MES408851:
View of the south facade of the Palazzo Ducale, Venice, Italy (photo) / Bridgeman Images
ID: MES408851
View of the south facade of the Palazzo Ducale, Venice, Italy (photo)
MES408857:
Detail of the Palazzo Ducale loggia, Venice, Italy (photo) / Bridgeman Images
ID: MES408857
Detail of the Palazzo Ducale loggia, Venice, Italy (photo)
PNP412178:
A Dervish Swordsman, c.1900 (colour litho), English School, (20th century) / Bridgeman Images
ID: PNP412178
A Dervish Swordsman, c.1900 (colour litho)
English School, (20th century)
PNP412196:
British paratroopers bombard German positions with mortars, Battle of Arnhem, 1944 (b/w photo), English School, (20th century) / Bridgeman Images
ID: PNP412196
British paratroopers bombard German positions with mortars, Battle of Arnhem, 1944 (b/w photo)
English School, (20th century)
XJF412200:
Sir Jeffery Dunstan (engraving), English School, (18th century) / Bridgeman Images
ID: XJF412200
Sir Jeffery Dunstan (engraving)
English School, (18th century)
XJF412216:
Dr. Joseph Black, 1787 (etching), Kay, John (1742-1826) / Bridgeman Images
ID: XJF412216
Dr. Joseph Black, 1787 (etching)
Kay, John (1742-1826)
XJF412227:
Village, 1925 (etching), Sutherland, Graham (1903-80) / Bridgeman Images
ID: XJF412227
Village, 1925 (etching)
Sutherland, Graham (1903-80)
XJF412239:
Jumping over three horses...chestnut horse Hornet, from 'Animal Locomotion, An Electro-Photographic Investigation of Consecutive Phases of Animal Movement', c.1872-85 (b/w photo), Muybridge, Eadweard (1830-1904) / Bridgeman Images
ID: XJF412239
Jumping over three horses...chestnut horse Hornet, from 'Animal Locomotion, An Electro-Photographic Investigation of Consecutive Phases of Animal Movement', c.1872-85 (b/w photo)
Muybridge, Eadweard (1830-1904)
XJF412243:
A View of Santi Apostoli, Venice (engraving), Italian School, (18th century) / Bridgeman Images
ID: XJF412243
A View of Santi Apostoli, Venice (engraving)
Italian School, (18th century)
XJF412247:
A Drummer and Commander mounted on mules, c.1638 (pen, ink & wash on paper), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images
ID: XJF412247
A Drummer and Commander mounted on mules, c.1638 (pen, ink & wash on paper)
Rembrandt Harmensz. van Rijn (1606-69)
XJF412259:
The Entombment, c.1654 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images
ID: XJF412259
The Entombment, c.1654 (etching)
Rembrandt Harmensz. van Rijn (1606-69)
XJF412274:
Lieven Willemsz van Coppenol, c.1658 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images
ID: XJF412274
Lieven Willemsz van Coppenol, c.1658 (etching)
Rembrandt Harmensz. van Rijn (1606-69)
XJF412275:
Thomas Haaringh, c.1655 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images
ID: XJF412275
Thomas Haaringh, c.1655 (etching)
Rembrandt Harmensz. van Rijn (1606-69)
XJF412276:
Head of a woman, 1637 (etching), Rembrandt Harmensz. van Rijn (1606-69) (school of) / Bridgeman Images
ID: XJF412276
Head of a woman, 1637 (etching)
Rembrandt Harmensz. van Rijn (1606-69) (school of)
STC415818:
Mercury puts Argus to Sleep or Mercurio Addormenta Argo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
ID: STC415818
Mercury puts Argus to Sleep or Mercurio Addormenta Argo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Ademollo, Luigi (1764-1849)
STC415829:
Mercury falls in love with Herse or Mercurion s'invaghisce di Erse, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
ID: STC415829
Mercury falls in love with Herse or Mercurion s'invaghisce di Erse, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Ademollo, Luigi (1764-1849)
STC415830:
Minerva visits Envy or Minerva all Grotta deli Invidia, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
ID: STC415830
Minerva visits Envy or Minerva all Grotta deli Invidia, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Ademollo, Luigi (1764-1849)
STC415831:
Aglauros and Envy or L'Invidia e Aglauro, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
ID: STC415831
Aglauros and Envy or L'Invidia e Aglauro, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Ademollo, Luigi (1764-1849)
STC415832:
Aglauros and Mercury or Aglauro e Mercurio, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
ID: STC415832
Aglauros and Mercury or Aglauro e Mercurio, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Ademollo, Luigi (1764-1849)
STC415850:
Cadmus into a Serpent or Cadmo Transformato in Serpe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
ID: STC415850
Cadmus into a Serpent or Cadmo Transformato in Serpe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Ademollo, Luigi (1764-1849)
STC415853:
Perseus and Andromeda or Andromeda Liberata da Perseo, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
ID: STC415853
Perseus and Andromeda or Andromeda Liberata da Perseo, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Ademollo, Luigi (1764-1849)
STC415862:
Marsyas is Flayed by Apollo or Apollo Scortica Marsia, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images
ID: STC415862
Marsyas is Flayed by Apollo or Apollo Scortica Marsia, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)