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View from the Top of the Calton Hill by Nelson's Monument Looking West, engraved by William Westall (1781-1850) and printed by Charles Joseph Hullmandel (1789-1850) 1828 (colour engraving)
View from the Top of the Calton Hill by Nelson's Monument Looking West, engraved by William Westall (1781-1850) and printed by Charles Joseph Hullmandel (1789-1850) 1828 (colour engraving)

JHB114332: View from the Top of the Calton Hill by Nelson's Monument Looking West, engraved by William Westall (1781-1850) and printed by Charles Joseph Hullmandel (1789-1850) 1828 (colour engraving), Stuart, Mary (fl.1828) (after) / Bridgeman Images

The Rose and the Black Ribbon (oil on panel)
The Rose and the Black Ribbon (oil on panel)

JHB114337: The Rose and the Black Ribbon (oil on panel), Cadell, Francis Campbell Boileau (1883-1937) / Bridgeman Images

Humphry Repton (1752-1818), engraved by Cooke, from 'Essex, Suffolk and Norfolk Characters', 1820 (litho)
Humphry Repton (1752-1818), engraved by Cooke, from 'Essex, Suffolk and Norfolk Characters', 1820 (litho)

PML114358: Humphry Repton (1752-1818), engraved by Cooke, from 'Essex, Suffolk and Norfolk Characters', 1820 (litho), Shelley, Samuel (c.1750-1808) (after) / Bridgeman Images

Portrait of John Opie (1761-1807), engraved by Ridley, 1798 (engraving)
Portrait of John Opie (1761-1807), engraved by Ridley, 1798 (engraving)

PML114364: Portrait of John Opie (1761-1807), engraved by Ridley, 1798 (engraving), Opie, John (1761-1807) (after) / Bridgeman Images

Robert Devereux, 3rd Earl of Essex (1591-1646), his Seal and Autograph (engraving)
Robert Devereux, 3rd Earl of Essex (1591-1646), his Seal and Autograph (engraving)

PML114374: Robert Devereux, 3rd Earl of Essex (1591-1646), his Seal and Autograph (engraving), English School, (19th century) / Bridgeman Images

Provence, 1997 (tempera on board)
Provence, 1997 (tempera on board)

ALU114401: Provence, 1997 (tempera on board), Luke, Ariel / Bridgeman Images

Sitting Duck (pastel on paper)
Sitting Duck (pastel on paper)

FRT114432: Sitting Duck (pastel on paper), Treanor, Frances / Bridgeman Images

Millennium Dome from Greenwich Park (pastel on paper)
Millennium Dome from Greenwich Park (pastel on paper)

FRT114433: Millennium Dome from Greenwich Park (pastel on paper), Treanor, Frances / Bridgeman Images

Marigolds (pastel on paper)
Marigolds (pastel on paper)

FRT114439: Marigolds (pastel on paper), Treanor, Frances / Bridgeman Images

Irises (pastel on paper)
Irises (pastel on paper)

FRT114442: Irises (pastel on paper), Treanor, Frances / Bridgeman Images

Moviedrome, 1997
Moviedrome, 1997

NGY114461: Moviedrome, 1997, Walker, Richard (fl.1997) / Bridgeman Images

'Mother Courage with Eilif in front of Wallhof Castle', illustration no. 2 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
'Mother Courage with Eilif in front of Wallhof Castle', illustration no. 2 to 'Mother Courage' by Bertolt Brecht (oil on canvas)

HBY114475: 'Mother Courage with Eilif in front of Wallhof Castle', illustration no. 2 to 'Mother Courage' by Bertolt Brecht (oil on canvas), Bulley, Hugh (1924-2020) / Bridgeman Images

'The Chaplain and Mother Courage', illustration no. 6 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
'The Chaplain and Mother Courage', illustration no. 6 to 'Mother Courage' by Bertolt Brecht (oil on canvas)

HBY114476: 'The Chaplain and Mother Courage', illustration no. 6 to 'Mother Courage' by Bertolt Brecht (oil on canvas), Bulley, Hugh (1924-2020) / Bridgeman Images

'Kattrin and her mother await the dead Swiss Cheese', illustration no. 4 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
'Kattrin and her mother await the dead Swiss Cheese', illustration no. 4 to 'Mother Courage' by Bertolt Brecht (oil on canvas)

HBY114479: 'Kattrin and her mother await the dead Swiss Cheese', illustration no. 4 to 'Mother Courage' by Bertolt Brecht (oil on canvas), Bulley, Hugh (1924-2020) / Bridgeman Images

'The Inn at Utrecht', illustration no. 10 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
'The Inn at Utrecht', illustration no. 10 to 'Mother Courage' by Bertolt Brecht (oil on canvas)

HBY114481: 'The Inn at Utrecht', illustration no. 10 to 'Mother Courage' by Bertolt Brecht (oil on canvas), Bulley, Hugh (1924-2020) / Bridgeman Images

'On the Quay Outside the Palace', Act III, Scene I of 'Caesar and Cleopatra' by George Bernard Shaw, 1988 (oil on canvas)
'On the Quay Outside the Palace', Act III, Scene I of 'Caesar and Cleopatra' by George Bernard Shaw, 1988 (oil on canvas)

HBY114486: 'On the Quay Outside the Palace', Act III, Scene I of 'Caesar and Cleopatra' by George Bernard Shaw, 1988 (oil on canvas), Bulley, Hugh (1924-2020) / Bridgeman Images

Oviri, 1893-94 (bronze) (see also 116426, 174241)
Oviri, 1893-94 (bronze) (see also 116426, 174241)

NUM116425: Oviri, 1893-94 (bronze) (see also 116426, 174241), Gauguin, Paul (1848-1903) / Bridgeman Images

The Cabbage Field, c.1880 (pencil & w/c on paper)
The Cabbage Field, c.1880 (pencil & w/c on paper)

NUM116436: The Cabbage Field, c.1880 (pencil & w/c on paper), Pissarro, Camille (1830-1903) / Bridgeman Images

The Farmyard, 1877 (oil on canvas)
The Farmyard, 1877 (oil on canvas)

NUM116441: The Farmyard, 1877 (oil on canvas), Pissarro, Camille (1830-1903) / Bridgeman Images

Still Life of Small Grapes, 1896 (oil on canvas)
Still Life of Small Grapes, 1896 (oil on canvas)

NUM116450: Still Life of Small Grapes, 1896 (oil on canvas), Fantin-Latour, Ignace Henri Jean (1836-1904) / Bridgeman Images

Ablutions basin and entrance (photo) (see also 116510)
Ablutions basin and entrance (photo) (see also 116510)

JB116511: Ablutions basin and entrance (photo) (see also 116510) / Bridgeman Images

Central courtyard (sahn) and colonnades, probably built in the 10th century (photo) (see also 116519)
Central courtyard (sahn) and colonnades, probably built in the 10th century (photo) (see also 116519)

NUM116518: Central courtyard (sahn) and colonnades, probably built in the 10th century (photo) (see also 116519) / Bridgeman Images

'It was Out!', Two Women Watching a Man Play Tennis, 1898 (gouache, pen and ink on paper)
'It was Out!', Two Women Watching a Man Play Tennis, 1898 (gouache, pen and ink on paper)

NUM116559: 'It was Out!', Two Women Watching a Man Play Tennis, 1898 (gouache, pen and ink on paper), Costa, John da (1867-1931) / Bridgeman Images

Ionian black figure amphora, depicting a merman and a sacrificial ritual, c.540-530 BC (earthenware)
Ionian black figure amphora, depicting a merman and a sacrificial ritual, c.540-530 BC (earthenware)

REV116573: Ionian black figure amphora, depicting a merman and a sacrificial ritual, c.540-530 BC (earthenware), Greek / Bridgeman Images

Attic black figure amphora depicting a Dionysiac scene, 540-530 BC (earthenware)
Attic black figure amphora depicting a Dionysiac scene, 540-530 BC (earthenware)

REV116576: Attic black figure amphora depicting a Dionysiac scene, 540-530 BC (earthenware), Amasis Painter (fl.c.560-515 BC) / Bridgeman Images

The Course of the Danube from its Source to its Mouth, based on the most recent memoires of P. Coroneli and S. Sanson, Geographer to the King (colour litho)
The Course of the Danube from its Source to its Mouth, based on the most recent memoires of P. Coroneli and S. Sanson, Geographer to the King (colour litho)

NUM116588: The Course of the Danube from its Source to its Mouth, based on the most recent memoires of P. Coroneli and S. Sanson, Geographer to the King (colour litho), French School, (18th century) / Bridgeman Images

Gold brocade, French, early 18th century
Gold brocade, French, early 18th century

NUM116594: Gold brocade, French, early 18th century / Bridgeman Images

Riders (oil on canvas)
Riders (oil on canvas)

CIE116614: Riders (oil on canvas), Michalowski, Piotr (1801-55) / Bridgeman Images

The Albert Memorial, designed by Sir George Gilbert Scott (1811-1878), with a statue of Prince Albert (1819-61) by John Henry Foley (1818-74) (photo)
The Albert Memorial, designed by Sir George Gilbert Scott (1811-1878), with a statue of Prince Albert (1819-61) by John Henry Foley (1818-74) (photo)

STC116652: The Albert Memorial, designed by Sir George Gilbert Scott (1811-1878), with a statue of Prince Albert (1819-61) by John Henry Foley (1818-74) (photo) / Bridgeman Images

Aesop's Fables: Hares, Foxes and Eagles (linocut)
Aesop's Fables: Hares, Foxes and Eagles (linocut)

FAG116658: Aesop's Fables: Hares, Foxes and Eagles (linocut), Bawden, Edward (1903-89) / Bridgeman Images

Trinity College Chapel Interior (linocut)
Trinity College Chapel Interior (linocut)

FAG116660: Trinity College Chapel Interior (linocut), Bawden, Edward (1903-89) / Bridgeman Images

Audley End House, 1975 (linocut)
Audley End House, 1975 (linocut)

FAG116663: Audley End House, 1975 (linocut), Bawden, Edward (1903-89) / Bridgeman Images

Book cover design for 'Edward Bawden's Oxford' (litho)
Book cover design for 'Edward Bawden's Oxford' (litho)

FAG116671: Book cover design for 'Edward Bawden's Oxford' (litho), Bawden, Edward (1903-89) / Bridgeman Images

Hoy's Cart (linocut)
Hoy's Cart (linocut)

FAG116676: Hoy's Cart (linocut), Beck, Paul (b.1926) / Bridgeman Images

King's College Chapel, Cambridge (linocut)
King's College Chapel, Cambridge (linocut)

FAG116683: King's College Chapel, Cambridge (linocut), Hoyle, Walter (1922-2002) / Bridgeman Images

The Crocodile (engraving)
The Crocodile (engraving)

FAG116688: The Crocodile (engraving), Ravilious, Tirzah (nee Garwood) (1908-51) / Bridgeman Images


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