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View of Moscow
View of Moscow

HGM81063: View of Moscow, Kandinsky, Wassily (1866-1944) / Bridgeman Images

Titlepage of Kandinsky's 'Ueber das Geistige in der Kunst', 1912 (litho)
Titlepage of Kandinsky's 'Ueber das Geistige in der Kunst', 1912 (litho)

HKL275343: Titlepage of Kandinsky's 'Ueber das Geistige in der Kunst', 1912 (litho), Kandinsky, Wassily (1866-1944) / Bridgeman Images

Passing by Red pillars, 1928 (no 57) (w/c on primed paper on cardboard)
Passing by Red pillars, 1928 (no 57) (w/c on primed paper on cardboard)

NUM117823: Passing by Red pillars, 1928 (no 57) (w/c on primed paper on cardboard), Klee, Paul (1879-1940) / Bridgeman Images

Interior at Nice, c.1919 (oil on canvas)
Interior at Nice, c.1919 (oil on canvas)

STM621103: Interior at Nice, c.1919 (oil on canvas), Matisse, Henri (1869-1954) / Bridgeman Images

Wild Flowers, 1919 (oil on canvas)
Wild Flowers, 1919 (oil on canvas)

XIR206446: Wild Flowers, 1919 (oil on canvas), Bonnard, Pierre (1867-1947) / Bridgeman Images

Queue for Petrol in Vienna, Oil Crisis in Europe, 14th December 1973 (b/w photo)
Queue for Petrol in Vienna, Oil Crisis in Europe, 14th December 1973 (b/w photo)

XRH1702430: Queue for Petrol in Vienna, Oil Crisis in Europe, 14th December 1973 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

Le Mans Racing Circuit, France, 1959 (photo)
Le Mans Racing Circuit, France, 1959 (photo)

XRH1721993: Le Mans Racing Circuit, France, 1959 (photo), Unknown photographer, (20th century) / Bridgeman Images

The litterary salon of the Marquise de Rambouillet inspired Moliere to write “Les precieuses ridicules”. Around the Marquise (nee Catherine de Vivonne, 1588-1665) are Angelique Paulet, Marquise De Sable (nee Magdeleine de Souvre, 1599-1678), Mme Des Loges, Mme Renaudot, Mme de Saintot... 17th century. Engraving from 1858.
The litterary salon of the Marquise de Rambouillet inspired Moliere to write “Les precieuses ridicules”. Around the Marquise (nee Catherine de Vivonne, 1588-1665) are Angelique Paulet, Marquise De Sable (nee Magdeleine de Souvre, 1599-1678), Mme Des Loges, Mme Renaudot, Mme de Saintot... 17th century. Engraving from 1858.

XEE4167963: The litterary salon of the Marquise de Rambouillet inspired Moliere to write “Les precieuses ridicules”. Around the Marquise (nee Catherine de Vivonne, 1588-1665) are Angelique Paulet, Marquise De Sable (nee Magdeleine de Souvre, 1599-1678), Mme Des Loges, Mme Renaudot, Mme de Saintot... 17th century. Engraving from 1858., French School, (19th century) / Bridgeman Images

The meeting of Ulysses and Penelope
The meeting of Ulysses and Penelope

LLM455866: The meeting of Ulysses and Penelope, Flaxman, John (1755-1826) (after) / Bridgeman Images

Black-figure amphora depicting Ajax and Achilles, c.540 BC (ceramic) (detail of 20045)
Black-figure amphora depicting Ajax and Achilles, c.540 BC (ceramic) (detail of 20045)

FAB349786: Black-figure amphora depicting Ajax and Achilles, c.540 BC (ceramic) (detail of 20045), Exekias (6th century BC) / Bridgeman Images

The Curia Lawyer's Office (oil on canvas)
The Curia Lawyer's Office (oil on canvas)

XAL182069: The Curia Lawyer's Office (oil on canvas), Vos, Paul de (c.1595-1678) / Bridgeman Images

The Centurion, illustration for 'The Life of Christ', c.1886-94 (w/c & gouache on paperboard)
The Centurion, illustration for 'The Life of Christ', c.1886-94 (w/c & gouache on paperboard)

TBM182236: The Centurion, illustration for 'The Life of Christ', c.1886-94 (w/c & gouache on paperboard), Tissot, James Jacques Joseph (1836-1902) / Bridgeman Images

Coco de Mer, 2010 (acrylic on canvas)
Coco de Mer, 2010 (acrylic on canvas)

SEL398463: Coco de Mer, 2010 (acrylic on canvas), Seligman, Lincoln / Bridgeman Images

The Maharaja Dalip Singh, 1854 (oil on canvas)
The Maharaja Dalip Singh, 1854 (oil on canvas)

ROC399099: The Maharaja Dalip Singh, 1854 (oil on canvas), Winterhalter, Franz Xaver (1805-73) / Bridgeman Images

The superficial anatomy of the shoulder and neck, c.1510 (pen & ink with wash over black chalk on paper)
The superficial anatomy of the shoulder and neck, c.1510 (pen & ink with wash over black chalk on paper)

ROC399264: The superficial anatomy of the shoulder and neck, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

'Noli me tangere', c.1524 (oil on panel)
'Noli me tangere', c.1524 (oil on panel)

ROC399008: 'Noli me tangere', c.1524 (oil on panel), Holbein the Younger, Hans (1497/8-1543) / Bridgeman Images

Campbell's Soup, 1968 (screenprint)
Campbell's Soup, 1968 (screenprint)

WAG17557: Campbell's Soup, 1968 (screenprint), Warhol, Andy (1928-87) / Bridgeman Images

Perspective, 1923 (oil on canvas)
Perspective, 1923 (oil on canvas)

BAL50141: Perspective, 1923 (oil on canvas), De Lempicka, Tamara (1898-1980) / Bridgeman Images

Red Kiss, 1907 (oil on canvas)
Red Kiss, 1907 (oil on canvas)

PWI96060: Red Kiss, 1907 (oil on canvas), Dongen, Kees van (1877-1968) / Bridgeman Images

William Harvey (gouache on paper)
William Harvey (gouache on paper)

LAL278853: William Harvey (gouache on paper), Rainer, Paul (20th century) / Bridgeman Images

Initiation rites of the cult of Dionysus, fresco from the Villa Dei Mysteri, 1st century BC (fresco)
Initiation rites of the cult of Dionysus, fresco from the Villa Dei Mysteri, 1st century BC (fresco)

XIR166518: Initiation rites of the cult of Dionysus, fresco from the Villa Dei Mysteri, 1st century BC (fresco), Roman, (1st century BC) / Bridgeman Images

Roman replica of the Athena Farnese (marble)
Roman replica of the Athena Farnese (marble)

XAL166543: Roman replica of the Athena Farnese (marble), Phidias (c.500-c.432 BC) (school of) (after) / Bridgeman Images

Sudden Shower over Shin-Ohashi Bridge and Atake (Ohashi Atake no Yudachi), plate 58 from 'One Hundred Famous Views of Edo' (woodblock colour print)
Sudden Shower over Shin-Ohashi Bridge and Atake (Ohashi Atake no Yudachi), plate 58 from 'One Hundred Famous Views of Edo' (woodblock colour print)

TBM168015: Sudden Shower over Shin-Ohashi Bridge and Atake (Ohashi Atake no Yudachi), plate 58 from 'One Hundred Famous Views of Edo' (woodblock colour print), Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

Discobolus, copy of a Greek original (plaster) (b/w photo)
Discobolus, copy of a Greek original (plaster) (b/w photo)

FAF201610: Discobolus, copy of a Greek original (plaster) (b/w photo), Myron, (fl.c.450 BC) (after) / Bridgeman Images

Christ on the Sea of Galilee (gouache on paper)
Christ on the Sea of Galilee (gouache on paper)

LAL260581: Christ on the Sea of Galilee (gouache on paper), Hayes, Jack (20th Century) / Bridgeman Images

Hannibal and Scipio (gouache on paper)
Hannibal and Scipio (gouache on paper)

LAL261261: Hannibal and Scipio (gouache on paper), Baraldi, Severino (b.1930) / Bridgeman Images

Relief depicting a group of lictors fasces (stone) (b/w photo)
Relief depicting a group of lictors fasces (stone) (b/w photo)

FAF177978: Relief depicting a group of lictors fasces (stone) (b/w photo), Roman / Bridgeman Images

Statue of Pope Boniface VIII (1235-1303) 1301 (bronze)
Statue of Pope Boniface VIII (1235-1303) 1301 (bronze)

XIR179476: Statue of Pope Boniface VIII (1235-1303) 1301 (bronze), Manno di Bandino (fl.1301-12) / Bridgeman Images

The Last Supper, 1495-97 (fresco) (post restoration)
The Last Supper, 1495-97 (fresco) (post restoration)

BAL230517: The Last Supper, 1495-97 (fresco) (post restoration), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Fol.126v The three Marys carry an ointment to the tomb to annoint the body of Christ (vellum)
Fol.126v The three Marys carry an ointment to the tomb to annoint the body of Christ (vellum)

FAF142196: Fol.126v The three Marys carry an ointment to the tomb to annoint the body of Christ (vellum), Italian School, (15th century) / Bridgeman Images

The Fog Warning, 1885 (oil on canvas)
The Fog Warning, 1885 (oil on canvas)

BST216009: The Fog Warning, 1885 (oil on canvas), Homer, Winslow (1836-1910) / Bridgeman Images

Herod (21BC-39AD), illustration for 'The Life of Christ', c.1886-94 (w/c & gouache on paperboard)
Herod (21BC-39AD), illustration for 'The Life of Christ', c.1886-94 (w/c & gouache on paperboard)

TBM182217: Herod (21BC-39AD), illustration for 'The Life of Christ', c.1886-94 (w/c & gouache on paperboard), Tissot, James Jacques Joseph (1836-1902) / Bridgeman Images

Children playing, 1909 (oil on canvas)
Children playing, 1909 (oil on canvas)

BAL21428: Children playing, 1909 (oil on canvas), Kokoschka, Oskar (1886-1980) / Bridgeman Images

Ms 722/1196 fol.358v  Capture of Acre in 1191, from Le Miroir Historial, by Vincent de Beauvais (vellum)
Ms 722/1196 fol.358v  Capture of Acre in 1191, from Le Miroir Historial, by Vincent de Beauvais (vellum)

CND4481: Ms 722/1196 fol.358v Capture of Acre in 1191, from Le Miroir Historial, by Vincent de Beauvais (vellum), French School, (15th century) / Bridgeman Images

The Adoration of the Magi, 1488 (tempera on panel) (for detail see 120935)
The Adoration of the Magi, 1488 (tempera on panel) (for detail see 120935)

BEN120249: The Adoration of the Magi, 1488 (tempera on panel) (for detail see 120935), Ghirlandaio, Domenico (1449-94) / Bridgeman Images

'The Beautiful Greek', Marie Pauline Bonaparte, Princess Borghese
'The Beautiful Greek', Marie Pauline Bonaparte, Princess Borghese

XIR68215: 'The Beautiful Greek', Marie Pauline Bonaparte, Princess Borghese, Counis, Salomon Guillaume (1785-1859) / Bridgeman Images


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