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Convoy of lorries in a village of the Somme, 1916 (b/w photo)
Convoy of lorries in a village of the Somme, 1916 (b/w photo)

LRS215773: Convoy of lorries in a village of the Somme, 1916 (b/w photo), Moreau, Jacques (b.1887) / Bridgeman Images

A 440 mm cannon used to retake Cote 304, Verdun, August 1917 (b/w photo)
A 440 mm cannon used to retake Cote 304, Verdun, August 1917 (b/w photo)

LRS215780: A 440 mm cannon used to retake Cote 304, Verdun, August 1917 (b/w photo), Moreau, Jacques (b.1887) / Bridgeman Images

The Minaret of the Mosque on Rue de Chartres and Rue Bab-Azoun, Algiers (w/c on paper)
The Minaret of the Mosque on Rue de Chartres and Rue Bab-Azoun, Algiers (w/c on paper)

CHT215792: The Minaret of the Mosque on Rue de Chartres and Rue Bab-Azoun, Algiers (w/c on paper), Leblanc, Theodore (1800-37) / Bridgeman Images

A Jewish Woman in Algeria, 1835 (w/c on paper)
A Jewish Woman in Algeria, 1835 (w/c on paper)

CHT215797: A Jewish Woman in Algeria, 1835 (w/c on paper), Leblanc, Theodore (1800-37) / Bridgeman Images

View of Fort Bab Azoun from the Port, Algiers, c.1830-31 (w/c on paper)
View of Fort Bab Azoun from the Port, Algiers, c.1830-31 (w/c on paper)

CHT215901: View of Fort Bab Azoun from the Port, Algiers, c.1830-31 (w/c on paper), Yung (fl.1830-31) / Bridgeman Images

Adoption of orphan children in the Inferior Court of the Great Bailiwick, after a woodcut in 'Refuge et Garand des Pupilles, Orphelins' by Joos de Damhouder (1507-81) published Antwerp, 1557 (litho) (b/w photo)
Adoption of orphan children in the Inferior Court of the Great Bailiwick, after a woodcut in 'Refuge et Garand des Pupilles, Orphelins' by Joos de Damhouder (1507-81) published Antwerp, 1557 (litho) (b/w photo)

STC214465: Adoption of orphan children in the Inferior Court of the Great Bailiwick, after a woodcut in 'Refuge et Garand des Pupilles, Orphelins' by Joos de Damhouder (1507-81) published Antwerp, 1557 (litho) (b/w photo), French School, (16th century) (after) / Bridgeman Images

Member of the Brotherhood of Death, after a woodcut copied by Cristoforo Guerra in 'De gli antichi et moderni di diverse parti del mondo', published Venice, 1590 (litho) (b/w photo)
Member of the Brotherhood of Death, after a woodcut copied by Cristoforo Guerra in 'De gli antichi et moderni di diverse parti del mondo', published Venice, 1590 (litho) (b/w photo)

STC214469: Member of the Brotherhood of Death, after a woodcut copied by Cristoforo Guerra in 'De gli antichi et moderni di diverse parti del mondo', published Venice, 1590 (litho) (b/w photo), Vecellio, Cesare (c.1521-1601) (after) / Bridgeman Images

Coronation of Charlemagne (742-814) after a miniature in 'Chronicles of St. Denis' (litho) (b/w photo)
Coronation of Charlemagne (742-814) after a miniature in 'Chronicles of St. Denis' (litho) (b/w photo)

STC214483: Coronation of Charlemagne (742-814) after a miniature in 'Chronicles of St. Denis' (litho) (b/w photo), French School, (14th century) (after) / Bridgeman Images

Yachting, from 'Les Joies du Sport' by Maurice and Jacques Goddet, published Paris 1932 (colour litho)
Yachting, from 'Les Joies du Sport' by Maurice and Jacques Goddet, published Paris 1932 (colour litho)

STC214487: Yachting, from 'Les Joies du Sport' by Maurice and Jacques Goddet, published Paris 1932 (colour litho), Uzelac, Milivoy (1897-1977) / Bridgeman Images

The Bicycle, from 'Les Joies du Sport' by Maurice and Jacques Goddet, published Paris 1932 (colour litho)
The Bicycle, from 'Les Joies du Sport' by Maurice and Jacques Goddet, published Paris 1932 (colour litho)

STC214498: The Bicycle, from 'Les Joies du Sport' by Maurice and Jacques Goddet, published Paris 1932 (colour litho), Uzelac, Milivoy (1897-1977) / Bridgeman Images

Strike at the Electric Corporation factory at Westinghouse, Pittsburgh, 1946 (b/w photo)
Strike at the Electric Corporation factory at Westinghouse, Pittsburgh, 1946 (b/w photo)

XJL214513: Strike at the Electric Corporation factory at Westinghouse, Pittsburgh, 1946 (b/w photo), American Photographer, (20th century) / Bridgeman Images

Thomas Alva Edison (1847-1931) experimenting with apparatus in his library (b/w photo)
Thomas Alva Edison (1847-1931) experimenting with apparatus in his library (b/w photo)

XJL214515: Thomas Alva Edison (1847-1931) experimenting with apparatus in his library (b/w photo), American Photographer, (20th century) / Bridgeman Images

The Birth of Eve, from 'Liber Chronicarum' by Hartmann Schedel (1440-1514) 1493 (colour woodcut)
The Birth of Eve, from 'Liber Chronicarum' by Hartmann Schedel (1440-1514) 1493 (colour woodcut)

XJL214614: The Birth of Eve, from 'Liber Chronicarum' by Hartmann Schedel (1440-1514) 1493 (colour woodcut), German School, (15th century) / Bridgeman Images

Tending a snake bite, from 'Das Buch der Cirugia' published Strasbourg, 1497 (litho) (b/w photo)
Tending a snake bite, from 'Das Buch der Cirugia' published Strasbourg, 1497 (litho) (b/w photo)

STC214617: Tending a snake bite, from 'Das Buch der Cirugia' published Strasbourg, 1497 (litho) (b/w photo), Brunschwig, Hieronymus (1450-c.1512) / Bridgeman Images

The Vision of the Synod of Clerics, from 'The Trias Thaumaturga, or Three Wonder-Working Saints of Ireland', by Mary Cusack (1829-99) published c.1890s (litho) (b/w photo)
The Vision of the Synod of Clerics, from 'The Trias Thaumaturga, or Three Wonder-Working Saints of Ireland', by Mary Cusack (1829-99) published c.1890s (litho) (b/w photo)

STC214629: The Vision of the Synod of Clerics, from 'The Trias Thaumaturga, or Three Wonder-Working Saints of Ireland', by Mary Cusack (1829-99) published c.1890s (litho) (b/w photo), Irish School, (19th century) / Bridgeman Images

St. Vincent writing in his cell at Ferins, from 'The Trias Thaumaturga, or Three Wonder-Working Saints of Ireland', by Mary Cusack (1829-99) published c.1890s (litho) (b/w photo)
St. Vincent writing in his cell at Ferins, from 'The Trias Thaumaturga, or Three Wonder-Working Saints of Ireland', by Mary Cusack (1829-99) published c.1890s (litho) (b/w photo)

STC214634: St. Vincent writing in his cell at Ferins, from 'The Trias Thaumaturga, or Three Wonder-Working Saints of Ireland', by Mary Cusack (1829-99) published c.1890s (litho) (b/w photo), Irish School, (19th century) / Bridgeman Images

Portrait of  Jean-Jacques Champollion (1778-1867) called Champollion-Figeac, printed by Lemercier & Co (litho) (b/w photo)
Portrait of  Jean-Jacques Champollion (1778-1867) called Champollion-Figeac, printed by Lemercier & Co (litho) (b/w photo)

JHG215571: Portrait of Jean-Jacques Champollion (1778-1867) called Champollion-Figeac, printed by Lemercier & Co (litho) (b/w photo), French School, (19th century) / Bridgeman Images

The Pink Granite Sphinx in the Egyptian rooms in the Louvre Museum, illustration from 'Le Magasin Pittoresque', after a drawing by Freeman, July 1851 (engraving) (b/w photo)
The Pink Granite Sphinx in the Egyptian rooms in the Louvre Museum, illustration from 'Le Magasin Pittoresque', after a drawing by Freeman, July 1851 (engraving) (b/w photo)

JHG215584: The Pink Granite Sphinx in the Egyptian rooms in the Louvre Museum, illustration from 'Le Magasin Pittoresque', after a drawing by Freeman, July 1851 (engraving) (b/w photo), Quartley, John (fl.1835-67) / Bridgeman Images

The Egyptian Architecture and a model of the Catacombs of Rome at the Universal Exhibition at the Champ-de-Mars in Paris, 1867 (engraving)
The Egyptian Architecture and a model of the Catacombs of Rome at the Universal Exhibition at the Champ-de-Mars in Paris, 1867 (engraving)

JHG215590: The Egyptian Architecture and a model of the Catacombs of Rome at the Universal Exhibition at the Champ-de-Mars in Paris, 1867 (engraving), Rose, Laurent Victor (19th century) / Bridgeman Images

Esprit Auber (1782-1871) (litho) (b/w photo)
Esprit Auber (1782-1871) (litho) (b/w photo)

JHG215591: Esprit Auber (1782-1871) (litho) (b/w photo), French School, (19th century) / Bridgeman Images

Dressmakers in a workshop, c.1890-1900 (albumen print photo)
Dressmakers in a workshop, c.1890-1900 (albumen print photo)

SED215599: Dressmakers in a workshop, c.1890-1900 (albumen print photo), French Photographer, (19th century) / Bridgeman Images

Historiated initial 'S' depicting St. Anne and the Virgin (vellum)
Historiated initial 'S' depicting St. Anne and the Virgin (vellum)

XIR215602: Historiated initial 'S' depicting St. Anne and the Virgin (vellum), Tegliacci, Niccolo di ser Sozzo (d.1363) / Bridgeman Images

Historiated initial 'B' depicting a Franciscan saint on his death bed (vellum)
Historiated initial 'B' depicting a Franciscan saint on his death bed (vellum)

XIR215605: Historiated initial 'B' depicting a Franciscan saint on his death bed (vellum), Italian School / Bridgeman Images

Eight Saints, including St. Peter, St. Andrew, St. Stephen, St. Lawrence, a Pope Saint, St. Anthony Abbot and four other saints (vellum)
Eight Saints, including St. Peter, St. Andrew, St. Stephen, St. Lawrence, a Pope Saint, St. Anthony Abbot and four other saints (vellum)

XIR215612: Eight Saints, including St. Peter, St. Andrew, St. Stephen, St. Lawrence, a Pope Saint, St. Anthony Abbot and four other saints (vellum), Niccolo di Giacomo (14th century) / Bridgeman Images

Historiated initial 'A' depicting The Incredulity of St. Thomas, c.1370 (vellum)
Historiated initial 'A' depicting The Incredulity of St. Thomas, c.1370 (vellum)

XIR215628: Historiated initial 'A' depicting The Incredulity of St. Thomas, c.1370 (vellum), Niccolo di Giacomo (14th century) / Bridgeman Images

An Apostle, possibly St. John, c.1320 (vellum)
An Apostle, possibly St. John, c.1320 (vellum)

XIR215630: An Apostle, possibly St. John, c.1320 (vellum), French School, (14th century) / Bridgeman Images

Historiated initial 'S' depicting St. Julian (vellum)
Historiated initial 'S' depicting St. Julian (vellum)

XIR215633: Historiated initial 'S' depicting St. Julian (vellum), Master of San Michele of Murano (early 15th century) / Bridgeman Images

A Bishop Saint (vellum)
A Bishop Saint (vellum)

XIR215636: A Bishop Saint (vellum), Master of San Michele of Murano (early 15th century) / Bridgeman Images

Historiated initial 'M' depicting a bearded saint with a book (vellum)
Historiated initial 'M' depicting a bearded saint with a book (vellum)

XIR215638: Historiated initial 'M' depicting a bearded saint with a book (vellum), Master of San Michele of Murano (early 15th century) / Bridgeman Images

Historiated initial 'S' depicting an old man praying (vellum)
Historiated initial 'S' depicting an old man praying (vellum)

XIR215641: Historiated initial 'S' depicting an old man praying (vellum), Master of San Michele of Murano (early 15th century) / Bridgeman Images

Historiated initial 'S' depicting St. Gregory and two Saints (vellum)
Historiated initial 'S' depicting St. Gregory and two Saints (vellum)

XIR215643: Historiated initial 'S' depicting St. Gregory and two Saints (vellum), Italian School / Bridgeman Images

Historiated initial 'I' depicting a Winged Mermaid (vellum)
Historiated initial 'I' depicting a Winged Mermaid (vellum)

XIR215658: Historiated initial 'I' depicting a Winged Mermaid (vellum), Italian School, (15th century) / Bridgeman Images

The Crucifixion surrounded by six medallions depicting six episodes from the Passion of Christ (vellum)
The Crucifixion surrounded by six medallions depicting six episodes from the Passion of Christ (vellum)

XIR215660: The Crucifixion surrounded by six medallions depicting six episodes from the Passion of Christ (vellum), Francesco d'Antonio del Chierico (or Cherico) (1433–84) / Bridgeman Images

The Emperor of China and Two Noblewomen, illustration from a reprint of 'China Monumentis' by Athanasius Kircher (1601-80) (coloured engraving)
The Emperor of China and Two Noblewomen, illustration from a reprint of 'China Monumentis' by Athanasius Kircher (1601-80) (coloured engraving)

CHT176873: The Emperor of China and Two Noblewomen, illustration from a reprint of 'China Monumentis' by Athanasius Kircher (1601-80) (coloured engraving), French School, (18th century) / Bridgeman Images

Hellen of Harlem (oil on canvas)
Hellen of Harlem (oil on canvas)

XIR176893: Hellen of Harlem (oil on canvas), Chapelain-Midy, Roger (1904-1992) / Bridgeman Images

The White Horse Mourns, from 'Impossible Landscapes' written by Nat Herz, 1944 (pen and ink on paper)
The White Horse Mourns, from 'Impossible Landscapes' written by Nat Herz, 1944 (pen and ink on paper)

SNG176994: The White Horse Mourns, from 'Impossible Landscapes' written by Nat Herz, 1944 (pen and ink on paper), Seligmann, Kurt (1900-62) / Bridgeman Images


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