:
Lancelot looks upon the body of the Lady Elaine, illustration from 'The Idylls of the King' by Alfred Tennyson (engraving), Dore, Gustave (1832-83) / Bridgeman Images
ID: XJF394294
Lancelot looks upon the body of the Lady Elaine, illustration from 'The Idylls of the King' by Alfred Tennyson (engraving)
Dore, Gustave (1832-83)
XBP394518:
Two heads (fresco), Italian School / Bridgeman Images
ID: XBP394518
Two heads (fresco)
Italian School
XBP394530:
The meeting of St Francis and St Dominic (fresco), Bartolomeo, Fra (Baccio della Porta) (1472-1517) / Bridgeman Images