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Loading a 15-inch gun in the turret of an Ericsson Ironclad during the attack on Fort Sumter, 1861 (litho)
Loading a 15-inch gun in the turret of an Ericsson Ironclad during the attack on Fort Sumter, 1861 (litho)

PNP270917: Loading a 15-inch gun in the turret of an Ericsson Ironclad during the attack on Fort Sumter, 1861 (litho), American School, (19th century) / Bridgeman Images

Federal Artillery during the American Civil War (1861-65) (b/w photo)
Federal Artillery during the American Civil War (1861-65) (b/w photo)

PNP270918: Federal Artillery during the American Civil War (1861-65) (b/w photo), Brady, Mathew (1823-96) / Bridgeman Images

Stage design for Aleksandr Sergeyvich Dargomyzhsky's opera 'The Stone Guest', 1945 (w/c & gouache on paper)
Stage design for Aleksandr Sergeyvich Dargomyzhsky's opera 'The Stone Guest', 1945 (w/c & gouache on paper)

XAB269915: Stage design for Aleksandr Sergeyvich Dargomyzhsky's opera 'The Stone Guest', 1945 (w/c & gouache on paper), Genke-Shifrina, Margarita Genrichovna (1889-1954) / Bridgeman Images

'The Chromium Shaving Chair', detail from 'How to Live in a Flat', published 1936 (litho)
'The Chromium Shaving Chair', detail from 'How to Live in a Flat', published 1936 (litho)

STC269997: 'The Chromium Shaving Chair', detail from 'How to Live in a Flat', published 1936 (litho), Robinson, William Heath (1872-1944) / Bridgeman Images

Brazilian Monkey (litho) (b/w photo)
Brazilian Monkey (litho) (b/w photo)

XJF270009: Brazilian Monkey (litho) (b/w photo), French School, (19th century) / Bridgeman Images

Tirollian Peasant Girl, 1817 (litho) (b/w photo)
Tirollian Peasant Girl, 1817 (litho) (b/w photo)

XJF270012: Tirollian Peasant Girl, 1817 (litho) (b/w photo), French School, (19th century) (after) / Bridgeman Images

Conversation Piece, 1761 (oil on canvas)
Conversation Piece, 1761 (oil on canvas)

XYC223188: Conversation Piece, 1761 (oil on canvas), Chamberlin, Mason (1727-87) / Bridgeman Images

Portrait of Joseph Chenavard (1807-95) (oil on canvas)
Portrait of Joseph Chenavard (1807-95) (oil on canvas)

XIR223202: Portrait of Joseph Chenavard (1807-95) (oil on canvas), Armbruster, Jean-Francois (1835-1912) / Bridgeman Images

Bust of Louis Michel Le Peletier de Saint-Fargeau (1760-93), 1793 (polychrome plaster)
Bust of Louis Michel Le Peletier de Saint-Fargeau (1760-93), 1793 (polychrome plaster)

XIR223206: Bust of Louis Michel Le Peletier de Saint-Fargeau (1760-93), 1793 (polychrome plaster), French School, (18th century) / Bridgeman Images

Portrait of Ambroise Thomas (1811-96) 1895 (oil on canvas)
Portrait of Ambroise Thomas (1811-96) 1895 (oil on canvas)

XIR223208: Portrait of Ambroise Thomas (1811-96) 1895 (oil on canvas), Baschet, Marcel Andre (1862-1941) / Bridgeman Images

Virgin and Child (tempera on panel)
Virgin and Child (tempera on panel)

XIR223215: Virgin and Child (tempera on panel), Flemish School, (15th century) / Bridgeman Images

Capital with the head of Hathor usurped by Osorkon II (c.883-855 BC) from Bubastis, Middle Kingdom (granite)
Capital with the head of Hathor usurped by Osorkon II (c.883-855 BC) from Bubastis, Middle Kingdom (granite)

XIR223235: Capital with the head of Hathor usurped by Osorkon II (c.883-855 BC) from Bubastis, Middle Kingdom (granite), Egyptian 12th Dynasty (1991-1786 BC) / Bridgeman Images

Funeral Procession of a Bishop (oil on panel)
Funeral Procession of a Bishop (oil on panel)

XIR223270: Funeral Procession of a Bishop (oil on panel), Sacchi, Andrea (1599-1661) / Bridgeman Images

Madeleine Brohant (1833-1900) of the Comedie-Francaise, 1860 (oil on canvas)
Madeleine Brohant (1833-1900) of the Comedie-Francaise, 1860 (oil on canvas)

XIR223274: Madeleine Brohant (1833-1900) of the Comedie-Francaise, 1860 (oil on canvas), Baudry, Paul (1828-86) / Bridgeman Images

A French Horse Encampment during the China War of 1860 (b/w photo)
A French Horse Encampment during the China War of 1860 (b/w photo)

STC223375: A French Horse Encampment during the China War of 1860 (b/w photo), French Photographer, (19th century) / Bridgeman Images

How a Sentry was Treated for Negligence, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) published in Frankfurt, 1591 (coloured engraving)
How a Sentry was Treated for Negligence, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) published in Frankfurt, 1591 (coloured engraving)

XIR223401: How a Sentry was Treated for Negligence, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) published in Frankfurt, 1591 (coloured engraving), Le Moyne, Jacques (de Morgues) (1533-88) (after) / Bridgeman Images

How the Women Lament at the Burial Grounds, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) published in Frankfurt, 1591 (coloured engraving)
How the Women Lament at the Burial Grounds, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) published in Frankfurt, 1591 (coloured engraving)

XIR223406: How the Women Lament at the Burial Grounds, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) published in Frankfurt, 1591 (coloured engraving), Le Moyne, Jacques (de Morgues) (1533-88) (after) / Bridgeman Images

A Site for the Fort is Chosen, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) published in Frankfurt, 1591 (coloured engraving)
A Site for the Fort is Chosen, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) published in Frankfurt, 1591 (coloured engraving)

XIR223412: A Site for the Fort is Chosen, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) published in Frankfurt, 1591 (coloured engraving), Le Moyne, Jacques (de Morgues) (1533-88) (after) / Bridgeman Images

Coat of Arms, from 'Americae Tertia Pars..', 1592 (coloured engraving)
Coat of Arms, from 'Americae Tertia Pars..', 1592 (coloured engraving)

XIR223426: Coat of Arms, from 'Americae Tertia Pars..', 1592 (coloured engraving), Bry, Theodor de (1528-98) / Bridgeman Images

Coats of Arms, from 'Americae Tertia Pars..', 1592 (coloured engraving)
Coats of Arms, from 'Americae Tertia Pars..', 1592 (coloured engraving)

XIR223427: Coats of Arms, from 'Americae Tertia Pars..', 1592 (coloured engraving), Bry, Theodor de (1528-98) / Bridgeman Images

The Chief Receives his Bride, from 'Brevis Narratio..', engraved by Theodore de Bry (1538-98) published in Frankfurt, 1591 (coloured engraving)
The Chief Receives his Bride, from 'Brevis Narratio..', engraved by Theodore de Bry (1538-98) published in Frankfurt, 1591 (coloured engraving)

XIR223430: The Chief Receives his Bride, from 'Brevis Narratio..', engraved by Theodore de Bry (1538-98) published in Frankfurt, 1591 (coloured engraving), Le Moyne, Jacques (de Morgues) (1533-88) (after) / Bridgeman Images

How the Chief is Buried, from 'Brevis Narratio..', engraved by Theodore de Bry 1528-98) published in Frankfurt, 1591 (coloured engraving)
How the Chief is Buried, from 'Brevis Narratio..', engraved by Theodore de Bry 1528-98) published in Frankfurt, 1591 (coloured engraving)

XIR223431: How the Chief is Buried, from 'Brevis Narratio..', engraved by Theodore de Bry 1528-98) published in Frankfurt, 1591 (coloured engraving), Le Moyne, Jacques (de Morgues) (1533-88) (after) / Bridgeman Images

The Annunciation of the Angel to Joachim and the Meeting at the Golden Gate (oil on panel)
The Annunciation of the Angel to Joachim and the Meeting at the Golden Gate (oil on panel)

XMN223444: The Annunciation of the Angel to Joachim and the Meeting at the Golden Gate (oil on panel), French School, (15th century) / Bridgeman Images

The Sleep of Venus (oil on panel)
The Sleep of Venus (oil on panel)

XIR223466: The Sleep of Venus (oil on panel), Abate, Nicolo dell' (c.1509-71) / Bridgeman Images

A selection of diamond jewellery
A selection of diamond jewellery

BON227020: A selection of diamond jewellery / Bridgeman Images

A selection of jewellery
A selection of jewellery

BON227025: A selection of jewellery / Bridgeman Images

Susanna Hope (detail of 1194)
Susanna Hope (detail of 1194)

BAL227123: Susanna Hope (detail of 1194), Wright of Derby, Joseph (1734-97) / Bridgeman Images

Barbara de Vlaenderberch, c.1472-75 (oil on panel) (detail of 234523)
Barbara de Vlaenderberch, c.1472-75 (oil on panel) (detail of 234523)

XIR227174: Barbara de Vlaenderberch, c.1472-75 (oil on panel) (detail of 234523), Memling, Hans (c.1433-94) / Bridgeman Images

The Watering Hole (oil on canvas)
The Watering Hole (oil on canvas)

XIR227204: The Watering Hole (oil on canvas), Allote, (18th century) / Bridgeman Images

The Works of Mercy, c.1630-40 (oil on panel)
The Works of Mercy, c.1630-40 (oil on panel)

XIR227211: The Works of Mercy, c.1630-40 (oil on panel), Vos, Simon de (1603-76) / Bridgeman Images

Composition, c.1920 (collage & w/c on paper)
Composition, c.1920 (collage & w/c on paper)

XIR227221: Composition, c.1920 (collage & w/c on paper), Valmier, Georges (1885-1937) / Bridgeman Images

North Facade of the Palais de Luxembourg (pen & ink on paper)
North Facade of the Palais de Luxembourg (pen & ink on paper)

XIR227250: North Facade of the Palais de Luxembourg (pen & ink on paper), Brosse, Salomon de (1571-1626) / Bridgeman Images

Ms 14 fol.23 Historiated initial 'L' with medallions, from an Evangeliary (vellum)
Ms 14 fol.23 Historiated initial 'L' with medallions, from an Evangeliary (vellum)

XIR227253: Ms 14 fol.23 Historiated initial 'L' with medallions, from an Evangeliary (vellum), French School, (12th century) / Bridgeman Images

Fragment of fabric depicting faces, from Fayum, 6th-7th century (textile)
Fragment of fabric depicting faces, from Fayum, 6th-7th century (textile)

XIR227255: Fragment of fabric depicting faces, from Fayum, 6th-7th century (textile), Coptic / Bridgeman Images

Surrender of the town and citadel of Ghent, 1678 (engraving) (b/w photo)
Surrender of the town and citadel of Ghent, 1678 (engraving) (b/w photo)

CHT233069: Surrender of the town and citadel of Ghent, 1678 (engraving) (b/w photo), French School, (17th century) / Bridgeman Images

View of Ghent (engraving) (b/w photo)
View of Ghent (engraving) (b/w photo)

XIR233206: View of Ghent (engraving) (b/w photo), French School, (17th century) / Bridgeman Images


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