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Religious architecture: view of the Orthodox Church of Saint Isaac (1819-1858) in Saint Petersburg (Saint Petersburg) in Russia, built according to the plans of architect Ricard de Montferrand (1786-1858). On the right is the equestrian statue of Peter the Great (Peter I of Russia, 1672-1725) made by the sculptor Etienne Maurice Falconet (1716-1791) and inaugurated in 1792. Engraving in “” Le Monde Illustré”” n°51 of 3 April 1858.
Religious architecture: view of the Orthodox Church of Saint Isaac (1819-1858) in Saint Petersburg (Saint Petersburg) in Russia, built according to the plans of architect Ricard de Montferrand (1786-1858). On the right is the equestrian statue of Peter the Great (Peter I of Russia, 1672-1725) made by the sculptor Etienne Maurice Falconet (1716-1791) and inaugurated in 1792. Engraving in “” Le Monde Illustré”” n°51 of 3 April 1858.

XEE4138296: Religious architecture: view of the Orthodox Church of Saint Isaac (1819-1858) in Saint Petersburg (Saint Petersburg) in Russia, built according to the plans of architect Ricard de Montferrand (1786-1858). On the right is the equestrian statue of Peter the Great (Peter I of Russia, 1672-1725) made by the sculptor Etienne Maurice Falconet (1716-1791) and inaugurated in 1792. Engraving in “” Le Monde Illustré”” n°51 of 3 April 1858., French School, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138458: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138493: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138495: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138528: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138562: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138598: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138601: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138616: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Algerian custom - wedding: torchlight walk on wedding night in the streets of Tlemcen in Algeria, 1858 (engraving)
Algerian custom - wedding: torchlight walk on wedding night in the streets of Tlemcen in Algeria, 1858 (engraving)

XEE4138669: Algerian custom - wedding: torchlight walk on wedding night in the streets of Tlemcen in Algeria, 1858 (engraving), French School, (19th century) / Bridgeman Images

Statue of Notre Dame de France at Puy en Velay (Puy-en-Velay) in Haute Loire (43): model of the statue to be melted from the iron from the canons taken in Sebastopol. The statue was completed in 1860 and was 16m high. From a photograph. Engraving in “” Le Monde Illustré”” n°46 of 27 February 1858.
Statue of Notre Dame de France at Puy en Velay (Puy-en-Velay) in Haute Loire (43): model of the statue to be melted from the iron from the canons taken in Sebastopol. The statue was completed in 1860 and was 16m high. From a photograph. Engraving in “” Le Monde Illustré”” n°46 of 27 February 1858.

XEE4138689: Statue of Notre Dame de France at Puy en Velay (Puy-en-Velay) in Haute Loire (43): model of the statue to be melted from the iron from the canons taken in Sebastopol. The statue was completed in 1860 and was 16m high. From a photograph. Engraving in “” Le Monde Illustré”” n°46 of 27 February 1858., French School, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138510: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138618: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138628: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Buddhist architecture: exterior view of the Octagonal Pagoda on Whampoa Island, China, 1858. Engraving in “” Le Monde Illustré”” n°47 of 6 March 1858.
Buddhist architecture: exterior view of the Octagonal Pagoda on Whampoa Island, China, 1858. Engraving in “” Le Monde Illustré”” n°47 of 6 March 1858.

XEE4138646: Buddhist architecture: exterior view of the Octagonal Pagoda on Whampoa Island, China, 1858. Engraving in “” Le Monde Illustré”” n°47 of 6 March 1858., French School, (19th century) / Bridgeman Images

Meteorological phenomene: a spout at sea. Engraving by Linton in “” The Illustrous World”” n°49 of 20 March 1858.
Meteorological phenomene: a spout at sea. Engraving by Linton in “” The Illustrous World”” n°49 of 20 March 1858.

XEE4138492: Meteorological phenomene: a spout at sea. Engraving by Linton in “” The Illustrous World”” n°49 of 20 March 1858., Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138526: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138592: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135785: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135821: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135872: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135888: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135983: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135762: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135814: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135903: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135913: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135918: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4136008: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4136021: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

The angel of Christmas. Illustration by Jean GEOFFROY, 1887 (engraving)
The angel of Christmas. Illustration by Jean GEOFFROY, 1887 (engraving)

XEE4136130: The angel of Christmas. Illustration by Jean GEOFFROY, 1887 (engraving), Geoffroy, Henri Jules Jean (1853-1924) / Bridgeman Images

Fire of the Opera Comique in Paris on 25 May 1887 during the performance of Ambroise Thomas's first act of “Mignon”, 1887 (engraving)
Fire of the Opera Comique in Paris on 25 May 1887 during the performance of Ambroise Thomas's first act of “Mignon”, 1887 (engraving)

XEE4136160: Fire of the Opera Comique in Paris on 25 May 1887 during the performance of Ambroise Thomas's first act of “Mignon”, 1887 (engraving), Fraipont, Gustave (1849-1923) / Bridgeman Images

Paris: view of rue Soufflot and Pantheon. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: view of rue Soufflot and Pantheon. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136171: Paris: view of rue Soufflot and Pantheon. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

Paris: panorama of the Tuileries (garden and palace) and the Arc de Triomphe du Carrousel. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: panorama of the Tuileries (garden and palace) and the Arc de Triomphe du Carrousel. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136198: Paris: panorama of the Tuileries (garden and palace) and the Arc de Triomphe du Carrousel. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853) / Bridgeman Images

Paris: view of the boulevard Saint Denis and the Porte Saint Denis (Saint-Denis) built by Francois Blondel (1618-1686) in 1672. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: view of the boulevard Saint Denis and the Porte Saint Denis (Saint-Denis) built by Francois Blondel (1618-1686) in 1672. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136212: Paris: view of the boulevard Saint Denis and the Porte Saint Denis (Saint-Denis) built by Francois Blondel (1618-1686) in 1672. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

Paris: view of the Opera facade made by Charles Garnier (1825-1898) and of the Metro station on the Place de l'Opera where omnibuses run. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: view of the Opera facade made by Charles Garnier (1825-1898) and of the Metro station on the Place de l'Opera where omnibuses run. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136235: Paris: view of the Opera facade made by Charles Garnier (1825-1898) and of the Metro station on the Place de l'Opera where omnibuses run. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images


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