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WHT430701: Sample, 1950-55 (textile), Morton, Alastair (1910-63) / Bridgeman Images
CJP430816: Gothic Commissioners' Church, presentation watercolour, c.1825 (w/c on paper), English School, (19th century) / Bridgeman Images
CJP430822: Wilhelmshöhe, Kassel, Germany (gouache on paper), Bleuler, Johann Heinrich II (1787-1857) / Bridgeman Images
CJP430826: Bloomsbury rooftops and dome of the British Museum Reading Room, 1965 (oil on canvas), Williams, E. (fl.1965) / Bridgeman Images
CJP430836: The Four Seasons: Autumn - Harvest, c.1675 (pen & sepia ink on paper), Netherlandish School, (17th century) / Bridgeman Images
CJP430838: The Four Seasons: Spring - Hoeing, c.1675 (pen & sepia ink on paper), Netherlandish School, (17th century) / Bridgeman Images
MAN430842: Tomb Figure and Horse, High T'ang Period, 750-51 (earthenware with unfired pigments), Chinese School, Tang Dynasty (618-907) / Bridgeman Images
MAN430846: Harry Guthrie, c.1800 (w/c miniature), Bogle, John (c.1746-1804) (attr. to) / Bridgeman Images
MAN430848: Coast Scene (w/c & black chalk on paper), Boudin, Eugene Louis (1824-98) / Bridgeman Images
MAN430863: The Temple, Karnak, 1838 (w/c & pencil on paper), Roberts, David (1796-1864) / Bridgeman Images
MAN430864: The Forum, Rome, 1835 (pencil & w/c with gum Arabic and white heightening), Roberts, David (1796-1864) / Bridgeman Images
MAN430886: Decanter (glass & silver), Powell, Harry James (1853-1922) / Bridgeman Images
JBG430902: One day, Paul gilded all the picture frames in his house, 2011 (etching with gold leaf), Massouras, Alexander (b.1981) / Bridgeman Images
JBG430903: It wasn't quite right, so he gilded the walls too, 2011 (etching with gold leaf), Massouras, Alexander (b.1981) / Bridgeman Images
JBG430904: In the kitchen he mused: something was wrong, 2011 (etching), Massouras, Alexander (b.1981) / Bridgeman Images
JBG430910: The time came when Paul's entire house was golden and shone like the sun, 2011 (etching with gold leaf, Massouras, Alexander (b.1981) / Bridgeman Images
JBG430912: Friends were calling, and Paul felt immediately happy, 2011 (etching with gold leaf), Massouras, Alexander (b.1981) / Bridgeman Images
JBG430914: And Paul soon forgot his golden house, 2011 (etching with gold leaf), Massouras, Alexander (b.1981) / Bridgeman Images
JBG430917: But the fearsomeness with which Hieronymus tamed lions frightened everything else away too, 2011 (etching), Massouras, Alexander (b.1981) / Bridgeman Images
JBG430918: So Hieronymus passed the time with his lions, 2011 (etching), Massouras, Alexander (b.1981) / Bridgeman Images
JBG430925: Or hold their beaks open (as if waiting for Hieronymus to place his head there), 2011 (etching), Massouras, Alexander (b.1981) / Bridgeman Images
JBG430928: The following day, he visited his doctor, who with grim inevitability leaped through hoops of fire. Since he offered no cure, Hieronymous left, 2011 (etching), Massouras, Alexander (b.1981) / Bridgeman Images
JBG430939: Sometimes through discourse, 2011 (etching), Massouras, Alexander (b.1981) / Bridgeman Images
JBG430942: Book by book, he accumulated a stupendous library, 2011 (etching), Massouras, Alexander (b.1981) / Bridgeman Images
JBG430943: Which grew to unimaginable heights, 2011 (etching), Massouras, Alexander (b.1981) / Bridgeman Images
JBG430944: And Alfred found himself on a tower of knowledge, knowing, 2011 (etching), Massouras, Alexander (b.1981) / Bridgeman Images
JBG430947: "Boo," thought Alfred in so many words, 2011 (etching), Massouras, Alexander (b.1981) / Bridgeman Images
GRS430969: Stourhead House, 2011 (w/c on board), Grayson, Matthew (b.1965) / Bridgeman Images
AIG433500: Spring, 1936 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433502: The Young Gleaner, 1896 (oil on canvas), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433506: Giant Seated with Jack at his Feet, 1904 (oil on stretched paper with collage), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433508: Dies Irae, 1900 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433514: Dolphins, 1901 (pen & ink on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433516: Saga of the Sea, 1901 (oil on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433521: The Blue Room, 1899 (pencil & gouache on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
AIG433524: Gateway of the Botanical Gardens, Padua, 1903 (oil on paper mounted on stretcher), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images