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Gates of Hell, c.1890 (bronze)
Gates of Hell, c.1890 (bronze)

XBP390745: Gates of Hell, c.1890 (bronze), Rodin, Auguste (1840-1917) / Bridgeman Images

Poster advertising the Hamburg American Line, 1897 (colour litho)
Poster advertising the Hamburg American Line, 1897 (colour litho)

SFP409440: Poster advertising the Hamburg American Line, 1897 (colour litho), German School, (19th century) / Bridgeman Images

Bismarck and Napoleon meeting at the Chaussee von Donchery on the 2nd September 1870 (coloured engraving)
Bismarck and Napoleon meeting at the Chaussee von Donchery on the 2nd September 1870 (coloured engraving)

XPH308435: Bismarck and Napoleon meeting at the Chaussee von Donchery on the 2nd September 1870 (coloured engraving), Werner, Anton Alexander von (1843-1915) / Bridgeman Images

Gentleman with his hand on his chest, c.1580 (oil on canvas)
Gentleman with his hand on his chest, c.1580 (oil on canvas)

XIR375148: Gentleman with his hand on his chest, c.1580 (oil on canvas), Greco, El (Domenico Theotocopuli) (1541-1614) / Bridgeman Images

A Shepherd with his Flock in a Woody landscape, c.1615-22 (oil on oak)
A Shepherd with his Flock in a Woody landscape, c.1615-22 (oil on oak)

XCF397678: A Shepherd with his Flock in a Woody landscape, c.1615-22 (oil on oak), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Coins of Pontius Pilate, 30-31 AD (bronze)
Coins of Pontius Pilate, 30-31 AD (bronze)

BLP397810: Coins of Pontius Pilate, 30-31 AD (bronze), Roman, (1st century AD) / Bridgeman Images

A Breezy Day, 1908 (oil on canvas)
A Breezy Day, 1908 (oil on canvas)

CH650563: A Breezy Day, 1908 (oil on canvas), Curran, Charles Courtney (1861-1942) / Bridgeman Images

Portrait of Jeremy Bentham (1742-1832), seated in a blue jacket, black waistcoat and white shirt, beneath a tree, c.1837 (oil on canvas)
Portrait of Jeremy Bentham (1742-1832), seated in a blue jacket, black waistcoat and white shirt, beneath a tree, c.1837 (oil on canvas)

CH824220: Portrait of Jeremy Bentham (1742-1832), seated in a blue jacket, black waistcoat and white shirt, beneath a tree, c.1837 (oil on canvas), Watts, George Frederic (1817-1904) / Bridgeman Images

The Moorish Bath (Woman in a Turkish Bath); Un Bain Maure (Femme Turque au Bain), c.1889 (oil on canvas)
The Moorish Bath (Woman in a Turkish Bath); Un Bain Maure (Femme Turque au Bain), c.1889 (oil on canvas)

CH823412: The Moorish Bath (Woman in a Turkish Bath); Un Bain Maure (Femme Turque au Bain), c.1889 (oil on canvas), Gerome, Jean Leon (1824-1904) / Bridgeman Images

The Road with Acacias, 1908 (gouache on paper)
The Road with Acacias, 1908 (gouache on paper)

XIR162196: The Road with Acacias, 1908 (gouache on paper), La Fresnaye, Roger de (1885-1925) / Bridgeman Images

The Departure of the Volunteers 1792 (watercolour on paper 1907)
The Departure of the Volunteers 1792 (watercolour on paper 1907)

XIR159018: The Departure of the Volunteers 1792 (watercolour on paper 1907), Detaille, Jean-Baptiste Edouard (1848-1912) / Bridgeman Images

Sunset, Montclair, 1892 (oil on canvas)
Sunset, Montclair, 1892 (oil on canvas)

FIN161480: Sunset, Montclair, 1892 (oil on canvas), Inness, George Snr. (1825-94) / Bridgeman Images

Diego Rivera (1886-1957) 1916 (oil on canvas)
Diego Rivera (1886-1957) 1916 (oil on canvas)

XIR184777: Diego Rivera (1886-1957) 1916 (oil on canvas), Modigliani, Amedeo (1884-1920) / Bridgeman Images

George IV when Prince of Wales with a negro page, 1787 (oil on canvas)
George IV when Prince of Wales with a negro page, 1787 (oil on canvas)

DON279069: George IV when Prince of Wales with a negro page, 1787 (oil on canvas), Reynolds, Joshua (1723-92) / Bridgeman Images

A Thorn Amidst Roses, c.1887 (oil on canvas)
A Thorn Amidst Roses, c.1887 (oil on canvas)

MAN276858: A Thorn Amidst Roses, c.1887 (oil on canvas), Sant, James (1820-1916) / Bridgeman Images

Descent of Christ into Limbo, c.1482 (oil on panel)
Descent of Christ into Limbo, c.1482 (oil on panel)

XIR275455: Descent of Christ into Limbo, c.1482 (oil on panel), French School, (15th century) / Bridgeman Images

From the series 'Famous Actors Past and Present', c.1860-65 (colour woodblock print)
From the series 'Famous Actors Past and Present', c.1860-65 (colour woodblock print)

CH401506: From the series 'Famous Actors Past and Present', c.1860-65 (colour woodblock print), Kunisada, Utagawa (1786-1865) & Yoshitora, U. (fl.1850-80) / Bridgeman Images

The Popular Front, c.1936 (oil on canvas)
The Popular Front, c.1936 (oil on canvas)

XIR192889: The Popular Front, c.1936 (oil on canvas), Luce, Maximilien (1858-1941) / Bridgeman Images

France No. 3, from 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 (colour litho)
France No. 3, from 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 (colour litho)

STC194659: France No. 3, from 'Dickinson's Comprehensive Pictures of the Great Exhibition of 1851', published 1854 (colour litho), English School, (19th century) / Bridgeman Images

Marie Antoinette 1780 (engraving)
Marie Antoinette 1780 (engraving)

STC195783: Marie Antoinette 1780 (engraving), Duflos, Pierre (1742-1816) / Bridgeman Images

Illustration from 'La Dioptrique' by Rene Descartes (1596-1650), following the 'Discours de la Methode' first published in Leiden in 1637 (engraving) (b/w photo)
Illustration from 'La Dioptrique' by Rene Descartes (1596-1650), following the 'Discours de la Methode' first published in Leiden in 1637 (engraving) (b/w photo)

CHT163647: Illustration from 'La Dioptrique' by Rene Descartes (1596-1650), following the 'Discours de la Methode' first published in Leiden in 1637 (engraving) (b/w photo), French School, (17th century) / Bridgeman Images

Portrait of Nicolas Appert (1749-1841) (engraving) (b/w photo)
Portrait of Nicolas Appert (1749-1841) (engraving) (b/w photo)

XIR172602: Portrait of Nicolas Appert (1749-1841) (engraving) (b/w photo), Blanchard, Auguste I (1766-p.1832) / Bridgeman Images

Wall tiles from the mihrab of the Mosque of Cheykhoun, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Marchand, published 1877 (colour litho)
Wall tiles from the mihrab of the Mosque of Cheykhoun, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Marchand, published 1877 (colour litho)

STC173803: Wall tiles from the mihrab of the Mosque of Cheykhoun, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Marchand, published 1877 (colour litho), Prisse d'Avennes, Emile (1807-79) (after) / Bridgeman Images

Ms 493 fol.99v The departure of Aeneas and Dido's death, from 'The Aeneid' by Virgil with a commentary by Servius, 1469 (vellum)
Ms 493 fol.99v The departure of Aeneas and Dido's death, from 'The Aeneid' by Virgil with a commentary by Servius, 1469 (vellum)

XIR187870: Ms 493 fol.99v The departure of Aeneas and Dido's death, from 'The Aeneid' by Virgil with a commentary by Servius, 1469 (vellum), French School, (15th century) / Bridgeman Images

Portrait of the Royal Family at Osborne House, 1857 (sepia photo) (see 195000)
Portrait of the Royal Family at Osborne House, 1857 (sepia photo) (see 195000)

STC190050: Portrait of the Royal Family at Osborne House, 1857 (sepia photo) (see 195000), Caldesi & Montecchi (fl.1850s) / Bridgeman Images

The Bonpo monastery in Tibet, 1925 (tempera on canvas)
The Bonpo monastery in Tibet, 1925 (tempera on canvas)

XAB291359: The Bonpo monastery in Tibet, 1925 (tempera on canvas), Roerich, Nicholas (1874-1947) / Bridgeman Images

Portrait of a Man, 1506 (oil on canvas)
Portrait of a Man, 1506 (oil on canvas)

SD873287: Portrait of a Man, 1506 (oil on canvas), Giorgione, (Giorgio da Castelfranco) (1476/8-1510) / Bridgeman Images

The Flute Lesson, 1858 (oil on canvas)
The Flute Lesson, 1858 (oil on canvas)

XIR899023: The Flute Lesson, 1858 (oil on canvas), Delaunay, Jules Elie (1828-91) / Bridgeman Images

Hildegard Altarpiece depicting the arrival of Saint Hildegard of Bingen (1098-1179) with her family at the Benedictine Abbey of Disibodenberg, 1898
Hildegard Altarpiece depicting the arrival of Saint Hildegard of Bingen (1098-1179) with her family at the Benedictine Abbey of Disibodenberg, 1898

STF149945: Hildegard Altarpiece depicting the arrival of Saint Hildegard of Bingen (1098-1179) with her family at the Benedictine Abbey of Disibodenberg, 1898, German School, (19th century) / Bridgeman Images

A Chinese Junk, illustration from 'Jan Huyghen van Linschoten, His Discourse of Voyages into the East and West Indies', 1579-92 (engraving)
A Chinese Junk, illustration from 'Jan Huyghen van Linschoten, His Discourse of Voyages into the East and West Indies', 1579-92 (engraving)

XZL151581: A Chinese Junk, illustration from 'Jan Huyghen van Linschoten, His Discourse of Voyages into the East and West Indies', 1579-92 (engraving), Doetechum, Johannes Baptista van, the Younger (c.1560-1630) / Bridgeman Images

St. Tropez, Pinewood, 1896 (oil on canvas)
St. Tropez, Pinewood, 1896 (oil on canvas)

XIR9956: St. Tropez, Pinewood, 1896 (oil on canvas), Signac, Paul (1863-1935) / Bridgeman Images

Ludlow Castle (oil on canvas)
Ludlow Castle (oil on canvas)

BAL9597: Ludlow Castle (oil on canvas), Marlow, William (1740-1813) / Bridgeman Images

Adonis, a white stallion
Adonis, a white stallion

OJ8868: Adonis, a white stallion, Ward, James (1769-1859) / Bridgeman Images

Delphiniums, plate 3 from 'The Ladies' Flower Garden', published 1842 (colour litho)
Delphiniums, plate 3 from 'The Ladies' Flower Garden', published 1842 (colour litho)

BAL11840: Delphiniums, plate 3 from 'The Ladies' Flower Garden', published 1842 (colour litho), Loudon, Jane (1807-58) / Bridgeman Images

The Sirens, c.1875 (oil on canvas)
The Sirens, c.1875 (oil on canvas)

MH11908: The Sirens, c.1875 (oil on canvas), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

Rosa Lutea and Rosa Indica, from 'Les Choix des Plus Belles Fleurs', 1827
Rosa Lutea and Rosa Indica, from 'Les Choix des Plus Belles Fleurs', 1827

BAL14201: Rosa Lutea and Rosa Indica, from 'Les Choix des Plus Belles Fleurs', 1827, Redouté, Pierre Joseph (1759-1840) / Bridgeman Images


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