EVC5964325: ANDROCLES AND THE LION, from left: Victor Mature having his hair touched up by Gale McGarry on st, 1952 / Bridgeman Images

EVC5964328: ANGEL ON MY SHOULDER, from left: Anne Baxter, director Archie Mayo on set, 1946 / Bridgeman Images

EVC5964329: ANGEL, ANGEL, DOWN WE GO, (aka CULT OF THE DAMNED), Jennifer Jones, 1969 / Bridgeman Images

EVC5964334: ANGEL, ANGEL, DOWN WE GO, (aka CULT OF THE DAMNED), Roddy McDowall, 1969 / Bridgeman Images

EVC5964336: ANDROCLES AND THE LION, from lft: producer Gabriel Pascal, Jean Simmons, James Donald, 1952 / Bridgeman Images

EVC5964339: ANNA AND THE KING OF SIAM, Rex Harrison, 1946 / Bridgeman Images

EVC5964357: THOUSANDS CHEER, Kathryn Grayson, in a pink slipper-satin gown by Irene, 1943 / Bridgeman Images

EVC5964359: ANCHORS AWEIGH, from left, Frank Sinatra, Gene Kelly, Kathryn Grayson, 1945 / Bridgeman Images

EVC5964362: ANCHORS AWEIGH, from left: Jose Iturbi, director George Sidney on set, 1945 / Bridgeman Images

EVC5964365: THOUSANDS CHEER, from left, Kathryn Grayson, Gene Kelly, 1943 / Bridgeman Images

EVC5964367: AND BABY MAKES THREE, Robert Young, 1949 / Bridgeman Images

EVC5964369: ANGEL BABY, George Hamilton, 1961 / Bridgeman Images

EVC5964377: Angel Baby by Paul Wendkos, 1961 / Bridgeman Images

EVC5964390: Le dolci signore by Luigi Zampa, 1967 / Bridgeman Images

EVC5964391: Le dolci signore by Luigi Zampa, 1967 / Bridgeman Images

EVC5964403: ANDRE, Keith Carradine, 1990 (b/w photo) / Bridgeman Images

EVC5964407: ANNAPOLIS FAREWELL, director Alexander Hall (second from right) with wife Lola Lane (second from left) and her sisters Priscilla Lane (left) and Rosemary Lane on location aboard the U.S.S. Arkensas, 1935 / Bridgeman Images

EVC5964409: Another 48 Hrs. by Walter Hill, 1990 / Bridgeman Images

EVC5964431: ANYTHING GOES, Zizi Jeanmaire, on-set, 1956 / Bridgeman Images

EVC5964445: ANGEL HEART, Lisa Bonet, 1987, / Bridgeman Images

EVC5964457: AN INNOCENT AFFAIR, (aka DON'T TRUST YOUR HUSBAND), director Lloyd Bacon (seated at camera) preparing to film Louise Allbritton, Fred MacMurray and other dancers on set, 1948 / Bridgeman Images

EVC5964462: Angels in the Outfield, directed by Clarence Brown, starring Paul Douglas, Janet Leigh, 1951 / Bridgeman Images

EVC5964463: ANGELS IN THE OUTFIELD, from left, Janet Leigh, Paul Douglas, 1951 / Bridgeman Images

EVC5964470: ANGELS IN THE OUTFIELD, from left: Paul Douglas, Janet Leigh, 1951 / Bridgeman Images

EVC5964473: ANNA KARENINA, front from left: Freddie Bartholomew, Fredric March, Greta Garbo, director Clarence Brown (seated) filming on set, 1935 / Bridgeman Images

EVC5964474: ANNA KARENINA, cinematographer William Daniels on set, 1935 / Bridgeman Images

EVC5964476: ANNA KARENINA, from left: Freddie Bartholomew, Basil Rathbone on set, 1935 / Bridgeman Images

EVC5964480: ANNA KARENINA, from left: Reginald Denny, director Clarence Brown on set, 1935 / Bridgeman Images

EVC5964507: ANNIE LAURIE, from left, Dennis Morgan, Ann Rutherford, 1936 / Bridgeman Images

EVC5964528: AND NOW TOMORROW, from left, Loretta Young, Susan Hayward, Barry Sullivan, 1944 / Bridgeman Images

EVC5964529: ANY NUMBER CAN PLAY, from left: Clark Gable, Frank Morgan, Lewis Stone on set, 1949 / Bridgeman Images

EVC5961244: Drew Barrymore, 1995 (photo) / Bridgeman Images

EVC5961246: Pam Anderson 1994 (photo) / Bridgeman Images

EVC5961247: Alice Eve, 2011 (photo) / Bridgeman Images

EVC5961252: Pam Anderson, 1994 (photo) / Bridgeman Images

EVC5961255: Robert Downey, Jr., 1992 (photo) / Bridgeman Images