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MES408857: Detail of the Palazzo Ducale loggia, Venice, Italy (photo) / Bridgeman Images
PNP412178: A Dervish Swordsman, c.1900 (colour litho), English School, (20th century) / Bridgeman Images
PNP412196: British paratroopers bombard German positions with mortars, Battle of Arnhem, 1944 (b/w photo), English School, (20th century) / Bridgeman Images
XJF412200: Sir Jeffery Dunstan (engraving), English School, (18th century) / Bridgeman Images
XJF412216: Dr. Joseph Black, 1787 (etching), Kay, John (1742-1826) / Bridgeman Images
XJF412227: Village, 1925 (etching), Sutherland, Graham (1903-80) / Bridgeman Images
XJF412239: Jumping over three horses...chestnut horse Hornet, from 'Animal Locomotion, An Electro-Photographic Investigation of Consecutive Phases of Animal Movement', c.1872-85 (b/w photo), Muybridge, Eadweard (1830-1904) / Bridgeman Images
XJF412243: A View of Santi Apostoli, Venice (engraving), Italian School, (18th century) / Bridgeman Images
XJF412247: A Drummer and Commander mounted on mules, c.1638 (pen, ink & wash on paper), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images
XJF412259: The Entombment, c.1654 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images
XJF412274: Lieven Willemsz van Coppenol, c.1658 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images
XJF412275: Thomas Haaringh, c.1655 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images
XJF412276: Head of a woman, 1637 (etching), Rembrandt Harmensz. van Rijn (1606-69) (school of) / Bridgeman Images
STC415818: Mercury puts Argus to Sleep or Mercurio Addormenta Argo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
STC415829: Mercury falls in love with Herse or Mercurion s'invaghisce di Erse, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
STC415830: Minerva visits Envy or Minerva all Grotta deli Invidia, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
STC415831: Aglauros and Envy or L'Invidia e Aglauro, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
STC415832: Aglauros and Mercury or Aglauro e Mercurio, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
STC415850: Cadmus into a Serpent or Cadmo Transformato in Serpe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
STC415853: Perseus and Andromeda or Andromeda Liberata da Perseo, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
STC415862: Marsyas is Flayed by Apollo or Apollo Scortica Marsia, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
STC415866: Death of Eurydice or Morte d'Euridice, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
STC415882: Cephalus and Procris or Cefalo e Procri, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
STC415893: Minyades or Figlie di Minia Disprezzatrici di Bacco, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
STC415900: Harry Wearne in 1885 (sepia photo), English Photographer, (19th century) / Bridgeman Images
STC415909: Tulips and Dahlias, pub. 1933 (colour litho), Wearne, Harry (1852-1929) / Bridgeman Images
STC415921: Pergolesi Medallion, pub. 1933 (colour litho), Wearne, Harry (1852-1929) / Bridgeman Images
STC409012: A Kasseki, plate 19 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving), Vanmour, Jean Baptiste (1671-1737) (after) / Bridgeman Images
STC409013: Chatir, plate 28 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving), Vanmour, Jean Baptiste (1671-1737) (after) / Bridgeman Images
STC409022: A Halvadgi, plate 57 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving), Vanmour, Jean Baptiste (1671-1737) (after) / Bridgeman Images
STC409033: Princess of Wallachia, plate 79 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Pierre Rochefort (c.1673-1728), 1707-08 (coloured engraving), Vanmour, Jean Baptiste (1671-1737) (after) / Bridgeman Images
STC409039: An Armenian of Persia, plate 89 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Pierre Rochefort (c.1673-1728), 1707-08 (coloured engraving), Vanmour, Jean Baptiste (1671-1737) (after) / Bridgeman Images
STC409040: A Persian, plate 90 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving), Vanmour, Jean Baptiste (1671-1737) (after) / Bridgeman Images
STC409076: Plato (litho), French School, (19th century) / Bridgeman Images
STC409080: Alexis Jordan (litho), French School, (19th century) / Bridgeman Images
STC409084: A. Chauveau (litho), French School, (19th century) / Bridgeman Images