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Photographic portrait of Felix Faure in 1896 by Camus.
Photographic portrait of Felix Faure in 1896 by Camus.

PCT4261540: Photographic portrait of Felix Faure in 1896 by Camus. / Bridgeman Images

Alain Chartier (1386-1449) nicknamed the father of French eloquence, he is known as one of the scholars writers of the 15th century with Marguerite d'Scotland (Marguerite Stuart), had so much esteem for this eloquent man that having seen him asleep on a chair, she approached to kiss his lips. The lords of her court were surprised that she had leaned her mouth on that of such an ugly man, and the princess replied that she had not screwed the man, but “the mouth from which so many fine speeches had come out.” Frontispice of the “Cabinet du jeune literateur”, 19th century
Alain Chartier (1386-1449) nicknamed the father of French eloquence, he is known as one of the scholars writers of the 15th century with Marguerite d'Scotland (Marguerite Stuart), had so much esteem for this eloquent man that having seen him asleep on a chair, she approached to kiss his lips. The lords of her court were surprised that she had leaned her mouth on that of such an ugly man, and the princess replied that she had not screwed the man, but “the mouth from which so many fine speeches had come out.” Frontispice of the “Cabinet du jeune literateur”, 19th century

PCT4261575: Alain Chartier (1386-1449) nicknamed the father of French eloquence, he is known as one of the scholars writers of the 15th century with Marguerite d'Scotland (Marguerite Stuart), had so much esteem for this eloquent man that having seen him asleep on a chair, she approached to kiss his lips. The lords of her court were surprised that she had leaned her mouth on that of such an ugly man, and the princess replied that she had not screwed the man, but “the mouth from which so many fine speeches had come out.” Frontispice of the “Cabinet du jeune literateur”, 19th century / Bridgeman Images

Self-reclame published in December 1940 for the 3 press titles created by Jacques Coeur (pseudonym of Abbé Jean Courtois) and Jean Vaillant (pseudonym of Jean Pihan). Family reading newspapers. The magazine exalts Catholic religion, patriotism, scouting and admiration at Marechal Petain. drawing by Robert Rigot.
Self-reclame published in December 1940 for the 3 press titles created by Jacques Coeur (pseudonym of Abbé Jean Courtois) and Jean Vaillant (pseudonym of Jean Pihan). Family reading newspapers. The magazine exalts Catholic religion, patriotism, scouting and admiration at Marechal Petain. drawing by Robert Rigot.

PCT4261731: Self-reclame published in December 1940 for the 3 press titles created by Jacques Coeur (pseudonym of Abbé Jean Courtois) and Jean Vaillant (pseudonym of Jean Pihan). Family reading newspapers. The magazine exalts Catholic religion, patriotism, scouting and admiration at Marechal Petain. drawing by Robert Rigot., Rigot, Robert (fl.1939-1959) / Bridgeman Images

Last cover illustration of the Petière Journal (illustrated supplement) n°1126 of 16 June 1912: scaphandrier attacked by a large octopus in Toulon, in the Missiessy dock. The octopus weighed over 60 kg and its tentacles were over 8 m.
Last cover illustration of the Petière Journal (illustrated supplement) n°1126 of 16 June 1912: scaphandrier attacked by a large octopus in Toulon, in the Missiessy dock. The octopus weighed over 60 kg and its tentacles were over 8 m.

PCT4261768: Last cover illustration of the Petière Journal (illustrated supplement) n°1126 of 16 June 1912: scaphandrier attacked by a large octopus in Toulon, in the Missiessy dock. The octopus weighed over 60 kg and its tentacles were over 8 m. / Bridgeman Images

postcard of the war 1914-1918 (true photo): view of the German trenches at the Vimy coast.
postcard of the war 1914-1918 (true photo): view of the German trenches at the Vimy coast.

PCT4261851: postcard of the war 1914-1918 (true photo): view of the German trenches at the Vimy coast., Unknown photographer, (20th century) / Bridgeman Images

Marseille circa 1900: view of the city with the cathedrale (new Major batie between 1852 and 1893 in the Byzantine style) Sainte Marie Maggiore (Sainte-Marie-Maggiore) (known as “” la Major”) and entrance to the port with lighthouse, sailing and steam boats - anonymous stereo cliche on glass plate, 2 times 4x4,5 cm.
Marseille circa 1900: view of the city with the cathedrale (new Major batie between 1852 and 1893 in the Byzantine style) Sainte Marie Maggiore (Sainte-Marie-Maggiore) (known as “” la Major”) and entrance to the port with lighthouse, sailing and steam boats - anonymous stereo cliche on glass plate, 2 times 4x4,5 cm.

PCT4262045: Marseille circa 1900: view of the city with the cathedrale (new Major batie between 1852 and 1893 in the Byzantine style) Sainte Marie Maggiore (Sainte-Marie-Maggiore) (known as “” la Major”) and entrance to the port with lighthouse, sailing and steam boats - anonymous stereo cliche on glass plate, 2 times 4x4,5 cm. / Bridgeman Images

Bethleem's wife in traditional costume at the beginning of the 20th century. Christian population of Palestine.
Bethleem's wife in traditional costume at the beginning of the 20th century. Christian population of Palestine.

PCT4262148: Bethleem's wife in traditional costume at the beginning of the 20th century. Christian population of Palestine. / Bridgeman Images

Dealers of rosaries and pious objects in Bethleem at the beginning of the 20th century. The manufacture of these precious memories made of mother-of-pearl, coral or black stone for the pelerins was one of the main industries of the Christian population of Palestine. Black and white photography retouched.
Dealers of rosaries and pious objects in Bethleem at the beginning of the 20th century. The manufacture of these precious memories made of mother-of-pearl, coral or black stone for the pelerins was one of the main industries of the Christian population of Palestine. Black and white photography retouched.

PCT4262151: Dealers of rosaries and pious objects in Bethleem at the beginning of the 20th century. The manufacture of these precious memories made of mother-of-pearl, coral or black stone for the pelerins was one of the main industries of the Christian population of Palestine. Black and white photography retouched. / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262275: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262309: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Engraving from Camille Flammarion's book “Les Terres du Ciel””, 2nd edition 1877. View of an astronomical bezel, the most powerful in Europe in the 19th century (telescope of Mr Newall, amateur astronomer in Newcastle, England). Designers: Cook & Sons.
Engraving from Camille Flammarion's book “Les Terres du Ciel””, 2nd edition 1877. View of an astronomical bezel, the most powerful in Europe in the 19th century (telescope of Mr Newall, amateur astronomer in Newcastle, England). Designers: Cook & Sons.

PCT4262355: Engraving from Camille Flammarion's book “Les Terres du Ciel””, 2nd edition 1877. View of an astronomical bezel, the most powerful in Europe in the 19th century (telescope of Mr Newall, amateur astronomer in Newcastle, England). Designers: Cook & Sons. / Bridgeman Images

Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).
Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).

PCT4262427: Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs)., Dore, Gustave (1832-83) / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262253: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Engraving from Camille Flammarion's book “Les Terres du Ciel””, 2nd edition 1877. The new telescope of the Paris Obsrvatoire was installed in 1876 by the optician Martin, following Newton's system.
Engraving from Camille Flammarion's book “Les Terres du Ciel””, 2nd edition 1877. The new telescope of the Paris Obsrvatoire was installed in 1876 by the optician Martin, following Newton's system.

PCT4262378: Engraving from Camille Flammarion's book “Les Terres du Ciel””, 2nd edition 1877. The new telescope of the Paris Obsrvatoire was installed in 1876 by the optician Martin, following Newton's system. / Bridgeman Images

Schoolers having fun during recreation in a field near their school, village of Moux (Aude, Corbieres) around 1900.
Schoolers having fun during recreation in a field near their school, village of Moux (Aude, Corbieres) around 1900.

PCT4263056: Schoolers having fun during recreation in a field near their school, village of Moux (Aude, Corbieres) around 1900. / Bridgeman Images

The locomotive, a steam thresher, was in action around 1910-1920. Note many soldiers present in the photo for this agricultural scene. The machine is branded Ransomes, Sims & Jefferies Ld.
The locomotive, a steam thresher, was in action around 1910-1920. Note many soldiers present in the photo for this agricultural scene. The machine is branded Ransomes, Sims & Jefferies Ld.

PCT4263183: The locomotive, a steam thresher, was in action around 1910-1920. Note many soldiers present in the photo for this agricultural scene. The machine is branded Ransomes, Sims & Jefferies Ld. / Bridgeman Images

The remoil on the square of the former town hall of Narbonne (Aude), postcard 1908.
The remoil on the square of the former town hall of Narbonne (Aude), postcard 1908.

PCT4263067: The remoil on the square of the former town hall of Narbonne (Aude), postcard 1908. / Bridgeman Images

Groupe Scolaire Jean Jaures de Carcassonne, created by architect Paul Enderlin and inaugurated in 1928 when the President of the Republic Gaston Doumergue came. This school is distinguished by its size which makes it by far the largest school in the city, by its large windows but also by its facade adorned with mosaics representing oranges, in hues evoking impressionist painters, as the architect cottoya in his youth. Making the corner between two buildings housing the classrooms, a massive building houses the teachers' office quarters. On the right, in the shadow part, you can see an arcade that is the entrance to the washing house where the teaching staff came to wash their laundry.
Groupe Scolaire Jean Jaures de Carcassonne, created by architect Paul Enderlin and inaugurated in 1928 when the President of the Republic Gaston Doumergue came. This school is distinguished by its size which makes it by far the largest school in the city, by its large windows but also by its facade adorned with mosaics representing oranges, in hues evoking impressionist painters, as the architect cottoya in his youth. Making the corner between two buildings housing the classrooms, a massive building houses the teachers' office quarters. On the right, in the shadow part, you can see an arcade that is the entrance to the washing house where the teaching staff came to wash their laundry.

PCT4263093: Groupe Scolaire Jean Jaures de Carcassonne, created by architect Paul Enderlin and inaugurated in 1928 when the President of the Republic Gaston Doumergue came. This school is distinguished by its size which makes it by far the largest school in the city, by its large windows but also by its facade adorned with mosaics representing oranges, in hues evoking impressionist painters, as the architect cottoya in his youth. Making the corner between two buildings housing the classrooms, a massive building houses the teachers' office quarters. On the right, in the shadow part, you can see an arcade that is the entrance to the washing house where the teaching staff came to wash their laundry. / Bridgeman Images

Caunes-Minervois (Aude, Languedoc): Romanesque bedside of the abaye.
Caunes-Minervois (Aude, Languedoc): Romanesque bedside of the abaye.

PCT4263309: Caunes-Minervois (Aude, Languedoc): Romanesque bedside of the abaye. / Bridgeman Images

Ecole communale rural de Lauraguel (Aude, 11), photographed between 1900 and 1910 by Michel Jordy. In front of the school there are some barrels of wine and... a hen.
Ecole communale rural de Lauraguel (Aude, 11), photographed between 1900 and 1910 by Michel Jordy. In front of the school there are some barrels of wine and... a hen.

PCT4263258: Ecole communale rural de Lauraguel (Aude, 11), photographed between 1900 and 1910 by Michel Jordy. In front of the school there are some barrels of wine and... a hen. / Bridgeman Images

Ardoisieres de Bagneres de Bigorre (Hautes Pyrenees) around 1900. Of note is the presence of women at work in harsh conditions.
Ardoisieres de Bagneres de Bigorre (Hautes Pyrenees) around 1900. Of note is the presence of women at work in harsh conditions.

PCT4263285: Ardoisieres de Bagneres de Bigorre (Hautes Pyrenees) around 1900. Of note is the presence of women at work in harsh conditions. / Bridgeman Images

Swiss Alps: Woman in the window of her mountain chalet. Phototype illustrating Emile Yung's book “Zermatt and the Vallee de la Viege””, editions Thevoz & Cie (Geneva) 1894.
Swiss Alps: Woman in the window of her mountain chalet. Phototype illustrating Emile Yung's book “Zermatt and the Vallee de la Viege””, editions Thevoz & Cie (Geneva) 1894.

PCT4263461: Swiss Alps: Woman in the window of her mountain chalet. Phototype illustrating Emile Yung's book “Zermatt and the Vallee de la Viege””, editions Thevoz & Cie (Geneva) 1894. / Bridgeman Images

Henri Lhote French explorer and ethnologist (1903-1991). Portrait in 1929, before his first expedition to the Sahara.
Henri Lhote French explorer and ethnologist (1903-1991). Portrait in 1929, before his first expedition to the Sahara.

PCT4263514: Henri Lhote French explorer and ethnologist (1903-1991). Portrait in 1929, before his first expedition to the Sahara. / Bridgeman Images

Study room of a religious school around 1910, with wooden desks: the school Saint-Stanislas in Carcassonne (Aude).
Study room of a religious school around 1910, with wooden desks: the school Saint-Stanislas in Carcassonne (Aude).

PCT4263071: Study room of a religious school around 1910, with wooden desks: the school Saint-Stanislas in Carcassonne (Aude). / Bridgeman Images

figures of the stern of ancient ships: a, b = Egyptians - c = Greek - d = roman - e = Bayeux tapestry - f = 11th century - g = 13th century French manuscript - h = Seal of Winchelsea - i = 15th century. Isolated engraving undated.
figures of the stern of ancient ships: a, b = Egyptians - c = Greek - d = roman - e = Bayeux tapestry - f = 11th century - g = 13th century French manuscript - h = Seal of Winchelsea - i = 15th century. Isolated engraving undated.

PCT4263155: figures of the stern of ancient ships: a, b = Egyptians - c = Greek - d = roman - e = Bayeux tapestry - f = 11th century - g = 13th century French manuscript - h = Seal of Winchelsea - i = 15th century. Isolated engraving undated. / Bridgeman Images

At the beginning of the 20th century, wind turbines (which were then of a reasonable size) were part of the landscape. View of the village of Arzens (Aude, 11) photographed by Michel Jordy between 1900 and 1910.
At the beginning of the 20th century, wind turbines (which were then of a reasonable size) were part of the landscape. View of the village of Arzens (Aude, 11) photographed by Michel Jordy between 1900 and 1910.

PCT4263283: At the beginning of the 20th century, wind turbines (which were then of a reasonable size) were part of the landscape. View of the village of Arzens (Aude, 11) photographed by Michel Jordy between 1900 and 1910. / Bridgeman Images

Jules Cambon (1845-1935), Governor General of Algeria, after the return to calm on the Moroccan border, received the main Moroccan rebel leaders who presented their complaints to him. Engraving in
Jules Cambon (1845-1935), Governor General of Algeria, after the return to calm on the Moroccan border, received the main Moroccan rebel leaders who presented their complaints to him. Engraving in

LSE4326598: Jules Cambon (1845-1935), Governor General of Algeria, after the return to calm on the Moroccan border, received the main Moroccan rebel leaders who presented their complaints to him. Engraving in "Le petit journal" 9/05/1897. Selva Collection., Meyer, Henri (1841-99) / Bridgeman Images

Assault of a shepherd of Romorantin, by a young man who like the Vacher railroad, attacks in series the young isolated girls, she was able to escape through the intervention of her dog. Engraving in
Assault of a shepherd of Romorantin, by a young man who like the Vacher railroad, attacks in series the young isolated girls, she was able to escape through the intervention of her dog. Engraving in

LSE4326684: Assault of a shepherd of Romorantin, by a young man who like the Vacher railroad, attacks in series the young isolated girls, she was able to escape through the intervention of her dog. Engraving in "Le petit journal" 9/1/1898. Selva Collection., Meyer, Henri (1841-99) / Bridgeman Images

Queen Victoria of the United Kingdom (1819-1901) attending the procession of red penitents in Nice. Engraving in
Queen Victoria of the United Kingdom (1819-1901) attending the procession of red penitents in Nice. Engraving in

LSE4326727: Queen Victoria of the United Kingdom (1819-1901) attending the procession of red penitents in Nice. Engraving in "Le petit journal" 24/4/1898. Selva Collection., Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915) / Bridgeman Images

The carnival of mid-careme (mi careme) in the streets of Tunis, costumes and exuberant masks flow under the eyes of passers-by and women perched on the rooftops of houses. Engraving in
The carnival of mid-careme (mi careme) in the streets of Tunis, costumes and exuberant masks flow under the eyes of passers-by and women perched on the rooftops of houses. Engraving in

LSE4326865: The carnival of mid-careme (mi careme) in the streets of Tunis, costumes and exuberant masks flow under the eyes of passers-by and women perched on the rooftops of houses. Engraving in "Le petit journal" 19/3/1899. Selva Collection., Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

A burglar falls from the roofs of Notre Dame Street in Nazareth, in his precipitation to flee in front of the police officers. Engraving in “” Le petit journal”” 14/5/1899. Selva Collection.
A burglar falls from the roofs of Notre Dame Street in Nazareth, in his precipitation to flee in front of the police officers. Engraving in “” Le petit journal”” 14/5/1899. Selva Collection.

LSE4326887: A burglar falls from the roofs of Notre Dame Street in Nazareth, in his precipitation to flee in front of the police officers. Engraving in “” Le petit journal”” 14/5/1899. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

General Pierre Joubert who took the lead in the rebellion movement against the annexation of the Transvaal, haranguing the Boers, 1900 (print)
General Pierre Joubert who took the lead in the rebellion movement against the annexation of the Transvaal, haranguing the Boers, 1900 (print)

LSE4326951: General Pierre Joubert who took the lead in the rebellion movement against the annexation of the Transvaal, haranguing the Boers, 1900 (print), Unknown Artist, (20th century) / Bridgeman Images

The departures of the dunkerk cod to Iceland's fish schools start early this season, which causes tears of their families. Engraving in
The departures of the dunkerk cod to Iceland's fish schools start early this season, which causes tears of their families. Engraving in

LSE4327001: The departures of the dunkerk cod to Iceland's fish schools start early this season, which causes tears of their families. Engraving in "Le petit journal" 4/3/1900. Selva Collection., French School, (20th century) / Bridgeman Images

Presentation of the Indochina pavilion, for the exhibition of French colonies in Paris, with some Indochinese in traditional festive costume, as well as a portrait of Paul Doumer (1857-1932), Governor General of Indochina. Engraving in
Presentation of the Indochina pavilion, for the exhibition of French colonies in Paris, with some Indochinese in traditional festive costume, as well as a portrait of Paul Doumer (1857-1932), Governor General of Indochina. Engraving in

LSE4327024: Presentation of the Indochina pavilion, for the exhibition of French colonies in Paris, with some Indochinese in traditional festive costume, as well as a portrait of Paul Doumer (1857-1932), Governor General of Indochina. Engraving in "Le petit journal" 8/4/1900. Selva Collection., French School, (20th century) / Bridgeman Images

Cuban insurgencies during the American Hispano War (in 1898, for the independence of Cuba). Engraving in
Cuban insurgencies during the American Hispano War (in 1898, for the independence of Cuba). Engraving in

LSE4326752: Cuban insurgencies during the American Hispano War (in 1898, for the independence of Cuba). Engraving in "Le petit journal" 22/5/1898. Selva Collection., Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915) / Bridgeman Images

Felix Faure, President of the Republic, went to the mines of Lens, put on the suit of rigor, in order to descend into the galleries of the mine to give a symbolic pick. Engraving in
Felix Faure, President of the Republic, went to the mines of Lens, put on the suit of rigor, in order to descend into the galleries of the mine to give a symbolic pick. Engraving in

LSE4326823: Felix Faure, President of the Republic, went to the mines of Lens, put on the suit of rigor, in order to descend into the galleries of the mine to give a symbolic pick. Engraving in "Le petit journal" 11/12/1898. Selva Collection., Meaulle, Fortune Louis (1844-1901) / Bridgeman Images


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