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Noble arabe - Arabian nobleman in large hat, cloak, embroidered robes, red stockings and slippers - Handcoloured woodcut by Pannemaker after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistic, Brussels, 1845
Noble arabe - Arabian nobleman in large hat, cloak, embroidered robes, red stockings and slippers - Handcoloured woodcut by Pannemaker after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistic, Brussels, 1845

FLO4724184: Noble arabe - Arabian nobleman in large hat, cloak, embroidered robes, red stockings and slippers - Handcoloured woodcut by Pannemaker after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistic, Brussels, 1845 / Bridgeman Images

ID: FLO4724184

Noble arabe - Arabian nobleman in large hat, cloak, embroidered robes, red stockings and slippers - Handcoloured woodcut by Pannemaker after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistic, Brussels, 1845

Men's clothing anglo saxon: the shirt (50), worn directly on the skin, it also served as a nightgown. The Shroud (51), after being washed, the dead man is once again clothed in a shirt similar to his rank, then wrapped in a shroud until the ground, at that time the face is covered with a handkerchief or sudarium, usually white, but sometimes blue, red or pink. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Men's clothing anglo saxon: the shirt (50), worn directly on the skin, it also served as a nightgown. The Shroud (51), after being washed, the dead man is once again clothed in a shirt similar to his rank, then wrapped in a shroud until the ground, at that time the face is covered with a handkerchief or sudarium, usually white, but sometimes blue, red or pink. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707409: Men's clothing anglo saxon: the shirt (50), worn directly on the skin, it also served as a nightgown. The Shroud (51), after being washed, the dead man is once again clothed in a shirt similar to his rank, then wrapped in a shroud until the ground, at that time the face is covered with a handkerchief or sudarium, usually white, but sometimes blue, red or pink. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707409

Men's clothing anglo saxon: the shirt (50), worn directly on the skin, it also served as a nightgown. The Shroud (51), after being washed, the dead man is once again clothed in a shirt similar to his rank, then wrapped in a shroud until the ground, at that time the face is covered with a handkerchief or sudarium, usually white, but sometimes blue, red or pink. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

A noble woman or a Saxon Anglo queen, wearing a lilac dress with wide sleeves, and a blue scarf covering her head and neck, a red coat and a tunic colored gold decoree wine. From the 9th to the 10th century, women's sleeves evolve from the widest to flared shapes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
A noble woman or a Saxon Anglo queen, wearing a lilac dress with wide sleeves, and a blue scarf covering her head and neck, a red coat and a tunic colored gold decoree wine. From the 9th to the 10th century, women's sleeves evolve from the widest to flared shapes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707448: A noble woman or a Saxon Anglo queen, wearing a lilac dress with wide sleeves, and a blue scarf covering her head and neck, a red coat and a tunic colored gold decoree wine. From the 9th to the 10th century, women's sleeves evolve from the widest to flared shapes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707448

A noble woman or a Saxon Anglo queen, wearing a lilac dress with wide sleeves, and a blue scarf covering her head and neck, a red coat and a tunic colored gold decoree wine. From the 9th to the 10th century, women's sleeves evolve from the widest to flared shapes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knight of the Order of Aviz. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Aviz. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708496: Knight of the Order of Aviz. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708496

Knight of the Order of Aviz. A Portuguese military religious order, after the conquest of Aviz (Portugal), a military fortress was built and became the mother house of the order, who first called themselves the Knights of St. Benedict d'Aviz until they adopted the Benedictine rule in 1162. They were subject to the rules and the Cistercian costume, wearing a white coat and a green lysee flower cross. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Effigy of ladies in a grave, kneeling in prayer. A German version identifies this illustration as a lady and her daughter, but in a French edition it is called to place the knights in the tomb. In ancient monuments, knights and their wife were often places in this attitude. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1800.
Effigy of ladies in a grave, kneeling in prayer. A German version identifies this illustration as a lady and her daughter, but in a French edition it is called to place the knights in the tomb. In ancient monuments, knights and their wife were often places in this attitude. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1800.

FLO4708548: Effigy of ladies in a grave, kneeling in prayer. A German version identifies this illustration as a lady and her daughter, but in a French edition it is called to place the knights in the tomb. In ancient monuments, knights and their wife were often places in this attitude. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1800. / Bridgeman Images

ID: FLO4708548

Effigy of ladies in a grave, kneeling in prayer. A German version identifies this illustration as a lady and her daughter, but in a French edition it is called to place the knights in the tomb. In ancient monuments, knights and their wife were often places in this attitude. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1800.

Ash-coloured harrier, Circus cineraceus. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.
Ash-coloured harrier, Circus cineraceus. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

FLO4719035: Ash-coloured harrier, Circus cineraceus. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842. / Bridgeman Images

ID: FLO4719035

Ash-coloured harrier, Circus cineraceus. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

Masked water tyrant, Fluvicola nengeta. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.
Masked water tyrant, Fluvicola nengeta. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

FLO4719055: Masked water tyrant, Fluvicola nengeta. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842. / Bridgeman Images

ID: FLO4719055

Masked water tyrant, Fluvicola nengeta. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

Springbok, Antidorcas marsupialis (Antelope euchore). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.
Springbok, Antidorcas marsupialis (Antelope euchore). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

FLO4719474: Springbok, Antidorcas marsupialis (Antelope euchore). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842. / Bridgeman Images

ID: FLO4719474

Springbok, Antidorcas marsupialis (Antelope euchore). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

Grey partridge, Perdix perdix, mountain variety (Perdix montana). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.
Grey partridge, Perdix perdix, mountain variety (Perdix montana). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

FLO4719502: Grey partridge, Perdix perdix, mountain variety (Perdix montana). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842. / Bridgeman Images

ID: FLO4719502

Grey partridge, Perdix perdix, mountain variety (Perdix montana). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

Silver pheasant, Lophura nycthemera (Phasianus nycthemerus). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.
Silver pheasant, Lophura nycthemera (Phasianus nycthemerus). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

FLO4719654: Silver pheasant, Lophura nycthemera (Phasianus nycthemerus). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842. / Bridgeman Images

ID: FLO4719654

Silver pheasant, Lophura nycthemera (Phasianus nycthemerus). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

Female red bird-of-paradise, Paradisaea rubra (Paradisea rubra). After an illustration by Rene-Primevere Lesson (mislabeled juvenile male lesser bird-of-paradise, Paradisaea minor). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.
Female red bird-of-paradise, Paradisaea rubra (Paradisea rubra). After an illustration by Rene-Primevere Lesson (mislabeled juvenile male lesser bird-of-paradise, Paradisaea minor). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

FLO4719678: Female red bird-of-paradise, Paradisaea rubra (Paradisea rubra). After an illustration by Rene-Primevere Lesson (mislabeled juvenile male lesser bird-of-paradise, Paradisaea minor). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842. / Bridgeman Images

ID: FLO4719678

Female red bird-of-paradise, Paradisaea rubra (Paradisea rubra). After an illustration by Rene-Primevere Lesson (mislabeled juvenile male lesser bird-of-paradise, Paradisaea minor). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

Comparative anatomy of the heads of men, apes and birds - Handcoloured copperplate engraving by J. Chapman from Ebenezer Sibly's Universal System of Natural History, London, 1803
Comparative anatomy of the heads of men, apes and birds - Handcoloured copperplate engraving by J. Chapman from Ebenezer Sibly's Universal System of Natural History, London, 1803

FLO4714977: Comparative anatomy of the heads of men, apes and birds - Handcoloured copperplate engraving by J. Chapman from Ebenezer Sibly's Universal System of Natural History, London, 1803 / Bridgeman Images

ID: FLO4714977

Comparative anatomy of the heads of men, apes and birds - Handcoloured copperplate engraving by J. Chapman from Ebenezer Sibly's Universal System of Natural History, London, 1803

Mandrill, Mandrillus sphinx, female - Handcoloured copperplate engraving by John Pass after an illustration by Johann Jakob Ihle from Ebenezer Sibly's Universal System of Natural History, London, 1795
Mandrill, Mandrillus sphinx, female - Handcoloured copperplate engraving by John Pass after an illustration by Johann Jakob Ihle from Ebenezer Sibly's Universal System of Natural History, London, 1795

FLO4715158: Mandrill, Mandrillus sphinx, female - Handcoloured copperplate engraving by John Pass after an illustration by Johann Jakob Ihle from Ebenezer Sibly's Universal System of Natural History, London, 1795 / Bridgeman Images

ID: FLO4715158

Mandrill, Mandrillus sphinx, female - Handcoloured copperplate engraving by John Pass after an illustration by Johann Jakob Ihle from Ebenezer Sibly's Universal System of Natural History, London, 1795

Yellow baboon, Papio cynocephalus, Dog-faced baboon. Handcoloured copperplate engraving by John Pass after an illustration by Johann Jakob Ihle from Ebenezer Sibly's Universal System of Natural History, London, 1795
Yellow baboon, Papio cynocephalus, Dog-faced baboon. Handcoloured copperplate engraving by John Pass after an illustration by Johann Jakob Ihle from Ebenezer Sibly's Universal System of Natural History, London, 1795

FLO4715172: Yellow baboon, Papio cynocephalus, Dog-faced baboon. Handcoloured copperplate engraving by John Pass after an illustration by Johann Jakob Ihle from Ebenezer Sibly's Universal System of Natural History, London, 1795 / Bridgeman Images

ID: FLO4715172

Yellow baboon, Papio cynocephalus, Dog-faced baboon. Handcoloured copperplate engraving by John Pass after an illustration by Johann Jakob Ihle from Ebenezer Sibly's Universal System of Natural History, London, 1795

Plains zebra, Equus quagga (zebra, Hippotigris zebra). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.
Plains zebra, Equus quagga (zebra, Hippotigris zebra). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

FLO4719789: Plains zebra, Equus quagga (zebra, Hippotigris zebra). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842. / Bridgeman Images

ID: FLO4719789

Plains zebra, Equus quagga (zebra, Hippotigris zebra). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

Dodo, Raphus cucullatus (Didus ineptus), extinct flightless bird. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.
Dodo, Raphus cucullatus (Didus ineptus), extinct flightless bird. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

FLO4719838: Dodo, Raphus cucullatus (Didus ineptus), extinct flightless bird. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842. / Bridgeman Images

ID: FLO4719838

Dodo, Raphus cucullatus (Didus ineptus), extinct flightless bird. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

Loggerhead sea turtle, Caretta caretta (Thalassochelys caouana) Endangered. (Mislabeled Dermatochelys caouana.) Handcoloured lithograph after an illustration by Sandler from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.
Loggerhead sea turtle, Caretta caretta (Thalassochelys caouana) Endangered. (Mislabeled Dermatochelys caouana.) Handcoloured lithograph after an illustration by Sandler from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

FLO4719874: Loggerhead sea turtle, Caretta caretta (Thalassochelys caouana) Endangered. (Mislabeled Dermatochelys caouana.) Handcoloured lithograph after an illustration by Sandler from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842. / Bridgeman Images

ID: FLO4719874

Loggerhead sea turtle, Caretta caretta (Thalassochelys caouana) Endangered. (Mislabeled Dermatochelys caouana.) Handcoloured lithograph after an illustration by Sandler from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

Tarantula wolf spider, Lycosa tarantula. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.
Tarantula wolf spider, Lycosa tarantula. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

FLO4719897: Tarantula wolf spider, Lycosa tarantula. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842. / Bridgeman Images

ID: FLO4719897

Tarantula wolf spider, Lycosa tarantula. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

Two ugly rustics enjoying a tankard of beer. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Two ugly rustics enjoying a tankard of beer. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.

FLO4717835: Two ugly rustics enjoying a tankard of beer. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773. / Bridgeman Images

ID: FLO4717835

Two ugly rustics enjoying a tankard of beer. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.

Dentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Dentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.

FLO4718324: Dentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773. / Bridgeman Images

ID: FLO4718324

Dentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.

Dentist laughing as he uses tongs to hold a hot coal to a man's face to make him jerk back and extract a tooth with string. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Dentist laughing as he uses tongs to hold a hot coal to a man's face to make him jerk back and extract a tooth with string. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.

FLO4718344: Dentist laughing as he uses tongs to hold a hot coal to a man's face to make him jerk back and extract a tooth with string. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773. / Bridgeman Images

ID: FLO4718344

Dentist laughing as he uses tongs to hold a hot coal to a man's face to make him jerk back and extract a tooth with string. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.

The chamber of deputes in the faubourg Saint Germain, an orator is in the gallery before the president and the secretaries and above, the bailiffs seated - Eau forte after an illustration by Victor Auver, extracted from Un tour a travers Paris, published by William Sams, 1925 -
The chamber of deputes in the faubourg Saint Germain, an orator is in the gallery before the president and the secretaries and above, the bailiffs seated - Eau forte after an illustration by Victor Auver, extracted from Un tour a travers Paris, published by William Sams, 1925 -

FLO4718473: The chamber of deputes in the faubourg Saint Germain, an orator is in the gallery before the president and the secretaries and above, the bailiffs seated - Eau forte after an illustration by Victor Auver, extracted from Un tour a travers Paris, published by William Sams, 1925 - / Bridgeman Images

ID: FLO4718473

The chamber of deputes in the faubourg Saint Germain, an orator is in the gallery before the president and the secretaries and above, the bailiffs seated - Eau forte after an illustration by Victor Auver, extracted from Un tour a travers Paris, published by William Sams, 1925 -

Le marche aux fleurs, quai Dessaix, every Friday and Saturday, clients observe the potted flowers near the fountain - Eau forte from an illustration by Victor Auver, extracted from Un tour through Paris, published by William Sams, 1925 -
Le marche aux fleurs, quai Dessaix, every Friday and Saturday, clients observe the potted flowers near the fountain - Eau forte from an illustration by Victor Auver, extracted from Un tour through Paris, published by William Sams, 1925 -

FLO4718556: Le marche aux fleurs, quai Dessaix, every Friday and Saturday, clients observe the potted flowers near the fountain - Eau forte from an illustration by Victor Auver, extracted from Un tour through Paris, published by William Sams, 1925 - / Bridgeman Images

ID: FLO4718556

Le marche aux fleurs, quai Dessaix, every Friday and Saturday, clients observe the potted flowers near the fountain - Eau forte from an illustration by Victor Auver, extracted from Un tour through Paris, published by William Sams, 1925 -

Ethiopian man and woman. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.
Ethiopian man and woman. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

FLO4720025: Ethiopian man and woman. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842. / Bridgeman Images

ID: FLO4720025

Ethiopian man and woman. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

Pale-throated sloth, Bradypus tridactylus. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.
Pale-throated sloth, Bradypus tridactylus. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

FLO4720081: Pale-throated sloth, Bradypus tridactylus. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842. / Bridgeman Images

ID: FLO4720081

Pale-throated sloth, Bradypus tridactylus. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

Pinecone fish, Monocentris japonica (Monocentris carinata). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.
Pinecone fish, Monocentris japonica (Monocentris carinata). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

FLO4720164: Pinecone fish, Monocentris japonica (Monocentris carinata). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842. / Bridgeman Images

ID: FLO4720164

Pinecone fish, Monocentris japonica (Monocentris carinata). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

Snow pierce, blue anemone and small celandine. Lithograph by Louisa Anne Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839.
Snow pierce, blue anemone and small celandine. Lithograph by Louisa Anne Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839.

FLO4720651: Snow pierce, blue anemone and small celandine. Lithograph by Louisa Anne Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839. / Bridgeman Images

ID: FLO4720651

Snow pierce, blue anemone and small celandine. Lithograph by Louisa Anne Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839.

Flowers of wild apple and checkerboard. Lithograph by Louisa Anne Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839.
Flowers of wild apple and checkerboard. Lithograph by Louisa Anne Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839.

FLO4720671: Flowers of wild apple and checkerboard. Lithograph by Louisa Anne Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839. / Bridgeman Images

ID: FLO4720671

Flowers of wild apple and checkerboard. Lithograph by Louisa Anne Twamley (1812-1895) in Our Wild Flower, Charles Tilt, London, England, 1839.

Richardson's ground squirrel, Urocitellus richardsonii (Richardson's ground squirrel, Spermophilus richardsonii). Chromolithograph by Trautmann, Bailey and Blampey after an illustration by Ernest E. Thompson from the Report of the Ornithologist, US Department of Agriculture, 1892.
Richardson's ground squirrel, Urocitellus richardsonii (Richardson's ground squirrel, Spermophilus richardsonii). Chromolithograph by Trautmann, Bailey and Blampey after an illustration by Ernest E. Thompson from the Report of the Ornithologist, US Department of Agriculture, 1892.

FLO4720769: Richardson's ground squirrel, Urocitellus richardsonii (Richardson's ground squirrel, Spermophilus richardsonii). Chromolithograph by Trautmann, Bailey and Blampey after an illustration by Ernest E. Thompson from the Report of the Ornithologist, US Department of Agriculture, 1892. / Bridgeman Images

ID: FLO4720769

Richardson's ground squirrel, Urocitellus richardsonii (Richardson's ground squirrel, Spermophilus richardsonii). Chromolithograph by Trautmann, Bailey and Blampey after an illustration by Ernest E. Thompson from the Report of the Ornithologist, US Department of Agriculture, 1892.

Brown bear and cubs, Ursus arctos. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.
Brown bear and cubs, Ursus arctos. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

FLO4720189: Brown bear and cubs, Ursus arctos. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842. / Bridgeman Images

ID: FLO4720189

Brown bear and cubs, Ursus arctos. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

Scimitar oryx or scimitar-horned oryx. Extinct in the wild. (As Antelope bezoartica). After an illustration by James Stewart. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.
Scimitar oryx or scimitar-horned oryx. Extinct in the wild. (As Antelope bezoartica). After an illustration by James Stewart. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

FLO4720271: Scimitar oryx or scimitar-horned oryx. Extinct in the wild. (As Antelope bezoartica). After an illustration by James Stewart. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842. / Bridgeman Images

ID: FLO4720271

Scimitar oryx or scimitar-horned oryx. Extinct in the wild. (As Antelope bezoartica). After an illustration by James Stewart. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

Great argus pheasant, Argusianus argus (Argus giganteus). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.
Great argus pheasant, Argusianus argus (Argus giganteus). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

FLO4720284: Great argus pheasant, Argusianus argus (Argus giganteus). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842. / Bridgeman Images

ID: FLO4720284

Great argus pheasant, Argusianus argus (Argus giganteus). Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

Crested black tyrant, Knipolegus lophotes (Blechropus cristatus). Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.
Crested black tyrant, Knipolegus lophotes (Blechropus cristatus). Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

FLO4718654: Crested black tyrant, Knipolegus lophotes (Blechropus cristatus). Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842. / Bridgeman Images

ID: FLO4718654

Crested black tyrant, Knipolegus lophotes (Blechropus cristatus). Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

Pampas deer, Ozotoceros bezoarticus (guazuti or guasuti, Mazama campestris). Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.
Pampas deer, Ozotoceros bezoarticus (guazuti or guasuti, Mazama campestris). Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

FLO4718796: Pampas deer, Ozotoceros bezoarticus (guazuti or guasuti, Mazama campestris). Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842. / Bridgeman Images

ID: FLO4718796

Pampas deer, Ozotoceros bezoarticus (guazuti or guasuti, Mazama campestris). Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

Burrowing parrot, Cyanoliseus patagonus (Arara patagonica). Illustration by Edward Lear. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.
Burrowing parrot, Cyanoliseus patagonus (Arara patagonica). Illustration by Edward Lear. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.

FLO4718839: Burrowing parrot, Cyanoliseus patagonus (Arara patagonica). Illustration by Edward Lear. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840. / Bridgeman Images

ID: FLO4718839

Burrowing parrot, Cyanoliseus patagonus (Arara patagonica). Illustration by Edward Lear. Handcoloured lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1840.

African buffalo or Cape buffalo, Syncerus caffer (Bos cafer). Naked South African men with spears, shields, blankets and buffalo on a trek. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.
African buffalo or Cape buffalo, Syncerus caffer (Bos cafer). Naked South African men with spears, shields, blankets and buffalo on a trek. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.

FLO4718890: African buffalo or Cape buffalo, Syncerus caffer (Bos cafer). Naked South African men with spears, shields, blankets and buffalo on a trek. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842. / Bridgeman Images

ID: FLO4718890

African buffalo or Cape buffalo, Syncerus caffer (Bos cafer). Naked South African men with spears, shields, blankets and buffalo on a trek. Handcoloured steel engraving from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig-1842.


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