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Young Tobie left (oil on canvas)
Young Tobie left (oil on canvas)

JEB4848632: Young Tobie left (oil on canvas), Parrocel, Pierre (1670-1739) / Bridgeman Images

Poster for soap “Le Petit Chat
Poster for soap “Le Petit Chat

JEB4848914: Poster for soap “Le Petit Chat", 19th century (lithograph) / Bridgeman Images

Exit from the port Pointe du Dauphin. Museum of History, Marseille 19th century
Exit from the port Pointe du Dauphin. Museum of History, Marseille 19th century

JEB4849170: Exit from the port Pointe du Dauphin. Museum of History, Marseille 19th century / Bridgeman Images

Portrait of Victor Gelu (1806-1885), Marseille poet and songwriter. Frontispice of the complete works. Drawing by Fernand DESMOULINS (1858-1914). Engraving. Municipal library of Marseille.
Portrait of Victor Gelu (1806-1885), Marseille poet and songwriter. Frontispice of the complete works. Drawing by Fernand DESMOULINS (1858-1914). Engraving. Municipal library of Marseille.

JEB4849219: Portrait of Victor Gelu (1806-1885), Marseille poet and songwriter. Frontispice of the complete works. Drawing by Fernand DESMOULINS (1858-1914). Engraving. Municipal library of Marseille. / Bridgeman Images

Le Travail dans les careeres Watercolour by Winkler (19th century) 19th century Musee d'Histoire, Marseille
Le Travail dans les careeres Watercolour by Winkler (19th century) 19th century Musee d'Histoire, Marseille

JEB4849316: Le Travail dans les careeres Watercolour by Winkler (19th century) 19th century Musee d'Histoire, Marseille / Bridgeman Images

Presume portrait of Desiree Clary. Anonymous painting of the provincial school of the 19th century (oil on canvas)
Presume portrait of Desiree Clary. Anonymous painting of the provincial school of the 19th century (oil on canvas)

JEB4849355: Presume portrait of Desiree Clary. Anonymous painting of the provincial school of the 19th century (oil on canvas) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari full page N° 13 of 13 August 1866. “It's funny, the one doesn't seem happy to take his vacation.” LIBRARY OF THE ALCAZAR, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari full page N° 13 of 13 August 1866. “It's funny, the one doesn't seem happy to take his vacation.” LIBRARY OF THE ALCAZAR, MARSEILLE

JEB4849418: Artwork by Honore Daumier (1808-1879). Charivari full page N° 13 of 13 August 1866. “It's funny, the one doesn't seem happy to take his vacation.” LIBRARY OF THE ALCAZAR, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari entire page of April 12, 1869. LIBRARY OF THE ALCAZAR, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari entire page of April 12, 1869. LIBRARY OF THE ALCAZAR, MARSEILLE

JEB4849449: Artwork by Honore Daumier (1808-1879). Charivari entire page of April 12, 1869. LIBRARY OF THE ALCAZAR, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari entire page of April 12, 1869 “” News, electoral block will God, table or bowl? “” LIBRARY OF THE ALCAZAR, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari entire page of April 12, 1869 “” News, electoral block will God, table or bowl? “” LIBRARY OF THE ALCAZAR, MARSEILLE

JEB4849454: Artwork by Honore Daumier (1808-1879). Charivari entire page of April 12, 1869 “” News, electoral block will God, table or bowl? “” LIBRARY OF THE ALCAZAR, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). The representative representatives Alfred de Falloux (1811-1886) French historian and politician. LIBRARY OF THE ALCAZAR, MARSEILLE
Artwork by Honore Daumier (1808-1879). The representative representatives Alfred de Falloux (1811-1886) French historian and politician. LIBRARY OF THE ALCAZAR, MARSEILLE

JEB4849539: Artwork by Honore Daumier (1808-1879). The representative representatives Alfred de Falloux (1811-1886) French historian and politician. LIBRARY OF THE ALCAZAR, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari of 18 December 1839 “” Societe du Clystere - Robert macaire philantrope”” BIBLIOTHEQUE DE L'ALCAZAR, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari of 18 December 1839 “” Societe du Clystere - Robert macaire philantrope”” BIBLIOTHEQUE DE L'ALCAZAR, MARSEILLE

JEB4849654: Artwork by Honore Daumier (1808-1879). Charivari of 18 December 1839 “” Societe du Clystere - Robert macaire philantrope”” BIBLIOTHEQUE DE L'ALCAZAR, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie Actualites Paris influenza. MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie Actualites Paris influenza. MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE

JEB4850225: Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie Actualites Paris influenza. MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1865: Serie Actualites “” A Clichy -To say that in a few weeks these bars will be sold to put in galleries as objects of high curiosite!.. - I won't put the auction there... I'd rather pay myself to put in my collection a Garde du Commerce that I will carefully stuffing””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1865: Serie Actualites “” A Clichy -To say that in a few weeks these bars will be sold to put in galleries as objects of high curiosite!.. - I won't put the auction there... I'd rather pay myself to put in my collection a Garde du Commerce that I will carefully stuffing””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4850257: Artwork by Honore Daumier (1808-1879). Charivari dates from 1865: Serie Actualites “” A Clichy -To say that in a few weeks these bars will be sold to put in galleries as objects of high curiosite!.. - I won't put the auction there... I'd rather pay myself to put in my collection a Garde du Commerce that I will carefully stuffing””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie Croquis PARISIENS -Well, my dear, you lost, you who had told your client that you would win - Well, yes, by pleading his case I won... five hundred francs”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie Croquis PARISIENS -Well, my dear, you lost, you who had told your client that you would win - Well, yes, by pleading his case I won... five hundred francs”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4850381: Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie Croquis PARISIENS -Well, my dear, you lost, you who had told your client that you would win - Well, yes, by pleading his case I won... five hundred francs”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1833: Serie Celebrites de la Caricature “” M. Plum”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1833: Serie Celebrites de la Caricature “” M. Plum”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4850500: Artwork by Honore Daumier (1808-1879). Charivari dates from 1833: Serie Celebrites de la Caricature “” M. Plum”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1833: Serie Celebrites de la caricature “” Mr. Baill...”” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1833: Serie Celebrites de la caricature “” Mr. Baill...”” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE

JEB4850576: Artwork by Honore Daumier (1808-1879). Charivari dates from 1833: Serie Celebrites de la caricature “” Mr. Baill...”” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES BEAUX DAYS DE LA VIE. In Carnival “” -Let's laugh and gigotte! I'll be disappointed as smart! Famous! We can't recognize you...” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES BEAUX DAYS DE LA VIE. In Carnival “” -Let's laugh and gigotte! I'll be disappointed as smart! Famous! We can't recognize you...” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE

JEB4850786: Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES BEAUX DAYS DE LA VIE. In Carnival “” -Let's laugh and gigotte! I'll be disappointed as smart! Famous! We can't recognize you...” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES BEAUX DAYS DE LA VIE. The blouse “” -Sir, I made you the best wearing... with a shirt in my way you can present yourself in any living room and we will always be the best dressed in the whole company!” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES BEAUX DAYS DE LA VIE. The blouse “” -Sir, I made you the best wearing... with a shirt in my way you can present yourself in any living room and we will always be the best dressed in the whole company!” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE

JEB4850791: Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES BEAUX DAYS DE LA VIE. The blouse “” -Sir, I made you the best wearing... with a shirt in my way you can present yourself in any living room and we will always be the best dressed in the whole company!” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES PEANS DE JUSTICE “” -... and speaking at his doorway so declared, has meant to him that he had to obey the said summation, otherwise and failing to do so that he will be forced to do so by all means of law, and speaking to him as above, leaves a copy of the present. speaking as above... as above who... as above what?” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES PEANS DE JUSTICE “” -... and speaking at his doorway so declared, has meant to him that he had to obey the said summation, otherwise and failing to do so that he will be forced to do so by all means of law, and speaking to him as above, leaves a copy of the present. speaking as above... as above who... as above what?” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE

JEB4851024: Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES PEANS DE JUSTICE “” -... and speaking at his doorway so declared, has meant to him that he had to obey the said summation, otherwise and failing to do so that he will be forced to do so by all means of law, and speaking to him as above, leaves a copy of the present. speaking as above... as above who... as above what?” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie LES LANDSAGISTS “” - In this one that is a funny body... draws a portrait of a tree that does not produce only apples... he is crazy about!...” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie LES LANDSAGISTS “” - In this one that is a funny body... draws a portrait of a tree that does not produce only apples... he is crazy about!...” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE

JEB4851172: Artwork by Honore Daumier (1808-1879). Charivari dates from 1864: Serie LES LANDSAGISTS “” - In this one that is a funny body... draws a portrait of a tree that does not produce only apples... he is crazy about!...” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1855: Serie LES Chemins de fer “” The waiting room or the quarter hour of disagreeable reflexions””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1855: Serie LES Chemins de fer “” The waiting room or the quarter hour of disagreeable reflexions””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4851474: Artwork by Honore Daumier (1808-1879). Charivari dates from 1855: Serie LES Chemins de fer “” The waiting room or the quarter hour of disagreeable reflexions””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879) Charivari dates from 1864: Serie Sketch de Chasse “” Ou va donc? The hare is not through there! - If the one I'm going to eat in civet”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879) Charivari dates from 1864: Serie Sketch de Chasse “” Ou va donc? The hare is not through there! - If the one I'm going to eat in civet”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4851829: Artwork by Honore Daumier (1808-1879) Charivari dates from 1864: Serie Sketch de Chasse “” Ou va donc? The hare is not through there! - If the one I'm going to eat in civet”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1852: Serie ALL CE QU'ON VILUA “” -A committee listening to the reading of a tragedie”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1852: Serie ALL CE QU'ON VILUA “” -A committee listening to the reading of a tragedie”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4851980: Artwork by Honore Daumier (1808-1879). Charivari dates from 1852: Serie ALL CE QU'ON VILUA “” -A committee listening to the reading of a tragedie”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879). Charivari dates from 1840: Serie PROVERBES ET MAXIMES “” qui aime Bertrand aime son chien”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari dates from 1840: Serie PROVERBES ET MAXIMES “” qui aime Bertrand aime son chien”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4852043: Artwork by Honore Daumier (1808-1879). Charivari dates from 1840: Serie PROVERBES ET MAXIMES “” qui aime Bertrand aime son chien”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879) Charivari dates from 1854: Serie TENNIQUES ET OWNIRES “” Mr Vautour - Bon!... This is another house being shot down... I will increase each of my tenants by two hundred francs!” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879) Charivari dates from 1854: Serie TENNIQUES ET OWNIRES “” Mr Vautour - Bon!... This is another house being shot down... I will increase each of my tenants by two hundred francs!” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE

JEB4852120: Artwork by Honore Daumier (1808-1879) Charivari dates from 1854: Serie TENNIQUES ET OWNIRES “” Mr Vautour - Bon!... This is another house being shot down... I will increase each of my tenants by two hundred francs!” MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879) Charivari dates from 1842: Serie HISTORIE ANCIE Les Nuits de Penelope “” De son spooux absent l'adorable profile, Forever a ses doux yeux brillait comme une etoile But pour tramer trois ans et sa cunning et sa toile Il necessity que elle had a proud thread””” MUSEE DES BEAUX ARTS - PALES ARTS - PALE LONGCHAIS LONGCHAIS, MARSEIL
Artwork by Honore Daumier (1808-1879) Charivari dates from 1842: Serie HISTORIE ANCIE Les Nuits de Penelope “” De son spooux absent l'adorable profile, Forever a ses doux yeux brillait comme une etoile But pour tramer trois ans et sa cunning et sa toile Il necessity que elle had a proud thread””” MUSEE DES BEAUX ARTS - PALES ARTS - PALE LONGCHAIS LONGCHAIS, MARSEIL

JEB4852311: Artwork by Honore Daumier (1808-1879) Charivari dates from 1842: Serie HISTORIE ANCIE Les Nuits de Penelope “” De son spooux absent l'adorable profile, Forever a ses doux yeux brillait comme une etoile But pour tramer trois ans et sa cunning et sa toile Il necessity que elle had a proud thread””” MUSEE DES BEAUX ARTS - PALES ARTS - PALE LONGCHAIS LONGCHAIS, MARSEIL, Daumier, Honore (1808-79) / Bridgeman Images

Artwork by Honore Daumier (1808-1879) Charivari dates from 1858: Serie CRUQUIS D'ETE Une visite aux bains “” La queue a la porte des cabinets... - Or le bain de vapeur avant le bain froid””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879) Charivari dates from 1858: Serie CRUQUIS D'ETE Une visite aux bains “” La queue a la porte des cabinets... - Or le bain de vapeur avant le bain froid””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4852370: Artwork by Honore Daumier (1808-1879) Charivari dates from 1858: Serie CRUQUIS D'ETE Une visite aux bains “” La queue a la porte des cabinets... - Or le bain de vapeur avant le bain froid””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

Architecture: the Italian painter and sculptor Michelangelo Buonarroti known as Michelangelo (Michelangelo or Michelangelo, 1475 - 1564) presented his project for the Basilica of St. Peter to Pope Paul III (Alessandro Farnese, 1468-1549) in 1546 (oil on canvas)
Architecture: the Italian painter and sculptor Michelangelo Buonarroti known as Michelangelo (Michelangelo or Michelangelo, 1475 - 1564) presented his project for the Basilica of St. Peter to Pope Paul III (Alessandro Farnese, 1468-1549) in 1546 (oil on canvas)

JEB4852966: Architecture: the Italian painter and sculptor Michelangelo Buonarroti known as Michelangelo (Michelangelo or Michelangelo, 1475 - 1564) presented his project for the Basilica of St. Peter to Pope Paul III (Alessandro Farnese, 1468-1549) in 1546 (oil on canvas), Magaud, Dominique (1817-99) / Bridgeman Images

Still life with bouquet, fruit, vase and red fabric (oil on canvas)
Still life with bouquet, fruit, vase and red fabric (oil on canvas)

JEB4853677: Still life with bouquet, fruit, vase and red fabric (oil on canvas), Conte, Meiffren (Leconte, Ephren) (c.1630-1705) / Bridgeman Images

Symbolic representation of the Universe. Detail. Romanesque mosaic of the four rivers, 12th century, pavement of the altar of the chapel of Saint Nicholas, inside the Old Episcopal Palace. Around the polar star, the four rivers of Earth Paradise (Tiger, Euphrates, Gehon and Phison) are figures in the form of heads of human bulls spitting nets of water. Each river is associated with a symbol probably alluding to the different periods of Holy History. The West-East part dedicated to the land and freshwater animals, fish, crayfish, pelican, dog and stork. The marine world occupies the northeast corner with red waves, black algae and fish. The four cardinal points are symbolized by wind heads and rosettes. A red stream represents the Ocean River that surrounds the Earth. The southeast part evokes the vegetation fecondee by water and that pecked birds. Dim. 3,60x4,40 m Die (Drome)
Symbolic representation of the Universe. Detail. Romanesque mosaic of the four rivers, 12th century, pavement of the altar of the chapel of Saint Nicholas, inside the Old Episcopal Palace. Around the polar star, the four rivers of Earth Paradise (Tiger, Euphrates, Gehon and Phison) are figures in the form of heads of human bulls spitting nets of water. Each river is associated with a symbol probably alluding to the different periods of Holy History. The West-East part dedicated to the land and freshwater animals, fish, crayfish, pelican, dog and stork. The marine world occupies the northeast corner with red waves, black algae and fish. The four cardinal points are symbolized by wind heads and rosettes. A red stream represents the Ocean River that surrounds the Earth. The southeast part evokes the vegetation fecondee by water and that pecked birds. Dim. 3,60x4,40 m Die (Drome)

JEB4853789: Symbolic representation of the Universe. Detail. Romanesque mosaic of the four rivers, 12th century, pavement of the altar of the chapel of Saint Nicholas, inside the Old Episcopal Palace. Around the polar star, the four rivers of Earth Paradise (Tiger, Euphrates, Gehon and Phison) are figures in the form of heads of human bulls spitting nets of water. Each river is associated with a symbol probably alluding to the different periods of Holy History. The West-East part dedicated to the land and freshwater animals, fish, crayfish, pelican, dog and stork. The marine world occupies the northeast corner with red waves, black algae and fish. The four cardinal points are symbolized by wind heads and rosettes. A red stream represents the Ocean River that surrounds the Earth. The southeast part evokes the vegetation fecondee by water and that pecked birds. Dim. 3,60x4,40 m Die (Drome) / Bridgeman Images

Symbolic representation of the Universe. Detail of a dog and a stork. Romanesque mosaic of the four rivers, 12th century, pavement of the altar of the chapel of Saint Nicholas, inside the Old Episcopal Palace. Around the polar star, the four rivers of Earth Paradise (Tiger, Euphrates, Gehon and Phison) are figures in the form of heads of human bulls spitting nets of water. Each river is associated with a symbol probably alluding to the different periods of Holy History. The West-East part dedicated to the land and freshwater animals, fish, crayfish, pelican, dog and stork. The marine world occupies the northeast corner with red waves, black algae and fish. The four cardinal points are symbolized by wind heads and rosettes. A red stream represents the Ocean River that surrounds the Earth. The southeast part evokes the vegetation fecondee by water and that pecked birds. Dim. 3,60x4,40 m Die (Drome)
Symbolic representation of the Universe. Detail of a dog and a stork. Romanesque mosaic of the four rivers, 12th century, pavement of the altar of the chapel of Saint Nicholas, inside the Old Episcopal Palace. Around the polar star, the four rivers of Earth Paradise (Tiger, Euphrates, Gehon and Phison) are figures in the form of heads of human bulls spitting nets of water. Each river is associated with a symbol probably alluding to the different periods of Holy History. The West-East part dedicated to the land and freshwater animals, fish, crayfish, pelican, dog and stork. The marine world occupies the northeast corner with red waves, black algae and fish. The four cardinal points are symbolized by wind heads and rosettes. A red stream represents the Ocean River that surrounds the Earth. The southeast part evokes the vegetation fecondee by water and that pecked birds. Dim. 3,60x4,40 m Die (Drome)

JEB4853857: Symbolic representation of the Universe. Detail of a dog and a stork. Romanesque mosaic of the four rivers, 12th century, pavement of the altar of the chapel of Saint Nicholas, inside the Old Episcopal Palace. Around the polar star, the four rivers of Earth Paradise (Tiger, Euphrates, Gehon and Phison) are figures in the form of heads of human bulls spitting nets of water. Each river is associated with a symbol probably alluding to the different periods of Holy History. The West-East part dedicated to the land and freshwater animals, fish, crayfish, pelican, dog and stork. The marine world occupies the northeast corner with red waves, black algae and fish. The four cardinal points are symbolized by wind heads and rosettes. A red stream represents the Ocean River that surrounds the Earth. The southeast part evokes the vegetation fecondee by water and that pecked birds. Dim. 3,60x4,40 m Die (Drome) / Bridgeman Images

Constantinople, edge of the Bosphorus, Europe coast, 1857 (oil on wood)
Constantinople, edge of the Bosphorus, Europe coast, 1857 (oil on wood)

JEB4854206: Constantinople, edge of the Bosphorus, Europe coast, 1857 (oil on wood), Brest, Fabius (1823-1900) / Bridgeman Images

Explosion of an artillery crate near Capannori (Lucca) during the transfer of the 7th artillery regiment from Volterra to Pisa. Illustration of Beltrame. “” La Domenica del corriere””. 15-23/08/1909.
Explosion of an artillery crate near Capannori (Lucca) during the transfer of the 7th artillery regiment from Volterra to Pisa. Illustration of Beltrame. “” La Domenica del corriere””. 15-23/08/1909.

MDO4830388: Explosion of an artillery crate near Capannori (Lucca) during the transfer of the 7th artillery regiment from Volterra to Pisa. Illustration of Beltrame. “” La Domenica del corriere””. 15-23/08/1909., Beltrame, Achille (1871-1945) / Bridgeman Images

Disaster in a building in Genoa: good sisters disappeared in the collapse of two apartments. Ill. de Beltrame. “La Domenica del Corriere”. 04/1914.
Disaster in a building in Genoa: good sisters disappeared in the collapse of two apartments. Ill. de Beltrame. “La Domenica del Corriere”. 04/1914.

MDO4830411: Disaster in a building in Genoa: good sisters disappeared in the collapse of two apartments. Ill. de Beltrame. “La Domenica del Corriere”. 04/1914., Beltrame, Achille (1871-1945) / Bridgeman Images

Great demonstration in Milan on 20 September 1917 commemorating the anniversary of La Breche de Porta Pia which took place on 20 September 1870. The glorious war-maimed unleash at the head of the procession. Ill. de Beltrame. La Domenica del Corriere. 10/1917.
Great demonstration in Milan on 20 September 1917 commemorating the anniversary of La Breche de Porta Pia which took place on 20 September 1870. The glorious war-maimed unleash at the head of the procession. Ill. de Beltrame. La Domenica del Corriere. 10/1917.

MDO4830433: Great demonstration in Milan on 20 September 1917 commemorating the anniversary of La Breche de Porta Pia which took place on 20 September 1870. The glorious war-maimed unleash at the head of the procession. Ill. de Beltrame. La Domenica del Corriere. 10/1917., Beltrame, Achille (1871-1945) / Bridgeman Images

A happy hero. After capturing forty Austrians and a guitar in a cave, Private Buoncompagni marched at the head of the group of prisoners singing. Ill. de Beltrame. La Domenica del Corriere. 10/1917
A happy hero. After capturing forty Austrians and a guitar in a cave, Private Buoncompagni marched at the head of the group of prisoners singing. Ill. de Beltrame. La Domenica del Corriere. 10/1917

MDO4830444: A happy hero. After capturing forty Austrians and a guitar in a cave, Private Buoncompagni marched at the head of the group of prisoners singing. Ill. de Beltrame. La Domenica del Corriere. 10/1917, Beltrame, Achille (1871-1945) / Bridgeman Images


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