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Sorrow's Solace, or In Time of War, 1885 (oil on canvas)
Sorrow's Solace, or In Time of War, 1885 (oil on canvas)

FAS160708: Sorrow's Solace, or In Time of War, 1885 (oil on canvas), Christie, James Elder (1847-1914) / Bridgeman Images

The Pool of Hezekiah in the Morning Light, c.1902 (w/c on paper)
The Pool of Hezekiah in the Morning Light, c.1902 (w/c on paper)

FAS160729: The Pool of Hezekiah in the Morning Light, c.1902 (w/c on paper), Fulleylove, John (1847-1908) / Bridgeman Images

Salon Suite, comprising sofa and two side chairs, c.1870 (ebonised mahogany)
Salon Suite, comprising sofa and two side chairs, c.1870 (ebonised mahogany)

FAS160735: Salon Suite, comprising sofa and two side chairs, c.1870 (ebonised mahogany), Godwin, Edward William (1833-86) (attr. to) / Bridgeman Images

Fol. 23 'General aspect...', from 'Notes for the filing and the completion of my works' (pen and ink on paper)
Fol. 23 'General aspect...', from 'Notes for the filing and the completion of my works' (pen and ink on paper)

BLT164251: Fol. 23 'General aspect...', from 'Notes for the filing and the completion of my works' (pen and ink on paper), Balzac, Honore de (1799-1850) / Bridgeman Images

Still Life - Flowers on the Shore (tempera on board)
Still Life - Flowers on the Shore (tempera on board)

FAS165216: Still Life - Flowers on the Shore (tempera on board), Armfield, Maxwell Ashby (1882-1972) / Bridgeman Images

Ebonised Chair Inlaid with Mother-of-Pearl, made by Deutsche Werkstatten fur Handwerkeskunst, Dresden, c.1903 (wood and mother-of-pearl) (see also 165220)
Ebonised Chair Inlaid with Mother-of-Pearl, made by Deutsche Werkstatten fur Handwerkeskunst, Dresden, c.1903 (wood and mother-of-pearl) (see also 165220)

FAS165219: Ebonised Chair Inlaid with Mother-of-Pearl, made by Deutsche Werkstatten fur Handwerkeskunst, Dresden, c.1903 (wood and mother-of-pearl) (see also 165220), Baillie Scott, Mackay Hugh (1865-1945) / Bridgeman Images

The Church of Santiago, Avila, Spain (pencil on paper)
The Church of Santiago, Avila, Spain (pencil on paper)

FAS165231: The Church of Santiago, Avila, Spain (pencil on paper), Bone, David Muirhead (1876-1953) / Bridgeman Images

The Building of the Frigate also known as An Old-Time Shipyard, c.1910 (oil on canvas)
The Building of the Frigate also known as An Old-Time Shipyard, c.1910 (oil on canvas)

FAS165234: The Building of the Frigate also known as An Old-Time Shipyard, c.1910 (oil on canvas), Brangwyn, Frank (1867-1956) / Bridgeman Images

The Peacock Cloak (pen, ink and w/c)
The Peacock Cloak (pen, ink and w/c)

FAS165246: The Peacock Cloak (pen, ink and w/c), French, Annie (1872-1965) / Bridgeman Images

Model for Statue of King George V (1865-1936), c.1933 (bronze)
Model for Statue of King George V (1865-1936), c.1933 (bronze)

FAS165267: Model for Statue of King George V (1865-1936), c.1933 (bronze), Jagger, Charles Sergeant (1885-1934) / Bridgeman Images

Galina II (Biba Hat), 1973 (bronze)
Galina II (Biba Hat), 1973 (bronze)

FAS165270: Galina II (Biba Hat), 1973 (bronze), Laing, Gerald (1936-2011) / Bridgeman Images

The Atheist viewing the dead body of his Wife, by Charlotte Bronte (1816-55) (litho)
The Atheist viewing the dead body of his Wife, by Charlotte Bronte (1816-55) (litho)

BPM156670: The Atheist viewing the dead body of his Wife, by Charlotte Bronte (1816-55) (litho), Clayton, Alfred B. (1795-1855) (after) / Bridgeman Images

Charter regarding the Return of Stenay Priory to Gorze Abbey, 1093 (vellum)
Charter regarding the Return of Stenay Priory to Gorze Abbey, 1093 (vellum)

CND156744: Charter regarding the Return of Stenay Priory to Gorze Abbey, 1093 (vellum), Bouillon, Godfrey de (1061-1100) / Bridgeman Images

Village Doorway, 1967 (oil on canvas)
Village Doorway, 1967 (oil on canvas)

DBS157110: Village Doorway, 1967 (oil on canvas), Schwartz, Daniel Bennett / Bridgeman Images

The Chase, 1998 (acrylic on canvas)
The Chase, 1998 (acrylic on canvas)

LJA157128: The Chase, 1998 (acrylic on canvas), James, Laura / Bridgeman Images

Hanging corner cabinet (rosewood)
Hanging corner cabinet (rosewood)

FAS160786: Hanging corner cabinet (rosewood), Talbert, Bruce James (1838-81) / Bridgeman Images

First Encounter, 1997 (acrylic on canvas)
First Encounter, 1997 (acrylic on canvas)

MRW157172: First Encounter, 1997 (acrylic on canvas), Weiss, Marjorie / Bridgeman Images

English motor racing track, 11th May 1929 (silver bromide gelatin print)
English motor racing track, 11th May 1929 (silver bromide gelatin print)

FAF161324: English motor racing track, 11th May 1929 (silver bromide gelatin print), English School, (20th century) / Bridgeman Images

Study for the seventh canvas of the Triumph of Caesar, c.1485-1505 (pen and ink on paper)
Study for the seventh canvas of the Triumph of Caesar, c.1485-1505 (pen and ink on paper)

CND161352: Study for the seventh canvas of the Triumph of Caesar, c.1485-1505 (pen and ink on paper), Mantegna, Andrea (1431-1506) (after) / Bridgeman Images

Large Hispano-Moorish lustre dish (earthenware)
Large Hispano-Moorish lustre dish (earthenware)

CND159237: Large Hispano-Moorish lustre dish (earthenware), Spanish School, (15th century) / Bridgeman Images

The Bay of Naples, seen from Chiaja (oil on canvas)
The Bay of Naples, seen from Chiaja (oil on canvas)

CND164203: The Bay of Naples, seen from Chiaja (oil on canvas), Rebell, Joseph (1787-1828) / Bridgeman Images

Portrait of a Man, 1618 (pencil on paper)
Portrait of a Man, 1618 (pencil on paper)

CND164738: Portrait of a Man, 1618 (pencil on paper), Dumonstier, or Dumoustier, Daniel (1574-1646) / Bridgeman Images

Ms Lat 8878 fol.1v Jesus presenting the gospel to St. Matthew, from a Commentary on the Apocalypse by the Asturian monk Beatus of Liebana (c.776) c.1028-72 (vellum)
Ms Lat 8878 fol.1v Jesus presenting the gospel to St. Matthew, from a Commentary on the Apocalypse by the Asturian monk Beatus of Liebana (c.776) c.1028-72 (vellum)

BNP159900: Ms Lat 8878 fol.1v Jesus presenting the gospel to St. Matthew, from a Commentary on the Apocalypse by the Asturian monk Beatus of Liebana (c.776) c.1028-72 (vellum), French School, (11th century) / Bridgeman Images

Fish Vessel, 450-200 BC (incised earthenware)
Fish Vessel, 450-200 BC (incised earthenware)

HST168948: Fish Vessel, 450-200 BC (incised earthenware), Chavin / Bridgeman Images

Crow mother kachina doll, 1925-33 (wood, paint, wool yarn and string)
Crow mother kachina doll, 1925-33 (wood, paint, wool yarn and string)

HST168994: Crow mother kachina doll, 1925-33 (wood, paint, wool yarn and string), American School, (20th century) / Bridgeman Images

The Doge Ziani Meets Pope Alexander III (1105-81) at the Carita in 1172 (oil on canvas)
The Doge Ziani Meets Pope Alexander III (1105-81) at the Carita in 1172 (oil on canvas)

FTB165440: The Doge Ziani Meets Pope Alexander III (1105-81) at the Carita in 1172 (oil on canvas), Italian School, (16th century) / Bridgeman Images

St. Jerome (oil on canvas)
St. Jerome (oil on canvas)

XIR169667: St. Jerome (oil on canvas), Ribera, Jusepe de (lo Spagnoletto) (1591-1652) / Bridgeman Images

Split-drum (tamtam), Fanla Village, northern Ambryn Island, Vanuatu, 1960-70 (breadfruit tree wood and paint)
Split-drum (tamtam), Fanla Village, northern Ambryn Island, Vanuatu, 1960-70 (breadfruit tree wood and paint)

HST169878: Split-drum (tamtam), Fanla Village, northern Ambryn Island, Vanuatu, 1960-70 (breadfruit tree wood and paint), Chief Tofor (20th century) / Bridgeman Images

Exhaling Pearls, 1993 (patinated bronze)
Exhaling Pearls, 1993 (patinated bronze)

HST169926: Exhaling Pearls, 1993 (patinated bronze), Havel, Joseph (b.1954) / Bridgeman Images

Ms 137/1687 f.144v Three Knights Riding Through a Wood, from Recueil de Traites de Devotion, 1371-78 (vellum)
Ms 137/1687 f.144v Three Knights Riding Through a Wood, from Recueil de Traites de Devotion, 1371-78 (vellum)

CND166037: Ms 137/1687 f.144v Three Knights Riding Through a Wood, from Recueil de Traites de Devotion, 1371-78 (vellum), French School, (14th century) / Bridgeman Images

View of the Decumanus Maximus (Main Road) (photo)
View of the Decumanus Maximus (Main Road) (photo)

XAL166359: View of the Decumanus Maximus (Main Road) (photo), Roman, (1st century AD) / Bridgeman Images

Truth, 1756 (pastel on paper)
Truth, 1756 (pastel on paper)

HST166853: Truth, 1756 (pastel on paper), Mengs, Anton Raphael (1728-79) / Bridgeman Images

Landscape with field and cottages, c. 1928 (oil and pencil on thin buff card)
Landscape with field and cottages, c. 1928 (oil and pencil on thin buff card)

KET166960: Landscape with field and cottages, c. 1928 (oil and pencil on thin buff card), Wallis, Alfred (1855-1942) / Bridgeman Images

Venice Canal III, 1995 (w/c on paper)
Venice Canal III, 1995 (w/c on paper)

RBR167083: Venice Canal III, 1995 (w/c on paper), Brosen, Frederick / Bridgeman Images

St. Clement Invoking the Lamb of God to Produce Water from a Rock in the Crimea (oil on canvas) (b/w photo)
St. Clement Invoking the Lamb of God to Produce Water from a Rock in the Crimea (oil on canvas) (b/w photo)

FAF167553: St. Clement Invoking the Lamb of God to Produce Water from a Rock in the Crimea (oil on canvas) (b/w photo), Conca, Sebastiano (1680-1764) / Bridgeman Images

Roadside Pasture in Picardy, c.1887 (gouache on paper)
Roadside Pasture in Picardy, c.1887 (gouache on paper)

FAS160767: Roadside Pasture in Picardy, c.1887 (gouache on paper), Murray, David (1849-1933) / Bridgeman Images


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