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Poster for the 'International Exhibition of Vienna, Austria' at the Commission Francaise, 20 April-1 July 1894 (colour litho)
Poster for the 'International Exhibition of Vienna, Austria' at the Commission Francaise, 20 April-1 July 1894 (colour litho)

SNG127007: Poster for the 'International Exhibition of Vienna, Austria' at the Commission Francaise, 20 April-1 July 1894 (colour litho), Choubrac, Alfred (1853-1902) / Bridgeman Images

'Gladiator Cycles', Boulevard Montmartre, Paris (colour litho)
'Gladiator Cycles', Boulevard Montmartre, Paris (colour litho)

SNG127055: 'Gladiator Cycles', Boulevard Montmartre, Paris (colour litho), French School, (19th century) / Bridgeman Images

Poster for 'Mathews & Bulger' at Gay Coney Island (colour litho)
Poster for 'Mathews & Bulger' at Gay Coney Island (colour litho)

SNG127095: Poster for 'Mathews & Bulger' at Gay Coney Island (colour litho), American School, (19th century) / Bridgeman Images

'Allow Me to Introduce You To My Life-Preserver, The Noble Redskin!', Advertisement for 'A Stranger in a Strange Land' by Sidney Wilmer and Walter Vincent (colour litho)
'Allow Me to Introduce You To My Life-Preserver, The Noble Redskin!', Advertisement for 'A Stranger in a Strange Land' by Sidney Wilmer and Walter Vincent (colour litho)

SNG127122: 'Allow Me to Introduce You To My Life-Preserver, The Noble Redskin!', Advertisement for 'A Stranger in a Strange Land' by Sidney Wilmer and Walter Vincent (colour litho), American School, (20th century) / Bridgeman Images

'Madame Sans-Gene' in Le Radical, by Edmond Lepelletier, taken from the play by Victorien Sardou (1831-1908) and E. Moreau (colour litho)
'Madame Sans-Gene' in Le Radical, by Edmond Lepelletier, taken from the play by Victorien Sardou (1831-1908) and E. Moreau (colour litho)

SNG127140: 'Madame Sans-Gene' in Le Radical, by Edmond Lepelletier, taken from the play by Victorien Sardou (1831-1908) and E. Moreau (colour litho), Cheret, Jules (1836-1932) / Bridgeman Images

'On Enemy Soil The Russian Prisoners Die Of Hunger', Ist World War poster
'On Enemy Soil The Russian Prisoners Die Of Hunger', Ist World War poster

SNG127165: 'On Enemy Soil The Russian Prisoners Die Of Hunger', Ist World War poster, Steinlen, Theophile Alexandre (1859-1923) / Bridgeman Images

'Oh Boy! That's The Girl! The Salvation Army Lassie, Keep Her On The Job', 1st World War poster for The United War Work Campaign, 11-18 November 1918 (colour litho)
'Oh Boy! That's The Girl! The Salvation Army Lassie, Keep Her On The Job', 1st World War poster for The United War Work Campaign, 11-18 November 1918 (colour litho)

SNG127183: 'Oh Boy! That's The Girl! The Salvation Army Lassie, Keep Her On The Job', 1st World War poster for The United War Work Campaign, 11-18 November 1918 (colour litho), Richards, Mather Georges (1880-1958) / Bridgeman Images

Advertisement for Robson & Crane's 'Twelfth Night', at Haverly's Fifth Avenue
Advertisement for Robson & Crane's 'Twelfth Night', at Haverly's Fifth Avenue

SNG127189: Advertisement for Robson & Crane's 'Twelfth Night', at Haverly's Fifth Avenue, American School, (19th century) / Bridgeman Images

'Save Serbia Our Ally', poster, 1915 (litho)
'Save Serbia Our Ally', poster, 1915 (litho)

SNG123487: 'Save Serbia Our Ally', poster, 1915 (litho), Steinlen, Theophile Alexandre (1859-1923) / Bridgeman Images

Carved fireplace in the drawing room, depicting Elizabeth I being greeted by the Earl of Hereford in 1591, 16th century (photo)
Carved fireplace in the drawing room, depicting Elizabeth I being greeted by the Earl of Hereford in 1591, 16th century (photo)

MFI123671: Carved fireplace in the drawing room, depicting Elizabeth I being greeted by the Earl of Hereford in 1591, 16th century (photo), English School, (16th century) / Bridgeman Images

Detail of the carved decoration (plaster)
Detail of the carved decoration (plaster)

MFI123691: Detail of the carved decoration (plaster), Fiennes, Mark / Bridgeman Images

Portrait of a Lady believed to be Elizabeth I (1533-1603), c.1580 (oil on panel)
Portrait of a Lady believed to be Elizabeth I (1533-1603), c.1580 (oil on panel)

MFI123720: Portrait of a Lady believed to be Elizabeth I (1533-1603), c.1580 (oil on panel), English School, (16th century) / Bridgeman Images

Buttermere (oil on panel)
Buttermere (oil on panel)

PFA123817: Buttermere (oil on panel), Seago, Edward (1910-74) / Bridgeman Images

Portrait of the Artist and his Wife, 1932 (oil on canvas)
Portrait of the Artist and his Wife, 1932 (oil on canvas)

MOU123941: Portrait of the Artist and his Wife, 1932 (oil on canvas), Laszlo, Philip Alexius de (1869-1937) / Bridgeman Images

Battle of Monterey: The Americans Forcing their Way to the Main Plaza, September 23rd 1846, engraved and published by Nathanial Currier (1813-88), 1846 (litho) (b&w photo)
Battle of Monterey: The Americans Forcing their Way to the Main Plaza, September 23rd 1846, engraved and published by Nathanial Currier (1813-88), 1846 (litho) (b&w photo)

BAL124120: Battle of Monterey: The Americans Forcing their Way to the Main Plaza, September 23rd 1846, engraved and published by Nathanial Currier (1813-88), 1846 (litho) (b&w photo), American School, (19th century) / Bridgeman Images

The Supreme Moment on the Evening of October 11th 1492, from 'The Young People's Standard History of the United States', 1895 (engraving) (b&w photo)
The Supreme Moment on the Evening of October 11th 1492, from 'The Young People's Standard History of the United States', 1895 (engraving) (b&w photo)

BAL124138: The Supreme Moment on the Evening of October 11th 1492, from 'The Young People's Standard History of the United States', 1895 (engraving) (b&w photo), Steeple Davis, J. (1844-1917) (after) / Bridgeman Images

Storming of Monterey. Attack on the Bishop's Palace in 1846, 1847 (engraving) (b&w photo)
Storming of Monterey. Attack on the Bishop's Palace in 1846, 1847 (engraving) (b&w photo)

BAL124154: Storming of Monterey. Attack on the Bishop's Palace in 1846, 1847 (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

The Battle of Chapultepec, 1847, engraved by J. Duthie (engraving) (b&w photo)
The Battle of Chapultepec, 1847, engraved by J. Duthie (engraving) (b&w photo)

BAL124157: The Battle of Chapultepec, 1847, engraved by J. Duthie (engraving) (b&w photo), Billings, Hammatt (1818-1874) (after) / Bridgeman Images

The Holy Fire (Das Heilige Feuer) plate 9 from Part 1 of a 'Dangerous Path to the Stars' from the series 'Per Aspera ad Astra' (etching)
The Holy Fire (Das Heilige Feuer) plate 9 from Part 1 of a 'Dangerous Path to the Stars' from the series 'Per Aspera ad Astra' (etching)

REY124332: The Holy Fire (Das Heilige Feuer) plate 9 from Part 1 of a 'Dangerous Path to the Stars' from the series 'Per Aspera ad Astra' (etching), Uhl, Joseph (1877-1945) / Bridgeman Images

A Horse Affrighted by a Lion, engraved by the artist (etching)
A Horse Affrighted by a Lion, engraved by the artist (etching)

XYC124383: A Horse Affrighted by a Lion, engraved by the artist (etching), Stubbs, George (1724-1806) / Bridgeman Images

General Taylor at Buena Vista, 22nd-23rd February 1847, engraved by Armitage (engraving) (b&w photo)
General Taylor at Buena Vista, 22nd-23rd February 1847, engraved by Armitage (engraving) (b&w photo)

BAL124509: General Taylor at Buena Vista, 22nd-23rd February 1847, engraved by Armitage (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

Hector Hugh Munro (Saki) (1870-1916) from 'The Illustrated London News', 1st August 1914 (b&w photo)
Hector Hugh Munro (Saki) (1870-1916) from 'The Illustrated London News', 1st August 1914 (b&w photo)

ILN124596: Hector Hugh Munro (Saki) (1870-1916) from 'The Illustrated London News', 1st August 1914 (b&w photo) / Bridgeman Images

Coffer, bearing the Braganza arms, c.1750-60 (gilt bronze and red morocco leather)
Coffer, bearing the Braganza arms, c.1750-60 (gilt bronze and red morocco leather)

BCC124770: Coffer, bearing the Braganza arms, c.1750-60 (gilt bronze and red morocco leather) / Bridgeman Images

Fowl: Lateral view with Most Feathers Removed, from the series 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl' (graphite on paper)
Fowl: Lateral view with Most Feathers Removed, from the series 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl' (graphite on paper)

XYC127239: Fowl: Lateral view with Most Feathers Removed, from the series 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl' (graphite on paper), Stubbs, George (1724-1806) / Bridgeman Images

'The Monkey at Once Became Suspicious', illustration from 'The Tortoise and the Monkey', published by Raphael Tuck & Sons Ltd. (colour litho)
'The Monkey at Once Became Suspicious', illustration from 'The Tortoise and the Monkey', published by Raphael Tuck & Sons Ltd. (colour litho)

IL127250: 'The Monkey at Once Became Suspicious', illustration from 'The Tortoise and the Monkey', published by Raphael Tuck & Sons Ltd. (colour litho), Noble, John Edwin (1876-1941) / Bridgeman Images

The Shell (w/c and crayon on paper)
The Shell (w/c and crayon on paper)

CRD127282: The Shell (w/c and crayon on paper), Valda, John Harris (1874-1942) / Bridgeman Images

Advertisement for 'One Of The Most Complete Exhibition Of Wild Animals Entour' (colour litho)
Advertisement for 'One Of The Most Complete Exhibition Of Wild Animals Entour' (colour litho)

SNG127385: Advertisement for 'One Of The Most Complete Exhibition Of Wild Animals Entour' (colour litho), Singer, Barbara / Bridgeman Images

Antony Chair, designed by Jean Prouve (b.1901) manufactured by Les Ateliers Jean Prouve, Maxeville, Paris, 1950 (laminated birch and steel)
Antony Chair, designed by Jean Prouve (b.1901) manufactured by Les Ateliers Jean Prouve, Maxeville, Paris, 1950 (laminated birch and steel)

BON127431: Antony Chair, designed by Jean Prouve (b.1901) manufactured by Les Ateliers Jean Prouve, Maxeville, Paris, 1950 (laminated birch and steel), Prouve, Jean (1901-84) / Bridgeman Images

'The Day of the Beautiful Present', Soviet poster celebrating the Anniversary of the Red Army, 23 November 1919 (colour lithograph)
'The Day of the Beautiful Present', Soviet poster celebrating the Anniversary of the Red Army, 23 November 1919 (colour lithograph)

SNG127454: 'The Day of the Beautiful Present', Soviet poster celebrating the Anniversary of the Red Army, 23 November 1919 (colour lithograph), Russian School, (20th century) / Bridgeman Images

Homage to the Square, c.1959 (oil on masonite)
Homage to the Square, c.1959 (oil on masonite)

JKL127669: Homage to the Square, c.1959 (oil on masonite), Albers, Josef (1888-1976) / Bridgeman Images

NP125720: "Four o'Clock in Town", pub. 1788 (coloured etching with aquatint) (pair of 125721), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Portrait of a Woman, traditionally identified as the Countess of Arundel, 1619 (oil on panel)
Portrait of a Woman, traditionally identified as the Countess of Arundel, 1619 (oil on panel)

XYC123132: Portrait of a Woman, traditionally identified as the Countess of Arundel, 1619 (oil on panel), Janssen van Ceulen, Cornelius (1593-1661) / Bridgeman Images

Toucan with Other Birds (oil on canvas)
Toucan with Other Birds (oil on canvas)

OJ123456: Toucan with Other Birds (oil on canvas), Bogdani or Bogdany, Jakob (1660-1724) / Bridgeman Images

A Sunlit Haven (oil on canvas)
A Sunlit Haven (oil on canvas)

AEG122842: A Sunlit Haven (oil on canvas), East, Alfred (1844-1913) / Bridgeman Images

Sancho: 'I should make a rare landlord', illustration from Act II, scene I of 'Don Quixote in England. A Comedy', engraved by P. Soyer (engraving)
Sancho: 'I should make a rare landlord', illustration from Act II, scene I of 'Don Quixote in England. A Comedy', engraved by P. Soyer (engraving)

ABC122936: Sancho: 'I should make a rare landlord', illustration from Act II, scene I of 'Don Quixote in England. A Comedy', engraved by P. Soyer (engraving), English School, (19th century) / Bridgeman Images

Petalesharro, a Pawnee Brave, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Petalesharro, a Pawnee Brave, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122948: Petalesharro, a Pawnee Brave, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), American School, (19th century) / Bridgeman Images


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