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The prophete Muhammad (Mohammed or Muhammad) (570-632) listens to the weeping of a Miniature doe from a Turkish manuscript written by Erzeni, illustrated by Seyyid Suleiman Pasha, recounting the life of Muhammad 18th century. Istanbul, Turkish-Islamic Art Museum
The prophete Muhammad (Mohammed or Muhammad) (570-632) listens to the weeping of a Miniature doe from a Turkish manuscript written by Erzeni, illustrated by Seyyid Suleiman Pasha, recounting the life of Muhammad 18th century. Istanbul, Turkish-Islamic Art Museum

LRI4661604: The prophete Muhammad (Mohammed or Muhammad) (570-632) listens to the weeping of a Miniature doe from a Turkish manuscript written by Erzeni, illustrated by Seyyid Suleiman Pasha, recounting the life of Muhammad 18th century. Istanbul, Turkish-Islamic Art Museum, Turkish School, (18th century) / Bridgeman Images

Ottoman Empire: “” Portrait of the Sultan of the Ottoman Empire Orhan (Orkhan or Urchan) I (1281-1360)”” Miniature from “” Zubdat al Tawarikh”” (Ms. 1973, fol. 59b) by Seyyyd Lokman Ashuri 1583 Istanbul, Turkish-Islamic Art Museum
Ottoman Empire: “” Portrait of the Sultan of the Ottoman Empire Orhan (Orkhan or Urchan) I (1281-1360)”” Miniature from “” Zubdat al Tawarikh”” (Ms. 1973, fol. 59b) by Seyyyd Lokman Ashuri 1583 Istanbul, Turkish-Islamic Art Museum

LRI4661664: Ottoman Empire: “” Portrait of the Sultan of the Ottoman Empire Orhan (Orkhan or Urchan) I (1281-1360)”” Miniature from “” Zubdat al Tawarikh”” (Ms. 1973, fol. 59b) by Seyyyd Lokman Ashuri 1583 Istanbul, Turkish-Islamic Art Museum, Ottoman School, (16th century) / Bridgeman Images

Ottoman Empire: “” Portrait of the Ninth Ottoman Sultan Selim I Says the Terrible or the Cruel (1470-1520)”” Miniature from the manuscript “” Human physiognomy (About the Personal Arrangements of Ottomans) by Seyyid Lokman Hussein. (Ms. ty6087 folio 44b), 1579. University Library Istanbul
Ottoman Empire: “” Portrait of the Ninth Ottoman Sultan Selim I Says the Terrible or the Cruel (1470-1520)”” Miniature from the manuscript “” Human physiognomy (About the Personal Arrangements of Ottomans) by Seyyid Lokman Hussein. (Ms. ty6087 folio 44b), 1579. University Library Istanbul

LRI4661809: Ottoman Empire: “” Portrait of the Ninth Ottoman Sultan Selim I Says the Terrible or the Cruel (1470-1520)”” Miniature from the manuscript “” Human physiognomy (About the Personal Arrangements of Ottomans) by Seyyid Lokman Hussein. (Ms. ty6087 folio 44b), 1579. University Library Istanbul, Ottoman School, (16th century) / Bridgeman Images

Ottoman Empire: “” Portrait of Sultan Selim II called the Drunk or Sari the Blond (1524-1574)”” Watercolour attributed to Reis Haydar Nakkep dit Nigari (1494-1572) (TKS 2134, fol. 3 b) Istanbul, Topkapi Seray
Ottoman Empire: “” Portrait of Sultan Selim II called the Drunk or Sari the Blond (1524-1574)”” Watercolour attributed to Reis Haydar Nakkep dit Nigari (1494-1572) (TKS 2134, fol. 3 b) Istanbul, Topkapi Seray

LRI4661892: Ottoman Empire: “” Portrait of Sultan Selim II called the Drunk or Sari the Blond (1524-1574)”” Watercolour attributed to Reis Haydar Nakkep dit Nigari (1494-1572) (TKS 2134, fol. 3 b) Istanbul, Topkapi Seray, Reis Haydar, Nakkep, called Nigari (1494-1572) / Bridgeman Images

Ottoman Empire: Portrait of Sultan Mehmed Murad V (1840-1910)” Painting. 1876. Topkapi Sarayi Istanbul Library
Ottoman Empire: Portrait of Sultan Mehmed Murad V (1840-1910)” Painting. 1876. Topkapi Sarayi Istanbul Library

LRI4661944: Ottoman Empire: Portrait of Sultan Mehmed Murad V (1840-1910)” Painting. 1876. Topkapi Sarayi Istanbul Library, Ottoman School, (19th Century) / Bridgeman Images

Street Sweepers Page taken from nickname-i Humayun (Surname i Humayun) or 'Book of Festivities' (ms. hazine 1344, fol. 341 a) illustrated by Osman. circa 1582 (Istanbul) Istanbul, Topkapi Seray
Street Sweepers Page taken from nickname-i Humayun (Surname i Humayun) or 'Book of Festivities' (ms. hazine 1344, fol. 341 a) illustrated by Osman. circa 1582 (Istanbul) Istanbul, Topkapi Seray

LRI4662047: Street Sweepers Page taken from nickname-i Humayun (Surname i Humayun) or 'Book of Festivities' (ms. hazine 1344, fol. 341 a) illustrated by Osman. circa 1582 (Istanbul) Istanbul, Topkapi Seray, Osman, Mughal School (16th century) / Bridgeman Images

The adoration of the Magi (oil on wood, c. 1445)
The adoration of the Magi (oil on wood, c. 1445)

LRI4662160: The adoration of the Magi (oil on wood, c. 1445), Bouts, Dirck (c.1415-75) / Bridgeman Images

View of Warwick Castle Painting by Giovanni Antonio Canal known as the Canaletto (1697-1768) 1751 approx. Sun. 72x42 cm England, Warwick Castle Collection
View of Warwick Castle Painting by Giovanni Antonio Canal known as the Canaletto (1697-1768) 1751 approx. Sun. 72x42 cm England, Warwick Castle Collection

LRI4662242: View of Warwick Castle Painting by Giovanni Antonio Canal known as the Canaletto (1697-1768) 1751 approx. Sun. 72x42 cm England, Warwick Castle Collection, Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images

Trouville Painting by Raoul Dufy (1877-1953) 1907 Private Collection
Trouville Painting by Raoul Dufy (1877-1953) 1907 Private Collection

LRI4662314: Trouville Painting by Raoul Dufy (1877-1953) 1907 Private Collection, Dufy, Raoul (1877-1953) / Bridgeman Images

Induction of the Doge to the Staircase of the Geants (Incoronazione del doge sulla Scala dei Giganti a Venezia) - Painting by Gabriele Bella (ca. 1730-1799). Venezia, Fondazione Querini Stampalia
Induction of the Doge to the Staircase of the Geants (Incoronazione del doge sulla Scala dei Giganti a Venezia) - Painting by Gabriele Bella (ca. 1730-1799). Venezia, Fondazione Querini Stampalia

LRI4662859: Induction of the Doge to the Staircase of the Geants (Incoronazione del doge sulla Scala dei Giganti a Venezia) - Painting by Gabriele Bella (ca. 1730-1799). Venezia, Fondazione Querini Stampalia, Bella, Gabriele (1730-1799) / Bridgeman Images

Ceremony of taking a dress of a nun in the Church of San Lorenzo in Venice Detail Painting by Gabriele Bella (1730-1799) 1789 Dim 94x148 cm Venice Fondazione “” Querini Stampalia””
Ceremony of taking a dress of a nun in the Church of San Lorenzo in Venice Detail Painting by Gabriele Bella (1730-1799) 1789 Dim 94x148 cm Venice Fondazione “” Querini Stampalia””

LRI4662963: Ceremony of taking a dress of a nun in the Church of San Lorenzo in Venice Detail Painting by Gabriele Bella (1730-1799) 1789 Dim 94x148 cm Venice Fondazione “” Querini Stampalia””, Bella, Gabriele (1730-1799) / Bridgeman Images

The letter of recommendation, 1859 (oil on canvas)
The letter of recommendation, 1859 (oil on canvas)

LRI4663042: The letter of recommendation, 1859 (oil on canvas), Bonvin, Francois (1817-87) / Bridgeman Images

The conquest of Cuzco by the Spanish conquistadors in 1533 (Ink drawing, 16th century)
The conquest of Cuzco by the Spanish conquistadors in 1533 (Ink drawing, 16th century)

LRI4644864: The conquest of Cuzco by the Spanish conquistadors in 1533 (Ink drawing, 16th century), Poma de Ayala, Felipe Huaman (1526-1613) / Bridgeman Images

A peasant irrigating his field in November (Ink drawing, 16th century)
A peasant irrigating his field in November (Ink drawing, 16th century)

LRI4644938: A peasant irrigating his field in November (Ink drawing, 16th century), Poma de Ayala, Felipe Huaman (1526-1613) / Bridgeman Images

Commedia dell'arte: characters wearing masks, probably comedians, crossing a bridge in Venice. Engraving by Gaetano Zompini (1698-1778), Venice Museo Correr
Commedia dell'arte: characters wearing masks, probably comedians, crossing a bridge in Venice. Engraving by Gaetano Zompini (1698-1778), Venice Museo Correr

LRI4646360: Commedia dell'arte: characters wearing masks, probably comedians, crossing a bridge in Venice. Engraving by Gaetano Zompini (1698-1778), Venice Museo Correr, Zompini, Gaetano (1698-1778) / Bridgeman Images

Italian comedians are hunted out of the city of Paris following the censorship measures of Parisian theaters. 18th century (Engraving)
Italian comedians are hunted out of the city of Paris following the censorship measures of Parisian theaters. 18th century (Engraving)

LRI4646399: Italian comedians are hunted out of the city of Paris following the censorship measures of Parisian theaters. 18th century (Engraving), French School / Bridgeman Images

Commedia dell'arte:  the character of Pulcinella playing the guitar, 18th century (painting)
Commedia dell'arte:  the character of Pulcinella playing the guitar, 18th century (painting)

LRI4646502: Commedia dell'arte: the character of Pulcinella playing the guitar, 18th century (painting), Italian School, (18th century) / Bridgeman Images

Commedia dell'arte: a character of zanni (valet) playing lute.18th century (painting)
Commedia dell'arte: a character of zanni (valet) playing lute.18th century (painting)

LRI4646515: Commedia dell'arte: a character of zanni (valet) playing lute.18th century (painting), Italian School, (18th century) / Bridgeman Images

A fortified city on the bank of the Danube, conquered by Ottoman Sultan Suleiman the Magnificent during his march on Budapest and Vienna. 16th century (miniature)
A fortified city on the bank of the Danube, conquered by Ottoman Sultan Suleiman the Magnificent during his march on Budapest and Vienna. 16th century (miniature)

LRI4646594: A fortified city on the bank of the Danube, conquered by Ottoman Sultan Suleiman the Magnificent during his march on Budapest and Vienna. 16th century (miniature), Ottoman School, (16th century) / Bridgeman Images

The Ottoman Sultan Suleiman the Magnificent hunting. 1558 (miniature)
The Ottoman Sultan Suleiman the Magnificent hunting. 1558 (miniature)

LRI4646692: The Ottoman Sultan Suleiman the Magnificent hunting. 1558 (miniature), Ottoman School, (16th century) / Bridgeman Images

Festivities organized on the occasion of the circumcision of the son of the Ottoman Sultan Murad II (Murat) (1404-1451), preparation of fireworks Miniature of the 16th century Istanbul, Topkapi Sarayi Museum Library
Festivities organized on the occasion of the circumcision of the son of the Ottoman Sultan Murad II (Murat) (1404-1451), preparation of fireworks Miniature of the 16th century Istanbul, Topkapi Sarayi Museum Library

LRI4646731: Festivities organized on the occasion of the circumcision of the son of the Ottoman Sultan Murad II (Murat) (1404-1451), preparation of fireworks Miniature of the 16th century Istanbul, Topkapi Sarayi Museum Library, Ottoman School, (16th century) / Bridgeman Images

Map of Bruxelles - Belgium (engraving, 16th century)
Map of Bruxelles - Belgium (engraving, 16th century)

LRI4646940: Map of Bruxelles - Belgium (engraving, 16th century), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

View of Frankfurt am Main, Germany (engraving, 16th century)
View of Frankfurt am Main, Germany (engraving, 16th century)

LRI4647000: View of Frankfurt am Main, Germany (engraving, 16th century), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

View of Malta (engraving, 16th century)
View of Malta (engraving, 16th century)

LRI4647066: View of Malta (engraving, 16th century), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

Summer, selling cherries (tapestry, 18th century)
Summer, selling cherries (tapestry, 18th century)

LRI4647156: Summer, selling cherries (tapestry, 18th century), French School, (18th century) / Bridgeman Images

Cosmogony: representation of the works of Creation. The different circles symbolize in the center Hell (or all evil descends) then Earth, Sea, fire, different heavens. Down in the small circles, the steps representing the creation of the Universe. Page taken from the manuscript “Genealogy de la Bible”” of the French school. 14th century Cremone, biblioteca governativa
Cosmogony: representation of the works of Creation. The different circles symbolize in the center Hell (or all evil descends) then Earth, Sea, fire, different heavens. Down in the small circles, the steps representing the creation of the Universe. Page taken from the manuscript “Genealogy de la Bible”” of the French school. 14th century Cremone, biblioteca governativa

LRI4647231: Cosmogony: representation of the works of Creation. The different circles symbolize in the center Hell (or all evil descends) then Earth, Sea, fire, different heavens. Down in the small circles, the steps representing the creation of the Universe. Page taken from the manuscript “Genealogy de la Bible”” of the French school. 14th century Cremone, biblioteca governativa, French School, (14th century) / Bridgeman Images

Representation of the city of Nimrud (Kalkhu or Kalhu or Kalwakhum and Kalakh) and the genealogy of the family of Laban and Rebecca Page taken from the manuscript “Genealogy de la Bible”” of the French school. 14th century Cremone, biblioteca governativa
Representation of the city of Nimrud (Kalkhu or Kalhu or Kalwakhum and Kalakh) and the genealogy of the family of Laban and Rebecca Page taken from the manuscript “Genealogy de la Bible”” of the French school. 14th century Cremone, biblioteca governativa

LRI4647378: Representation of the city of Nimrud (Kalkhu or Kalhu or Kalwakhum and Kalakh) and the genealogy of the family of Laban and Rebecca Page taken from the manuscript “Genealogy de la Bible”” of the French school. 14th century Cremone, biblioteca governativa, French School, (14th century) / Bridgeman Images

Jacob poured oil on the stone that had served him as a Miniature cushion from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi
Jacob poured oil on the stone that had served him as a Miniature cushion from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi

LRI4647589: Jacob poured oil on the stone that had served him as a Miniature cushion from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi, Unknown Artist, (14th century) / Bridgeman Images

Rebecca brings her son Jacob, whom her brother Esau threatens to kill, in front of her husband Isaac to take away his Miniature blessing from Codex 212 (or padovano or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi
Rebecca brings her son Jacob, whom her brother Esau threatens to kill, in front of her husband Isaac to take away his Miniature blessing from Codex 212 (or padovano or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi

LRI4647644: Rebecca brings her son Jacob, whom her brother Esau threatens to kill, in front of her husband Isaac to take away his Miniature blessing from Codex 212 (or padovano or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi, Unknown Artist, (14th century) / Bridgeman Images

Loth goes to the mountain with his daughters to escape the destruction of Sodom. The daughters will intoxicate their father Miniature from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi
Loth goes to the mountain with his daughters to escape the destruction of Sodom. The daughters will intoxicate their father Miniature from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi

LRI4647709: Loth goes to the mountain with his daughters to escape the destruction of Sodom. The daughters will intoxicate their father Miniature from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi, Unknown Artist, (14th century) / Bridgeman Images

Lettrine B decoree of the representation of King David playing pslaterion and who decks Goliath Page from the manuscript “” Psalterium Cum Calendario”” 13th century Padua, bibliotheque of the seminary
Lettrine B decoree of the representation of King David playing pslaterion and who decks Goliath Page from the manuscript “” Psalterium Cum Calendario”” 13th century Padua, bibliotheque of the seminary

LRI4647882: Lettrine B decoree of the representation of King David playing pslaterion and who decks Goliath Page from the manuscript “” Psalterium Cum Calendario”” 13th century Padua, bibliotheque of the seminary, Italian School, (13th century) / Bridgeman Images

Nativity: the Virgin Mary is represented here lying on a bed Page taken from the manuscript “” Psalterium Cum Calendario”” 13th century Padua, bibliotheque of the seminary
Nativity: the Virgin Mary is represented here lying on a bed Page taken from the manuscript “” Psalterium Cum Calendario”” 13th century Padua, bibliotheque of the seminary

LRI4647920: Nativity: the Virgin Mary is represented here lying on a bed Page taken from the manuscript “” Psalterium Cum Calendario”” 13th century Padua, bibliotheque of the seminary, Unknown Artist, (13th century) / Bridgeman Images

Saint Jerome in his study Page taken from the manuscript “Opuscola spiritualia et moralia”” of the 15th century Rome, Biblioteca Vallicelliana
Saint Jerome in his study Page taken from the manuscript “Opuscola spiritualia et moralia”” of the 15th century Rome, Biblioteca Vallicelliana

LRI4647993: Saint Jerome in his study Page taken from the manuscript “Opuscola spiritualia et moralia”” of the 15th century Rome, Biblioteca Vallicelliana, Unknown Artist, (15th century) / Bridgeman Images

Christ pantocrator or Christ in Glory, decorating the apse, 12th century (mosaic)
Christ pantocrator or Christ in Glory, decorating the apse, 12th century (mosaic)

LRI4648087: Christ pantocrator or Christ in Glory, decorating the apse, 12th century (mosaic), Italian School, (12th century) / Bridgeman Images

Portrait of  Therese De Gas (Degas), ca 1863 (oil on canvas)
Portrait of  Therese De Gas (Degas), ca 1863 (oil on canvas)

LRI4651848: Portrait of Therese De Gas (Degas), ca 1863 (oil on canvas), Degas, Edgar (1834-1917) / Bridgeman Images

Couple sitting, 1915 (pencil and tempera on paper)
Couple sitting, 1915 (pencil and tempera on paper)

LRI4652072: Couple sitting, 1915 (pencil and tempera on paper), Schiele, Egon (1890-1918) / Bridgeman Images


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