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1870, Colton Pocket Map of Texas
1870, Colton Pocket Map of Texas

LZT5477327: 1870, Colton Pocket Map of Texas / Bridgeman Images

1873, Gray Railroad Map of Minnesota and Iowa
1873, Gray Railroad Map of Minnesota and Iowa

LZT5477449: 1873, Gray Railroad Map of Minnesota and Iowa / Bridgeman Images

Jesus est presente au peuple - Colorised engraving by Jonnard, after the illustration by Gustave Dore (1832-1883), 19th century - Gospel of John, Chapter XIX: Jesus presented to the people - Gustave Dore's drawing, Engraving by Jonnard, 19th century, Colored
Jesus est presente au peuple - Colorised engraving by Jonnard, after the illustration by Gustave Dore (1832-1883), 19th century - Gospel of John, Chapter XIX: Jesus presented to the people - Gustave Dore's drawing, Engraving by Jonnard, 19th century, Colored

TRK5478144: Jesus est presente au peuple - Colorised engraving by Jonnard, after the illustration by Gustave Dore (1832-1883), 19th century - Gospel of John, Chapter XIX: Jesus presented to the people - Gustave Dore's drawing, Engraving by Jonnard, 19th century, Colored / Bridgeman Images

The Annunciation to Zechariah, detail from cycle of frescoes from the 8th and 9th century (fresco)
The Annunciation to Zechariah, detail from cycle of frescoes from the 8th and 9th century (fresco)

BEN5478312: The Annunciation to Zechariah, detail from cycle of frescoes from the 8th and 9th century (fresco), Italian School, (9th century) / Bridgeman Images

1886, Telescopic View and Map of the Moon
1886, Telescopic View and Map of the Moon

LZT5477779: 1886, Telescopic View and Map of the Moon / Bridgeman Images

Jesus hunts the merchants of the Temple (Gospel of Mark, chapter XI) - Coloured engraving by A.Bertrand, from the Bible by Gustave Dore (1832-1883), 19th century - Jesus drives the merchants from the Temple - Gustave Dore's drawing, Engraving by A. Bertrand, Colored
Jesus hunts the merchants of the Temple (Gospel of Mark, chapter XI) - Coloured engraving by A.Bertrand, from the Bible by Gustave Dore (1832-1883), 19th century - Jesus drives the merchants from the Temple - Gustave Dore's drawing, Engraving by A. Bertrand, Colored

TRK5477940: Jesus hunts the merchants of the Temple (Gospel of Mark, chapter XI) - Coloured engraving by A.Bertrand, from the Bible by Gustave Dore (1832-1883), 19th century - Jesus drives the merchants from the Temple - Gustave Dore's drawing, Engraving by A. Bertrand, Colored / Bridgeman Images

Portrait of Joseph Clemens de Baviere (1671-1723), Archbishop of Cologne (Germany) - Colorised engraving from Universal History 1885, from the work of Leonardo Heckenauer (1650-1704) - Joseph Clemens of Bavaria (1671-1723), Archbishop of Cologne - Facsimile of an engraving by Leonardo Heckenauer (1650-1704), The Universal History, 1885, Colored
Portrait of Joseph Clemens de Baviere (1671-1723), Archbishop of Cologne (Germany) - Colorised engraving from Universal History 1885, from the work of Leonardo Heckenauer (1650-1704) - Joseph Clemens of Bavaria (1671-1723), Archbishop of Cologne - Facsimile of an engraving by Leonardo Heckenauer (1650-1704), The Universal History, 1885, Colored

TRK5478044: Portrait of Joseph Clemens de Baviere (1671-1723), Archbishop of Cologne (Germany) - Colorised engraving from Universal History 1885, from the work of Leonardo Heckenauer (1650-1704) - Joseph Clemens of Bavaria (1671-1723), Archbishop of Cologne - Facsimile of an engraving by Leonardo Heckenauer (1650-1704), The Universal History, 1885, Colored / Bridgeman Images

Abbaye de San Galgano en Toscane en Italie du 12eme siecle.
Abbaye de San Galgano en Toscane en Italie du 12eme siecle.

AGF5496926: Abbaye de San Galgano en Toscane en Italie du 12eme siecle. / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Sans doute M. Riflot le droit, 1839, crayon lithograph in black on wove paper
Honore Daumier (French, 1808 - 1879), Sans doute M. Riflot le droit, 1839, crayon lithograph in black on wove paper

LZT5497991: Honore Daumier (French, 1808 - 1879), Sans doute M. Riflot le droit, 1839, crayon lithograph in black on wove paper, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), C.-A. Gabriel, duc de Choiseul, 1835, lithograph
Honore Daumier (French, 1808 - 1879), C.-A. Gabriel, duc de Choiseul, 1835, lithograph

LZT5498069: Honore Daumier (French, 1808 - 1879), C.-A. Gabriel, duc de Choiseul, 1835, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Barbe-Marbois, 1835, lithograph
Honore Daumier (French, 1808 - 1879), Barbe-Marbois, 1835, lithograph

LZT5498091: Honore Daumier (French, 1808 - 1879), Barbe-Marbois, 1835, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Louis Bosse (French, active c. 1770), Francois Boucher ©LisztCollection/Leemage
Louis Bosse (French, active c. 1770), Francois Boucher ©LisztCollection/Leemage

LZT5498146: Louis Bosse (French, active c. 1770), Francois Boucher ©LisztCollection/Leemage / Bridgeman Images

Honore Daumier (French, 1808 - 1879), C'est tout de meme flatteur d'avoir fait tant d'elèves!, 1838, lithograph
Honore Daumier (French, 1808 - 1879), C'est tout de meme flatteur d'avoir fait tant d'elèves!, 1838, lithograph

LZT5498048: Honore Daumier (French, 1808 - 1879), C'est tout de meme flatteur d'avoir fait tant d'elèves!, 1838, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), Barbe-Marbois, 1835, lithograph
Honore Daumier (French, 1808 - 1879), Barbe-Marbois, 1835, lithograph

LZT5498076: Honore Daumier (French, 1808 - 1879), Barbe-Marbois, 1835, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Antonio Baratta (Italian, 1724 - 1787), Gravure en Bois, Outils: pl. II, 1771-1779, engraving on laid paper ©LisztCollection/Leemage
Antonio Baratta (Italian, 1724 - 1787), Gravure en Bois, Outils: pl. II, 1771-1779, engraving on laid paper ©LisztCollection/Leemage

LZT5498150: Antonio Baratta (Italian, 1724 - 1787), Gravure en Bois, Outils: pl. II, 1771-1779, engraving on laid paper ©LisztCollection/Leemage / Bridgeman Images

Pre-Columbian art, Olmec civilization: colossal head n. 6. Basalt sculpture from San Lorenzo de Veracruz (200-100 BC). Museo Nacional de Antropologia. Mexico City (51_2934)
Pre-Columbian art, Olmec civilization: colossal head n. 6. Basalt sculpture from San Lorenzo de Veracruz (200-100 BC). Museo Nacional de Antropologia. Mexico City (51_2934)

TRK5497560: Pre-Columbian art, Olmec civilization: colossal head n. 6. Basalt sculpture from San Lorenzo de Veracruz (200-100 BC). Museo Nacional de Antropologia. Mexico City (51_2934) / Bridgeman Images

Mycenian civilization: the Lion Gate: site of the ancient Cite of Mycenes, in the Peloponnese (1500-1100 BC) Greece (401-1567)
Mycenian civilization: the Lion Gate: site of the ancient Cite of Mycenes, in the Peloponnese (1500-1100 BC) Greece (401-1567)

TRK5498979: Mycenian civilization: the Lion Gate: site of the ancient Cite of Mycenes, in the Peloponnese (1500-1100 BC) Greece (401-1567) / Bridgeman Images

Honore Daumier (French, 1808 - 1879), 10 heures du matin, 1839, crayon lithograph in black on wove paper
Honore Daumier (French, 1808 - 1879), 10 heures du matin, 1839, crayon lithograph in black on wove paper

LZT5497990: Honore Daumier (French, 1808 - 1879), 10 heures du matin, 1839, crayon lithograph in black on wove paper, Daumier, Honore (1808-79) / Bridgeman Images

View of the castle of Almourol, castle of the Order of the Templars founded in the 12th century, in Vila Nova de Barquinha, Portugal (353-1500)
View of the castle of Almourol, castle of the Order of the Templars founded in the 12th century, in Vila Nova de Barquinha, Portugal (353-1500)

TRK5498135: View of the castle of Almourol, castle of the Order of the Templars founded in the 12th century, in Vila Nova de Barquinha, Portugal (353-1500) / Bridgeman Images

Robert Nanteuil (French, 1623 - 1678), Georges de Scudery, 1654, engraving ©LisztCollection/Leemage
Robert Nanteuil (French, 1623 - 1678), Georges de Scudery, 1654, engraving ©LisztCollection/Leemage

LZT5498877: Robert Nanteuil (French, 1623 - 1678), Georges de Scudery, 1654, engraving ©LisztCollection/Leemage / Bridgeman Images

Robert Nanteuil (French, 1623 - 1678), Ferdinand de Neufville, engraving ©LisztCollection/Leemage
Robert Nanteuil (French, 1623 - 1678), Ferdinand de Neufville, engraving ©LisztCollection/Leemage

LZT5498920: Robert Nanteuil (French, 1623 - 1678), Ferdinand de Neufville, engraving ©LisztCollection/Leemage / Bridgeman Images

Robert Nanteuil (French, 1623 - 1678), Charles II, Duc de Mantoue, 1652, engraving ©LisztCollection/Leemage
Robert Nanteuil (French, 1623 - 1678), Charles II, Duc de Mantoue, 1652, engraving ©LisztCollection/Leemage

LZT5498975: Robert Nanteuil (French, 1623 - 1678), Charles II, Duc de Mantoue, 1652, engraving ©LisztCollection/Leemage / Bridgeman Images

Robert Nanteuil (French, 1623 - 1678), Melchior de Gillier, 1652, engraving ©LisztCollection/Leemage
Robert Nanteuil (French, 1623 - 1678), Melchior de Gillier, 1652, engraving ©LisztCollection/Leemage

LZT5499042: Robert Nanteuil (French, 1623 - 1678), Melchior de Gillier, 1652, engraving ©LisztCollection/Leemage / Bridgeman Images

Francois-Nicolas-Barthelemy Dequevauviller after Antoine Borel (French, 1745 - c. 1807), L'Indiscret, 1786, etching and engraving ©LisztCollection/Leemage
Francois-Nicolas-Barthelemy Dequevauviller after Antoine Borel (French, 1745 - c. 1807), L'Indiscret, 1786, etching and engraving ©LisztCollection/Leemage

LZT5498205: Francois-Nicolas-Barthelemy Dequevauviller after Antoine Borel (French, 1745 - c. 1807), L'Indiscret, 1786, etching and engraving ©LisztCollection/Leemage / Bridgeman Images

Robert Nanteuil (French, 1623 - 1678), Jean-Baptiste Colbert, 1673, engraving ©LisztCollection/Leemage
Robert Nanteuil (French, 1623 - 1678), Jean-Baptiste Colbert, 1673, engraving ©LisztCollection/Leemage

LZT5498243: Robert Nanteuil (French, 1623 - 1678), Jean-Baptiste Colbert, 1673, engraving ©LisztCollection/Leemage / Bridgeman Images

Robert Nanteuil (French, 1623 - 1678), Charles-Maurice Le Tellier, 1672, engraving ©LisztCollection/Leemage
Robert Nanteuil (French, 1623 - 1678), Charles-Maurice Le Tellier, 1672, engraving ©LisztCollection/Leemage

LZT5498282: Robert Nanteuil (French, 1623 - 1678), Charles-Maurice Le Tellier, 1672, engraving ©LisztCollection/Leemage / Bridgeman Images

27/05/2009 Artisans ouvriers fabriquant les sacs de la marque italienne Gucci dans l'usine de Casellina pres de Florence, Italie
27/05/2009 Artisans ouvriers fabriquant les sacs de la marque italienne Gucci dans l'usine de Casellina pres de Florence, Italie

AGF5498423: 27/05/2009 Artisans ouvriers fabriquant les sacs de la marque italienne Gucci dans l'usine de Casellina pres de Florence, Italie / Bridgeman Images

Robert Nanteuil (French, 1623 - 1678), Pierre and Jacques Dupuy, 1649, engraving ©LisztCollection/Leemage
Robert Nanteuil (French, 1623 - 1678), Pierre and Jacques Dupuy, 1649, engraving ©LisztCollection/Leemage

LZT5499058: Robert Nanteuil (French, 1623 - 1678), Pierre and Jacques Dupuy, 1649, engraving ©LisztCollection/Leemage / Bridgeman Images

Robert Nanteuil (French, 1623 - 1678), Godefroi-Maurice, Duc de Bouillon, 1657, engraving ©LisztCollection/Leemage
Robert Nanteuil (French, 1623 - 1678), Godefroi-Maurice, Duc de Bouillon, 1657, engraving ©LisztCollection/Leemage

LZT5499080: Robert Nanteuil (French, 1623 - 1678), Godefroi-Maurice, Duc de Bouillon, 1657, engraving ©LisztCollection/Leemage / Bridgeman Images

Portrait de Francois de Villemontee (1598-1670), chevalier, seigneur de Montaiguillon et de Villenauxe, eveque de Saint Malo - Jean Morin after Philippe de Champaigne (French, c. 1600 - 1650), Francois de Villemontee, etching
Portrait de Francois de Villemontee (1598-1670), chevalier, seigneur de Montaiguillon et de Villenauxe, eveque de Saint Malo - Jean Morin after Philippe de Champaigne (French, c. 1600 - 1650), Francois de Villemontee, etching

LZT5499135: Portrait de Francois de Villemontee (1598-1670), chevalier, seigneur de Montaiguillon et de Villenauxe, eveque de Saint Malo - Jean Morin after Philippe de Champaigne (French, c. 1600 - 1650), Francois de Villemontee, etching / Bridgeman Images

Vue de la nef circulaire de la Basilica di Santo Stefano Rotondo al Celio (Eglise Saint-Etienne-le-Rond) decoree de fresques du 16eme siecle representant le martyre des premiers chretiens - Rome Photo Frassineti ©AGF/Leemage
Vue de la nef circulaire de la Basilica di Santo Stefano Rotondo al Celio (Eglise Saint-Etienne-le-Rond) decoree de fresques du 16eme siecle representant le martyre des premiers chretiens - Rome Photo Frassineti ©AGF/Leemage

AGF5499142: Vue de la nef circulaire de la Basilica di Santo Stefano Rotondo al Celio (Eglise Saint-Etienne-le-Rond) decoree de fresques du 16eme siecle representant le martyre des premiers chretiens - Rome Photo Frassineti ©AGF/Leemage / Bridgeman Images

Pierre Lepautre (French, 1660 - 1744), Livre de Tables, etching
Pierre Lepautre (French, 1660 - 1744), Livre de Tables, etching

LZT5499193: Pierre Lepautre (French, 1660 - 1744), Livre de Tables, etching / Bridgeman Images

Silene vieillard - Nicolas Chapron (French), The Elderly Silenus, 1650s, etching with engraving on laid paper
Silene vieillard - Nicolas Chapron (French), The Elderly Silenus, 1650s, etching with engraving on laid paper

LZT5499248: Silene vieillard - Nicolas Chapron (French), The Elderly Silenus, 1650s, etching with engraving on laid paper / Bridgeman Images

Frontispiece of “The Social Contract or Principles of Political Law” by Jean Jacques (Jean-Jacques) Rousseau (1712-1778) (153-5775)
Frontispiece of “The Social Contract or Principles of Political Law” by Jean Jacques (Jean-Jacques) Rousseau (1712-1778) (153-5775)

TRK5499277: Frontispiece of “The Social Contract or Principles of Political Law” by Jean Jacques (Jean-Jacques) Rousseau (1712-1778) (153-5775) / Bridgeman Images

La canonisation de Mere Teresa - Citta del Vaticano  04/09/2016, cerimonia di canonizzazione di Madre Teresa di Calcutta. Nella foto la basilica di San Pietro ©Scavuzzo/AGF/Leemage
La canonisation de Mere Teresa - Citta del Vaticano  04/09/2016, cerimonia di canonizzazione di Madre Teresa di Calcutta. Nella foto la basilica di San Pietro ©Scavuzzo/AGF/Leemage

AGF5482961: La canonisation de Mere Teresa - Citta del Vaticano 04/09/2016, cerimonia di canonizzazione di Madre Teresa di Calcutta. Nella foto la basilica di San Pietro ©Scavuzzo/AGF/Leemage / Bridgeman Images

Honore Daumier (French, 1808-1879), Ayant eu la facheuse idee d'aller en mer, 1852, lithograph
Honore Daumier (French, 1808-1879), Ayant eu la facheuse idee d'aller en mer, 1852, lithograph

LZT5493923: Honore Daumier (French, 1808-1879), Ayant eu la facheuse idee d'aller en mer, 1852, lithograph, Daumier, Honore (1808-79) / Bridgeman Images


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