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Princess Shirin receives Farhad in her Persian castle, 16th century Louvre, 16th century (miniature)
Princess Shirin receives Farhad in her Persian castle, 16th century Louvre, 16th century (miniature)

JLJ4659981: Princess Shirin receives Farhad in her Persian castle, 16th century Louvre, 16th century (miniature), Persian School, (16th century) / Bridgeman Images

ID: JLJ4659981

Princess Shirin receives Farhad in her Persian castle, 16th century Louvre, 16th century (miniature)

Persian School, (16th century)

The duo A singer playing lute with a dancer, 1628 (oil on canvas)
The duo A singer playing lute with a dancer, 1628 (oil on canvas)

JLJ4660161: The duo A singer playing lute with a dancer, 1628 (oil on canvas), Brugghen, Hendrick Ter (1588-1629) / Bridgeman Images

ID: JLJ4660161

The duo A singer playing lute with a dancer, 1628 (oil on canvas)

Brugghen, Hendrick Ter (1588-1629)

Greek art: horse of manege. Marble sculpture. 520-510 BC. Dim. 113 cm Athenes, National Archaeological Museum
Greek art: horse of manege. Marble sculpture. 520-510 BC. Dim. 113 cm Athenes, National Archaeological Museum

LRI4660179: Greek art: horse of manege. Marble sculpture. 520-510 BC. Dim. 113 cm Athenes, National Archaeological Museum, Greek school, (6th century BC) / Bridgeman Images

ID: LRI4660179

Greek art: horse of manege. Marble sculpture. 520-510 BC. Dim. 113 cm Athenes, National Archaeological Museum

Greek school, (6th century BC)

The Fishing, 16th century (oil on canvas)
The Fishing, 16th century (oil on canvas)

JLJ4660165: The Fishing, 16th century (oil on canvas), Carracci, Annibale (1560-1609) / Bridgeman Images

ID: JLJ4660165

The Fishing, 16th century (oil on canvas)

Carracci, Annibale (1560-1609)

Greek Art: “” the monster has three heads fighting against Heracles”” - Detail, Limestone sculpture from the pediment of the temple of Hera of the Acropolis, 560-550 BC - Athenes, national archeological museum - One of the three heads of the monster fighting against Herakles (Hercules) - Detail of a limestone sculpture, from the temple of Hera in the Acropolis, 560-550 BC - Archeological Museum, Athens
Greek Art: “” the monster has three heads fighting against Heracles”” - Detail, Limestone sculpture from the pediment of the temple of Hera of the Acropolis, 560-550 BC - Athenes, national archeological museum - One of the three heads of the monster fighting against Herakles (Hercules) - Detail of a limestone sculpture, from the temple of Hera in the Acropolis, 560-550 BC - Archeological Museum, Athens

LRI4660182: Greek Art: “” the monster has three heads fighting against Heracles”” - Detail, Limestone sculpture from the pediment of the temple of Hera of the Acropolis, 560-550 BC - Athenes, national archeological museum - One of the three heads of the monster fighting against Herakles (Hercules) - Detail of a limestone sculpture, from the temple of Hera in the Acropolis, 560-550 BC - Archeological Museum, Athens, Greek school, (6th century BC) / Bridgeman Images

ID: LRI4660182

Greek Art: “” the monster has three heads fighting against Heracles”” - Detail, Limestone sculpture from the pediment of the temple of Hera of the Acropolis, 560-550 BC - Athenes, national archeological museum - One of the three heads of the monster fighting against Herakles (Hercules) - Detail of a limestone sculpture, from the temple of Hera in the Acropolis, 560-550 BC - Archeological Museum, Athens

Greek school, (6th century BC)

Scene in a garden. Drawing comes from a Chinese vase, 1735 (drawing)
Scene in a garden. Drawing comes from a Chinese vase, 1735 (drawing)

JLJ4660372: Scene in a garden. Drawing comes from a Chinese vase, 1735 (drawing), Fraisse, Jean Antoine (fl.1733-40) / Bridgeman Images

ID: JLJ4660372

Scene in a garden. Drawing comes from a Chinese vase, 1735 (drawing)

Fraisse, Jean Antoine (fl.1733-40)

Holy Grail Procession. Miniature from
Holy Grail Procession. Miniature from

JLJ4660590: Holy Grail Procession. Miniature from " Tale du Grail", (Folio 18v, detail), 1330 (miniature), Unknown Artist, (14th century) / Bridgeman Images

ID: JLJ4660590

Holy Grail Procession. Miniature from " Tale du Grail", (Folio 18v, detail), 1330 (miniature)

Unknown Artist, (14th century)

Portrait of Paul Deschanel (1855-1922), 19th century (engraving)
Portrait of Paul Deschanel (1855-1922), 19th century (engraving)

JLJ4660643: Portrait of Paul Deschanel (1855-1922), 19th century (engraving), French School, (19th century) / Bridgeman Images

ID: JLJ4660643

Portrait of Paul Deschanel (1855-1922), 19th century (engraving)

French School, (19th century)

Islamic representation of Adam and Eve hunts from Earth Paradise by Archangel Gabriel Miniature from the manuscript “Zubdat al Tawarikh” (Zubdat al Tawarikh) (Creme of Stories) by historian Seyyyid Loqman Ashuri 1538. Turkish and Islamic Art Museum Istanbul
Islamic representation of Adam and Eve hunts from Earth Paradise by Archangel Gabriel Miniature from the manuscript “Zubdat al Tawarikh” (Zubdat al Tawarikh) (Creme of Stories) by historian Seyyyid Loqman Ashuri 1538. Turkish and Islamic Art Museum Istanbul

LRI4661185: Islamic representation of Adam and Eve hunts from Earth Paradise by Archangel Gabriel Miniature from the manuscript “Zubdat al Tawarikh” (Zubdat al Tawarikh) (Creme of Stories) by historian Seyyyid Loqman Ashuri 1538. Turkish and Islamic Art Museum Istanbul, Islamic School, (16th century) / Bridgeman Images

ID: LRI4661185

Islamic representation of Adam and Eve hunts from Earth Paradise by Archangel Gabriel Miniature from the manuscript “Zubdat al Tawarikh” (Zubdat al Tawarikh) (Creme of Stories) by historian Seyyyid Loqman Ashuri 1538. Turkish and Islamic Art Museum Istanbul

Islamic School, (16th century)

Full length portrait of Madeleine Carlier, 20th century
Full length portrait of Madeleine Carlier, 20th century

JLJ4661433: Full length portrait of Madeleine Carlier, 20th century, Helleu, Paul Cesar (1859-1927) / Bridgeman Images

ID: JLJ4661433

Full length portrait of Madeleine Carlier, 20th century

Helleu, Paul Cesar (1859-1927)

Portrait of the Duchess of Malborough. Drawing, 20th century (drawing)
Portrait of the Duchess of Malborough. Drawing, 20th century (drawing)

JLJ4661482: Portrait of the Duchess of Malborough. Drawing, 20th century (drawing), Helleu, Paul Cesar (1859-1927) / Bridgeman Images

ID: JLJ4661482

Portrait of the Duchess of Malborough. Drawing, 20th century (drawing)

Helleu, Paul Cesar (1859-1927)

The fox and the hens turkeys, 17th century (litho)
The fox and the hens turkeys, 17th century (litho)

JLJ4661700: The fox and the hens turkeys, 17th century (litho), Delierre, Auguste (1829-1891) / Bridgeman Images

ID: JLJ4661700

The fox and the hens turkeys, 17th century (litho)

Delierre, Auguste (1829-1891)

Romantic fashion: Chateau toilet. Two women with extravagant hairstyles on a canape. Engraving of the 19th century (engraving)
Romantic fashion: Chateau toilet. Two women with extravagant hairstyles on a canape. Engraving of the 19th century (engraving)

JLJ4661715: Romantic fashion: Chateau toilet. Two women with extravagant hairstyles on a canape. Engraving of the 19th century (engraving), French School, (19th century) / Bridgeman Images

ID: JLJ4661715

Romantic fashion: Chateau toilet. Two women with extravagant hairstyles on a canape. Engraving of the 19th century (engraving)

French School, (19th century)

Ottoman Empire: “” Portrait of the Sultan of the Ottoman Empire Orhan (Orkhan or Urchan) I (1281-1360)”” Miniature from “” Zubdat al Tawarikh”” (Ms. 1973, fol. 59b) by Seyyyd Lokman Ashuri 1583 Istanbul, Turkish-Islamic Art Museum
Ottoman Empire: “” Portrait of the Sultan of the Ottoman Empire Orhan (Orkhan or Urchan) I (1281-1360)”” Miniature from “” Zubdat al Tawarikh”” (Ms. 1973, fol. 59b) by Seyyyd Lokman Ashuri 1583 Istanbul, Turkish-Islamic Art Museum

LRI4661664: Ottoman Empire: “” Portrait of the Sultan of the Ottoman Empire Orhan (Orkhan or Urchan) I (1281-1360)”” Miniature from “” Zubdat al Tawarikh”” (Ms. 1973, fol. 59b) by Seyyyd Lokman Ashuri 1583 Istanbul, Turkish-Islamic Art Museum, Ottoman School, (16th century) / Bridgeman Images

ID: LRI4661664

Ottoman Empire: “” Portrait of the Sultan of the Ottoman Empire Orhan (Orkhan or Urchan) I (1281-1360)”” Miniature from “” Zubdat al Tawarikh”” (Ms. 1973, fol. 59b) by Seyyyd Lokman Ashuri 1583 Istanbul, Turkish-Islamic Art Museum

Ottoman School, (16th century)

Workshop residence for the sculptor Froriep, 9 rue du Belvedere in Boulogne Billancourt. Architect 1927, Andre Lurcat (1894-1970). Photography 1994.
Workshop residence for the sculptor Froriep, 9 rue du Belvedere in Boulogne Billancourt. Architect 1927, Andre Lurcat (1894-1970). Photography 1994.

MDA4661677: Workshop residence for the sculptor Froriep, 9 rue du Belvedere in Boulogne Billancourt. Architect 1927, Andre Lurcat (1894-1970). Photography 1994., Lurcat, Andre (1894-1970) / Bridgeman Images

ID: MDA4661677

Workshop residence for the sculptor Froriep, 9 rue du Belvedere in Boulogne Billancourt. Architect 1927, Andre Lurcat (1894-1970). Photography 1994.

Lurcat, Andre (1894-1970)

Ottoman Empire: “” Portrait of Sultan Selim II called the Drunk or Sari the Blond (1524-1574)”” Watercolour attributed to Reis Haydar Nakkep dit Nigari (1494-1572) (TKS 2134, fol. 3 b) Istanbul, Topkapi Seray
Ottoman Empire: “” Portrait of Sultan Selim II called the Drunk or Sari the Blond (1524-1574)”” Watercolour attributed to Reis Haydar Nakkep dit Nigari (1494-1572) (TKS 2134, fol. 3 b) Istanbul, Topkapi Seray

LRI4661892: Ottoman Empire: “” Portrait of Sultan Selim II called the Drunk or Sari the Blond (1524-1574)”” Watercolour attributed to Reis Haydar Nakkep dit Nigari (1494-1572) (TKS 2134, fol. 3 b) Istanbul, Topkapi Seray, Reis Haydar, Nakkep, called Nigari (1494-1572) / Bridgeman Images

ID: LRI4661892

Ottoman Empire: “” Portrait of Sultan Selim II called the Drunk or Sari the Blond (1524-1574)”” Watercolour attributed to Reis Haydar Nakkep dit Nigari (1494-1572) (TKS 2134, fol. 3 b) Istanbul, Topkapi Seray

Reis Haydar, Nakkep, called Nigari (1494-1572)

Hotel des Marechaux, Place de l'Etoile, Paris 75008. Architect Jakob Hittorf (1792-1867), 1854. By December 13, 1854, the species surrounding the Arc de Triomphe is devolu to 12 private hotels that still remain today. The gardens of these hotels look towards the square. These hotels are clearly recognizable by their identical columns. It was for no reason that Parisians called them hotel des Marechaux at the time.
Hotel des Marechaux, Place de l'Etoile, Paris 75008. Architect Jakob Hittorf (1792-1867), 1854. By December 13, 1854, the species surrounding the Arc de Triomphe is devolu to 12 private hotels that still remain today. The gardens of these hotels look towards the square. These hotels are clearly recognizable by their identical columns. It was for no reason that Parisians called them hotel des Marechaux at the time.

TEC4660888: Hotel des Marechaux, Place de l'Etoile, Paris 75008. Architect Jakob Hittorf (1792-1867), 1854. By December 13, 1854, the species surrounding the Arc de Triomphe is devolu to 12 private hotels that still remain today. The gardens of these hotels look towards the square. These hotels are clearly recognizable by their identical columns. It was for no reason that Parisians called them hotel des Marechaux at the time., Hittorff, Jacques Ignace (1792-1867) / Bridgeman Images

ID: TEC4660888

Hotel des Marechaux, Place de l'Etoile, Paris 75008. Architect Jakob Hittorf (1792-1867), 1854. By December 13, 1854, the species surrounding the Arc de Triomphe is devolu to 12 private hotels that still remain today. The gardens of these hotels look towards the square. These hotels are clearly recognizable by their identical columns. It was for no reason that Parisians called them hotel des Marechaux at the time.

Hittorff, Jacques Ignace (1792-1867)

Greek Art: “” the King of Persia Alexander the Great (356-323 BC)”” Marble sculpture from Manisa Magnesia (Turkey). 2nd century BC. Sun 190 cm.istanbul, archeological museum
Greek Art: “” the King of Persia Alexander the Great (356-323 BC)”” Marble sculpture from Manisa Magnesia (Turkey). 2nd century BC. Sun 190 cm.istanbul, archeological museum

LRI4660981: Greek Art: “” the King of Persia Alexander the Great (356-323 BC)”” Marble sculpture from Manisa Magnesia (Turkey). 2nd century BC. Sun 190 cm.istanbul, archeological museum, Greek school, (2nd century BC) / Bridgeman Images

ID: LRI4660981

Greek Art: “” the King of Persia Alexander the Great (356-323 BC)”” Marble sculpture from Manisa Magnesia (Turkey). 2nd century BC. Sun 190 cm.istanbul, archeological museum

Greek school, (2nd century BC)

Gare du Nord to Paris 75010. Construction 1861-1865, architect Jakob Hittorff (1792-1867), renovation of amenagement 2008-2010, Jean Marie Duthilleul. The third station in the world after Tokyo (Japan) and Chicago (Illinois, USA), the station welcomes 500,000 passengers every day.
Gare du Nord to Paris 75010. Construction 1861-1865, architect Jakob Hittorff (1792-1867), renovation of amenagement 2008-2010, Jean Marie Duthilleul. The third station in the world after Tokyo (Japan) and Chicago (Illinois, USA), the station welcomes 500,000 passengers every day.

MDA4661113: Gare du Nord to Paris 75010. Construction 1861-1865, architect Jakob Hittorff (1792-1867), renovation of amenagement 2008-2010, Jean Marie Duthilleul. The third station in the world after Tokyo (Japan) and Chicago (Illinois, USA), the station welcomes 500,000 passengers every day., Duthilleul, Jean Marie (b.1952) / Bridgeman Images

ID: MDA4661113

Gare du Nord to Paris 75010. Construction 1861-1865, architect Jakob Hittorff (1792-1867), renovation of amenagement 2008-2010, Jean Marie Duthilleul. The third station in the world after Tokyo (Japan) and Chicago (Illinois, USA), the station welcomes 500,000 passengers every day.

Duthilleul, Jean Marie (b.1952)

Assyrian civilization: engraved box of cuneiform characters concerning the production of two silver mines. Istanbul, Archeological Museum
Assyrian civilization: engraved box of cuneiform characters concerning the production of two silver mines. Istanbul, Archeological Museum

LRI4661053: Assyrian civilization: engraved box of cuneiform characters concerning the production of two silver mines. Istanbul, Archeological Museum, Assyrian / Bridgeman Images

ID: LRI4661053

Assyrian civilization: engraved box of cuneiform characters concerning the production of two silver mines. Istanbul, Archeological Museum

Assyrian

Gare du Nord to Paris 75010. Construction 1861-1865, architect Jakob Hittorff (1792-1867), renovation of amenagement 2008-2010, Jean Marie Duthilleul. The third station in the world after Tokyo (Japan) and Chicago (Illinois, USA), the station welcomes 500,000 passengers every day.
Gare du Nord to Paris 75010. Construction 1861-1865, architect Jakob Hittorff (1792-1867), renovation of amenagement 2008-2010, Jean Marie Duthilleul. The third station in the world after Tokyo (Japan) and Chicago (Illinois, USA), the station welcomes 500,000 passengers every day.

MDA4661120: Gare du Nord to Paris 75010. Construction 1861-1865, architect Jakob Hittorff (1792-1867), renovation of amenagement 2008-2010, Jean Marie Duthilleul. The third station in the world after Tokyo (Japan) and Chicago (Illinois, USA), the station welcomes 500,000 passengers every day., Duthilleul, Jean Marie (b.1952) / Bridgeman Images

ID: MDA4661120

Gare du Nord to Paris 75010. Construction 1861-1865, architect Jakob Hittorff (1792-1867), renovation of amenagement 2008-2010, Jean Marie Duthilleul. The third station in the world after Tokyo (Japan) and Chicago (Illinois, USA), the station welcomes 500,000 passengers every day.

Duthilleul, Jean Marie (b.1952)

Miniature original fishing from “Codex de l'Octateuque du Serail” (ms.8 or Seraglio Octateuch) 12th century Topkapi Sarayi Museum Library Istanbul
Miniature original fishing from “Codex de l'Octateuque du Serail” (ms.8 or Seraglio Octateuch) 12th century Topkapi Sarayi Museum Library Istanbul

LRI4661166: Miniature original fishing from “Codex de l'Octateuque du Serail” (ms.8 or Seraglio Octateuch) 12th century Topkapi Sarayi Museum Library Istanbul, Unknown Artist, (12th century) / Bridgeman Images

ID: LRI4661166

Miniature original fishing from “Codex de l'Octateuque du Serail” (ms.8 or Seraglio Octateuch) 12th century Topkapi Sarayi Museum Library Istanbul

Unknown Artist, (12th century)

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

TEC4661232: Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998., Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952) / Bridgeman Images

ID: TEC4661232

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

Representation of the celestial globe, with zodiac signs and lunar divisions (nakshatra). Miniature from the manuscript “Zubdat al Tawarikh” (Zubdat al Tawarikh) (Creme of Stories) by historian Seyyid Loqman Ashuri 1538. Turkish and Islamic Art Museum Istanbul
Representation of the celestial globe, with zodiac signs and lunar divisions (nakshatra). Miniature from the manuscript “Zubdat al Tawarikh” (Zubdat al Tawarikh) (Creme of Stories) by historian Seyyid Loqman Ashuri 1538. Turkish and Islamic Art Museum Istanbul

LRI4661235: Representation of the celestial globe, with zodiac signs and lunar divisions (nakshatra). Miniature from the manuscript “Zubdat al Tawarikh” (Zubdat al Tawarikh) (Creme of Stories) by historian Seyyid Loqman Ashuri 1538. Turkish and Islamic Art Museum Istanbul, Islamic School, (16th century) / Bridgeman Images

ID: LRI4661235

Representation of the celestial globe, with zodiac signs and lunar divisions (nakshatra). Miniature from the manuscript “Zubdat al Tawarikh” (Zubdat al Tawarikh) (Creme of Stories) by historian Seyyid Loqman Ashuri 1538. Turkish and Islamic Art Museum Istanbul

Islamic School, (16th century)

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

TEC4661258: Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929)., Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952) / Bridgeman Images

ID: TEC4661258

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

Minoan art: terracotta vase in the shape of a woman from the necropolis of Mallia in Crete. 2200-2000 BC. Dim. 16,4 cm Heraklion, archeological museum
Minoan art: terracotta vase in the shape of a woman from the necropolis of Mallia in Crete. 2200-2000 BC. Dim. 16,4 cm Heraklion, archeological museum

LRI4660225: Minoan art: terracotta vase in the shape of a woman from the necropolis of Mallia in Crete. 2200-2000 BC. Dim. 16,4 cm Heraklion, archeological museum, Minoan / Bridgeman Images

ID: LRI4660225

Minoan art: terracotta vase in the shape of a woman from the necropolis of Mallia in Crete. 2200-2000 BC. Dim. 16,4 cm Heraklion, archeological museum

Minoan

Portrait of Francois de Coligny, lord of Andelot (1521-1569), 16th century (sanguine)
Portrait of Francois de Coligny, lord of Andelot (1521-1569), 16th century (sanguine)

JLJ4661343: Portrait of Francois de Coligny, lord of Andelot (1521-1569), 16th century (sanguine), Clouet, Francois (c.1510-72) / Bridgeman Images

ID: JLJ4661343

Portrait of Francois de Coligny, lord of Andelot (1521-1569), 16th century (sanguine)

Clouet, Francois (c.1510-72)

A concert in the garden. Drawing comes from a Chinese vase, 1735 (drawing)
A concert in the garden. Drawing comes from a Chinese vase, 1735 (drawing)

JLJ4660376: A concert in the garden. Drawing comes from a Chinese vase, 1735 (drawing), Fraisse, Jean Antoine (fl.1733-40) / Bridgeman Images

ID: JLJ4660376

A concert in the garden. Drawing comes from a Chinese vase, 1735 (drawing)

Fraisse, Jean Antoine (fl.1733-40)

Second Crusade (1147-1149): King Louis VII the Young (1120-1180), 15th century (miniature)
Second Crusade (1147-1149): King Louis VII the Young (1120-1180), 15th century (miniature)

JLJ4656424: Second Crusade (1147-1149): King Louis VII the Young (1120-1180), 15th century (miniature), Colombe, Jean (c.1430-c.93) / Bridgeman Images

ID: JLJ4656424

Second Crusade (1147-1149): King Louis VII the Young (1120-1180), 15th century (miniature)

Colombe, Jean (c.1430-c.93)

Renovation of the Convent of Sainte Marie de la Tourette in Eveux (1957) Renovation 2011 -
Renovation of the Convent of Sainte Marie de la Tourette in Eveux (1957) Renovation 2011 -

OMG4656484: Renovation of the Convent of Sainte Marie de la Tourette in Eveux (1957) Renovation 2011 - / Bridgeman Images

ID: OMG4656484

Renovation of the Convent of Sainte Marie de la Tourette in Eveux (1957) Renovation 2011 -

A hunting lunch in the 18th century, 18th century (oil on canvas)
A hunting lunch in the 18th century, 18th century (oil on canvas)

JLJ4656375: A hunting lunch in the 18th century, 18th century (oil on canvas), Lami, Eugene-Louis (1800-90) / Bridgeman Images

ID: JLJ4656375

A hunting lunch in the 18th century, 18th century (oil on canvas)

Lami, Eugene-Louis (1800-90)

Interior view of the Basilica (6th century)
Interior view of the Basilica (6th century)

LRI4656752: Interior view of the Basilica (6th century), Tralles, Anthemius of (c.474-c.533) & Miletus, Isidore of (fl.532-537) / Bridgeman Images

ID: LRI4656752

Interior view of the Basilica (6th century)

Tralles, Anthemius of (c.474-c.533) & Miletus, Isidore of (fl.532-537)

View of the church Theotokos Pammakaristos (Theotokos Pammacaristos or Fetiye Camii), 14th century
View of the church Theotokos Pammakaristos (Theotokos Pammacaristos or Fetiye Camii), 14th century

LRI4656630: View of the church Theotokos Pammakaristos (Theotokos Pammacaristos or Fetiye Camii), 14th century, Byzantine, (14th century) / Bridgeman Images

ID: LRI4656630

View of the church Theotokos Pammakaristos (Theotokos Pammacaristos or Fetiye Camii), 14th century

Byzantine, (14th century)

Villa Noailles in Hyeres (Var). Architect Rob Mallet Stevens (1886-1945), construction 1931-1933. A couple of young wealthy aristocrats receive as a wedding gift a property located in Hyeres. After consulting Mies van der Rohe and Le Corbusier, he entrusted Mallet Stevens with the construction of a villa that represented his first complete order for the architect.
Villa Noailles in Hyeres (Var). Architect Rob Mallet Stevens (1886-1945), construction 1931-1933. A couple of young wealthy aristocrats receive as a wedding gift a property located in Hyeres. After consulting Mies van der Rohe and Le Corbusier, he entrusted Mallet Stevens with the construction of a villa that represented his first complete order for the architect.

OMG4657174: Villa Noailles in Hyeres (Var). Architect Rob Mallet Stevens (1886-1945), construction 1931-1933. A couple of young wealthy aristocrats receive as a wedding gift a property located in Hyeres. After consulting Mies van der Rohe and Le Corbusier, he entrusted Mallet Stevens with the construction of a villa that represented his first complete order for the architect., Mallet-Stevens, Robert (1886-1945) / Bridgeman Images

ID: OMG4657174

Villa Noailles in Hyeres (Var). Architect Rob Mallet Stevens (1886-1945), construction 1931-1933. A couple of young wealthy aristocrats receive as a wedding gift a property located in Hyeres. After consulting Mies van der Rohe and Le Corbusier, he entrusted Mallet Stevens with the construction of a villa that represented his first complete order for the architect.

Mallet-Stevens, Robert (1886-1945)

Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect.
Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect.

TEC4659193: Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect., Perret, Auguste (1874-1954) & Gustave (1876-1952) / Bridgeman Images

ID: TEC4659193

Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect.

Perret, Auguste (1874-1954) & Gustave (1876-1952)

Polar Bear Hunting Scene in Canada, 18th century (engraving)
Polar Bear Hunting Scene in Canada, 18th century (engraving)

JLJ4659077: Polar Bear Hunting Scene in Canada, 18th century (engraving), Anonymous / Bridgeman Images

ID: JLJ4659077

Polar Bear Hunting Scene in Canada, 18th century (engraving)

Anonymous


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