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Une station velib rue Saint Honore in Paris.
Une station velib rue Saint Honore in Paris.

TEC4605699: Une station velib rue Saint Honore in Paris. / Bridgeman Images

ID: TEC4605699

Une station velib rue Saint Honore in Paris.

A Velib station, rue Saint Honore in Paris.
A Velib station, rue Saint Honore in Paris.

TEC4605729: A Velib station, rue Saint Honore in Paris. / Bridgeman Images

ID: TEC4605729

A Velib station, rue Saint Honore in Paris.

Peduncle Oak or White Oak or Female Oak (Quercus robur) - Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Peduncle Oak or White Oak or Female Oak (Quercus robur) - Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4605746: Peduncle Oak or White Oak or Female Oak (Quercus robur) - Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4605746

Peduncle Oak or White Oak or Female Oak (Quercus robur) - Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

Salsepareille (Smilax regelii) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Salsepareille (Smilax regelii) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4605792: Salsepareille (Smilax regelii) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4605792

Salsepareille (Smilax regelii) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

Saint Francis receiving the stigmata (tempera on panel, 1370)
Saint Francis receiving the stigmata (tempera on panel, 1370)

LRI4605850: Saint Francis receiving the stigmata (tempera on panel, 1370), Fabriano, Gentile da (c.1370-1427) / Bridgeman Images

ID: LRI4605850

Saint Francis receiving the stigmata (tempera on panel, 1370)

Fabriano, Gentile da (c.1370-1427)

Acacia a cachou or cachoutier (Acacia catechu) - Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Acacia a cachou or cachoutier (Acacia catechu) - Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4606104: Acacia a cachou or cachoutier (Acacia catechu) - Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4606104

Acacia a cachou or cachoutier (Acacia catechu) - Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

Portrait of Leandro Fernandez de Moratin, Spanish poet and playwright. (oil on canvas, 1799)
Portrait of Leandro Fernandez de Moratin, Spanish poet and playwright. (oil on canvas, 1799)

LRI4606154: Portrait of Leandro Fernandez de Moratin, Spanish poet and playwright. (oil on canvas, 1799), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: LRI4606154

Portrait of Leandro Fernandez de Moratin, Spanish poet and playwright. (oil on canvas, 1799)

Goya y Lucientes, Francisco Jose de (1746-1828)

Woman in hedgehog hairstyle tied with a ribbon. Hairstyle Herisson. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in hedgehog hairstyle tied with a ribbon. Hairstyle Herisson. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606327: Woman in hedgehog hairstyle tied with a ribbon. Hairstyle Herisson. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

ID: FLO4606327

Woman in hedgehog hairstyle tied with a ribbon. Hairstyle Herisson. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

Descent from the cross, or Altarpiece of the Holy Trinity (Tempera on wood, 1437-1455)
Descent from the cross, or Altarpiece of the Holy Trinity (Tempera on wood, 1437-1455)

LRI4613456: Descent from the cross, or Altarpiece of the Holy Trinity (Tempera on wood, 1437-1455), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

ID: LRI4613456

Descent from the cross, or Altarpiece of the Holy Trinity (Tempera on wood, 1437-1455)

Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

Ceramic plate of Deruta decoree with a portrait of a woman. c.1510 Sevres, 1510 (porcelain)
Ceramic plate of Deruta decoree with a portrait of a woman. c.1510 Sevres, 1510 (porcelain)

JLJ4613521: Ceramic plate of Deruta decoree with a portrait of a woman. c.1510 Sevres, 1510 (porcelain), Italian School, (16th century) / Bridgeman Images

ID: JLJ4613521

Ceramic plate of Deruta decoree with a portrait of a woman. c.1510 Sevres, 1510 (porcelain)

Italian School, (16th century)

Persian art: bronze sharpener handle in the shape of a boar from Amlach. 8th century BC (bronze)
Persian art: bronze sharpener handle in the shape of a boar from Amlach. 8th century BC (bronze)

JLJ4613551: Persian art: bronze sharpener handle in the shape of a boar from Amlach. 8th century BC (bronze), Persian School, (8th Century BC) / Bridgeman Images

ID: JLJ4613551

Persian art: bronze sharpener handle in the shape of a boar from Amlach. 8th century BC (bronze)

Persian School, (8th Century BC)

Black peak. Dryocopus martius (Picus martius). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.
Black peak. Dryocopus martius (Picus martius). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.

FLO4613557: Black peak. Dryocopus martius (Picus martius). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4613557

Black peak. Dryocopus martius (Picus martius). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.

Donovan, Edward (1768-1837)

Big gravelot. Charadrius hiaticula. Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.
Big gravelot. Charadrius hiaticula. Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.

FLO4613577: Big gravelot. Charadrius hiaticula. Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4613577

Big gravelot. Charadrius hiaticula. Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.

Donovan, Edward (1768-1837)

Common Tern. Sterna hirundo. Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.
Common Tern. Sterna hirundo. Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.

FLO4613607: Common Tern. Sterna hirundo. Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4613607

Common Tern. Sterna hirundo. Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.

Donovan, Edward (1768-1837)

Monk puffin. Fratercula arctica (Alca arctica). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.
Monk puffin. Fratercula arctica (Alca arctica). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.

FLO4613798: Monk puffin. Fratercula arctica (Alca arctica). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4613798

Monk puffin. Fratercula arctica (Alca arctica). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.

Donovan, Edward (1768-1837)

The Parc des Buttes Chaumont, Paris 19th arrondissement. On the will of Napoleon III (1808-1873) to offer the laborious classes green lungs, the park was brought to old gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschamps (1824-1873) planted the park from 1866. Gabriel Davioud (1824-1881) built the restaurant, the guard house, the brewery and the Sibyl temple. Photography 2005.
The Parc des Buttes Chaumont, Paris 19th arrondissement. On the will of Napoleon III (1808-1873) to offer the laborious classes green lungs, the park was brought to old gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschamps (1824-1873) planted the park from 1866. Gabriel Davioud (1824-1881) built the restaurant, the guard house, the brewery and the Sibyl temple. Photography 2005.

TEC4613862: The Parc des Buttes Chaumont, Paris 19th arrondissement. On the will of Napoleon III (1808-1873) to offer the laborious classes green lungs, the park was brought to old gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschamps (1824-1873) planted the park from 1866. Gabriel Davioud (1824-1881) built the restaurant, the guard house, the brewery and the Sibyl temple. Photography 2005. / Bridgeman Images

ID: TEC4613862

The Parc des Buttes Chaumont, Paris 19th arrondissement. On the will of Napoleon III (1808-1873) to offer the laborious classes green lungs, the park was brought to old gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschamps (1824-1873) planted the park from 1866. Gabriel Davioud (1824-1881) built the restaurant, the guard house, the brewery and the Sibyl temple. Photography 2005.

The Parc des Buttes Chaumont, Paris 19th arrondissement. On the will of Napoleon III (1808-1873) to offer the laborious classes green lungs, the park was brought to old gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschamps (1824-1873) planted the park from 1866. Gabriel Davioud (1824-1881) built the restaurant, the guard house, the brewery and the Sibyl temple. Photography 2005.
The Parc des Buttes Chaumont, Paris 19th arrondissement. On the will of Napoleon III (1808-1873) to offer the laborious classes green lungs, the park was brought to old gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschamps (1824-1873) planted the park from 1866. Gabriel Davioud (1824-1881) built the restaurant, the guard house, the brewery and the Sibyl temple. Photography 2005.

TEC4613882: The Parc des Buttes Chaumont, Paris 19th arrondissement. On the will of Napoleon III (1808-1873) to offer the laborious classes green lungs, the park was brought to old gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschamps (1824-1873) planted the park from 1866. Gabriel Davioud (1824-1881) built the restaurant, the guard house, the brewery and the Sibyl temple. Photography 2005. / Bridgeman Images

ID: TEC4613882

The Parc des Buttes Chaumont, Paris 19th arrondissement. On the will of Napoleon III (1808-1873) to offer the laborious classes green lungs, the park was brought to old gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschamps (1824-1873) planted the park from 1866. Gabriel Davioud (1824-1881) built the restaurant, the guard house, the brewery and the Sibyl temple. Photography 2005.

Parc des Buttes Chaumont, Paris 19th arrondissement. View of the island with at the highest point a reproduction of the temple known as the Sibyl in Tivoli, architect Gabriel Davioud (1824-1881). On the will of Napoleon III (1808-1873) to provide the laborious classes with green lungs, the park was converted to ancient gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschampsæ (1824-1873) planted the park from 1866 onwards.
Parc des Buttes Chaumont, Paris 19th arrondissement. View of the island with at the highest point a reproduction of the temple known as the Sibyl in Tivoli, architect Gabriel Davioud (1824-1881). On the will of Napoleon III (1808-1873) to provide the laborious classes with green lungs, the park was converted to ancient gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschampsæ (1824-1873) planted the park from 1866 onwards.

TEC4613901: Parc des Buttes Chaumont, Paris 19th arrondissement. View of the island with at the highest point a reproduction of the temple known as the Sibyl in Tivoli, architect Gabriel Davioud (1824-1881). On the will of Napoleon III (1808-1873) to provide the laborious classes with green lungs, the park was converted to ancient gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschampsæ (1824-1873) planted the park from 1866 onwards. / Bridgeman Images

ID: TEC4613901

Parc des Buttes Chaumont, Paris 19th arrondissement. View of the island with at the highest point a reproduction of the temple known as the Sibyl in Tivoli, architect Gabriel Davioud (1824-1881). On the will of Napoleon III (1808-1873) to provide the laborious classes with green lungs, the park was converted to ancient gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschampsæ (1824-1873) planted the park from 1866 onwards.

Bust of children in terracotta made, 18th century (terracotta)
Bust of children in terracotta made, 18th century (terracotta)

JLJ4613925: Bust of children in terracotta made, 18th century (terracotta), Bottger, Johann Friedrich (1682-1719) / Bridgeman Images

ID: JLJ4613925

Bust of children in terracotta made, 18th century (terracotta)

Bottger, Johann Friedrich (1682-1719)

Fifth bas-relief of a 12th century sarcophagus, 1844 (lithograph)
Fifth bas-relief of a 12th century sarcophagus, 1844 (lithograph)

FLO4623416: Fifth bas-relief of a 12th century sarcophagus, 1844 (lithograph) / Bridgeman Images

ID: FLO4623416

Fifth bas-relief of a 12th century sarcophagus, 1844 (lithograph)

Representation of Marie-Paulette called Pauline Bonaparte (1780-1825), 1808 (marble)
Representation of Marie-Paulette called Pauline Bonaparte (1780-1825), 1808 (marble)

JLJ4623449: Representation of Marie-Paulette called Pauline Bonaparte (1780-1825), 1808 (marble), Canova, Antonio (1757-1822) / Bridgeman Images

ID: JLJ4623449

Representation of Marie-Paulette called Pauline Bonaparte (1780-1825), 1808 (marble)

Canova, Antonio (1757-1822)

Portrait of the Queen of France Marie de Medicis (oil on canvas, 1622)
Portrait of the Queen of France Marie de Medicis (oil on canvas, 1622)

LRI4623469: Portrait of the Queen of France Marie de Medicis (oil on canvas, 1622), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: LRI4623469

Portrait of the Queen of France Marie de Medicis (oil on canvas, 1622)

Rubens, Peter Paul (1577-1640)

Ceremony of the creation of a knight. A king dubs a kneeling warrior with a sword, while pages hold his spurs and shield with coat of arms. Handcoloured copperplate engraving by Verico after P.L. Sabatelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.
Ceremony of the creation of a knight. A king dubs a kneeling warrior with a sword, while pages hold his spurs and shield with coat of arms. Handcoloured copperplate engraving by Verico after P.L. Sabatelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

FLO4623527: Ceremony of the creation of a knight. A king dubs a kneeling warrior with a sword, while pages hold his spurs and shield with coat of arms. Handcoloured copperplate engraving by Verico after P.L. Sabatelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844. / Bridgeman Images

ID: FLO4623527

Ceremony of the creation of a knight. A king dubs a kneeling warrior with a sword, while pages hold his spurs and shield with coat of arms. Handcoloured copperplate engraving by Verico after P.L. Sabatelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

Marceau arrete des deserteurs: Francois-Severin Desgraviers Marceau (1769-1796) (illustration)
Marceau arrete des deserteurs: Francois-Severin Desgraviers Marceau (1769-1796) (illustration)

JLJ4623691: Marceau arrete des deserteurs: Francois-Severin Desgraviers Marceau (1769-1796) (illustration), Boutigny, Paul Emile (1854-1929) / Bridgeman Images

ID: JLJ4623691

Marceau arrete des deserteurs: Francois-Severin Desgraviers Marceau (1769-1796) (illustration)

Boutigny, Paul Emile (1854-1929)

Brahmins singing praises to Lord Rama. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Brahmins singing praises to Lord Rama. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623711: Brahmins singing praises to Lord Rama. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4623711

Brahmins singing praises to Lord Rama. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Indian sati or suttee ritual. A widow throws herself onto her late husband's funeral pyre. Handcoloured copperplate engraved and drawn by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Indian sati or suttee ritual. A widow throws herself onto her late husband's funeral pyre. Handcoloured copperplate engraved and drawn by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623765: Indian sati or suttee ritual. A widow throws herself onto her late husband's funeral pyre. Handcoloured copperplate engraved and drawn by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4623765

Indian sati or suttee ritual. A widow throws herself onto her late husband's funeral pyre. Handcoloured copperplate engraved and drawn by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

The Palais de Chaillot in Paris. Construction 1937, architects Jacques Carlu (1890-1976), Louis Hippolyte Boileau (1878-1948) and Leon Azema (1888-1978).
The Palais de Chaillot in Paris. Construction 1937, architects Jacques Carlu (1890-1976), Louis Hippolyte Boileau (1878-1948) and Leon Azema (1888-1978).

TEC4623820: The Palais de Chaillot in Paris. Construction 1937, architects Jacques Carlu (1890-1976), Louis Hippolyte Boileau (1878-1948) and Leon Azema (1888-1978). / Bridgeman Images

ID: TEC4623820

The Palais de Chaillot in Paris. Construction 1937, architects Jacques Carlu (1890-1976), Louis Hippolyte Boileau (1878-1948) and Leon Azema (1888-1978).

The Palais de Chaillot in Paris. Construction 1937 architects Jacques Carlu (1890-1976), Louis Hippolyte Boileau (1878-1948) and Leon Azema (1888-1978).
The Palais de Chaillot in Paris. Construction 1937 architects Jacques Carlu (1890-1976), Louis Hippolyte Boileau (1878-1948) and Leon Azema (1888-1978).

TEC4623839: The Palais de Chaillot in Paris. Construction 1937 architects Jacques Carlu (1890-1976), Louis Hippolyte Boileau (1878-1948) and Leon Azema (1888-1978). / Bridgeman Images

ID: TEC4623839

The Palais de Chaillot in Paris. Construction 1937 architects Jacques Carlu (1890-1976), Louis Hippolyte Boileau (1878-1948) and Leon Azema (1888-1978).

Bas relief and sculpture at the entrance to Dhumar Lena, Cave 29, of the Ellora Caves, Hindu and Jain rock-cut temples. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Bas relief and sculpture at the entrance to Dhumar Lena, Cave 29, of the Ellora Caves, Hindu and Jain rock-cut temples. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623853: Bas relief and sculpture at the entrance to Dhumar Lena, Cave 29, of the Ellora Caves, Hindu and Jain rock-cut temples. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4623853

Bas relief and sculpture at the entrance to Dhumar Lena, Cave 29, of the Ellora Caves, Hindu and Jain rock-cut temples. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Passy cemetery in Paris.
Passy cemetery in Paris.

TEC4623953: Passy cemetery in Paris. / Bridgeman Images

ID: TEC4623953

Passy cemetery in Paris.

Portrait of Jean de Medici dit Jean des Bands Noires (Giovanni dalle Bande Nere) (1421-1463) condottiere (Italian condottiero) Painting by Allori Angelo di Cosimo dit Bronzino (1503-1572) 16th century Sun 15x12 cm Palace Medici-Riccardi (Medici Riccardi) Florence
Portrait of Jean de Medici dit Jean des Bands Noires (Giovanni dalle Bande Nere) (1421-1463) condottiere (Italian condottiero) Painting by Allori Angelo di Cosimo dit Bronzino (1503-1572) 16th century Sun 15x12 cm Palace Medici-Riccardi (Medici Riccardi) Florence

LRI4623975: Portrait of Jean de Medici dit Jean des Bands Noires (Giovanni dalle Bande Nere) (1421-1463) condottiere (Italian condottiero) Painting by Allori Angelo di Cosimo dit Bronzino (1503-1572) 16th century Sun 15x12 cm Palace Medici-Riccardi (Medici Riccardi) Florence, Bronzino, Agnolo di Cosimo (1503-72) / Bridgeman Images

ID: LRI4623975

Portrait of Jean de Medici dit Jean des Bands Noires (Giovanni dalle Bande Nere) (1421-1463) condottiere (Italian condottiero) Painting by Allori Angelo di Cosimo dit Bronzino (1503-1572) 16th century Sun 15x12 cm Palace Medici-Riccardi (Medici Riccardi) Florence

Bronzino, Agnolo di Cosimo (1503-72)

Indian sapuriya or snake charmers performing to music from a tobrie or pipe musician. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Indian sapuriya or snake charmers performing to music from a tobrie or pipe musician. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623982: Indian sapuriya or snake charmers performing to music from a tobrie or pipe musician. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844., Bernieri, Andrea (1792-1849) / Bridgeman Images

ID: FLO4623982

Indian sapuriya or snake charmers performing to music from a tobrie or pipe musician. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Bernieri, Andrea (1792-1849)

Indian transport: sedan chair or palanquins. Long palanquin, miyana, jhalidar palki, and copala palki. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Indian transport: sedan chair or palanquins. Long palanquin, miyana, jhalidar palki, and copala palki. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624024: Indian transport: sedan chair or palanquins. Long palanquin, miyana, jhalidar palki, and copala palki. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844., Bernieri, Andrea (1792-1849) / Bridgeman Images

ID: FLO4624024

Indian transport: sedan chair or palanquins. Long palanquin, miyana, jhalidar palki, and copala palki. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Bernieri, Andrea (1792-1849)

La Colonne Vendome, Place Vendome, the night in Paris. Today's square dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884).
La Colonne Vendome, Place Vendome, the night in Paris. Today's square dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884).

OMG4606451: La Colonne Vendome, Place Vendome, the night in Paris. Today's square dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884). / Bridgeman Images

ID: OMG4606451

La Colonne Vendome, Place Vendome, the night in Paris. Today's square dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884).

Woman in the Kiss bonnet, Beanie at Becquot, with tails hanging behind. Becquot was a slang term for a kiss among the gallants. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in the Kiss bonnet, Beanie at Becquot, with tails hanging behind. Becquot was a slang term for a kiss among the gallants. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606489: Woman in the Kiss bonnet, Beanie at Becquot, with tails hanging behind. Becquot was a slang term for a kiss among the gallants. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

ID: FLO4606489

Woman in the Kiss bonnet, Beanie at Becquot, with tails hanging behind. Becquot was a slang term for a kiss among the gallants. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

Woman in hairstyle with ringlets called the Jamaican. Coeffure to Jamaica. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.
Woman in hairstyle with ringlets called the Jamaican. Coeffure to Jamaica. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.

FLO4606604: Woman in hairstyle with ringlets called the Jamaican. Coeffure to Jamaica. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783. / Bridgeman Images

ID: FLO4606604

Woman in hairstyle with ringlets called the Jamaican. Coeffure to Jamaica. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783.


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