EVC5964258: THE AMATEUR GENTLEMAN, from left: Richard Barthelmess visited by Japanese actress Yaeko Mizutani on set, 1926 / Bridgeman Images

EVC5964266: AN AMERICAN IN PARIS, Gene Kelly, 1951 / Bridgeman Images

EVC5964268: AN AMERICAN IN PARIS, from left, Gene Kelly, Leslie Caron, 1951 / Bridgeman Images

EVC5964271: AN AMERICAN IN PARIS, from left, Georges Guetary, Gene Kelly, 1951 / Bridgeman Images

EVC5964275: AN AMERICAN IN PARIS, from left, Leslie Caron, Gene Kelly, 1951 / Bridgeman Images

EVC5964276: AN AMERICAN IN PARIS, from left, Nina Foch, Gene Kelly, 1951 / Bridgeman Images

EVC5964280: AMERICAN MADNESS, from left, Walter Huston, Kay Johnson, 1932 / Bridgeman Images

EVC5964287: American Ninja 2: The Confrontation by Sam Firstenberg, 1987 / Bridgeman Images

EVC5964288: Le vergini di Roma by Carlo Ludovico Bragaglia,Vittorio Cottafavi, Peter O'Cord, 1961 / Bridgeman Images

EVC5964292: THE AMERICANIZATION OF EMILY, from left: James Garner (back to camera), James Coburn, 1964 / Bridgeman Images

EVC5964304: ANTHONY ADVERSE, Olivia de Havailland, 1936 / Bridgeman Images

EVC5964309: ANTHONY ADVERSE, Steffi Duna, 1936 / Bridgeman Images

EVC5964319: ANNABELLE'S AFFAIRS, from left, Victor McLaglen, Jeanette MacDonald, 1931 / Bridgeman Images

EVC5964325: ANDROCLES AND THE LION, from left: Victor Mature having his hair touched up by Gale McGarry on st, 1952 / Bridgeman Images

EVC5964328: ANGEL ON MY SHOULDER, from left: Anne Baxter, director Archie Mayo on set, 1946 / Bridgeman Images

EVC5964329: ANGEL, ANGEL, DOWN WE GO, (aka CULT OF THE DAMNED), Jennifer Jones, 1969 / Bridgeman Images

EVC5964334: ANGEL, ANGEL, DOWN WE GO, (aka CULT OF THE DAMNED), Roddy McDowall, 1969 / Bridgeman Images

EVC5964336: ANDROCLES AND THE LION, from lft: producer Gabriel Pascal, Jean Simmons, James Donald, 1952 / Bridgeman Images

EVC5964339: ANNA AND THE KING OF SIAM, Rex Harrison, 1946 / Bridgeman Images

EVC5964357: THOUSANDS CHEER, Kathryn Grayson, in a pink slipper-satin gown by Irene, 1943 / Bridgeman Images

EVC5964359: ANCHORS AWEIGH, from left, Frank Sinatra, Gene Kelly, Kathryn Grayson, 1945 / Bridgeman Images

EVC5964362: ANCHORS AWEIGH, from left: Jose Iturbi, director George Sidney on set, 1945 / Bridgeman Images

EVC5964365: THOUSANDS CHEER, from left, Kathryn Grayson, Gene Kelly, 1943 / Bridgeman Images

EVC5964367: AND BABY MAKES THREE, Robert Young, 1949 / Bridgeman Images

EVC5964369: ANGEL BABY, George Hamilton, 1961 / Bridgeman Images

EVC5964377: Angel Baby by Paul Wendkos, 1961 / Bridgeman Images

EVC5964390: Le dolci signore by Luigi Zampa, 1967 / Bridgeman Images

EVC5964391: Le dolci signore by Luigi Zampa, 1967 / Bridgeman Images

EVC5964403: ANDRE, Keith Carradine, 1990 (b/w photo) / Bridgeman Images

EVC5964407: ANNAPOLIS FAREWELL, director Alexander Hall (second from right) with wife Lola Lane (second from left) and her sisters Priscilla Lane (left) and Rosemary Lane on location aboard the U.S.S. Arkensas, 1935 / Bridgeman Images

EVC5964409: Another 48 Hrs. by Walter Hill, 1990 / Bridgeman Images

EVC5964431: ANYTHING GOES, Zizi Jeanmaire, on-set, 1956 / Bridgeman Images

EVC5964445: ANGEL HEART, Lisa Bonet, 1987, / Bridgeman Images

EVC5964457: AN INNOCENT AFFAIR, (aka DON'T TRUST YOUR HUSBAND), director Lloyd Bacon (seated at camera) preparing to film Louise Allbritton, Fred MacMurray and other dancers on set, 1948 / Bridgeman Images

EVC5964462: Angels in the Outfield, directed by Clarence Brown, starring Paul Douglas, Janet Leigh, 1951 / Bridgeman Images

EVC5964463: ANGELS IN THE OUTFIELD, from left, Janet Leigh, Paul Douglas, 1951 / Bridgeman Images