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Fresco showing St. Benedict healing the leper (photo)
Fresco showing St. Benedict healing the leper (photo)

MES408722: Fresco showing St. Benedict healing the leper (photo) / Bridgeman Images

Remains of a fresco (photo)
Remains of a fresco (photo)

MES408723: Remains of a fresco (photo) / Bridgeman Images

Doorway (photo)
Doorway (photo)

MES408731: Doorway (photo) / Bridgeman Images

Detail of an interior wall (photo)
Detail of an interior wall (photo)

MES408759: Detail of an interior wall (photo) / Bridgeman Images

Inscribed panel (photo)
Inscribed panel (photo)

MES408783: Inscribed panel (photo) / Bridgeman Images

Detail of a wall (photo)
Detail of a wall (photo)

MES408786: Detail of a wall (photo) / Bridgeman Images

Detail of the ceiling (photo)
Detail of the ceiling (photo)

MES408791: Detail of the ceiling (photo) / Bridgeman Images

Fresco in the 4th century underground basilica (photo)
Fresco in the 4th century underground basilica (photo)

MES408792: Fresco in the 4th century underground basilica (photo) / Bridgeman Images

6th century fresco showing the legend of St. Alexis, San Clemente, Rome, Italy (photo)
6th century fresco showing the legend of St. Alexis, San Clemente, Rome, Italy (photo)

MES408800: 6th century fresco showing the legend of St. Alexis, San Clemente, Rome, Italy (photo) / Bridgeman Images

Payerne Abbey (photo)
Payerne Abbey (photo)

MES408807: Payerne Abbey (photo) / Bridgeman Images

View of the Canopus (photo)
View of the Canopus (photo)

MES408819: View of the Canopus (photo) / Bridgeman Images

Caryatids by the Canopus (photo)
Caryatids by the Canopus (photo)

MES408820: Caryatids by the Canopus (photo) / Bridgeman Images

Patterned flooring (mosaic)
Patterned flooring (mosaic)

MES408824: Patterned flooring (mosaic), Roman, (2nd century) / Bridgeman Images

Colonnade (photo)
Colonnade (photo)

MES408829: Colonnade (photo) / Bridgeman Images

View of the south facade of the Palazzo Ducale, Venice, Italy (photo)
View of the south facade of the Palazzo Ducale, Venice, Italy (photo)

MES408851: View of the south facade of the Palazzo Ducale, Venice, Italy (photo) / Bridgeman Images

Detail of the Palazzo Ducale loggia, Venice, Italy (photo)
Detail of the Palazzo Ducale loggia, Venice, Italy (photo)

MES408857: Detail of the Palazzo Ducale loggia, Venice, Italy (photo) / Bridgeman Images

A Dervish Swordsman, c.1900 (colour litho)
A Dervish Swordsman, c.1900 (colour litho)

PNP412178: A Dervish Swordsman, c.1900 (colour litho), English School, (20th century) / Bridgeman Images

British paratroopers bombard German positions with mortars, Battle of Arnhem, 1944 (b/w photo)
British paratroopers bombard German positions with mortars, Battle of Arnhem, 1944 (b/w photo)

PNP412196: British paratroopers bombard German positions with mortars, Battle of Arnhem, 1944 (b/w photo), English School, (20th century) / Bridgeman Images

Sir Jeffery Dunstan (engraving)
Sir Jeffery Dunstan (engraving)

XJF412200: Sir Jeffery Dunstan (engraving), English School, (18th century) / Bridgeman Images

Dr. Joseph Black, 1787 (etching)
Dr. Joseph Black, 1787 (etching)

XJF412216: Dr. Joseph Black, 1787 (etching), Kay, John (1742-1826) / Bridgeman Images

Village, 1925 (etching)
Village, 1925 (etching)

XJF412227: Village, 1925 (etching), Sutherland, Graham (1903-80) / Bridgeman Images

Jumping over three horses...chestnut horse Hornet, from 'Animal Locomotion, An Electro-Photographic Investigation of Consecutive Phases of Animal Movement', c.1872-85 (b/w photo)
Jumping over three horses...chestnut horse Hornet, from 'Animal Locomotion, An Electro-Photographic Investigation of Consecutive Phases of Animal Movement', c.1872-85 (b/w photo)

XJF412239: Jumping over three horses...chestnut horse Hornet, from 'Animal Locomotion, An Electro-Photographic Investigation of Consecutive Phases of Animal Movement', c.1872-85 (b/w photo), Muybridge, Eadweard (1830-1904) / Bridgeman Images

A View of Santi Apostoli, Venice (engraving)
A View of Santi Apostoli, Venice (engraving)

XJF412243: A View of Santi Apostoli, Venice (engraving), Italian School, (18th century) / Bridgeman Images

A Drummer and Commander mounted on mules, c.1638 (pen, ink & wash on paper)
A Drummer and Commander mounted on mules, c.1638 (pen, ink & wash on paper)

XJF412247: A Drummer and Commander mounted on mules, c.1638 (pen, ink & wash on paper), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

The Entombment, c.1654 (etching)
The Entombment, c.1654 (etching)

XJF412259: The Entombment, c.1654 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

Lieven Willemsz van Coppenol, c.1658 (etching)
Lieven Willemsz van Coppenol, c.1658 (etching)

XJF412274: Lieven Willemsz van Coppenol, c.1658 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

Thomas Haaringh, c.1655 (etching)
Thomas Haaringh, c.1655 (etching)

XJF412275: Thomas Haaringh, c.1655 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

Head of a woman, 1637 (etching)
Head of a woman, 1637 (etching)

XJF412276: Head of a woman, 1637 (etching), Rembrandt Harmensz. van Rijn (1606-69) (school of) / Bridgeman Images

Mercury puts Argus to Sleep or Mercurio Addormenta Argo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Mercury puts Argus to Sleep or Mercurio Addormenta Argo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415818: Mercury puts Argus to Sleep or Mercurio Addormenta Argo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Mercury falls in love with Herse or Mercurion s'invaghisce di Erse, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Mercury falls in love with Herse or Mercurion s'invaghisce di Erse, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415829: Mercury falls in love with Herse or Mercurion s'invaghisce di Erse, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Minerva visits Envy or Minerva all Grotta deli Invidia, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Minerva visits Envy or Minerva all Grotta deli Invidia, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415830: Minerva visits Envy or Minerva all Grotta deli Invidia, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Aglauros and Envy or L'Invidia e Aglauro, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Aglauros and Envy or L'Invidia e Aglauro, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415831: Aglauros and Envy or L'Invidia e Aglauro, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Aglauros and Mercury or Aglauro e Mercurio, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Aglauros and Mercury or Aglauro e Mercurio, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415832: Aglauros and Mercury or Aglauro e Mercurio, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Cadmus into a Serpent or Cadmo Transformato in Serpe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Cadmus into a Serpent or Cadmo Transformato in Serpe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415850: Cadmus into a Serpent or Cadmo Transformato in Serpe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Perseus and Andromeda or Andromeda Liberata da Perseo, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Perseus and Andromeda or Andromeda Liberata da Perseo, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415853: Perseus and Andromeda or Andromeda Liberata da Perseo, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Marsyas is Flayed by Apollo or Apollo Scortica Marsia, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Marsyas is Flayed by Apollo or Apollo Scortica Marsia, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415862: Marsyas is Flayed by Apollo or Apollo Scortica Marsia, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images


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