XIR390347:
Triumphal Arch (oil on canvas), Demachy, Pierre Antoine (1723-1807) / Bridgeman Images
ID: XIR390347
Triumphal Arch (oil on canvas)
Demachy, Pierre Antoine (1723-1807)
XIR390351:
The Pont des Treilles on the river Maine at Angers (oil on canvas), Fleury, James Vivien de (fl.1847-1868) / Bridgeman Images
ID: XIR390351
The Pont des Treilles on the river Maine at Angers (oil on canvas)
Fleury, James Vivien de (fl.1847-1868)
XIR391108:
Bather with mimosa, c.1907 (oil on canvas), Denis, Maurice (1870-1943) / Bridgeman Images
ID: XIR391108
Bather with mimosa, c.1907 (oil on canvas)
Denis, Maurice (1870-1943)
XIR391139:
Sculpture on the landing of the Escalier de la Reine celebrating symbolically the marriage of Louis XIV and Marie-Therese of Austria, 1680 (gilded lead), Masson, Benoit or Massou (1627-84) / Bridgeman Images
ID: XIR391139
Sculpture on the landing of the Escalier de la Reine celebrating symbolically the marriage of Louis XIV and Marie-Therese of Austria, 1680 (gilded lead)
Masson, Benoit or Massou (1627-84)
XIR391140:
Interlaced Monogram of Louis XIV from the inside shutter of the King's Bedroom, c.1701 (gilded wood), French School, (17th century) / Bridgeman Images
ID: XIR391140
Interlaced Monogram of Louis XIV from the inside shutter of the King's Bedroom, c.1701 (gilded wood)
French School, (17th century)
XIR391142:
Domestic Stove, c. 1705 (ceramic), French School, (18th century) / Bridgeman Images
ID: XIR391142
Domestic Stove, c. 1705 (ceramic)
French School, (18th century)
XIR391146:
Cupboard with seven columns, 2nd half 17th century (wood & marquetry), French School, (17th century) / Bridgeman Images
ID: XIR391146
Cupboard with seven columns, 2nd half 17th century (wood & marquetry)
French School, (17th century)
XIR391154:
Monsieur Remond, c. 1755 (pastel), Valade, Jean (1709-87) / Bridgeman Images
ID: XIR391154
Monsieur Remond, c. 1755 (pastel)
Valade, Jean (1709-87)
XIR391165:
Sword case, stamped 'Manufacture Royale d'Armes a Versailles' (leather), Boutet, Nicolas Noel (1761-1833) / Bridgeman Images
ID: XIR391165
Sword case, stamped 'Manufacture Royale d'Armes a Versailles' (leather)
Boutet, Nicolas Noel (1761-1833)
XIR391177:
Paris Commune: The Fall of the Vendome Column, 29th May 1871 (w/c on paper), Pils, Isidore (1813-75) / Bridgeman Images
ID: XIR391177
Paris Commune: The Fall of the Vendome Column, 29th May 1871 (w/c on paper)
Pils, Isidore (1813-75)
XIR391179:
Squat armchair, Second Empire Style, French School, (19th century) / Bridgeman Images
ID: XIR391179
Squat armchair, Second Empire Style
French School, (19th century)
XIR391180:
Squat armchair, Second Empire Style, French School, (19th century) / Bridgeman Images
ID: XIR391180
Squat armchair, Second Empire Style
French School, (19th century)
XIR391183:
Three persons, from the Month of January (tapestry) (detail of 391182), Le Brun, Charles (1619-90) (after) / Bridgeman Images
ID: XIR391183
Three persons, from the Month of January (tapestry) (detail of 391182)
Le Brun, Charles (1619-90) (after)
XIR391191:
The Month of November/ Chateau of Blois, from the series of tapestries 'The Months or Royal Residences', produced in the Gobelins Workshop for Louis XIV (tapestry), Le Brun, Charles (1619-90) (after) / Bridgeman Images
ID: XIR391191
The Month of November/ Chateau of Blois, from the series of tapestries 'The Months or Royal Residences', produced in the Gobelins Workshop for Louis XIV (tapestry)
Le Brun, Charles (1619-90) (after)
XIR391402:
A valley at dawn, 1852 (oil on canvas), Chintreuil, Antoine (1814-73) / Bridgeman Images
ID: XIR391402
A valley at dawn, 1852 (oil on canvas)
Chintreuil, Antoine (1814-73)
XIR394904:
The handsome model, 1923 (oil on canvas) (also see 287576), Derain, Andre (1880-1954) / Bridgeman Images
ID: XIR394904
The handsome model, 1923 (oil on canvas) (also see 287576)
Derain, Andre (1880-1954)
XJF396006:
I make the acquaintance of Miss. Mowcher, illustration from 'David Copperfield' by Charles Dickens (1812-70) first published 1850 (litho), Browne, Hablot Knight (Phiz) (1815-92) / Bridgeman Images
ID: XJF396006
I make the acquaintance of Miss. Mowcher, illustration from 'David Copperfield' by Charles Dickens (1812-70) first published 1850 (litho)
Browne, Hablot Knight (Phiz) (1815-92)
XJF396012:
Mr. Guppy's entertainment, illustration from 'Bleak House' by Charles Dickens (1812-70) published 1853 (litho), Browne, Hablot Knight (Phiz) (1815-92) / Bridgeman Images
ID: XJF396012
Mr. Guppy's entertainment, illustration from 'Bleak House' by Charles Dickens (1812-70) published 1853 (litho)
Browne, Hablot Knight (Phiz) (1815-92)
XJF396014:
A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images
ID: XJF396014
A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving)
Dore, Gustave (1832-83)
XJF396032:
The Stalls, Covent Garden Opera, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84), engraved by Paul Jonnard-Pacel (d.1902) (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images
ID: XJF396032
The Stalls, Covent Garden Opera, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84), engraved by Paul Jonnard-Pacel (d.1902) (engraving)
Dore, Gustave (1832-83) (after)
XJF396041:
A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images
ID: XJF396041
A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving)
Dore, Gustave (1832-83)
XJF396074:
Company of Undertakers, 1736 (engraving), Hogarth, William (1697-1764) / Bridgeman Images
ID: XJF396074
Company of Undertakers, 1736 (engraving)
Hogarth, William (1697-1764)
XJF396077:
The Politician, etched by John Keyse Sherwin, 1775 (etching), Hogarth, William (1697-1764) (after) / Bridgeman Images
ID: XJF396077
The Politician, etched by John Keyse Sherwin, 1775 (etching)
Hogarth, William (1697-1764) (after)
XJF387439:
Initial Letter of a Charter containing portraits of Henry VIII and Wolsey, 1529 (vellum), English School, (16th century) / Bridgeman Images
ID: XJF387439
Initial Letter of a Charter containing portraits of Henry VIII and Wolsey, 1529 (vellum)
English School, (16th century)
XJF387448:
The last Aztec Emperor Cuauhtemoc surrenders, plate from 'Antiguedades Mexicanas' by Alfredo Chavero, 1892 (engraving), Spanish School, (19th century) / Bridgeman Images
ID: XJF387448
The last Aztec Emperor Cuauhtemoc surrenders, plate from 'Antiguedades Mexicanas' by Alfredo Chavero, 1892 (engraving)
Spanish School, (19th century)
XJF387452:
Lazarus at the rich man's gate (vellum), French School, (14th century) / Bridgeman Images
ID: XJF387452
Lazarus at the rich man's gate (vellum)
French School, (14th century)
XJF387474:
Christmas in the Servant's Hall (litho), Browne, Hablot Knight (Phiz) (1815-92) / Bridgeman Images
ID: XJF387474
Christmas in the Servant's Hall (litho)
Browne, Hablot Knight (Phiz) (1815-92)
XJF387498:
Furniture in the Grecian Style from 'Architectural Decorations' by Gaetano Landi, engraved by G. D'Argenzio, 1810 (engraving), Italian School, (19th century) / Bridgeman Images
ID: XJF387498
Furniture in the Grecian Style from 'Architectural Decorations' by Gaetano Landi, engraved by G. D'Argenzio, 1810 (engraving)
Italian School, (19th century)
XJF392695:
Sir Philip Francis (engraving), Romney, George (1734-1802) (after) / Bridgeman Images
ID: XJF392695
Sir Philip Francis (engraving)
Romney, George (1734-1802) (after)
XJF392697:
Thomas Southerne (1660-1746) (engraving), English School, (18th century) / Bridgeman Images
ID: XJF392697
Thomas Southerne (1660-1746) (engraving)
English School, (18th century)
XJF392698:
William Carleton (1794-1869) (engraving), English School, (19th century) / Bridgeman Images
ID: XJF392698
William Carleton (1794-1869) (engraving)
English School, (19th century)
XJF393811:
Portrait of Sir Thomas Bodley (1545-1613) (engraving), Ryall, Henry Thomas (1811-67) (after) / Bridgeman Images
ID: XJF393811
Portrait of Sir Thomas Bodley (1545-1613) (engraving)
Ryall, Henry Thomas (1811-67) (after)
XJF393812:
Portrait of Maestro Niccola Zabaglia (engraving), Italian School / Bridgeman Images
ID: XJF393812
Portrait of Maestro Niccola Zabaglia (engraving)
Italian School
XJF393826:
The Bride and Groom entering the hall, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images
ID: XJF393826
The Bride and Groom entering the hall, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
Dore, Gustave (1832-83)
XJF393836:
The sailors see in the distance a ghostly ship, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images
ID: XJF393836
The sailors see in the distance a ghostly ship, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
Dore, Gustave (1832-83)
XJF393839:
The Mariner, surrounded by the dead sailors, suffers anguish of spirit, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images
ID: XJF393839
The Mariner, surrounded by the dead sailors, suffers anguish of spirit, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)