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Portrait of Jean Le Rond d'Alembert (1717 - 1783), French philosopher, writer, physicist and mathematician. Chromolithography of the 19th century. based on “La Ciencia y sus Hombres” by Louis Figuier. Barcelona 1881
Portrait of Jean Le Rond d'Alembert (1717 - 1783), French philosopher, writer, physicist and mathematician. Chromolithography of the 19th century. based on “La Ciencia y sus Hombres” by Louis Figuier. Barcelona 1881

XEE4403614: Portrait of Jean Le Rond d'Alembert (1717 - 1783), French philosopher, writer, physicist and mathematician. Chromolithography of the 19th century. based on “La Ciencia y sus Hombres” by Louis Figuier. Barcelona 1881, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Bernard Palissy (1510 - 1589). Chromolithography of the end of the 19th century. based on “La Ciencia y sus Hombres”” by Louis Figuier. Barcelona 1881
Portrait of Bernard Palissy (1510 - 1589). Chromolithography of the end of the 19th century. based on “La Ciencia y sus Hombres”” by Louis Figuier. Barcelona 1881

XEE4403636: Portrait of Bernard Palissy (1510 - 1589). Chromolithography of the end of the 19th century. based on “La Ciencia y sus Hombres”” by Louis Figuier. Barcelona 1881, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Confucius in Chinese Kong Qiu, known as Kongzi, or Kongfuzi (v. 551 to v. 479 BC). Barcelona 1877.
Portrait of Confucius in Chinese Kong Qiu, known as Kongzi, or Kongfuzi (v. 551 to v. 479 BC). Barcelona 1877.

XEE4403666: Portrait of Confucius in Chinese Kong Qiu, known as Kongzi, or Kongfuzi (v. 551 to v. 479 BC). Barcelona 1877., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Louis XVI (1754 - 1793) King of France after “hombres y Mujeres celebres””. Barcelona 1877.
Portrait of Louis XVI (1754 - 1793) King of France after “hombres y Mujeres celebres””. Barcelona 1877.

XEE4403686: Portrait of Louis XVI (1754 - 1793) King of France after “hombres y Mujeres celebres””. Barcelona 1877., Unknown Artist, (19th century) / Bridgeman Images

Europe: the cloud of ducks obscuring the air so much that poor Europe no longer knows what path to take. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated October 22, 1857.
Europe: the cloud of ducks obscuring the air so much that poor Europe no longer knows what path to take. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated October 22, 1857.

LSE4403562: Europe: the cloud of ducks obscuring the air so much that poor Europe no longer knows what path to take. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated October 22, 1857., Daumier, Honore (1808-79) / Bridgeman Images

Chinese forks: “” Devil! but you have to be a very skilled batonist to be able to dine in town in this country. “”, in serie En Chine, illustration by Honore Daumier (1808-1879), published in “” Charivari””, 1858.
Chinese forks: “” Devil! but you have to be a very skilled batonist to be able to dine in town in this country. “”, in serie En Chine, illustration by Honore Daumier (1808-1879), published in “” Charivari””, 1858.

LSE4403605: Chinese forks: “” Devil! but you have to be a very skilled batonist to be able to dine in town in this country. “”, in serie En Chine, illustration by Honore Daumier (1808-1879), published in “” Charivari””, 1858., Daumier, Honore (1808-79) / Bridgeman Images

Monsignor Georges Darboy (1813-1871) archheveque of Paris taking an oath in the hands of Napoleon III at the chapel of the Tuileries in 1863.
Monsignor Georges Darboy (1813-1871) archheveque of Paris taking an oath in the hands of Napoleon III at the chapel of the Tuileries in 1863.

XEE4403857: Monsignor Georges Darboy (1813-1871) archheveque of Paris taking an oath in the hands of Napoleon III at the chapel of the Tuileries in 1863., Unknown Artist, (19th century) / Bridgeman Images

Pliny The Elder (23-79) - portrait of Pliny the Elder. in Latin Caius Plinius Secundus Latin writer (Como, 23 AD in Stabies, 79 AD). based on hombres y Mujeres celebres. Barcelona 1877.
Pliny The Elder (23-79) - portrait of Pliny the Elder. in Latin Caius Plinius Secundus Latin writer (Como, 23 AD in Stabies, 79 AD). based on hombres y Mujeres celebres. Barcelona 1877.

XEE4403715: Pliny The Elder (23-79) - portrait of Pliny the Elder. in Latin Caius Plinius Secundus Latin writer (Como, 23 AD in Stabies, 79 AD). based on hombres y Mujeres celebres. Barcelona 1877., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Don Eugenio de Ochoa (1833-1889) Spanish man of letter and politician.
Portrait of Don Eugenio de Ochoa (1833-1889) Spanish man of letter and politician.

XEE4403817: Portrait of Don Eugenio de Ochoa (1833-1889) Spanish man of letter and politician., Unknown Artist, (19th century) / Bridgeman Images

Saint Louis (1214-1270), King of France, and his councillor Saint Vincent de Beauvais (v.1190-1264), after “La Ciencia y sus Hombres par Louis Figuier”. Barcelona 1881
Saint Louis (1214-1270), King of France, and his councillor Saint Vincent de Beauvais (v.1190-1264), after “La Ciencia y sus Hombres par Louis Figuier”. Barcelona 1881

XEE4403859: Saint Louis (1214-1270), King of France, and his councillor Saint Vincent de Beauvais (v.1190-1264), after “La Ciencia y sus Hombres par Louis Figuier”. Barcelona 1881, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Luigi Lablache (1794-1858), French opera singer.
Portrait of Luigi Lablache (1794-1858), French opera singer.

XEE4404151: Portrait of Luigi Lablache (1794-1858), French opera singer., French School, (19th century) / Bridgeman Images

Herault publishes the edit. Anonymous illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
Herault publishes the edit. Anonymous illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404240: Herault publishes the edit. Anonymous illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

The cook responds to the princess that he prepares Riquet's wedding feast. Anonymous illustration for “” Riquet a la houppe””, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
The cook responds to the princess that he prepares Riquet's wedding feast. Anonymous illustration for “” Riquet a la houppe””, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404283: The cook responds to the princess that he prepares Riquet's wedding feast. Anonymous illustration for “” Riquet a la houppe””, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

The theatre square in Bucharest, Romania in 1900.
The theatre square in Bucharest, Romania in 1900.

XEE4404211: The theatre square in Bucharest, Romania in 1900., Unknown Artist, (20th century) / Bridgeman Images

The little poucet sows rocks in his way. Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
The little poucet sows rocks in his way. Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404332: The little poucet sows rocks in his way. Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

The good fee sleeps the inhabitants of the castle. Anonymous illustration for “La belle au bois dormant”, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
The good fee sleeps the inhabitants of the castle. Anonymous illustration for “La belle au bois dormant”, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404284: The good fee sleeps the inhabitants of the castle. Anonymous illustration for “La belle au bois dormant”, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

Engagement of the Marquis of Carabas and the King's daughter. Illustration for “” Le chat Botte””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
Engagement of the Marquis of Carabas and the King's daughter. Illustration for “” Le chat Botte””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404325: Engagement of the Marquis of Carabas and the King's daughter. Illustration for “” Le chat Botte””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

Portrait of George Shelley English calligrapher of the 18th century engraving by George Bickham.
Portrait of George Shelley English calligrapher of the 18th century engraving by George Bickham.

XEE4404360: Portrait of George Shelley English calligrapher of the 18th century engraving by George Bickham., Bickham, George (the Younger) (c.1706–71) / Bridgeman Images

The good fee of Cinderella and Cinderella. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The good fee of Cinderella and Cinderella. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404551: The good fee of Cinderella and Cinderella. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The boot cat meets the ogre. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The boot cat meets the ogre. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404573: The boot cat meets the ogre. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The exile Chanson de Beranger in “” Works Completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.
The exile Chanson de Beranger in “” Works Completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.

XEE4404463: The exile Chanson de Beranger in “” Works Completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter., French School, (19th century) / Bridgeman Images

Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404639: Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Hunting Nandou cover of 'Journal des Voyages', 1900 (print)
Hunting Nandou cover of 'Journal des Voyages', 1900 (print)

XEE4404487: Hunting Nandou cover of 'Journal des Voyages', 1900 (print), French School, (20th century) / Bridgeman Images

Cinderella frees the mice that trash as horses and a rat as coachers. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Cinderella frees the mice that trash as horses and a rat as coachers. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404559: Cinderella frees the mice that trash as horses and a rat as coachers. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The cat forces the peasants to say that the field in which they mow the wheat belongs to the Marquis de Carabas. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The cat forces the peasants to say that the field in which they mow the wheat belongs to the Marquis de Carabas. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404574: The cat forces the peasants to say that the field in which they mow the wheat belongs to the Marquis de Carabas. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The children of the handler, who just died, share his property: donkey, mill and cat. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The children of the handler, who just died, share his property: donkey, mill and cat. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404582: The children of the handler, who just died, share his property: donkey, mill and cat. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404617: Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404644: Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The parents of the Little Poucet decided to abandon their children in the forest. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The parents of the Little Poucet decided to abandon their children in the forest. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404705: The parents of the Little Poucet decided to abandon their children in the forest. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Little Poucet and his brothers lost in the forest abandoned by their parents. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Little Poucet and his brothers lost in the forest abandoned by their parents. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404722: Little Poucet and his brothers lost in the forest abandoned by their parents. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Berthold Auerbach (1812-1882), German writer.
Portrait of Berthold Auerbach (1812-1882), German writer.

XEE4404198: Portrait of Berthold Auerbach (1812-1882), German writer., Unknown Artist, (19th century) / Bridgeman Images

Trout changed to a sow. Anonymous illustration for the tale “L'oiseau Bleu”, tale by Madame d'Aulnoy (1650-1705), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
Trout changed to a sow. Anonymous illustration for the tale “L'oiseau Bleu”, tale by Madame d'Aulnoy (1650-1705), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404285: Trout changed to a sow. Anonymous illustration for the tale “L'oiseau Bleu”, tale by Madame d'Aulnoy (1650-1705), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

Anonymous illustration for “The Little Red Riding Hood”, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
Anonymous illustration for “The Little Red Riding Hood”, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404309: Anonymous illustration for “The Little Red Riding Hood”, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

Reading method suitable for the age and intelligence of the child, 1934 French school book to learn to read.
Reading method suitable for the age and intelligence of the child, 1934 French school book to learn to read.

XEE4404411: Reading method suitable for the age and intelligence of the child, 1934 French school book to learn to read. / Bridgeman Images

L'ombre d'Anacreon Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.
L'ombre d'Anacreon Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.

XEE4404454: L'ombre d'Anacreon Chanson de Beranger in “” Oeuvres completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter., French School, (19th century) / Bridgeman Images

The godmother (the right fee) turns lezards into lackey. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The godmother (the right fee) turns lezards into lackey. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404550: The godmother (the right fee) turns lezards into lackey. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images


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