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‘The Dom. Magdeburg 9.3.15.’ (drawing)
‘The Dom. Magdeburg 9.3.15.’ (drawing)

NAM5926155: ‘The Dom. Magdeburg 9.3.15.’ (drawing), Bond, Reginald Copleston (1866-1936) / Bridgeman Images

‘Francais’, 1915 (drawing)
‘Francais’, 1915 (drawing)

NAM5926157: ‘Francais’, 1915 (drawing), Bond, Reginald Copleston (1866-1936) / Bridgeman Images

The Thinker after Rodin, 2019, ink on paper
The Thinker after Rodin, 2019, ink on paper

AEC5926432: The Thinker after Rodin, 2019, ink on paper, Frean, Holly / Bridgeman Images

Study After Velasquez, 2005 (monoprint)
Study After Velasquez, 2005 (monoprint)

AEC5926439: Study After Velasquez, 2005 (monoprint), Frean, Holly / Bridgeman Images

Afghan Hounds, 2019 (gouache on paper)
Afghan Hounds, 2019 (gouache on paper)

AEC5926448: Afghan Hounds, 2019 (gouache on paper), Frean, Holly / Bridgeman Images

Urban Landscape, 2000 (ink on canvas)
Urban Landscape, 2000 (ink on canvas)

AEC5926453: Urban Landscape, 2000 (ink on canvas), Frean, Holly / Bridgeman Images

The Font of New Shoreham Church, West Sussex, with the artist, William Scott of Brighton ?sleeping, 1817 (w/c on paper)
The Font of New Shoreham Church, West Sussex, with the artist, William Scott of Brighton ?sleeping, 1817 (w/c on paper)

LMG5926538: The Font of New Shoreham Church, West Sussex, with the artist, William Scott of Brighton ?sleeping, 1817 (w/c on paper), Cotman, John Sell (1782-1842) (style of) / Bridgeman Images

Studio Wall Study, 2005 (oil on canvas)
Studio Wall Study, 2005 (oil on canvas)

AEC5926742: Studio Wall Study, 2005 (oil on canvas), Frean, Holly / Bridgeman Images

Portrait of Reggie, 2019 (gouache on paper)
Portrait of Reggie, 2019 (gouache on paper)

AEC5926750: Portrait of Reggie, 2019 (gouache on paper), Frean, Holly / Bridgeman Images

Lieutenant-General Sir William Inglis, 1820 circa (miniature on ivory)
Lieutenant-General Sir William Inglis, 1820 circa (miniature on ivory)

NAM5926770: Lieutenant-General Sir William Inglis, 1820 circa (miniature on ivory), Unknown Artist, (19th century) / Bridgeman Images

‘Sancho’, Battle of Salamanca, 1812 (aquatint)
‘Sancho’, Battle of Salamanca, 1812 (aquatint)

NAM5926901: ‘Sancho’, Battle of Salamanca, 1812 (aquatint), Chalon, Henry Bernard (1770-1849) (after) / Bridgeman Images

The Governors Cottage on the Rock of Gibraltar, March 1827. (w/c)
The Governors Cottage on the Rock of Gibraltar, March 1827. (w/c)

NAM5926914: The Governors Cottage on the Rock of Gibraltar, March 1827. (w/c), St Clair, Thomas Staunton (1785–1847) / Bridgeman Images

‘Outlying Picket’, 1857 (coloured lithograph)
‘Outlying Picket’, 1857 (coloured lithograph)

NAM5927007: ‘Outlying Picket’, 1857 (coloured lithograph), Atkinson, George Francklin (1822-59) (after) / Bridgeman Images

‘Sappers at work in the Batteries’, 1857 (coloured lithograph)
‘Sappers at work in the Batteries’, 1857 (coloured lithograph)

NAM5927014: ‘Sappers at work in the Batteries’, 1857 (coloured lithograph), Atkinson, George Francklin (1822-59) (after) / Bridgeman Images

Studies for the oil painting, ‘The flag: Albuhera, May 16, 1811’ (charcoal and wash)
Studies for the oil painting, ‘The flag: Albuhera, May 16, 1811’ (charcoal and wash)

NAM5927185: Studies for the oil painting, ‘The flag: Albuhera, May 16, 1811’ (charcoal and wash), Wollen, William Barnes (1857-1936) / Bridgeman Images

Studies for the oil painting, ‘The flag: Albuhera, May 16, 1811’ (charcoal and wash)
Studies for the oil painting, ‘The flag: Albuhera, May 16, 1811’ (charcoal and wash)

NAM5927187: Studies for the oil painting, ‘The flag: Albuhera, May 16, 1811’ (charcoal and wash), Wollen, William Barnes (1857-1936) / Bridgeman Images

‘Field Marshal The Marquis of Anglesea K.G. & C.’, 1820 (stipple engraving)
‘Field Marshal The Marquis of Anglesea K.G. & C.’, 1820 (stipple engraving)

NAM5927358: ‘Field Marshal The Marquis of Anglesea K.G. & C.’, 1820 (stipple engraving), Beechey, William (1753-1839) (after) / Bridgeman Images

A Study (oil on canvas)
A Study (oil on canvas)

MAA5889035: A Study (oil on canvas), Greiffenhagen, Maurice (1862-1931) / Bridgeman Images

November, the Sower: Study for a Tile at Queens College Hall, Cambridge, 1864 (w/c on paper)
November, the Sower: Study for a Tile at Queens College Hall, Cambridge, 1864 (w/c on paper)

MAA5889051: November, the Sower: Study for a Tile at Queens College Hall, Cambridge, 1864 (w/c on paper), Brown, Ford Madox (1821-93) / Bridgeman Images

Self-Caricature, 1874 (pencil on paper)
Self-Caricature, 1874 (pencil on paper)

MAA5889052: Self-Caricature, 1874 (pencil on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

Study of a Man (coloured chalk on paper)
Study of a Man (coloured chalk on paper)

MAA5889054: Study of a Man (coloured chalk on paper), Hughes, Edward Robert (1851-1914) / Bridgeman Images

Head of a Girl (coloured chalks on buff paper)
Head of a Girl (coloured chalks on buff paper)

MAA5889060: Head of a Girl (coloured chalks on buff paper), Morgan, Evelyn De (1855-1919) / Bridgeman Images

Palm Trees (pencil on paper)
Palm Trees (pencil on paper)

MAA5889068: Palm Trees (pencil on paper), Millais, John Everett (1829-96) / Bridgeman Images

Roslyn Castle: Picnic (oil on canvas)
Roslyn Castle: Picnic (oil on canvas)

MAA5889070: Roslyn Castle: Picnic (oil on canvas), Creswick, Thomas (1811-69) / Bridgeman Images

The Deep Sea Rain, 1907 (oil on canvas)
The Deep Sea Rain, 1907 (oil on canvas)

MAA5889079: The Deep Sea Rain, 1907 (oil on canvas), Hemy, Charles Napier (1841-1917) / Bridgeman Images

The Mandolin Player, 1886 (oil on panel)
The Mandolin Player, 1886 (oil on panel)

MAA5889081: The Mandolin Player, 1886 (oil on panel), Long, Edwin Longsden (1829-91) / Bridgeman Images

Going to the Drawing-Room, 1863 (oil on canvas)
Going to the Drawing-Room, 1863 (oil on canvas)

MAA5889102: Going to the Drawing-Room, 1863 (oil on canvas), Hayllar, James (1829-1920) / Bridgeman Images

The Knot, 1872 (oil over silver gilt on panel)
The Knot, 1872 (oil over silver gilt on panel)

MAA5889103: The Knot, 1872 (oil over silver gilt on panel), Poynter, Edward John (1836-1919) / Bridgeman Images

Foreign Airs and Native Graces, 1860 (oil on board)
Foreign Airs and Native Graces, 1860 (oil on board)

MAA5889127: Foreign Airs and Native Graces, 1860 (oil on board), Huggins, William (1820-84) / Bridgeman Images

Wooded Glade (oil on panel)
Wooded Glade (oil on panel)

MAA5889168: Wooded Glade (oil on panel), Hacker, Arthur (1858-1919) / Bridgeman Images

Oxeye Daisies and Irises, 1920 (oil on panel)
Oxeye Daisies and Irises, 1920 (oil on panel)

MAA5889169: Oxeye Daisies and Irises, 1920 (oil on panel), Hacker, Arthur (1858-1919) / Bridgeman Images

Longships, 1872 (oil on card)
Longships, 1872 (oil on card)

MAA5889173: Longships, 1872 (oil on card), Brett, John (1831-1902) / Bridgeman Images

July (Reaping) (wash drawing)
July (Reaping) (wash drawing)

MAA5889175: July (Reaping) (wash drawing), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

Study for the figure of Love in 'The Car of Love' (black, white & red chalk on paper)
Study for the figure of Love in 'The Car of Love' (black, white & red chalk on paper)

MAA5889176: Study for the figure of Love in 'The Car of Love' (black, white & red chalk on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

Viola d'Amore (oil on board)
Viola d'Amore (oil on board)

MAA5889177: Viola d'Amore (oil on board), Hughes, Arthur (1832-1915) / Bridgeman Images

Self-Portrait as a Costermonger (oil on canvas)
Self-Portrait as a Costermonger (oil on canvas)

MAA5889181: Self-Portrait as a Costermonger (oil on canvas), Green, Madeline Emily (1884-1947) / Bridgeman Images


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