STC88735:
Village of Portaria, plate 16 from Part 3 of 'Views in Greece', engraved by J. Bailey, 1819 (aquatint), Dodwell, Edward (1767-1832) (after) / Bridgeman Images
ID: STC88735
Village of Portaria, plate 16 from Part 3 of 'Views in Greece', engraved by J. Bailey, 1819 (aquatint)
Dodwell, Edward (1767-1832) (after)
STC88741:
Plain of Olympia, plate 6 from Part 1 of 'Views in Greece', engraved by J. Bailey, 1820 (aquatint), Dodwell, Edward (1767-1832) (after) / Bridgeman Images
ID: STC88741
Plain of Olympia, plate 6 from Part 1 of 'Views in Greece', engraved by J. Bailey, 1820 (aquatint)
Dodwell, Edward (1767-1832) (after)
STC88743:
The Hyperian Fountain at Pherae, plate 23 from Part 4 of 'Views in Greece', engraved by Robert Havell, 1821 (aquatint), Dodwell, Edward (1767-1832) (after) / Bridgeman Images
ID: STC88743
The Hyperian Fountain at Pherae, plate 23 from Part 4 of 'Views in Greece', engraved by Robert Havell, 1821 (aquatint)
Dodwell, Edward (1767-1832) (after)
STC88765:
Cathedrals of the Annunciation and the Archangel, from a panorama of Moscow, engraved by Philippe Benoist (1813-c.1905) and Aubrun, pub. by Lemercier (litho) (detail of 105099), Indieitzeff, Dmitri (b.1813) (after) / Bridgeman Images
ID: STC88765
Cathedrals of the Annunciation and the Archangel, from a panorama of Moscow, engraved by Philippe Benoist (1813-c.1905) and Aubrun, pub. by Lemercier (litho) (detail of 105099)
Indieitzeff, Dmitri (b.1813) (after)
STC88777:
View of the New Theatre Royal, Haymarket, in London, Opened July 4th 1821, Showing also the Relative Situation of the Old Theatre Previous to its Demolition, engraved by Dale, 1822 (engraving), Schnebbelie, Robert Blemell (fl.1803-1849) (after) / Bridgeman Images
ID: STC88777
View of the New Theatre Royal, Haymarket, in London, Opened July 4th 1821, Showing also the Relative Situation of the Old Theatre Previous to its Demolition, engraved by Dale, 1822 (engraving)
Schnebbelie, Robert Blemell (fl.1803-1849) (after)
STC88778:
New Theatre Royal, Haymarket, in London, designed by John Nash in 1821, 1826 (litho), Havell, Daniel (1785-1826) / Bridgeman Images
ID: STC88778
New Theatre Royal, Haymarket, in London, designed by John Nash in 1821, 1826 (litho)
Havell, Daniel (1785-1826)
STC88779:
Theatre Royal, Covent Garden, in London, designed by Robert Smirke in 1809, 1826 (litho), Havell, Daniel (1785-1826) / Bridgeman Images
ID: STC88779
Theatre Royal, Covent Garden, in London, designed by Robert Smirke in 1809, 1826 (litho)
Havell, Daniel (1785-1826)
STC88783:
Gipsies, plate 25 from Volume I of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint), Atkinson, John Augustus (1775-1831) / Bridgeman Images
ID: STC88783
Gipsies, plate 25 from Volume I of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint)
Atkinson, John Augustus (1775-1831)
STC88784:
Tartars Catching Horses, plate 69 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint), Atkinson, John Augustus (1775-1831) / Bridgeman Images
ID: STC88784
Tartars Catching Horses, plate 69 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint)
Atkinson, John Augustus (1775-1831)
STC88785:
Sorting and Drying Hemp, plate 95 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1804 (aquatint), Atkinson, John Augustus (1775-1831) / Bridgeman Images
ID: STC88785
Sorting and Drying Hemp, plate 95 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1804 (aquatint)
Atkinson, John Augustus (1775-1831)
STC88796:
View of the Royal Exchange, London, engraved by Pierre Moithey, 1731 (engraving), English School, (18th century) / Bridgeman Images
ID: STC88796
View of the Royal Exchange, London, engraved by Pierre Moithey, 1731 (engraving)
English School, (18th century)
XCF88822:
Illustrations of painted designs from the wrappings of the mummies, Hypogees, Thebes, plate 58 from Vol II of `Descriptions of Egypt`, engraved by Willemin, 1822 (aquatint), Jomard (19th century) (after) / Bridgeman Images
ID: XCF88822
Illustrations of painted designs from the wrappings of the mummies, Hypogees, Thebes, plate 58 from Vol II of `Descriptions of Egypt`, engraved by Willemin, 1822 (aquatint)
Jomard (19th century) (after)
PFA88837:
T32835A The Violin Maker (pastel), Leene, Jules van de (1887-1962) / Bridgeman Images
ID: PFA88837
T32835A The Violin Maker (pastel)
Leene, Jules van de (1887-1962)
PFA88857:
T33402 Portrait of the Revd. Samuel Rastall, Dean of Killaloe, Ireland (1750-81), Wright of Derby, Joseph (1734-97) / Bridgeman Images
ID: PFA88857
T33402 Portrait of the Revd. Samuel Rastall, Dean of Killaloe, Ireland (1750-81)
Wright of Derby, Joseph (1734-97)
BAT88904:
Missal 515 1r Zoomorphic foliate border, detail from a Choir Book executed before 1449 (vellum) (detail of 88903), Torelli, Filippo di Matteo (1409-68) / Bridgeman Images
ID: BAT88904
Missal 515 1r Zoomorphic foliate border, detail from a Choir Book executed before 1449 (vellum) (detail of 88903)
Torelli, Filippo di Matteo (1409-68)
BAT88910:
Missal 515 f.13v Fantastical two-legged creature with human face, detail of decorative border from a Choir Book executed before 1449 (vellum) (detail of 56721), Torelli, Filippo di Matteo (1409-68) / Bridgeman Images
ID: BAT88910
Missal 515 f.13v Fantastical two-legged creature with human face, detail of decorative border from a Choir Book executed before 1449 (vellum) (detail of 56721)
Torelli, Filippo di Matteo (1409-68)
BAT88912:
Missal 515 f.28v Fantastical bird with human head standing on the corner of an historiated initial, detail from a Choir Book executed before 1449 (vellum) (detail of 56724), Torelli, Filippo di Matteo (1409-68) / Bridgeman Images
ID: BAT88912
Missal 515 f.28v Fantastical bird with human head standing on the corner of an historiated initial, detail from a Choir Book executed before 1449 (vellum) (detail of 56724)
Torelli, Filippo di Matteo (1409-68)
KAB87026:
The Death of St. Jerome with Inghirami as a Donor, detail showing The Heavenly Host and angels, 1459-60 (fresco), Lippi, Fra Filippo (c.1406-69) / Bridgeman Images
ID: KAB87026
The Death of St. Jerome with Inghirami as a Donor, detail showing The Heavenly Host and angels, 1459-60 (fresco)
Lippi, Fra Filippo (c.1406-69)
KAB87043:
St. Dominic, originally a side panel from a polyptych c.1340 (tempera on panel), Daddi, Bernardo (fl.1327-d.1348) / Bridgeman Images
ID: KAB87043
St. Dominic, originally a side panel from a polyptych c.1340 (tempera on panel)
Daddi, Bernardo (fl.1327-d.1348)
KAB87044:
Madonna and Child, c.1340 (tempera on panel), Maestro di Mezzana (Migliore di Cino) (fl.c 1340) / Bridgeman Images
ID: KAB87044
Madonna and Child, c.1340 (tempera on panel)
Maestro di Mezzana (Migliore di Cino) (fl.c 1340)
KAB87051:
Pulpit with decorative panels by Mino da Fiesole (1430-84) and Antonio Rossellino (1427-79) 1469-73 (marble) (see also 87025) / Bridgeman Images
ID: KAB87051
Pulpit with decorative panels by Mino da Fiesole (1430-84) and Antonio Rossellino (1427-79) 1469-73 (marble) (see also 87025)
KAB87057:
SS. Anthony and Lucy, detail from the tabernacle of the Canto al Mercatale, 1498 (fresco) (see also 87103, 87105), Lippi, Filippino (c.1457-1504) / Bridgeman Images
ID: KAB87057
SS. Anthony and Lucy, detail from the tabernacle of the Canto al Mercatale, 1498 (fresco) (see also 87103, 87105)
Lippi, Filippino (c.1457-1504)
KAB87058:
Madonna and Child Enthroned with SS. Stephen, John the Baptist, Francesco Datini (c.1335-1410) and the Ceppo family, 1453 (tempera on wood), Lippi, Fra Filippo (c.1406-69) / Bridgeman Images
ID: KAB87058
Madonna and Child Enthroned with SS. Stephen, John the Baptist, Francesco Datini (c.1335-1410) and the Ceppo family, 1453 (tempera on wood)
KAB87066:
SS. Stephen and Margaret, a detail from the tabernacle of the Canto al Mercatale, 1498 (fresco) (see 87057), Lippi, Filippino (c.1457-1504) / Bridgeman Images
ID: KAB87066
SS. Stephen and Margaret, a detail from the tabernacle of the Canto al Mercatale, 1498 (fresco) (see 87057)
Lippi, Filippino (c.1457-1504)
KAB87085:
The Madonna of the Sacred Girdle with St. Thomas by Lorenzo da Pelago from the Capella Maggiore (Main Chapel) 1459 (stained glass) / Bridgeman Images
ID: KAB87085
The Madonna of the Sacred Girdle with St. Thomas by Lorenzo da Pelago from the Capella Maggiore (Main Chapel) 1459 (stained glass)
KAB87088:
Portrait of Vittoria della Rovere dressed as Flora, c.1639, Sustermans, Justus (1597-1681) / Bridgeman Images
ID: KAB87088
Portrait of Vittoria della Rovere dressed as Flora, c.1639
Sustermans, Justus (1597-1681)
KAB87090:
The Crucifixion, detail of architecture in the background (see also 87046, 87045, 87090) c.1505 (panel), Bellini, Giovanni (c.1430-1516) / Bridgeman Images
ID: KAB87090
The Crucifixion, detail of architecture in the background (see also 87046, 87045, 87090) c.1505 (panel)
KAB87104:
The Nativity, detail depicting the Madonna, 1470 (tempera on wood), Lippi, Filippo (c.1406-69) (and workshop) / Bridgeman Images
ID: KAB87104
The Nativity, detail depicting the Madonna, 1470 (tempera on wood)
Lippi, Filippo (c.1406-69) (and workshop)
KAB87111:
Two Musical Angels, a detail from The Life of the Virgin and the Sacred Girdle, from the Chapel of the Sacred Girdle, 1392-95 (fresco) (see 87080, 87073, 87072), Gaddi, Agnolo (c.1350-96) / Bridgeman Images
ID: KAB87111
Two Musical Angels, a detail from The Life of the Virgin and the Sacred Girdle, from the Chapel of the Sacred Girdle, 1392-95 (fresco) (see 87080, 87073, 87072)
Gaddi, Agnolo (c.1350-96)
KAB87112:
Christ served by Angels, detail of angels and cherubs, 1650 (fresco) (see 87042), Franceschini, Baldassare (Il Volterrano) (1611-89) / Bridgeman Images
ID: KAB87112
Christ served by Angels, detail of angels and cherubs, 1650 (fresco) (see 87042)
Franceschini, Baldassare (Il Volterrano) (1611-89)
XJL87116:
Detail of the carved capitals on the south porch, 1265-98 (photo), French School, (13th century) / Bridgeman Images
ID: XJL87116
Detail of the carved capitals on the south porch, 1265-98 (photo)
French School, (13th century)
XJL87126:
Detail of men bathing from the decorative scheme in the Hall of the Popes, 1437 (fresco), Giovanetti, Matteo (fl.1343-66) / Bridgeman Images
ID: XJL87126
Detail of men bathing from the decorative scheme in the Hall of the Popes, 1437 (fresco)
Giovanetti, Matteo (fl.1343-66)
STC87229:
Entrance to Nablous, April 17th 1839, plate 41 from Volume I of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1842 (litho), Roberts, David (1796-1864) (after) / Bridgeman Images
ID: STC87229
Entrance to Nablous, April 17th 1839, plate 41 from Volume I of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1842 (litho)
Roberts, David (1796-1864) (after)
STC87253:
Ruins of the Eastern Portico of the Temple of Baalbec, May 6th 1839, plate 83 from Volume II of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1843 (litho), Roberts, David (1796-1864) (after) / Bridgeman Images
ID: STC87253
Ruins of the Eastern Portico of the Temple of Baalbec, May 6th 1839, plate 83 from Volume II of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1843 (litho)