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Andean Flamingos - Andean Flamingos - Andean Flamingos (Phoenicopterus andinus). Laguna Chaxa, Atacama, Chile. Andean Flamingos (Phoenicopterus andinus). Laguna Chaxa, Atacama, Chile
Andean Flamingos - Andean Flamingos - Andean Flamingos (Phoenicopterus andinus). Laguna Chaxa, Atacama, Chile. Andean Flamingos (Phoenicopterus andinus). Laguna Chaxa, Atacama, Chile

PIX4678475: Andean Flamingos - Andean Flamingos - Andean Flamingos (Phoenicopterus andinus). Laguna Chaxa, Atacama, Chile. Andean Flamingos (Phoenicopterus andinus). Laguna Chaxa, Atacama, Chile / Bridgeman Images

ID: PIX4678475

Andean Flamingos - Andean Flamingos - Andean Flamingos (Phoenicopterus andinus). Laguna Chaxa, Atacama, Chile. Andean Flamingos (Phoenicopterus andinus). Laguna Chaxa, Atacama, Chile

King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678481: King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678481

King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678487: Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678487

Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Blue-footed Crazy - Blue - footed Booby - Blue-footed Crazy (Sula nebouxii) is a species of seabird in the Sulidae family. Isla de la Plata, Ecuador. Blue - footed Booby (Sula nebouxii) is a seabird in the Sulidae family. Isla de la Plata, Ecuador
Blue-footed Crazy - Blue - footed Booby - Blue-footed Crazy (Sula nebouxii) is a species of seabird in the Sulidae family. Isla de la Plata, Ecuador. Blue - footed Booby (Sula nebouxii) is a seabird in the Sulidae family. Isla de la Plata, Ecuador

PIX4678491: Blue-footed Crazy - Blue - footed Booby - Blue-footed Crazy (Sula nebouxii) is a species of seabird in the Sulidae family. Isla de la Plata, Ecuador. Blue - footed Booby (Sula nebouxii) is a seabird in the Sulidae family. Isla de la Plata, Ecuador / Bridgeman Images

ID: PIX4678491

Blue-footed Crazy - Blue - footed Booby - Blue-footed Crazy (Sula nebouxii) is a species of seabird in the Sulidae family. Isla de la Plata, Ecuador. Blue - footed Booby (Sula nebouxii) is a seabird in the Sulidae family. Isla de la Plata, Ecuador

A dismounted knight and one of the king's guards to King Henry VIII, 1525. The knight holds a mace or martel de fer, drapery lamboys covering half the breastplate. Guard in arming doublet with chainmail sleeves, carrying a spontoon shield and pike. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A dismounted knight and one of the king's guards to King Henry VIII, 1525. The knight holds a mace or martel de fer, drapery lamboys covering half the breastplate. Guard in arming doublet with chainmail sleeves, carrying a spontoon shield and pike. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678554: A dismounted knight and one of the king's guards to King Henry VIII, 1525. The knight holds a mace or martel de fer, drapery lamboys covering half the breastplate. Guard in arming doublet with chainmail sleeves, carrying a spontoon shield and pike. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678554

A dismounted knight and one of the king's guards to King Henry VIII, 1525. The knight holds a mace or martel de fer, drapery lamboys covering half the breastplate. Guard in arming doublet with chainmail sleeves, carrying a spontoon shield and pike. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Richard I, King of England, Richard the Lionheart, 1194. He wears a cylindrical helm, hauberk and chausses, holding a battle axe and shield with three lions. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Richard I, King of England, Richard the Lionheart, 1194. He wears a cylindrical helm, hauberk and chausses, holding a battle axe and shield with three lions. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678556: Richard I, King of England, Richard the Lionheart, 1194. He wears a cylindrical helm, hauberk and chausses, holding a battle axe and shield with three lions. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678556

Richard I, King of England, Richard the Lionheart, 1194. He wears a cylindrical helm, hauberk and chausses, holding a battle axe and shield with three lions. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Two suits of black armour made for a German knight of the Order of St. George of Ravenna, 1534. Suit of black armour edged in gilt, helmet with gorget of chainmail, horse in barding, with chamfron, bridle, manefaire and poitral. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Two suits of black armour made for a German knight of the Order of St. George of Ravenna, 1534. Suit of black armour edged in gilt, helmet with gorget of chainmail, horse in barding, with chamfron, bridle, manefaire and poitral. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678577: Two suits of black armour made for a German knight of the Order of St. George of Ravenna, 1534. Suit of black armour edged in gilt, helmet with gorget of chainmail, horse in barding, with chamfron, bridle, manefaire and poitral. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678577

Two suits of black armour made for a German knight of the Order of St. George of Ravenna, 1534. Suit of black armour edged in gilt, helmet with gorget of chainmail, horse in barding, with chamfron, bridle, manefaire and poitral. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Greek mythology: Urania, muse of astronomy and astrology, with its attributes a globe and a compas - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Urania, Greek muse of astronomy, with globe and compasse - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Greek mythology: Urania, muse of astronomy and astrology, with its attributes a globe and a compas - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Urania, Greek muse of astronomy, with globe and compasse - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

FLO4679793: Greek mythology: Urania, muse of astronomy and astrology, with its attributes a globe and a compas - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Urania, Greek muse of astronomy, with globe and compasse - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images

ID: FLO4679793

Greek mythology: Urania, muse of astronomy and astrology, with its attributes a globe and a compas - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Urania, Greek muse of astronomy, with globe and compasse - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Roman mythology: Pluto, god of the underworld and the dead, wearing a crown, a trident and holding the chain of Cerbere, the dog has three heads guardian of the underworld - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Pluto, Roman god of the dead and ruler of the underworld, with crown, trident, figleaf and hellhound Cerberus - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Roman mythology: Pluto, god of the underworld and the dead, wearing a crown, a trident and holding the chain of Cerbere, the dog has three heads guardian of the underworld - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Pluto, Roman god of the dead and ruler of the underworld, with crown, trident, figleaf and hellhound Cerberus - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

FLO4679873: Roman mythology: Pluto, god of the underworld and the dead, wearing a crown, a trident and holding the chain of Cerbere, the dog has three heads guardian of the underworld - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Pluto, Roman god of the dead and ruler of the underworld, with crown, trident, figleaf and hellhound Cerberus - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images

ID: FLO4679873

Roman mythology: Pluto, god of the underworld and the dead, wearing a crown, a trident and holding the chain of Cerbere, the dog has three heads guardian of the underworld - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Pluto, Roman god of the dead and ruler of the underworld, with crown, trident, figleaf and hellhound Cerberus - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Roman mythology: Flora, goddess of flowers and spring, with a crown of flowers and holding a garland of leaves - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Flora, Roman goddess of flowers and spring, holding a garland of flowers - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Roman mythology: Flora, goddess of flowers and spring, with a crown of flowers and holding a garland of leaves - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Flora, Roman goddess of flowers and spring, holding a garland of flowers - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

FLO4679960: Roman mythology: Flora, goddess of flowers and spring, with a crown of flowers and holding a garland of leaves - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Flora, Roman goddess of flowers and spring, holding a garland of flowers - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images

ID: FLO4679960

Roman mythology: Flora, goddess of flowers and spring, with a crown of flowers and holding a garland of leaves - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Flora, Roman goddess of flowers and spring, holding a garland of flowers - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Roman mythology: Abundance, allegorical divinite, holding a fruit horn - Eau forte by Jacques Louis Constant Lacerf, after an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Abundantia, Roman goddess of abundance shown with cornucopia and garland - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Roman mythology: Abundance, allegorical divinite, holding a fruit horn - Eau forte by Jacques Louis Constant Lacerf, after an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Abundantia, Roman goddess of abundance shown with cornucopia and garland - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

FLO4680069: Roman mythology: Abundance, allegorical divinite, holding a fruit horn - Eau forte by Jacques Louis Constant Lacerf, after an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Abundantia, Roman goddess of abundance shown with cornucopia and garland - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images

ID: FLO4680069

Roman mythology: Abundance, allegorical divinite, holding a fruit horn - Eau forte by Jacques Louis Constant Lacerf, after an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Abundantia, Roman goddess of abundance shown with cornucopia and garland - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Ancient Mythology: Orphee, Abundance and Verite - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Orpheus, Abundantia and Veritas, Greek and Roman gods of music, abundance and truth - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Ancient Mythology: Orphee, Abundance and Verite - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Orpheus, Abundantia and Veritas, Greek and Roman gods of music, abundance and truth - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

FLO4680073: Ancient Mythology: Orphee, Abundance and Verite - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Orpheus, Abundantia and Veritas, Greek and Roman gods of music, abundance and truth - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images

ID: FLO4680073

Ancient Mythology: Orphee, Abundance and Verite - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Orpheus, Abundantia and Veritas, Greek and Roman gods of music, abundance and truth - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Roman mythology: the Occasion, allegorical figure of opportunite, described in full course - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 -Occasio, Roman allegorical figure of opportunity, shown running - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Roman mythology: the Occasion, allegorical figure of opportunite, described in full course - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 -Occasio, Roman allegorical figure of opportunity, shown running - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

FLO4680128: Roman mythology: the Occasion, allegorical figure of opportunite, described in full course - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 -Occasio, Roman allegorical figure of opportunity, shown running - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images

ID: FLO4680128

Roman mythology: the Occasion, allegorical figure of opportunite, described in full course - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 -Occasio, Roman allegorical figure of opportunity, shown running - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Meduse funnel. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.
Meduse funnel. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.

FLO4680207: Meduse funnel. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw. / Bridgeman Images

ID: FLO4680207

Meduse funnel. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.

Blue morpho. Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.
Blue morpho. Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.

FLO4680211: Blue morpho. Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw. / Bridgeman Images

ID: FLO4680211

Blue morpho. Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.

Hocco alector. Signed illustration N (Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.
Hocco alector. Signed illustration N (Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.

FLO4680225: Hocco alector. Signed illustration N (Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw. / Bridgeman Images

ID: FLO4680225

Hocco alector. Signed illustration N (Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.

Gordian or wrist. Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.
Gordian or wrist. Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.

FLO4680227: Gordian or wrist. Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw. / Bridgeman Images

ID: FLO4680227

Gordian or wrist. Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.

Locust, grasshopper variety. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.
Locust, grasshopper variety. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

FLO4680295: Locust, grasshopper variety. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw. / Bridgeman Images

ID: FLO4680295

Locust, grasshopper variety. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

Doris Argo or doris fawn. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.
Doris Argo or doris fawn. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

FLO4680343: Doris Argo or doris fawn. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw. / Bridgeman Images

ID: FLO4680343

Doris Argo or doris fawn. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

Great glider (Idea), butterfly from the Philippines. Signed illustration S (George Shaw). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).
Great glider (Idea), butterfly from the Philippines. Signed illustration S (George Shaw). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

FLO4680353: Great glider (Idea), butterfly from the Philippines. Signed illustration S (George Shaw). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801). / Bridgeman Images

ID: FLO4680353

Great glider (Idea), butterfly from the Philippines. Signed illustration S (George Shaw). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

Wonderful manakin (Chiroxiphia linearis). Unsigned illustration (George Shaw and Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).
Wonderful manakin (Chiroxiphia linearis). Unsigned illustration (George Shaw and Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

FLO4680367: Wonderful manakin (Chiroxiphia linearis). Unsigned illustration (George Shaw and Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801). / Bridgeman Images

ID: FLO4680367

Wonderful manakin (Chiroxiphia linearis). Unsigned illustration (George Shaw and Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

Sea potato (Boltenia ovifera). Signed illustration N (Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).
Sea potato (Boltenia ovifera). Signed illustration N (Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

FLO4680391: Sea potato (Boltenia ovifera). Signed illustration N (Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801). / Bridgeman Images

ID: FLO4680391

Sea potato (Boltenia ovifera). Signed illustration N (Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

Sleep head or Maurice dronte. Engraving by George Shaw and Frederick Nodder (1751-1801), for the naturalist collection, 1793.
Sleep head or Maurice dronte. Engraving by George Shaw and Frederick Nodder (1751-1801), for the naturalist collection, 1793.

FLO4680440: Sleep head or Maurice dronte. Engraving by George Shaw and Frederick Nodder (1751-1801), for the naturalist collection, 1793. / Bridgeman Images

ID: FLO4680440

Sleep head or Maurice dronte. Engraving by George Shaw and Frederick Nodder (1751-1801), for the naturalist collection, 1793.

Venus shell (praire) (Hysteroconcha dione). Unsigned illustration (George Shaw and Frederick Nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).
Venus shell (praire) (Hysteroconcha dione). Unsigned illustration (George Shaw and Frederick Nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

FLO4680464: Venus shell (praire) (Hysteroconcha dione). Unsigned illustration (George Shaw and Frederick Nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801). / Bridgeman Images

ID: FLO4680464

Venus shell (praire) (Hysteroconcha dione). Unsigned illustration (George Shaw and Frederick Nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

Small Owl, juvenile (Aegolius acadicus) Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Northern saw-whet owl (young), Aegolius acadicus. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.
Small Owl, juvenile (Aegolius acadicus) Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Northern saw-whet owl (young), Aegolius acadicus. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.

FLO4680488: Small Owl, juvenile (Aegolius acadicus) Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Northern saw-whet owl (young), Aegolius acadicus. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794. / Bridgeman Images

ID: FLO4680488

Small Owl, juvenile (Aegolius acadicus) Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Northern saw-whet owl (young), Aegolius acadicus. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.

Insect Arctorthezia cataphracta, seen from above and below, with an egg. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Alpine ensign scale, Arctorthezia cataphracta. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.
Insect Arctorthezia cataphracta, seen from above and below, with an egg. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Alpine ensign scale, Arctorthezia cataphracta. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.

FLO4680569: Insect Arctorthezia cataphracta, seen from above and below, with an egg. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Alpine ensign scale, Arctorthezia cataphracta. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794. / Bridgeman Images

ID: FLO4680569

Insect Arctorthezia cataphracta, seen from above and below, with an egg. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Alpine ensign scale, Arctorthezia cataphracta. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.

Lepidoptere Rothschildia erycina. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1795 by George Shaw and Frederick Nodder.
Lepidoptere Rothschildia erycina. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1795 by George Shaw and Frederick Nodder.

FLO4680592: Lepidoptere Rothschildia erycina. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1795 by George Shaw and Frederick Nodder. / Bridgeman Images

ID: FLO4680592

Lepidoptere Rothschildia erycina. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1795 by George Shaw and Frederick Nodder.

Salp, with an agregated shape in double longitudinal chain (macroplankton). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw.
Salp, with an agregated shape in double longitudinal chain (macroplankton). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw.

FLO4680605: Salp, with an agregated shape in double longitudinal chain (macroplankton). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. / Bridgeman Images

ID: FLO4680605

Salp, with an agregated shape in double longitudinal chain (macroplankton). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw.

Bothriocephale or taenia of fish (parasitic worm that lives in human intestines or ichthyophageal mammals). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw.
Bothriocephale or taenia of fish (parasitic worm that lives in human intestines or ichthyophageal mammals). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw.

FLO4680649: Bothriocephale or taenia of fish (parasitic worm that lives in human intestines or ichthyophageal mammals). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. / Bridgeman Images

ID: FLO4680649

Bothriocephale or taenia of fish (parasitic worm that lives in human intestines or ichthyophageal mammals). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw.

Tangara has red stripes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Red-shouldered tanager, Tachyphonus phoenicius. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Tangara has red stripes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Red-shouldered tanager, Tachyphonus phoenicius. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680694: Tangara has red stripes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Red-shouldered tanager, Tachyphonus phoenicius. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680694

Tangara has red stripes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Red-shouldered tanager, Tachyphonus phoenicius. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Shellfish (Chiton squamosus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Scaly chiton, Chiton squamosus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Shellfish (Chiton squamosus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Scaly chiton, Chiton squamosus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680719: Shellfish (Chiton squamosus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Scaly chiton, Chiton squamosus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680719

Shellfish (Chiton squamosus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Scaly chiton, Chiton squamosus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Goldfish variete or dore cyprin, Carassius auratus - Lithography by Richard Polydore Nodder (1774-1823) published in their book The Naturalist Miscellany, 1796
Goldfish variete or dore cyprin, Carassius auratus - Lithography by Richard Polydore Nodder (1774-1823) published in their book The Naturalist Miscellany, 1796

FLO4680744: Goldfish variete or dore cyprin, Carassius auratus - Lithography by Richard Polydore Nodder (1774-1823) published in their book The Naturalist Miscellany, 1796 / Bridgeman Images

ID: FLO4680744

Goldfish variete or dore cyprin, Carassius auratus - Lithography by Richard Polydore Nodder (1774-1823) published in their book The Naturalist Miscellany, 1796

Coral (Phenilia sanguinolenta). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Phenilia coral species, Phenilia sanguinolenta. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Coral (Phenilia sanguinolenta). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Phenilia coral species, Phenilia sanguinolenta. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680749: Coral (Phenilia sanguinolenta). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Phenilia coral species, Phenilia sanguinolenta. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680749

Coral (Phenilia sanguinolenta). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Phenilia coral species, Phenilia sanguinolenta. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Butterfly Atrophaneura hector (Indian lepidoptere, Asia). Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Crimson pink butterfly, Atrophaneura hector. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Butterfly Atrophaneura hector (Indian lepidoptere, Asia). Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Crimson pink butterfly, Atrophaneura hector. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680761: Butterfly Atrophaneura hector (Indian lepidoptere, Asia). Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Crimson pink butterfly, Atrophaneura hector. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680761

Butterfly Atrophaneura hector (Indian lepidoptere, Asia). Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Crimson pink butterfly, Atrophaneura hector. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Nightmare has swings. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Standard-winged nightjar, Macrodipteryx longipennis. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Nightmare has swings. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Standard-winged nightjar, Macrodipteryx longipennis. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680765: Nightmare has swings. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Standard-winged nightjar, Macrodipteryx longipennis. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680765

Nightmare has swings. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Standard-winged nightjar, Macrodipteryx longipennis. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Vorticelle, animal capable of attracting food by vibration of its eyelashes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Protozoa, Vorticella species. Illustration signed RN (Richard Nodder). Copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Vorticelle, animal capable of attracting food by vibration of its eyelashes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Protozoa, Vorticella species. Illustration signed RN (Richard Nodder). Copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680819: Vorticelle, animal capable of attracting food by vibration of its eyelashes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Protozoa, Vorticella species. Illustration signed RN (Richard Nodder). Copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680819

Vorticelle, animal capable of attracting food by vibration of its eyelashes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Protozoa, Vorticella species. Illustration signed RN (Richard Nodder). Copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.


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