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Virgil 70-19 BC) Reading the 'Aeneid' to Livia, Octavia and Augustus, 1819 (oil on canvas)
Virgil 70-19 BC) Reading the 'Aeneid' to Livia, Octavia and Augustus, 1819 (oil on canvas)

XIR61062: Virgil 70-19 BC) Reading the 'Aeneid' to Livia, Octavia and Augustus, 1819 (oil on canvas), Ingres, Jean Auguste Dominique (1780-1867) / Bridgeman Images

Tropical Landscape, Martinique, 1887 (oil on canvas)
Tropical Landscape, Martinique, 1887 (oil on canvas)

XIR95493: Tropical Landscape, Martinique, 1887 (oil on canvas), Gauguin, Paul (1848-1903) / Bridgeman Images

Christ's Entry into Jerusalem, c.1920 (oil on canvas)
Christ's Entry into Jerusalem, c.1920 (oil on canvas)

LMG100067: Christ's Entry into Jerusalem, c.1920 (oil on canvas), Spencer, Stanley (1891-1959) / Bridgeman Images

Studies of the Proportions of the Face and Eye, 1489-90 (pen & ink over metalpoint on paper)
Studies of the Proportions of the Face and Eye, 1489-90 (pen & ink over metalpoint on paper)

FAB32565: Studies of the Proportions of the Face and Eye, 1489-90 (pen & ink over metalpoint on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Sausage and Cheese Sellers (fresco)
Sausage and Cheese Sellers (fresco)

XIR32729: Sausage and Cheese Sellers (fresco), Italian School, (15th century) / Bridgeman Images

The storm-god Baal with a thunderbolt, from Ugarit (Ras Shamra) c.1350-1250 BC (sandstone)
The storm-god Baal with a thunderbolt, from Ugarit (Ras Shamra) c.1350-1250 BC (sandstone)

XIR44259: The storm-god Baal with a thunderbolt, from Ugarit (Ras Shamra) c.1350-1250 BC (sandstone), Assyrian / Bridgeman Images

Dialogue between the Alchemist and Nature, 1516 (vellum)
Dialogue between the Alchemist and Nature, 1516 (vellum)

XIR70075: Dialogue between the Alchemist and Nature, 1516 (vellum), Perreal, Jean (c.1455-1530) / Bridgeman Images

Ms. 0242 f.48v View of a city with labourers paving roads leading up to the city gates with cobbles while the king stands in a chamber dictating to two scribes (vellum)
Ms. 0242 f.48v View of a city with labourers paving roads leading up to the city gates with cobbles while the king stands in a chamber dictating to two scribes (vellum)

XTD69856: Ms. 0242 f.48v View of a city with labourers paving roads leading up to the city gates with cobbles while the king stands in a chamber dictating to two scribes (vellum), French School, (15th century) / Bridgeman Images

f.3 The Coronation of King Henry II's son, also called Henry, by Roger of Pont l'Eveque, Archbishop of York in 1170, from the Becket Leaves, c.1220-40 (vellum)
f.3 The Coronation of King Henry II's son, also called Henry, by Roger of Pont l'Eveque, Archbishop of York in 1170, from the Becket Leaves, c.1220-40 (vellum)

XTD70085: f.3 The Coronation of King Henry II's son, also called Henry, by Roger of Pont l'Eveque, Archbishop of York in 1170, from the Becket Leaves, c.1220-40 (vellum), English School, (13th century) / Bridgeman Images

Abbe Prevost reading 'Manon Lescaut', 1856
Abbe Prevost reading 'Manon Lescaut', 1856

BAL77151: Abbe Prevost reading 'Manon Lescaut', 1856, Caraud, Joseph (1821-1905) / Bridgeman Images

Husband and Wife, c.1523
Husband and Wife, c.1523

BOO73024: Husband and Wife, c.1523, Lotto, Lorenzo (c.1480-1556) / Bridgeman Images

Lion capital from the Ashoka pillar, from Sarnath, 3rd century BC (polished sandstone)
Lion capital from the Ashoka pillar, from Sarnath, 3rd century BC (polished sandstone)

DND115150: Lion capital from the Ashoka pillar, from Sarnath, 3rd century BC (polished sandstone) / Bridgeman Images

Harold crosses the Channel into the territory of Guy, Count of Ponthieu, where he is captured, Bayeux Tapestry (wool embroidery on linen)
Harold crosses the Channel into the territory of Guy, Count of Ponthieu, where he is captured, Bayeux Tapestry (wool embroidery on linen)

XCF115609: Harold crosses the Channel into the territory of Guy, Count of Ponthieu, where he is captured, Bayeux Tapestry (wool embroidery on linen) / Bridgeman Images

A Yixing Teapot and a Chinese Porcelain Tete-a-Tete on a Partly Draped Ledge (oil on canvas)
A Yixing Teapot and a Chinese Porcelain Tete-a-Tete on a Partly Draped Ledge (oil on canvas)

BAL121434: A Yixing Teapot and a Chinese Porcelain Tete-a-Tete on a Partly Draped Ledge (oil on canvas), Roestraten, Pieter Gerritsz. van (c.1630-1700) / Bridgeman Images

The Orchard (oil on canvas)
The Orchard (oil on canvas)

AEG122852: The Orchard (oil on canvas), Gotch, Thomas Cooper (1854-1931) / Bridgeman Images

White Roses, 1870 (oil on canvas)
White Roses, 1870 (oil on canvas)

OJ123449: White Roses, 1870 (oil on canvas), Fantin-Latour, Ignace Henri Jean (1836-1904) / Bridgeman Images

The Burning of
The Burning of

RAF57922: The Burning of "The Royal James" at the Battle of Sole Bank, 6th June 1672, Velde, Willem van de, the Younger (1633-1707) / Bridgeman Images

Portrait of Andrea Quaratesi, c.1532 (black chalk on paper)
Portrait of Andrea Quaratesi, c.1532 (black chalk on paper)

BAL49891: Portrait of Andrea Quaratesi, c.1532 (black chalk on paper), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

Personification of the earth mother, allegorical relief, Roman, Carthage, beginning of 2nd century AD (marble)
Personification of the earth mother, allegorical relief, Roman, Carthage, beginning of 2nd century AD (marble)

SCP53231: Personification of the earth mother, allegorical relief, Roman, Carthage, beginning of 2nd century AD (marble) / Bridgeman Images

Dr Faustus in his Study (engraving)
Dr Faustus in his Study (engraving)

LMG88756: Dr Faustus in his Study (engraving), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

William III (1650-1702) and Mary II (1662-94), c.1688-94 (engraving)
William III (1650-1702) and Mary II (1662-94), c.1688-94 (engraving)

CWA123953: William III (1650-1702) and Mary II (1662-94), c.1688-94 (engraving), Dutch School, (17th century) / Bridgeman Images

Witchcraft at Salem Village, from 'The Romance and Tragedy of Pioneer Life' by Augustus L. Mason, 1883 (engraving) (b/w photo)
Witchcraft at Salem Village, from 'The Romance and Tragedy of Pioneer Life' by Augustus L. Mason, 1883 (engraving) (b/w photo)

BAL129723: Witchcraft at Salem Village, from 'The Romance and Tragedy of Pioneer Life' by Augustus L. Mason, 1883 (engraving) (b/w photo), American School, (19th century) / Bridgeman Images

The Duel, 1901 (oil on canvas)
The Duel, 1901 (oil on canvas)

XAB126091: The Duel, 1901 (oil on canvas), Repin, Ilya Efimovich (1844-1930) / Bridgeman Images

View of the Rialto Bridge, from the North, c.1734-35 (oil on canvas)
View of the Rialto Bridge, from the North, c.1734-35 (oil on canvas)

SJS134745: View of the Rialto Bridge, from the North, c.1734-35 (oil on canvas), Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images

Harpsichord, 1634
Harpsichord, 1634

BAL1055: Harpsichord, 1634, Ruckers, Jan or Joannes (1578-1642) / Bridgeman Images

Moustache cup commemorating Victoria's Diamond Jubilee, 1897 (ceramic)
Moustache cup commemorating Victoria's Diamond Jubilee, 1897 (ceramic)

BAL2486: Moustache cup commemorating Victoria's Diamond Jubilee, 1897 (ceramic), English School / Bridgeman Images

The Madhouse, 1812-15 (oil on canvas)
The Madhouse, 1812-15 (oil on canvas)

XIR533: The Madhouse, 1812-15 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Portrait of Philip II (mounted on a cow), the Duke of Alencon, the Duke of Alba, William of Orange and Queen Elizabeth I
Portrait of Philip II (mounted on a cow), the Duke of Alencon, the Duke of Alba, William of Orange and Queen Elizabeth I

BAL4620: Portrait of Philip II (mounted on a cow), the Duke of Alencon, the Duke of Alba, William of Orange and Queen Elizabeth I, Moro, Philip (d.1578) / Bridgeman Images

June
June

BAL9879: June, Grasset, Eugene (1841-1917) / Bridgeman Images

Sun and Moon Flowers, 1889 (oil on canvas)
Sun and Moon Flowers, 1889 (oil on canvas)

GHA8372: Sun and Moon Flowers, 1889 (oil on canvas), Leslie, George Dunlop (1835-1921) / Bridgeman Images

Charge of the Queens Bays against the Mutineers at Lucknow, 6th March 1858 (oil on canvas)
Charge of the Queens Bays against the Mutineers at Lucknow, 6th March 1858 (oil on canvas)

SR20883: Charge of the Queens Bays against the Mutineers at Lucknow, 6th March 1858 (oil on canvas), Payne, Henry A. (Harry) (1868-1940) / Bridgeman Images

St Augustine in his Cell, c.1480 (fresco)
St Augustine in his Cell, c.1480 (fresco)

BEN29143: St Augustine in his Cell, c.1480 (fresco), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

At the Cafe, Rouen, 1880 (oil on canvas)
At the Cafe, Rouen, 1880 (oil on canvas)

XIR26544: At the Cafe, Rouen, 1880 (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

The Battle of Germantown, 4th October 1777, 1782 (gouache on paper)
The Battle of Germantown, 4th October 1777, 1782 (gouache on paper)

PHD29482: The Battle of Germantown, 4th October 1777, 1782 (gouache on paper), Gatta, Saviero Xavier della (fl.1777-1820) / Bridgeman Images

Death of Francesca da Rimini and Paolo Malatesta, 1870 (oil on canvas)
Death of Francesca da Rimini and Paolo Malatesta, 1870 (oil on canvas)

XIR39134: Death of Francesca da Rimini and Paolo Malatesta, 1870 (oil on canvas), Cabanel, Alexandre (1823-89) / Bridgeman Images

Ming vase with three colour decoration (porcelain)
Ming vase with three colour decoration (porcelain)

XIR166333: Ming vase with three colour decoration (porcelain), Chinese School / Bridgeman Images


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