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Lady at the Mirror, 1898 (oil on canvas)
Lady at the Mirror, 1898 (oil on canvas)

XAB106361: Lady at the Mirror, 1898 (oil on canvas), Somov, Konstantin Andreevic (1869-1939) / Bridgeman Images

Bridge on the Marqual Canal, Kashmir (sepia photo)
Bridge on the Marqual Canal, Kashmir (sepia photo)

STC106461: Bridge on the Marqual Canal, Kashmir (sepia photo), Bourne, Samuel (1834-1912) / Bridgeman Images

A Glimpse of Wharfdale, Yorkshire, 1835-1886 (oil on canvas)
A Glimpse of Wharfdale, Yorkshire, 1835-1886 (oil on canvas)

XBM106473: A Glimpse of Wharfdale, Yorkshire, 1835-1886 (oil on canvas), Henshaw, Frederick Henry (1807-91) / Bridgeman Images

The Pretty Maid (b&w photo)
The Pretty Maid (b&w photo)

XJF106608: The Pretty Maid (b&w photo), Morland, George (1763-1804) / Bridgeman Images

Filling in the Census Form (litho) (b/w photo)
Filling in the Census Form (litho) (b/w photo)

XJF106615: Filling in the Census Form (litho) (b/w photo), English School, (20th century) / Bridgeman Images

Housemaid (b/w sepia photograph)
Housemaid (b/w sepia photograph)

XJF106619: Housemaid (b/w sepia photograph), English School, (20th century) / Bridgeman Images

Harold Receiving News of the Norman Invasion in 1066 (engraving) (b/w photo)
Harold Receiving News of the Norman Invasion in 1066 (engraving) (b/w photo)

XJF106655: Harold Receiving News of the Norman Invasion in 1066 (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

Diagrams illustrating the Bessemer Process for the manufacture of steel (litho) (b/w photo)
Diagrams illustrating the Bessemer Process for the manufacture of steel (litho) (b/w photo)

XJF106682: Diagrams illustrating the Bessemer Process for the manufacture of steel (litho) (b/w photo), English School, (20th century) / Bridgeman Images

Stephen (c.1097-1154) Taken Prisoner by Forces of Matilda (1102-1167) in 1141 (engraving) (b&w photo)
Stephen (c.1097-1154) Taken Prisoner by Forces of Matilda (1102-1167) in 1141 (engraving) (b&w photo)

XJF106695: Stephen (c.1097-1154) Taken Prisoner by Forces of Matilda (1102-1167) in 1141 (engraving) (b&w photo), Philippoteaux, Felix (1815-84) (after) / Bridgeman Images

The Judgement of Solomon, made in Munich, c.1741 (ivory, walnut and coloured glass)
The Judgement of Solomon, made in Munich, c.1741 (ivory, walnut and coloured glass)

BAL106906: The Judgement of Solomon, made in Munich, c.1741 (ivory, walnut and coloured glass), Troger, Simon (c.1693-1768) / Bridgeman Images

Kenilworth Castle - Past and Present, 1854 (oil on canvas)
Kenilworth Castle - Past and Present, 1854 (oil on canvas)

BAL106939: Kenilworth Castle - Past and Present, 1854 (oil on canvas), Walker, John Eaton (fl.1844-66) / Bridgeman Images

Abstract No. 2 (acrylic on canvas)
Abstract No. 2 (acrylic on canvas)

BAL107050: Abstract No. 2 (acrylic on canvas), Kovacevic, Anita (20th century) / Bridgeman Images

Abstract No. 3 (acrylic on canvas)
Abstract No. 3 (acrylic on canvas)

BAL107052: Abstract No. 3 (acrylic on canvas), Kovacevic, Anita (20th century) / Bridgeman Images

Abstract No. 5 (acrylic on canvas)
Abstract No. 5 (acrylic on canvas)

BAL107053: Abstract No. 5 (acrylic on canvas), Kovacevic, Anita (20th century) / Bridgeman Images

The Martyrdom of Richard Bayfield (d.1531) from 'Acts and Monuments' by John Foxe (1516-87) 1563 (woodcut)
The Martyrdom of Richard Bayfield (d.1531) from 'Acts and Monuments' by John Foxe (1516-87) 1563 (woodcut)

XJF105819: The Martyrdom of Richard Bayfield (d.1531) from 'Acts and Monuments' by John Foxe (1516-87) 1563 (woodcut), English School, (16th century) / Bridgeman Images

View of the Town of Liege, after a 16th century engraving (engraving) (b/w photo)
View of the Town of Liege, after a 16th century engraving (engraving) (b/w photo)

XJF105843: View of the Town of Liege, after a 16th century engraving (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

Puddling (engraving) (b&w photo)
Puddling (engraving) (b&w photo)

XJF105862: Puddling (engraving) (b&w photo), English School, (19th century) / Bridgeman Images

Hugh Latimer (c.1485-1555) Holding his Finger in a Candle Flame, from 'Acts and Monuments' by John Foxe (1516-87) 1563 (woodcut)
Hugh Latimer (c.1485-1555) Holding his Finger in a Candle Flame, from 'Acts and Monuments' by John Foxe (1516-87) 1563 (woodcut)

XJF105878: Hugh Latimer (c.1485-1555) Holding his Finger in a Candle Flame, from 'Acts and Monuments' by John Foxe (1516-87) 1563 (woodcut), English School, (16th century) / Bridgeman Images

Harold II Swearing an Oath to Uphold the Bequest of the Throne to William I, the Conqueror, by Edward the Confessor in 1064 (engraving) (b/w photo)
Harold II Swearing an Oath to Uphold the Bequest of the Throne to William I, the Conqueror, by Edward the Confessor in 1064 (engraving) (b/w photo)

XJF105880: Harold II Swearing an Oath to Uphold the Bequest of the Throne to William I, the Conqueror, by Edward the Confessor in 1064 (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

King David of Scotland (1084-1153) comes with a great army before Newcastle-upon-Tyne, 1138 (engraving) (b&w photo)
King David of Scotland (1084-1153) comes with a great army before Newcastle-upon-Tyne, 1138 (engraving) (b&w photo)

XJF105884: King David of Scotland (1084-1153) comes with a great army before Newcastle-upon-Tyne, 1138 (engraving) (b&w photo), Scottish School, (18th century) / Bridgeman Images

'Do not come near me, I am dead', illustration from 'A Christmas Carol' by Charles Dickens (1812-70) (litho) (b/w photo)
'Do not come near me, I am dead', illustration from 'A Christmas Carol' by Charles Dickens (1812-70) (litho) (b/w photo)

XJF105886: 'Do not come near me, I am dead', illustration from 'A Christmas Carol' by Charles Dickens (1812-70) (litho) (b/w photo), English School, (19th century) / Bridgeman Images

Entrance of his Highness on Foot (engraving) (b/w photo)
Entrance of his Highness on Foot (engraving) (b/w photo)

XJF105899: Entrance of his Highness on Foot (engraving) (b/w photo), Callot, Jacques (1592-1635) / Bridgeman Images

A Meeting of the Interallied Superior Council at the Trianon Palace, Versailles July 1918, 1924 (oil on canvas)
A Meeting of the Interallied Superior Council at the Trianon Palace, Versailles July 1918, 1924 (oil on canvas)

XIR105912: A Meeting of the Interallied Superior Council at the Trianon Palace, Versailles July 1918, 1924 (oil on canvas), Olivier, Herbert Arnould (1861-1952) / Bridgeman Images

A detail of flowers from a handscroll of a 'Hundred Flowers', 1562 (ink and colour on silk)
A detail of flowers from a handscroll of a 'Hundred Flowers', 1562 (ink and colour on silk)

CH105930: A detail of flowers from a handscroll of a 'Hundred Flowers', 1562 (ink and colour on silk), Wang Guxiang (1501-1568) / Bridgeman Images

England's Famous Discoverers (engraving) (b/w photo)
England's Famous Discoverers (engraving) (b/w photo)

XJF105710: England's Famous Discoverers (engraving) (b/w photo), English School, (16th century) / Bridgeman Images

Portrait of John Ruskin (1819-1900) (engraving) (b/w photo)
Portrait of John Ruskin (1819-1900) (engraving) (b/w photo)

XJF105758: Portrait of John Ruskin (1819-1900) (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

Portrait of Alfred, Lord Tennyson (1809-92) c.1860s (oil on canvas) (b&w photo)
Portrait of Alfred, Lord Tennyson (1809-92) c.1860s (oil on canvas) (b&w photo)

XJF105763: Portrait of Alfred, Lord Tennyson (1809-92) c.1860s (oil on canvas) (b&w photo), English School, (19th century) / Bridgeman Images

R.D.  Blackmore (1825-1900) (engraving) (b/w photo)
R.D.  Blackmore (1825-1900) (engraving) (b/w photo)

XJF105773: R.D. Blackmore (1825-1900) (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

William Congreve (1670-1729) engraved by P.W.Tomkins (engraving) (b&w photo)
William Congreve (1670-1729) engraved by P.W.Tomkins (engraving) (b&w photo)

XJF105775: William Congreve (1670-1729) engraved by P.W.Tomkins (engraving) (b&w photo), Kneller, Godfrey (1646-1723) (after) / Bridgeman Images

Portrait of Robert Southey (1774-1843) (engraving) (b/w photo)
Portrait of Robert Southey (1774-1843) (engraving) (b/w photo)

XJF105784: Portrait of Robert Southey (1774-1843) (engraving) (b/w photo), Phillips, Thomas (1770-1845) (after) / Bridgeman Images

Self Portrait, 1862 (pen & ink on paper)
Self Portrait, 1862 (pen & ink on paper)

XJF105789: Self Portrait, 1862 (pen & ink on paper), Haden, Francis Seymour (1818-1910) / Bridgeman Images

Grinling Gibbons (1648-1721), engraved by J. Smith (engraving) (b/w photo)
Grinling Gibbons (1648-1721), engraved by J. Smith (engraving) (b/w photo)

XJF105790: Grinling Gibbons (1648-1721), engraved by J. Smith (engraving) (b/w photo), Kneller, Godfrey (1646-1723) (after) / Bridgeman Images

A Royal Academician, a Portrait of Charles Landseer (1799-1879), pub. by Thomas McLean, 1843 (engraving) (b&w photo)
A Royal Academician, a Portrait of Charles Landseer (1799-1879), pub. by Thomas McLean, 1843 (engraving) (b&w photo)

XJF105793: A Royal Academician, a Portrait of Charles Landseer (1799-1879), pub. by Thomas McLean, 1843 (engraving) (b&w photo), Orsay, Alfred d' (1801-52) / Bridgeman Images

Cloister Doorways, Holy Cross Abbey, Thurles, photographed by William Lawrence (fl.1870-80) (sepia photo)
Cloister Doorways, Holy Cross Abbey, Thurles, photographed by William Lawrence (fl.1870-80) (sepia photo)

TPG105948: Cloister Doorways, Holy Cross Abbey, Thurles, photographed by William Lawrence (fl.1870-80) (sepia photo) / Bridgeman Images

Recriminations: Viale de Sacro Monte, Orta (w/c on backboard)
Recriminations: Viale de Sacro Monte, Orta (w/c on backboard)

PFA105965: Recriminations: Viale de Sacro Monte, Orta (w/c on backboard), Flint, William Russell (1880-1969) / Bridgeman Images

Standing Horse: The Mecca-Dante Trophy (bronze with brown patina)
Standing Horse: The Mecca-Dante Trophy (bronze with brown patina)

PFA105987: Standing Horse: The Mecca-Dante Trophy (bronze with brown patina), Frink, Elisabeth (1930-93) / Bridgeman Images


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