RSC936997:
Sir Henry Irving as King Lear, Lyceum Theatre, 1892 (oil on board), Partridge, Bernard John (1861-1945) / Bridgeman Images
ID: RSC936997
Sir Henry Irving as King Lear, Lyceum Theatre, 1892 (oil on board)
Partridge, Bernard John (1861-1945)
RSC937003:
'Julius Caesar', Act II, Scene 3, The Conspiracy (oil on canvas), Sullivan, William Holmes (1836-1908) / Bridgeman Images
ID: RSC937003
'Julius Caesar', Act II, Scene 3, The Conspiracy (oil on canvas)
Sullivan, William Holmes (1836-1908)
RSC937006:
Mr William Farren as Sir Peter Teazle (from 'The School for Scandal' by Richard Brinsley Sheridan) or Sir Bashful Constant (from 'The Way to Keep Him' by Arthur Murphy) (oil on canvas), Harlow, George Henry (1787-1819) / Bridgeman Images
ID: RSC937006
Mr William Farren as Sir Peter Teazle (from 'The School for Scandal' by Richard Brinsley Sheridan) or Sir Bashful Constant (from 'The Way to Keep Him' by Arthur Murphy) (oil on canvas)
Harlow, George Henry (1787-1819)
RSC937022:
The Venice Portrait of William Shakespeare (oil on canvas), English School / Bridgeman Images
ID: RSC937022
The Venice Portrait of William Shakespeare (oil on canvas)
English School
RSC937023:
Ben Kingsley as 'The Moor', 1986 (oil on canvas), Benjamin (fl.1986) / Bridgeman Images
ID: RSC937023
Ben Kingsley as 'The Moor', 1986 (oil on canvas)
Benjamin (fl.1986)
RSC937039:
Helen Modrzejewska, 1880 (oil on canvas), Forbes-Robertson, Johnston (1853-1937) / Bridgeman Images
ID: RSC937039
Helen Modrzejewska, 1880 (oil on canvas)
Forbes-Robertson, Johnston (1853-1937)
SXT930782:
O'Connell Street and Bridge following the Easter Rising, Dublin, Ireland, 1916 (gelatin silver developed out print), Irish Photographer (20th century) / Bridgeman Images
ID: SXT930782
O'Connell Street and Bridge following the Easter Rising, Dublin, Ireland, 1916 (gelatin silver developed out print)
Irish Photographer (20th century)
SXT930795:
Turf from Connemara being brought to the Aran Islands, c.1910 (sulphur toned gelatin silver print), Chichester, Christine (fl. c.1910) / Bridgeman Images
ID: SXT930795
Turf from Connemara being brought to the Aran Islands, c.1910 (sulphur toned gelatin silver print)
Chichester, Christine (fl. c.1910)
SXT930799:
Lord Henry Gordon-Lennox, 1858 (albumen print), Crofton, Augusta (1839-1928) / Bridgeman Images
ID: SXT930799
Lord Henry Gordon-Lennox, 1858 (albumen print)
Crofton, Augusta (1839-1928)
SXT930804:
Kilcornan, County Galway, Ireland, c.1865 (albumen print), Crofton, Augusta (1839-1928) (attr. to) / Bridgeman Images
ID: SXT930804
Kilcornan, County Galway, Ireland, c.1865 (albumen print)
Crofton, Augusta (1839-1928) (attr. to)
SXT930811:
After the Bailiffs' visit, Ireland, c.1888 (albumen print), Irish Photographer (19th Century) / Bridgeman Images
ID: SXT930811
After the Bailiffs' visit, Ireland, c.1888 (albumen print)
Irish Photographer (19th Century)
SXT930826:
Lord Frederick Cavendish, c.1880 (woodbury type), Irish Photographer (19th Century) / Bridgeman Images
ID: SXT930826
Lord Frederick Cavendish, c.1880 (woodbury type)
Irish Photographer (19th Century)
SXT930835:
Officers of the 1st Battalion, Grenadier Guards at the Curragh, County Kildare, 1875 (gold-toned albumen print), Irish Photographer (19th Century) / Bridgeman Images
ID: SXT930835
Officers of the 1st Battalion, Grenadier Guards at the Curragh, County Kildare, 1875 (gold-toned albumen print)
Irish Photographer (19th Century)
SXT930847:
Portrait of a young woman, 1855 (salted paper print), Fitzgerald, Otho (1827-82) / Bridgeman Images
ID: SXT930847
Portrait of a young woman, 1855 (salted paper print)
Fitzgerald, Otho (1827-82)
SXT930851:
Royal Artillery Post, Dublin, Ireland, 1895 (albumen print), McLean, James H. (fl.1895) / Bridgeman Images
ID: SXT930851
Royal Artillery Post, Dublin, Ireland, 1895 (albumen print)
SXT930862:
Workmen of Harland & Wolff's shipyard leave to make their way home, c.1912 (toned gelatin silver print), Welch, Robert John (1859–1936) / Bridgeman Images
ID: SXT930862
Workmen of Harland & Wolff's shipyard leave to make their way home, c.1912 (toned gelatin silver print)
Welch, Robert John (1859–1936)
SXT930868:
Close-up of a round tower, the Belfry of Disert Aengus, from 'Notes on Irish Architecture' by Lord Dunraven, 1875 (carbon transfer print), Mercer, Mr. (fl.1875) / Bridgeman Images
ID: SXT930868
Close-up of a round tower, the Belfry of Disert Aengus, from 'Notes on Irish Architecture' by Lord Dunraven, 1875 (carbon transfer print)
Mercer, Mr. (fl.1875)
SXT930869:
The round tower at Kilmacduagh, County Galway, from 'Notes on Irish Architecture' by Lord Dunraven, 1875 (carbon transfer print), Mercer, Mr. (fl.1875) / Bridgeman Images
ID: SXT930869
The round tower at Kilmacduagh, County Galway, from 'Notes on Irish Architecture' by Lord Dunraven, 1875 (carbon transfer print)
Mercer, Mr. (fl.1875)
SXT930897:
Taking the pigs to market, c.1910 (sulphur toned gelatin silver print), Chichester, Christine (fl. c.1910) / Bridgeman Images
ID: SXT930897
Taking the pigs to market, c.1910 (sulphur toned gelatin silver print)
Chichester, Christine (fl. c.1910)
RSC937057:
Ellen Tree, Mrs Charles Kean, as Hermione, c.1840 (oil on canvas), Leslie, Charles Robert (1794-1859) / Bridgeman Images
ID: RSC937057
Ellen Tree, Mrs Charles Kean, as Hermione, c.1840 (oil on canvas)
Leslie, Charles Robert (1794-1859)
RSC937063:
The Henry Graves Portrait of William Shakespeare, c.1600 (oil on copper), English School, (17th century) / Bridgeman Images
ID: RSC937063
The Henry Graves Portrait of William Shakespeare, c.1600 (oil on copper)
English School, (17th century)
RSC937078:
'Henry VI', Part II, Act III, Scene 3, the Death of Cardinal Beaufort, c.1790 (oil on canvas), Reynolds, Joshua (1723-92) (studio of) / Bridgeman Images
ID: RSC937078
'Henry VI', Part II, Act III, Scene 3, the Death of Cardinal Beaufort, c.1790 (oil on canvas)
Reynolds, Joshua (1723-92) (studio of)
RSC937089:
'Henry IV', Part I, Act V, Scene 4, Falstaff and the Dead Body of Hotspur (oil on canvas), Smirke, Robert (1752-1845) / Bridgeman Images
ID: RSC937089
'Henry IV', Part I, Act V, Scene 4, Falstaff and the Dead Body of Hotspur (oil on canvas)
Smirke, Robert (1752-1845)
RSC937097:
'Othello', Act II, Scene 1, the Return of Othello (oil on canvas), Stothard, Thomas (1755-1834) / Bridgeman Images
ID: RSC937097
'Othello', Act II, Scene 1, the Return of Othello (oil on canvas)
Stothard, Thomas (1755-1834)
RSC937102:
Ellen Terry, 1920 (oil on canvas), Atwood, Clare (1866-1962) / Bridgeman Images
ID: RSC937102
Ellen Terry, 1920 (oil on canvas)
Atwood, Clare (1866-1962)
RSC937109:
Ben Jonson, c.1750 (oil on canvas), English School, (18th century) / Bridgeman Images
ID: RSC937109
Ben Jonson, c.1750 (oil on canvas)
English School, (18th century)
RSC937110:
Marie Effie, née Wilton, Lady Bancroft (oil on canvas), English School, (19th century) / Bridgeman Images
ID: RSC937110
Marie Effie, née Wilton, Lady Bancroft (oil on canvas)
English School, (19th century)
RSC937111:
John Philip Kemble (oil on canvas on panel), English School, (18th century) / Bridgeman Images
ID: RSC937111
John Philip Kemble (oil on canvas on panel)
English School, (18th century)
RSC937112:
Thomas Barry Sullivan (oil on canvas), Harlow, George Henry (1787-1819) (style of) / Bridgeman Images
ID: RSC937112
Thomas Barry Sullivan (oil on canvas)
Harlow, George Henry (1787-1819) (style of)
XRH937238:
Lisa of the House, c.1970 (photo) / Bridgeman Images
ID: XRH937238
Lisa of the House, c.1970 (photo)
DMW937345:
Figure studies (charcoal on paper), Sargent, John Singer (1856-1925) / Bridgeman Images
ID: DMW937345
Figure studies (charcoal on paper)
Sargent, John Singer (1856-1925)
DMW937348:
Feet and Legs of Seated Nude (charcoal on paper), Sargent, John Singer (1856-1925) / Bridgeman Images
ID: DMW937348
Feet and Legs of Seated Nude (charcoal on paper)
Sargent, John Singer (1856-1925)
DMW937355:
St. Christopher, c.1521 (engraving), Leyden, Lucas van (c.1494-1533) / Bridgeman Images
ID: DMW937355
St. Christopher, c.1521 (engraving)
Leyden, Lucas van (c.1494-1533)
GYB616650:
Rembrandt van Rijn, 2012 (ink and coloured pencil on paper), Brown, Gary / Bridgeman Images
ID: GYB616650
Rembrandt van Rijn, 2012 (ink and coloured pencil on paper)