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Noch einmal betrachten wir abschiednehmend die hochragende Zitadelle von Kairo, lassen Ÿber die anmutigen Formen der Moschee Mohammed Alis unseren Blick schweifen, aber in unseren Herzen lebt eindringlicher das, was wir an kŸnstlerischen Offenbarungen wŠhrend unserer Reise durch das Wunderland am Nil in uns aufnehmen konnten. Die Kunst der €gypter ist alt und doch noch jung, so jung, dass selbst unsere moderne Kunst davon beeinflusst wurde. Unser Kunstgewerbe hat sogar bei der €gyptischen Ornamentik direkte Anleihen gemacht. €gypten in seiner nŸchternen Strenge ist uns und unserer Zeit viel verwandter geworden als das formenschšne Griechenland. Es ist interessant zu beobachten, unter wie verschiedenen Daseinsbedingungen so Šhnliche Formen der Anschauung und kŸnstlerischen Darstellung entstehen. Mit der Kunst wird das ganze Leben dieses alten Volkes uns wieder lebendig, seine Religion und seine Fragen an das Jenseits. Und damit taucht auch wieder das alte RŠtsel auf, das schon viele verschiedene Lšsungen fand, das RŠtsel der Bedeutung der Sphinx, deren Bild wohl auf Sie alle einen starken Eindruck gemacht hat. Sie hat ihre riesengrossen Augen geradeaus gerichtet, unbarmherzige, wissende Augen, die ohne zu antworten Ÿber den Fragenden hinwegstarrten in Leere oder in eine fremde, unsichtbare, ganz unbekannte Welt. Ein Wesen, das der Mensch schuf, der zitternd seine gršsste Frage stellte und in dieser Gestalt sein Bild des erbarmungslosen, Ÿberweltlichen, unnahbaren Geheimnisses aus dem Granit der WŸstenfelsen schlug. Mšge deshalb dieser Vortrag Ihnen etwas mehr gewesen sein als eine mŸssige Stunde, mšge er in unserer Zeit der Verflachung anregen, uns den grossen Menschheitsfragen von Leben und Sterben, Gott und Fortleben nach dem Tode zuzuwenden. Egypt, Citadel of Cairo, Archive, Carl Simon, history, historical, Africa, Middle East
Noch einmal betrachten wir abschiednehmend die hochragende Zitadelle von Kairo, lassen Ÿber die anmutigen Formen der Moschee Mohammed Alis unseren Blick schweifen, aber in unseren Herzen lebt eindringlicher das, was wir an kŸnstlerischen Offenbarungen wŠhrend unserer Reise durch das Wunderland am Nil in uns aufnehmen konnten. Die Kunst der €gypter ist alt und doch noch jung, so jung, dass selbst unsere moderne Kunst davon beeinflusst wurde. Unser Kunstgewerbe hat sogar bei der €gyptischen Ornamentik direkte Anleihen gemacht. €gypten in seiner nŸchternen Strenge ist uns und unserer Zeit viel verwandter geworden als das formenschšne Griechenland. Es ist interessant zu beobachten, unter wie verschiedenen Daseinsbedingungen so Šhnliche Formen der Anschauung und kŸnstlerischen Darstellung entstehen. Mit der Kunst wird das ganze Leben dieses alten Volkes uns wieder lebendig, seine Religion und seine Fragen an das Jenseits. Und damit taucht auch wieder das alte RŠtsel auf, das schon viele verschiedene Lšsungen fand, das RŠtsel der Bedeutung der Sphinx, deren Bild wohl auf Sie alle einen starken Eindruck gemacht hat. Sie hat ihre riesengrossen Augen geradeaus gerichtet, unbarmherzige, wissende Augen, die ohne zu antworten Ÿber den Fragenden hinwegstarrten in Leere oder in eine fremde, unsichtbare, ganz unbekannte Welt. Ein Wesen, das der Mensch schuf, der zitternd seine gršsste Frage stellte und in dieser Gestalt sein Bild des erbarmungslosen, Ÿberweltlichen, unnahbaren Geheimnisses aus dem Granit der WŸstenfelsen schlug. Mšge deshalb dieser Vortrag Ihnen etwas mehr gewesen sein als eine mŸssige Stunde, mšge er in unserer Zeit der Verflachung anregen, uns den grossen Menschheitsfragen von Leben und Sterben, Gott und Fortleben nach dem Tode zuzuwenden. Egypt, Citadel of Cairo, Archive, Carl Simon, history, historical, Africa, Middle East

UTD4705614: Noch einmal betrachten wir abschiednehmend die hochragende Zitadelle von Kairo, lassen Ÿber die anmutigen Formen der Moschee Mohammed Alis unseren Blick schweifen, aber in unseren Herzen lebt eindringlicher das, was wir an kŸnstlerischen Offenbarungen wŠhrend unserer Reise durch das Wunderland am Nil in uns aufnehmen konnten. Die Kunst der €gypter ist alt und doch noch jung, so jung, dass selbst unsere moderne Kunst davon beeinflusst wurde. Unser Kunstgewerbe hat sogar bei der €gyptischen Ornamentik direkte Anleihen gemacht. €gypten in seiner nŸchternen Strenge ist uns und unserer Zeit viel verwandter geworden als das formenschšne Griechenland. Es ist interessant zu beobachten, unter wie verschiedenen Daseinsbedingungen so Šhnliche Formen der Anschauung und kŸnstlerischen Darstellung entstehen. Mit der Kunst wird das ganze Leben dieses alten Volkes uns wieder lebendig, seine Religion und seine Fragen an das Jenseits. Und damit taucht auch wieder das alte RŠtsel auf, das schon viele verschiedene Lšsungen fand, das RŠtsel der Bedeutung der Sphinx, deren Bild wohl auf Sie alle einen starken Eindruck gemacht hat. Sie hat ihre riesengrossen Augen geradeaus gerichtet, unbarmherzige, wissende Augen, die ohne zu antworten Ÿber den Fragenden hinwegstarrten in Leere oder in eine fremde, unsichtbare, ganz unbekannte Welt. Ein Wesen, das der Mensch schuf, der zitternd seine gršsste Frage stellte und in dieser Gestalt sein Bild des erbarmungslosen, Ÿberweltlichen, unnahbaren Geheimnisses aus dem Granit der WŸstenfelsen schlug. Mšge deshalb dieser Vortrag Ihnen etwas mehr gewesen sein als eine mŸssige Stunde, mšge er in unserer Zeit der Verflachung anregen, uns den grossen Menschheitsfragen von Leben und Sterben, Gott und Fortleben nach dem Tode zuzuwenden. Egypt, Citadel of Cairo, Archive, Carl Simon, history, historical, Africa, Middle East, Simon, Carl (1873-1952) / Bridgeman Images

ID: UTD4705614

Noch einmal betrachten wir abschiednehmend die hochragende Zitadelle von Kairo, lassen Ÿber die anmutigen Formen der Moschee Mohammed Alis unseren Blick schweifen, aber in unseren Herzen lebt eindringlicher das, was wir an kŸnstlerischen Offenbarungen wŠhrend unserer Reise durch das Wunderland am Nil in uns aufnehmen konnten. Die Kunst der €gypter ist alt und doch noch jung, so jung, dass selbst unsere moderne Kunst davon beeinflusst wurde. Unser Kunstgewerbe hat sogar bei der €gyptischen Ornamentik direkte Anleihen gemacht. €gypten in seiner nŸchternen Strenge ist uns und unserer Zeit viel verwandter geworden als das formenschšne Griechenland. Es ist interessant zu beobachten, unter wie verschiedenen Daseinsbedingungen so Šhnliche Formen der Anschauung und kŸnstlerischen Darstellung entstehen. Mit der Kunst wird das ganze Leben dieses alten Volkes uns wieder lebendig, seine Religion und seine Fragen an das Jenseits. Und damit taucht auch wieder das alte RŠtsel auf, das schon viele ver

Simon, Carl (1873-1952)

China, three Chinese men, image date: circa 1925, Carl Simon Archive
China, three Chinese men, image date: circa 1925, Carl Simon Archive

UTD4705640: China, three Chinese men, image date: circa 1925, Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

ID: UTD4705640

China, three Chinese men, image date: circa 1925, Carl Simon Archive

Simon, Carl (1873-1952)

France, Provence-Alpes-Cote d'Azur, Var (83), Toulon: Hospital Saint Mandrier, 1885 - shells photographs chinoiseries grand baze Clavel editor photographer quai de la consigne, Toulon
France, Provence-Alpes-Cote d'Azur, Var (83), Toulon: Hospital Saint Mandrier, 1885 - shells photographs chinoiseries grand baze Clavel editor photographer quai de la consigne, Toulon

LUX4705688: France, Provence-Alpes-Cote d'Azur, Var (83), Toulon: Hospital Saint Mandrier, 1885 - shells photographs chinoiseries grand baze Clavel editor photographer quai de la consigne, Toulon / Bridgeman Images

ID: LUX4705688

France, Provence-Alpes-Cote d'Azur, Var (83), Toulon: Hospital Saint Mandrier, 1885 - shells photographs chinoiseries grand baze Clavel editor photographer quai de la consigne, Toulon

Portrait of Johan de Witt (Jean de Witt) (1625-1672) Dutch politician, economist and mathematician Engraving of the 19th century.
Portrait of Johan de Witt (Jean de Witt) (1625-1672) Dutch politician, economist and mathematician Engraving of the 19th century.

GIA4714400: Portrait of Johan de Witt (Jean de Witt) (1625-1672) Dutch politician, economist and mathematician Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4714400

Portrait of Johan de Witt (Jean de Witt) (1625-1672) Dutch politician, economist and mathematician Engraving of the 19th century.

Unknown Artist, (19th century)

Italy, Florence, Basilica of Saint Mary of the Flower and the Bell Tower by Giotto, image date: circa 1910. Carl Simon Archive
Italy, Florence, Basilica of Saint Mary of the Flower and the Bell Tower by Giotto, image date: circa 1910. Carl Simon Archive

UTD4705724: Italy, Florence, Basilica of Saint Mary of the Flower and the Bell Tower by Giotto, image date: circa 1910. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

ID: UTD4705724

Italy, Florence, Basilica of Saint Mary of the Flower and the Bell Tower by Giotto, image date: circa 1910. Carl Simon Archive

Simon, Carl (1873-1952)

France, Poitou-Charentes, Charente-Maritime (17), La Rochelle: The entrance to the port and its two towers, 1880
France, Poitou-Charentes, Charente-Maritime (17), La Rochelle: The entrance to the port and its two towers, 1880

LUX4714544: France, Poitou-Charentes, Charente-Maritime (17), La Rochelle: The entrance to the port and its two towers, 1880 / Bridgeman Images

ID: LUX4714544

France, Poitou-Charentes, Charente-Maritime (17), La Rochelle: The entrance to the port and its two towers, 1880

Gmunden, Austria, 1594 (engraving, 1598)
Gmunden, Austria, 1594 (engraving, 1598)

LRI4715588: Gmunden, Austria, 1594 (engraving, 1598), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

ID: LRI4715588

Gmunden, Austria, 1594 (engraving, 1598)

Hogenberg, Franz (1540-c.1590)

Netherlands, province of North Holland. Old couple from Volendam. Image date: circa 1920. Carl Simon Archive
Netherlands, province of North Holland. Old couple from Volendam. Image date: circa 1920. Carl Simon Archive

UTD4707006: Netherlands, province of North Holland. Old couple from Volendam. Image date: circa 1920. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

ID: UTD4707006

Netherlands, province of North Holland. Old couple from Volendam. Image date: circa 1920. Carl Simon Archive

Simon, Carl (1873-1952)

Milan: Photograph of a drawing depicting the bell tower of the Cathedral of the Nativity of the Holy Virgin in Milan, 1870
Milan: Photograph of a drawing depicting the bell tower of the Cathedral of the Nativity of the Holy Virgin in Milan, 1870

LUX4707113: Milan: Photograph of a drawing depicting the bell tower of the Cathedral of the Nativity of the Holy Virgin in Milan, 1870 / Bridgeman Images

ID: LUX4707113

Milan: Photograph of a drawing depicting the bell tower of the Cathedral of the Nativity of the Holy Virgin in Milan, 1870

France, Centre, Loir-et-Cher (41), Blois: The cathedrale Saint-Louis de Blois in the middle of the old quarter, 1885
France, Centre, Loir-et-Cher (41), Blois: The cathedrale Saint-Louis de Blois in the middle of the old quarter, 1885

LUX4707140: France, Centre, Loir-et-Cher (41), Blois: The cathedrale Saint-Louis de Blois in the middle of the old quarter, 1885 / Bridgeman Images

ID: LUX4707140

France, Centre, Loir-et-Cher (41), Blois: The cathedrale Saint-Louis de Blois in the middle of the old quarter, 1885

Bambergen (Germany) (engraving, 1572-1617)
Bambergen (Germany) (engraving, 1572-1617)

LRI4716029: Bambergen (Germany) (engraving, 1572-1617), Braun, Georg (1541-1622) and Hogenberg, Franz (1535-90) / Bridgeman Images

ID: LRI4716029

Bambergen (Germany) (engraving, 1572-1617)

Braun, Georg (1541-1622) and Hogenberg, Franz (1535-90)

France, Ile-de-France, Seine-et-Marne (77), Meaux: A soldier and his horse, 1880
France, Ile-de-France, Seine-et-Marne (77), Meaux: A soldier and his horse, 1880

LUX4716119: France, Ile-de-France, Seine-et-Marne (77), Meaux: A soldier and his horse, 1880 / Bridgeman Images

ID: LUX4716119

France, Ile-de-France, Seine-et-Marne (77), Meaux: A soldier and his horse, 1880

Eisenstadt and Mannersdorf am Leithagebirge, Austria (engraving, 1572-1617)
Eisenstadt and Mannersdorf am Leithagebirge, Austria (engraving, 1572-1617)

LRI4716127: Eisenstadt and Mannersdorf am Leithagebirge, Austria (engraving, 1572-1617), Braun, Georg (1541-1622) and Hogenberg, Franz (1535-90) / Bridgeman Images

ID: LRI4716127

Eisenstadt and Mannersdorf am Leithagebirge, Austria (engraving, 1572-1617)

Braun, Georg (1541-1622) and Hogenberg, Franz (1535-90)

Un ratodrome, excerpt from Le Globe Trotter, April 1905. Gustave Xhrouet (1853-c.1940), rat hunter, creator and founder of the school of ratiers dogs, was the promoter in France, at the beginning of the twentieth century, of the ratodrome where rats and dogs fought. These arenes of animal fighting existed for about thirty years in Neuilly, Saint Denis, Aubervilliers. Travelling ratodromes circulated as a fair attraction in several cities (Breteuil).
Un ratodrome, excerpt from Le Globe Trotter, April 1905. Gustave Xhrouet (1853-c.1940), rat hunter, creator and founder of the school of ratiers dogs, was the promoter in France, at the beginning of the twentieth century, of the ratodrome where rats and dogs fought. These arenes of animal fighting existed for about thirty years in Neuilly, Saint Denis, Aubervilliers. Travelling ratodromes circulated as a fair attraction in several cities (Breteuil).

PCT4716177: Un ratodrome, excerpt from Le Globe Trotter, April 1905. Gustave Xhrouet (1853-c.1940), rat hunter, creator and founder of the school of ratiers dogs, was the promoter in France, at the beginning of the twentieth century, of the ratodrome where rats and dogs fought. These arenes of animal fighting existed for about thirty years in Neuilly, Saint Denis, Aubervilliers. Travelling ratodromes circulated as a fair attraction in several cities (Breteuil). / Bridgeman Images

ID: PCT4716177

Un ratodrome, excerpt from Le Globe Trotter, April 1905. Gustave Xhrouet (1853-c.1940), rat hunter, creator and founder of the school of ratiers dogs, was the promoter in France, at the beginning of the twentieth century, of the ratodrome where rats and dogs fought. These arenes of animal fighting existed for about thirty years in Neuilly, Saint Denis, Aubervilliers. Travelling ratodromes circulated as a fair attraction in several cities (Breteuil).

France, Centre, Eure-et-Loir (28), Chateaudun: Le Chateau-fort de Chateaudun: L'aille Longueville, 1865
France, Centre, Eure-et-Loir (28), Chateaudun: Le Chateau-fort de Chateaudun: L'aille Longueville, 1865

LUX4716206: France, Centre, Eure-et-Loir (28), Chateaudun: Le Chateau-fort de Chateaudun: L'aille Longueville, 1865 / Bridgeman Images

ID: LUX4716206

France, Centre, Eure-et-Loir (28), Chateaudun: Le Chateau-fort de Chateaudun: L'aille Longueville, 1865

Waterloo: Photographic ensemble of all historic sites in the defeat of Waterloo, 1870
Waterloo: Photographic ensemble of all historic sites in the defeat of Waterloo, 1870

LUX4716233: Waterloo: Photographic ensemble of all historic sites in the defeat of Waterloo, 1870 / Bridgeman Images

ID: LUX4716233

Waterloo: Photographic ensemble of all historic sites in the defeat of Waterloo, 1870

France Centre, Indre, Gargilesse Dampierre: Church Saint Laurent and Notre Dame and the Chateau de Gargilesse, 1865
France Centre, Indre, Gargilesse Dampierre: Church Saint Laurent and Notre Dame and the Chateau de Gargilesse, 1865

LUX4716283: France Centre, Indre, Gargilesse Dampierre: Church Saint Laurent and Notre Dame and the Chateau de Gargilesse, 1865 / Bridgeman Images

ID: LUX4716283

France Centre, Indre, Gargilesse Dampierre: Church Saint Laurent and Notre Dame and the Chateau de Gargilesse, 1865

Views of Burgos and San Sebastian (or Donostia), Spain (etching, 1572-1617)
Views of Burgos and San Sebastian (or Donostia), Spain (etching, 1572-1617)

LRI4707206: Views of Burgos and San Sebastian (or Donostia), Spain (etching, 1572-1617), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

ID: LRI4707206

Views of Burgos and San Sebastian (or Donostia), Spain (etching, 1572-1617)

Hogenberg, Franz (1540-c.1590)

France, Brittany, Finistere (29), Saint-Thegonnec: Parish enclosure of Saint-Thegonnec, 1860
France, Brittany, Finistere (29), Saint-Thegonnec: Parish enclosure of Saint-Thegonnec, 1860

LUX4707259: France, Brittany, Finistere (29), Saint-Thegonnec: Parish enclosure of Saint-Thegonnec, 1860 / Bridgeman Images

ID: LUX4707259

France, Brittany, Finistere (29), Saint-Thegonnec: Parish enclosure of Saint-Thegonnec, 1860

Northern Morocco, Tangier, Old town, image date: circa 1910. Carl Simon Archive
Northern Morocco, Tangier, Old town, image date: circa 1910. Carl Simon Archive

UTD4707385: Northern Morocco, Tangier, Old town, image date: circa 1910. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

ID: UTD4707385

Northern Morocco, Tangier, Old town, image date: circa 1910. Carl Simon Archive

Simon, Carl (1873-1952)

A miner poses in professional clothing, 1898
A miner poses in professional clothing, 1898

LUX4716484: A miner poses in professional clothing, 1898 / Bridgeman Images

ID: LUX4716484

A miner poses in professional clothing, 1898

Ruine de la Mairie de Paris, 1871 - Publisher Block
Ruine de la Mairie de Paris, 1871 - Publisher Block

LUX4716513: Ruine de la Mairie de Paris, 1871 - Publisher Block / Bridgeman Images

ID: LUX4716513

Ruine de la Mairie de Paris, 1871 - Publisher Block

Morocco, woman with Niqab, traditional face-veil, image date: circa 1910. Carl Simon Archive
Morocco, woman with Niqab, traditional face-veil, image date: circa 1910. Carl Simon Archive

UTD4707706: Morocco, woman with Niqab, traditional face-veil, image date: circa 1910. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

ID: UTD4707706

Morocco, woman with Niqab, traditional face-veil, image date: circa 1910. Carl Simon Archive

Simon, Carl (1873-1952)

Pupilles de la Nation identity card (Pupilles de la Nation) of a child in France in 1939 and adopted in 1945 after his father, a French soldier was killed in battle (died for the Fatherland). War of 1939-1945 (Second or Second World War) -
Pupilles de la Nation identity card (Pupilles de la Nation) of a child in France in 1939 and adopted in 1945 after his father, a French soldier was killed in battle (died for the Fatherland). War of 1939-1945 (Second or Second World War) -

PCT4716556: Pupilles de la Nation identity card (Pupilles de la Nation) of a child in France in 1939 and adopted in 1945 after his father, a French soldier was killed in battle (died for the Fatherland). War of 1939-1945 (Second or Second World War) -, Cartier, Patrice / Bridgeman Images

ID: PCT4716556

Pupilles de la Nation identity card (Pupilles de la Nation) of a child in France in 1939 and adopted in 1945 after his father, a French soldier was killed in battle (died for the Fatherland). War of 1939-1945 (Second or Second World War) -

Cartier, Patrice

Limoges Porcelain, early 20th century (b/w photo)
Limoges Porcelain, early 20th century (b/w photo)

PCT4716574: Limoges Porcelain, early 20th century (b/w photo) / Bridgeman Images

ID: PCT4716574

Limoges Porcelain, early 20th century (b/w photo)

Dragon Decoree Lettrine Detail of 14th century manuscript
Dragon Decoree Lettrine Detail of 14th century manuscript

GIA4716618: Dragon Decoree Lettrine Detail of 14th century manuscript, Unknown Artist, (14th century) / Bridgeman Images

ID: GIA4716618

Dragon Decoree Lettrine Detail of 14th century manuscript

Unknown Artist, (14th century)

Venetie, Venice: The bay and the bridge of the Paglia, 1885
Venetie, Venice: The bay and the bridge of the Paglia, 1885

LUX4716631: Venetie, Venice: The bay and the bridge of the Paglia, 1885 / Bridgeman Images

ID: LUX4716631

Venetie, Venice: The bay and the bridge of the Paglia, 1885

Representation of a marine dragon. Plate of a Natural History manuscript by Ulisse Aldrovandi (1522-1605) on monsters, 1642
Representation of a marine dragon. Plate of a Natural History manuscript by Ulisse Aldrovandi (1522-1605) on monsters, 1642

GIA4716644: Representation of a marine dragon. Plate of a Natural History manuscript by Ulisse Aldrovandi (1522-1605) on monsters, 1642, Aldrovandi, Ulisse (1522-1605) / Bridgeman Images

ID: GIA4716644

Representation of a marine dragon. Plate of a Natural History manuscript by Ulisse Aldrovandi (1522-1605) on monsters, 1642

Aldrovandi, Ulisse (1522-1605)

The Cour Carree du Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Photography Cour Carree of the Louvre Museum
The Cour Carree du Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Photography Cour Carree of the Louvre Museum

OMG4705632: The Cour Carree du Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Photography Cour Carree of the Louvre Museum / Bridgeman Images

ID: OMG4705632

The Cour Carree du Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Photography Cour Carree of the Louvre Museum

Flensburg and Itzehoe, Germany (engraving, 1572-1617)
Flensburg and Itzehoe, Germany (engraving, 1572-1617)

LRI4714365: Flensburg and Itzehoe, Germany (engraving, 1572-1617), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

ID: LRI4714365

Flensburg and Itzehoe, Germany (engraving, 1572-1617)

Hogenberg, Franz (1540-c.1590)

United States of America, New York, view to the East River and Brooklyn Bridge, built 1883, image date: circa 1925. Carl Simon Archive
United States of America, New York, view to the East River and Brooklyn Bridge, built 1883, image date: circa 1925. Carl Simon Archive

UTD4705648: United States of America, New York, view to the East River and Brooklyn Bridge, built 1883, image date: circa 1925. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

ID: UTD4705648

United States of America, New York, view to the East River and Brooklyn Bridge, built 1883, image date: circa 1925. Carl Simon Archive

Simon, Carl (1873-1952)

The urban precinct of the citadel of Belle-Ile-en-Mer (Belle ile en Mer or Belle-Ile), Morbihan, Brittany, France. Architecture 1683-1689
The urban precinct of the citadel of Belle-Ile-en-Mer (Belle ile en Mer or Belle-Ile), Morbihan, Brittany, France. Architecture 1683-1689

ITR4714383: The urban precinct of the citadel of Belle-Ile-en-Mer (Belle ile en Mer or Belle-Ile), Morbihan, Brittany, France. Architecture 1683-1689 / Bridgeman Images

ID: ITR4714383

The urban precinct of the citadel of Belle-Ile-en-Mer (Belle ile en Mer or Belle-Ile), Morbihan, Brittany, France. Architecture 1683-1689

Genes: General view of the city with Palazzo Doria (Palazzo Doria Tursi or Palazzo Niccolo Grimaldi) in the foreground, 1889
Genes: General view of the city with Palazzo Doria (Palazzo Doria Tursi or Palazzo Niccolo Grimaldi) in the foreground, 1889

LUX4714492: Genes: General view of the city with Palazzo Doria (Palazzo Doria Tursi or Palazzo Niccolo Grimaldi) in the foreground, 1889 / Bridgeman Images

ID: LUX4714492

Genes: General view of the city with Palazzo Doria (Palazzo Doria Tursi or Palazzo Niccolo Grimaldi) in the foreground, 1889

Detail of a roof of the Citadel of Belle Ile en mer (Belle-Ile-en-Mer), Morbihan, Brittany, France. Architecture by Sebastien Le Prestre, Marquis de Vauban (1633-1707), 1683-1689.
Detail of a roof of the Citadel of Belle Ile en mer (Belle-Ile-en-Mer), Morbihan, Brittany, France. Architecture by Sebastien Le Prestre, Marquis de Vauban (1633-1707), 1683-1689.

ITR4714555: Detail of a roof of the Citadel of Belle Ile en mer (Belle-Ile-en-Mer), Morbihan, Brittany, France. Architecture by Sebastien Le Prestre, Marquis de Vauban (1633-1707), 1683-1689. / Bridgeman Images

ID: ITR4714555

Detail of a roof of the Citadel of Belle Ile en mer (Belle-Ile-en-Mer), Morbihan, Brittany, France. Architecture by Sebastien Le Prestre, Marquis de Vauban (1633-1707), 1683-1689.

Principaut of Monaco, Prince's Palace and Condamine, 1885
Principaut of Monaco, Prince's Palace and Condamine, 1885

LUX4705897: Principaut of Monaco, Prince's Palace and Condamine, 1885 / Bridgeman Images

ID: LUX4705897

Principaut of Monaco, Prince's Palace and Condamine, 1885

Milan: Cathedrale: the statue of Saint Bartolomeo (Barthelemy), sculpted by Marco d'Agrate (1504-1574), 1890
Milan: Cathedrale: the statue of Saint Bartolomeo (Barthelemy), sculpted by Marco d'Agrate (1504-1574), 1890

LUX4714663: Milan: Cathedrale: the statue of Saint Bartolomeo (Barthelemy), sculpted by Marco d'Agrate (1504-1574), 1890, d'Agrate, Marco (c.1504-74) / Bridgeman Images

ID: LUX4714663

Milan: Cathedrale: the statue of Saint Bartolomeo (Barthelemy), sculpted by Marco d'Agrate (1504-1574), 1890

d'Agrate, Marco (c.1504-74)


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