FAS160708:
Sorrow's Solace, or In Time of War, 1885 (oil on canvas), Christie, James Elder (1847-1914) / Bridgeman Images
ID: FAS160708
Sorrow's Solace, or In Time of War, 1885 (oil on canvas)
Christie, James Elder (1847-1914)
FAS160729:
The Pool of Hezekiah in the Morning Light, c.1902 (w/c on paper), Fulleylove, John (1847-1908) / Bridgeman Images
ID: FAS160729
The Pool of Hezekiah in the Morning Light, c.1902 (w/c on paper)
Fulleylove, John (1847-1908)
FAS160735:
Salon Suite, comprising sofa and two side chairs, c.1870 (ebonised mahogany), Godwin, Edward William (1833-86) (attr. to) / Bridgeman Images
ID: FAS160735
Salon Suite, comprising sofa and two side chairs, c.1870 (ebonised mahogany)
Godwin, Edward William (1833-86) (attr. to)
BLT164251:
Fol. 23 'General aspect...', from 'Notes for the filing and the completion of my works' (pen and ink on paper), Balzac, Honore de (1799-1850) / Bridgeman Images
ID: BLT164251
Fol. 23 'General aspect...', from 'Notes for the filing and the completion of my works' (pen and ink on paper)
Balzac, Honore de (1799-1850)
FAS165216:
Still Life - Flowers on the Shore (tempera on board), Armfield, Maxwell Ashby (1882-1972) / Bridgeman Images
ID: FAS165216
Still Life - Flowers on the Shore (tempera on board)
Armfield, Maxwell Ashby (1882-1972)
FAS165219:
Ebonised Chair Inlaid with Mother-of-Pearl, made by Deutsche Werkstatten fur Handwerkeskunst, Dresden, c.1903 (wood and mother-of-pearl) (see also 165220), Baillie Scott, Mackay Hugh (1865-1945) / Bridgeman Images
ID: FAS165219
Ebonised Chair Inlaid with Mother-of-Pearl, made by Deutsche Werkstatten fur Handwerkeskunst, Dresden, c.1903 (wood and mother-of-pearl) (see also 165220)
Baillie Scott, Mackay Hugh (1865-1945)
FAS165231:
The Church of Santiago, Avila, Spain (pencil on paper), Bone, David Muirhead (1876-1953) / Bridgeman Images
ID: FAS165231
The Church of Santiago, Avila, Spain (pencil on paper)
Bone, David Muirhead (1876-1953)
FAS165234:
The Building of the Frigate also known as An Old-Time Shipyard, c.1910 (oil on canvas), Brangwyn, Frank (1867-1956) / Bridgeman Images
ID: FAS165234
The Building of the Frigate also known as An Old-Time Shipyard, c.1910 (oil on canvas)
Brangwyn, Frank (1867-1956)
FAS165246:
The Peacock Cloak (pen, ink and w/c), French, Annie (1872-1965) / Bridgeman Images
ID: FAS165246
The Peacock Cloak (pen, ink and w/c)
French, Annie (1872-1965)
FAS165267:
Model for Statue of King George V (1865-1936), c.1933 (bronze), Jagger, Charles Sergeant (1885-1934) / Bridgeman Images
ID: FAS165267
Model for Statue of King George V (1865-1936), c.1933 (bronze)
BPM156670:
The Atheist viewing the dead body of his Wife, by Charlotte Bronte (1816-55) (litho), Clayton, Alfred B. (1795-1855) (after) / Bridgeman Images
ID: BPM156670
The Atheist viewing the dead body of his Wife, by Charlotte Bronte (1816-55) (litho)
Clayton, Alfred B. (1795-1855) (after)
CND156744:
Charter regarding the Return of Stenay Priory to Gorze Abbey, 1093 (vellum), Bouillon, Godfrey de (1061-1100) / Bridgeman Images
ID: CND156744
Charter regarding the Return of Stenay Priory to Gorze Abbey, 1093 (vellum)
Bouillon, Godfrey de (1061-1100)
DBS157110:
Village Doorway, 1967 (oil on canvas), Schwartz, Daniel Bennett / Bridgeman Images
ID: DBS157110
Village Doorway, 1967 (oil on canvas)
Schwartz, Daniel Bennett
LJA157128:
The Chase, 1998 (acrylic on canvas), James, Laura / Bridgeman Images
ID: LJA157128
The Chase, 1998 (acrylic on canvas)
James, Laura
FAS160786:
Hanging corner cabinet (rosewood), Talbert, Bruce James (1838-81) / Bridgeman Images
ID: FAS160786
Hanging corner cabinet (rosewood)
Talbert, Bruce James (1838-81)
MRW157172:
First Encounter, 1997 (acrylic on canvas), Weiss, Marjorie / Bridgeman Images
ID: MRW157172
First Encounter, 1997 (acrylic on canvas)
Weiss, Marjorie
FAF161324:
English motor racing track, 11th May 1929 (silver bromide gelatin print), English School, (20th century) / Bridgeman Images
ID: FAF161324
English motor racing track, 11th May 1929 (silver bromide gelatin print)
English School, (20th century)
CND161352:
Study for the seventh canvas of the Triumph of Caesar, c.1485-1505 (pen and ink on paper), Mantegna, Andrea (1431-1506) (after) / Bridgeman Images
ID: CND161352
Study for the seventh canvas of the Triumph of Caesar, c.1485-1505 (pen and ink on paper)
CND164203:
The Bay of Naples, seen from Chiaja (oil on canvas), Rebell, Joseph (1787-1828) / Bridgeman Images
ID: CND164203
The Bay of Naples, seen from Chiaja (oil on canvas)
Rebell, Joseph (1787-1828)
CND164738:
Portrait of a Man, 1618 (pencil on paper), Dumonstier, or Dumoustier, Daniel (1574-1646) / Bridgeman Images
ID: CND164738
Portrait of a Man, 1618 (pencil on paper)
Dumonstier, or Dumoustier, Daniel (1574-1646)
BNP159900:
Ms Lat 8878 fol.1v Jesus presenting the gospel to St. Matthew, from a Commentary on the Apocalypse by the Asturian monk Beatus of Liebana (c.776) c.1028-72 (vellum), French School, (11th century) / Bridgeman Images
ID: BNP159900
Ms Lat 8878 fol.1v Jesus presenting the gospel to St. Matthew, from a Commentary on the Apocalypse by the Asturian monk Beatus of Liebana (c.776) c.1028-72 (vellum)
French School, (11th century)
HST168948:
Fish Vessel, 450-200 BC (incised earthenware), Chavin / Bridgeman Images
ID: HST168948
Fish Vessel, 450-200 BC (incised earthenware)
Chavin
HST168994:
Crow mother kachina doll, 1925-33 (wood, paint, wool yarn and string), American School, (20th century) / Bridgeman Images
CND166037:
Ms 137/1687 f.144v Three Knights Riding Through a Wood, from Recueil de Traites de Devotion, 1371-78 (vellum), French School, (14th century) / Bridgeman Images
ID: CND166037
Ms 137/1687 f.144v Three Knights Riding Through a Wood, from Recueil de Traites de Devotion, 1371-78 (vellum)
French School, (14th century)
XAL166359:
View of the Decumanus Maximus (Main Road) (photo), Roman, (1st century AD) / Bridgeman Images
ID: XAL166359
View of the Decumanus Maximus (Main Road) (photo)
Roman, (1st century AD)
HST166853:
Truth, 1756 (pastel on paper), Mengs, Anton Raphael (1728-79) / Bridgeman Images
ID: HST166853
Truth, 1756 (pastel on paper)
Mengs, Anton Raphael (1728-79)
KET166960:
Landscape with field and cottages, c. 1928 (oil and pencil on thin buff card), Wallis, Alfred (1855-1942) / Bridgeman Images
ID: KET166960
Landscape with field and cottages, c. 1928 (oil and pencil on thin buff card)
Wallis, Alfred (1855-1942)
RBR167083:
Venice Canal III, 1995 (w/c on paper), Brosen, Frederick / Bridgeman Images
ID: RBR167083
Venice Canal III, 1995 (w/c on paper)
Brosen, Frederick
FAF167553:
St. Clement Invoking the Lamb of God to Produce Water from a Rock in the Crimea (oil on canvas) (b/w photo), Conca, Sebastiano (1680-1764) / Bridgeman Images
ID: FAF167553
St. Clement Invoking the Lamb of God to Produce Water from a Rock in the Crimea (oil on canvas) (b/w photo)
Conca, Sebastiano (1680-1764)
FAS160767:
Roadside Pasture in Picardy, c.1887 (gouache on paper), Murray, David (1849-1933) / Bridgeman Images
ID: FAS160767
Roadside Pasture in Picardy, c.1887 (gouache on paper)