XAM93195:
Monumental figures or moai on a ceremonial platform or ahus, Polynesian, c.1000-1500 (soft volcanic tuff rock) (photo) / Bridgeman Images
ID: XAM93195
Monumental figures or moai on a ceremonial platform or ahus, Polynesian, c.1000-1500 (soft volcanic tuff rock) (photo)
KAB93229:
Painting, from a series of four illustrating the Fine Arts, from a design by Giuseppe Zocchi (1711-67) c.1780 (pietra dura, bronze) / Bridgeman Images
ID: KAB93229
Painting, from a series of four illustrating the Fine Arts, from a design by Giuseppe Zocchi (1711-67) c.1780 (pietra dura, bronze)
KAB93230:
Tile with a Sunflower Design (pietra dura) / Bridgeman Images
ID: KAB93230
Tile with a Sunflower Design (pietra dura)
BAT94756:
The Temptation and Angels Ministering to Christ in the Wilderness, 1442 (fresco), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images
ID: BAT94756
The Temptation and Angels Ministering to Christ in the Wilderness, 1442 (fresco)
Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)
BAT94770:
The Martyrdom of St. Sebastian Altarpiece, side panel showing the Virgin and scenes from the martyrdom of the saint (tempera on panel) (detail from 94767), Giovanni di Niccolo del Biondo, (fl.1356-1392) / Bridgeman Images
ID: BAT94770
The Martyrdom of St. Sebastian Altarpiece, side panel showing the Virgin and scenes from the martyrdom of the saint (tempera on panel) (detail from 94767)
Giovanni di Niccolo del Biondo, (fl.1356-1392)
TPG94822:
Portrait of Walt Whitman (1819-91) (litho), American School, (19th century) / Bridgeman Images
ID: TPG94822
Portrait of Walt Whitman (1819-91) (litho)
American School, (19th century)
STC94852:
Charles I as Prince of Wales on Horseback, from 'The Book of Kings', engraved by Renold Elstrack (1571-c.1630) 1618 (engraving), English School, (17th century) / Bridgeman Images
ID: STC94852
Charles I as Prince of Wales on Horseback, from 'The Book of Kings', engraved by Renold Elstrack (1571-c.1630) 1618 (engraving)
English School, (17th century)
STC94853:
Charles I (1600-49) and Henrietta Maria (1609-69) engraved by George Vertue (1684-1756) after a painting of 1634, 1742 (engraving), Dyck, Anthony van (1599-1641) (after) / Bridgeman Images
ID: STC94853
Charles I (1600-49) and Henrietta Maria (1609-69) engraved by George Vertue (1684-1756) after a painting of 1634, 1742 (engraving)
Dyck, Anthony van (1599-1641) (after)
STC94854:
Portrait of Henrietta Maria (1609-69) Queen of England, engraved by Pieter de Jode (1606-c.1674) 1632 (engraving), Dyck, Anthony van (1599-1641) (after) / Bridgeman Images
ID: STC94854
Portrait of Henrietta Maria (1609-69) Queen of England, engraved by Pieter de Jode (1606-c.1674) 1632 (engraving)
Dyck, Anthony van (1599-1641) (after)
STC94858:
Portrait of Thomas, Lord Fairfax (1612-71) engraved by William Faithorne (1616-91) (engraving), Walker, Robert (1599-1658) (after) / Bridgeman Images
ID: STC94858
Portrait of Thomas, Lord Fairfax (1612-71) engraved by William Faithorne (1616-91) (engraving)
Walker, Robert (1599-1658) (after)
PWI94907:
The Tarascon Pieta, Provencal School (oil on panel), French School, (14th century) / Bridgeman Images
ID: PWI94907
The Tarascon Pieta, Provencal School (oil on panel)
Fiorentino, Domenico (Ricoveri del Barbiere) (c.1506-70/71)
PWI94636:
St. Cecilia, statue from the choir enclosure, 1474-83 / Bridgeman Images
ID: PWI94636
St. Cecilia, statue from the choir enclosure, 1474-83
PWI94642:
Portal tympanum depicting the Madonna and Child (photo) / Bridgeman Images
ID: PWI94642
Portal tympanum depicting the Madonna and Child (photo)
PWI94651:
Head of St. Peter, 15th century (stone) / Bridgeman Images
ID: PWI94651
Head of St. Peter, 15th century (stone)
PWI94667:
Head of an Angel, front view, fragment from a statue, 16th century (marble) (see also 94668) / Bridgeman Images
ID: PWI94667
Head of an Angel, front view, fragment from a statue, 16th century (marble) (see also 94668)
PWI94669:
Dummy window in the entrance facade with a figure of a woman looking out, possibly the wife of Jacques Coeur, 1443-51 (photo), French School, (15th century) / Bridgeman Images
ID: PWI94669
Dummy window in the entrance facade with a figure of a woman looking out, possibly the wife of Jacques Coeur, 1443-51 (photo)
French School, (15th century)
PWI94676:
The Flight into Egypt, from the wall of the Choir, 12th-13th century (fresco) / Bridgeman Images
ID: PWI94676
The Flight into Egypt, from the wall of the Choir, 12th-13th century (fresco)
PWI94696:
View of the South facade, c.1140-45 (photo) / Bridgeman Images
ID: PWI94696
View of the South facade, c.1140-45 (photo)
BAT94719:
The Great Council Altarpiece, detail depicting two cherubs, 1510 (oil on panel) (detail of 94753) (see also 94717-21), Bartolomeo, Fra (Baccio della Porta) (1472-1517) / Bridgeman Images
ID: BAT94719
The Great Council Altarpiece, detail depicting two cherubs, 1510 (oil on panel) (detail of 94753) (see also 94717-21)
Bartolomeo, Fra (Baccio della Porta) (1472-1517)
BAT94721:
The Great Council Altarpiece, detail depicting musical angels holding aloft a book, 1510 (oil on panel) (detail from 94753) (see also 94717-20), Bartolomeo, Fra (Baccio della Porta) (1472-1517) / Bridgeman Images
ID: BAT94721
The Great Council Altarpiece, detail depicting musical angels holding aloft a book, 1510 (oil on panel) (detail from 94753) (see also 94717-20)
Bartolomeo, Fra (Baccio della Porta) (1472-1517)
BON93423:
Portrait of Baradar Nawab Aslam Khan, late Shah Jehan (1627-57) or early Awrangzib Period, Mughal, c.1660 (pigment on paper) / Bridgeman Images
ID: BON93423
Portrait of Baradar Nawab Aslam Khan, late Shah Jehan (1627-57) or early Awrangzib Period, Mughal, c.1660 (pigment on paper)
BON93425:
Model in the form of a section of Granada architecture with two windows above a shouldered arch, framed as a corner panel, Hispano-Moresque (painted plaster of Paris) / Bridgeman Images
ID: BON93425
Model in the form of a section of Granada architecture with two windows above a shouldered arch, framed as a corner panel, Hispano-Moresque (painted plaster of Paris)
BON93428:
Hilya or hilyeh with thuluth and naskhi script surrounded by a floral border, signed by Mohammad Javad, Ottoman, from Turkey, early 20th century manuscript / Bridgeman Images
ID: BON93428
Hilya or hilyeh with thuluth and naskhi script surrounded by a floral border, signed by Mohammad Javad, Ottoman, from Turkey, early 20th century manuscript
BAL93451:
Elegant Company on the Beach at Scheveningen, 1787 (oil on canvas), Meyer, Hendrick de (1737-93) / Bridgeman Images
ID: BAL93451
Elegant Company on the Beach at Scheveningen, 1787 (oil on canvas)
Meyer, Hendrick de (1737-93)
STC93542:
The Radcliffe Library, illustration from the 'History of Oxford', engraved by J. Bluck (fl.1791-1831) pub. by R. Ackermann, 1813 (aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images
ID: STC93542
The Radcliffe Library, illustration from the 'History of Oxford', engraved by J. Bluck (fl.1791-1831) pub. by R. Ackermann, 1813 (aquatint)
Mackenzie, Frederick (c.1788-1854) (after)
STC93543:
Interior of the Library of All Souls College, illustration from the 'History of Oxford', engraved by J. Bluck (fl.1791-1831) pub. by R. Ackermann, 1814 (aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images
ID: STC93543
Interior of the Library of All Souls College, illustration from the 'History of Oxford', engraved by J. Bluck (fl.1791-1831) pub. by R. Ackermann, 1814 (aquatint)
Pugin, Augustus Charles (1762-1832) (after)
STC93547:
Exterior of Wadham Hall seen from the parks, illustration from the 'History of Oxford', engraved by J. Hill, pub. by R. Ackermann. 1813 (aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images
ID: STC93547
Exterior of Wadham Hall seen from the parks, illustration from the 'History of Oxford', engraved by J. Hill, pub. by R. Ackermann. 1813 (aquatint)
Pugin, Augustus Charles (1762-1832) (after)
XAM93573:
View of the ruins with standing columns, Roman (photo) / Bridgeman Images
ID: XAM93573
View of the ruins with standing columns, Roman (photo)
PFA93585:
T34244 Piazza San Pietro, Rome, 1929 (oil on canvasboard), Whistler, Rex (1905-44) / Bridgeman Images
ID: PFA93585
T34244 Piazza San Pietro, Rome, 1929 (oil on canvasboard)
Whistler, Rex (1905-44)
STC93290:
Roman Chariots, Trophies and Military Monuments, detail of plate 20, class 5 of Part I of 'The History of the Nations', engraved by Marco Comirato (c.1800-69) (aquatint) (see also 93291), Italian School, (19th century) / Bridgeman Images
ID: STC93290
Roman Chariots, Trophies and Military Monuments, detail of plate 20, class 5 of Part I of 'The History of the Nations', engraved by Marco Comirato (c.1800-69) (aquatint) (see also 93291)
Italian School, (19th century)
STC93296:
Plans of the House of the Questor and the House of the Faun, Pompeii, plate 25A, class 5 from Part I of 'The History of the Nations' (aquatint), Italian School, (19th century) / Bridgeman Images
ID: STC93296
Plans of the House of the Questor and the House of the Faun, Pompeii, plate 25A, class 5 from Part I of 'The History of the Nations' (aquatint)
Italian School, (19th century)
BON93372:
Portrait of a Turk Smoking a Hookah, 1907 (oil on canvas), Baird, C.M. (20th century) / Bridgeman Images
ID: BON93372
Portrait of a Turk Smoking a Hookah, 1907 (oil on canvas)
Baird, C.M. (20th century)
BON93378:
Damascus glass fronted display cabinet inlaid with mother of pearl, Syrian, 20th century (mother-of-pearl & wood) / Bridgeman Images
ID: BON93378
Damascus glass fronted display cabinet inlaid with mother of pearl, Syrian, 20th century (mother-of-pearl & wood)
BON93392:
Bottom part of the right hand column of a Qajar architectural arch decorated with polychrome Cuerda Seca tiles, from Shiraz, Persian, 19th century (pottery) (see also 93388-91) / Bridgeman Images
ID: BON93392
Bottom part of the right hand column of a Qajar architectural arch decorated with polychrome Cuerda Seca tiles, from Shiraz, Persian, 19th century (pottery) (see also 93388-91)
BON93396:
Four Damascus Cuerda Seca tiles, Syrian, 16th century (pottery) / Bridgeman Images
ID: BON93396
Four Damascus Cuerda Seca tiles, Syrian, 16th century (pottery)