Print this page or go back to standard view.
FLO4687811: Apricot Hemskirke (common apricot variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Hemskirke apricot variety, Prunus armeniaca, origin unknown. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4687825: Grape bunch (muscadine). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Common muscadine grape, Vitis rotundifolia. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4687837: Washington plum (plum tree grows). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Washington plum, Prunus domestica, from New York. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4687839: Apricot (apricot tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Royal apricot, Prunus armeniaca, raised in the Royal Garden of the Luxembourg. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828. / Bridgeman Images
FLO4687854: Pear butter Diel (common pear tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Butter Diel pear, Pyrus communis, raised by Van Mons at Leuven. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4687899: Fishing bellegarde or galade (variety of common fishing). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Bellegarde or galande peach, Prunus persica. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4687915: Apple Blenheim pippin (domestic apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Blenheim pippin apple, Malus domestica, raised in Woodstock. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4687917: Apple (domestic apple tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Sugar-loaf pippin apple, Malus domestica, cultivated in Russia under the name Dolgoi Squoznoi. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4687953: Apple Harvey doree (apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Golden Harvey apple, Malus domestica. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4687996: Tartarian black cherries (cherry or bird cherry). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Black Tartarian cherry, Prunus avium, introduced from Circassia in Russia in 1794. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4688040: Strawberries (strawberry ostara). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Grove-End scarlet strawberry, Fragaria x anananassa, raised at Grove End, London, in 1820. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4688078: House of Marcus Lucretius, Reg IX, Ins 3, 5, 24, Pompeii. View of the courtyard with impluvium, tablinum with mosaic floor, and garden with statues of satyrs and cupids. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688136: View of the Street of Tombs outside the Herculaneum Gate, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688167: House of Ariadne or the House of the Coloured Capitals, VII.4.31/51, Pompeii. Chromolithograph after an illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688201: Interior the Ampitheatre, Pompeii. Chromolithograph after an illustration by S. De Stefani from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688286: House in Regio VIII, insula 2, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688287: Apodyterium or changing room for the Tepidarium or warm bath in the Forum Thermae, Pompeii. Serving with oil vase and towel standing next to a table. The walls have figures of Thelamon and niches for personal effects. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688492: Native man of Anaiteum island (Aneityum, Vanuatu). He wears his long hair tied with shells, and a cloak. Taken from Captain J.E. Erskine's “Journal of a Cruise,” 1853. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
FLO4688550: The Soup, Nah-Pope, a Sauk warrior (Bags and Fox Nation). Soup was second in command to Black Hawk during the war and brother of The Prophet. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
FLO4688582: The Mint, Sha-ko-ka, a Mandan or Numakiki girl. A very pretty and modest girl, 12 years of age, with grey hair peculiar to the Mandan nation. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
FLO4688590: Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
FLO4688662: Chelsea Pensioner and Greenwich Pensioner. Army veteran in the redcoat uniform of the Chelsea Hospital holding a pipe, and Navy veteran in the blue uniform of Greenwich Hospital with pegleg holding a tankard. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images
FLO4689429: White flowers musque rose - Eau forte de Chapuy, based on an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Musk rose, Rosa moschata - Handcoloured stipple copperplate engraving by Chapuy after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Didot, Paris, 1817, Redouté, Pierre Joseph (1759-1840) / Bridgeman Images
FLO4689446: Victorian women, in a botanical greenhouse with exotic plants - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Victorian women in a botanical hothouse - Woodcut engraving by Lambert from Eugene Rimmel's The Book of Perfumes, London, Chapman and Hall, 1865 / Bridgeman Images
FLO4689473: The toilet of the goddess Venus, assisted by angels holding perfumes, beauty products, a mirror and a torch - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - The goddess Venus at her toilet assisted by cupids holding perfumes, cosmetics, mirror and torch - Woodcut engraving by W. from Thomas Eugene Rimmel's The Book of Perfumes, London: Chapman and Hall, 1865 / Bridgeman Images