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Whale Teeth, 19th century (see also 133055)
Whale Teeth, 19th century (see also 133055)

PFR133056: Whale Teeth, 19th century (see also 133055) / Bridgeman Images

Signed page of 'Alice Through the Looking-Glass' by Lewis Carroll (1833-98) 1871 (litho)
Signed page of 'Alice Through the Looking-Glass' by Lewis Carroll (1833-98) 1871 (litho)

STC133382: Signed page of 'Alice Through the Looking-Glass' by Lewis Carroll (1833-98) 1871 (litho), English School, (19th century) / Bridgeman Images

Cabaret advertisement featuring Peter Pathe and Maria Hagen, 1920 (colour litho)
Cabaret advertisement featuring Peter Pathe and Maria Hagen, 1920 (colour litho)

STC133490: Cabaret advertisement featuring Peter Pathe and Maria Hagen, 1920 (colour litho), Schnackenberg, Walter (1880-1961) / Bridgeman Images

Poster advertising the Waltz of Maria Hagen, 1920 (colour litho)
Poster advertising the Waltz of Maria Hagen, 1920 (colour litho)

STC133492: Poster advertising the Waltz of Maria Hagen, 1920 (colour litho), Schnackenberg, Walter (1880-1961) / Bridgeman Images

Portrait of George Bernard Shaw (1856-1950) as a Young Man (pastel on canvas)
Portrait of George Bernard Shaw (1856-1950) as a Young Man (pastel on canvas)

TOR133099: Portrait of George Bernard Shaw (1856-1950) as a Young Man (pastel on canvas), Jopling, Louise, nee Goode (1843-1933) / Bridgeman Images

View of a Spire, with the Cathedral and the Church of Santa Maria Maddalena in the Background (photo)
View of a Spire, with the Cathedral and the Church of Santa Maria Maddalena in the Background (photo)

JFS133504: View of a Spire, with the Cathedral and the Church of Santa Maria Maddalena in the Background (photo) / Bridgeman Images

Exterior of Pembroke College, from a window of Peterhouse, Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)
Exterior of Pembroke College, from a window of Peterhouse, Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint)

STC133102: Exterior of Pembroke College, from a window of Peterhouse, Cambridge, from 'The History of Cambridge', engraved by Joseph Constantine Stadler (fl.1780-1812), pub. by R. Ackermann, 1815 (colour aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

Detail from the Cathedral Pediment (photo)
Detail from the Cathedral Pediment (photo)

JFS133544: Detail from the Cathedral Pediment (photo) / Bridgeman Images

Detailed View of Trulli Roofs (photo)
Detailed View of Trulli Roofs (photo)

JFS133549: Detailed View of Trulli Roofs (photo) / Bridgeman Images

Rooftop Sculpture at Villa Palagonia, 18th century (photo)
Rooftop Sculpture at Villa Palagonia, 18th century (photo)

JFS133148: Rooftop Sculpture at Villa Palagonia, 18th century (photo) / Bridgeman Images

The Pretoria Fountain (photo)
The Pretoria Fountain (photo)

JFS133152: The Pretoria Fountain (photo) / Bridgeman Images

View of the Cupola of Noto Cathedral (photo)
View of the Cupola of Noto Cathedral (photo)

JFS133579: View of the Cupola of Noto Cathedral (photo) / Bridgeman Images

The Facade of the Former Grand Hotel, Piazza Garibaldi (photo)
The Facade of the Former Grand Hotel, Piazza Garibaldi (photo)

JFS133585: The Facade of the Former Grand Hotel, Piazza Garibaldi (photo) / Bridgeman Images

Detail from the Facade of the Former Grand Hotel, Piazza Garibaldi (photo)
Detail from the Facade of the Former Grand Hotel, Piazza Garibaldi (photo)

JFS133586: Detail from the Facade of the Former Grand Hotel, Piazza Garibaldi (photo) / Bridgeman Images

An Early ESU, 100 Series (Eames Storage Unit) '150-C', designed by Eames, Charles (1907-70) and Ray (1912-88), 1950 (steel, plywood and birch)
An Early ESU, 100 Series (Eames Storage Unit) '150-C', designed by Eames, Charles (1907-70) and Ray (1912-88), 1950 (steel, plywood and birch)

BON133191: An Early ESU, 100 Series (Eames Storage Unit) '150-C', designed by Eames, Charles (1907-70) and Ray (1912-88), 1950 (steel, plywood and birch), Eames, Charles (1907-78) and Eames, Ray (1912-88) / Bridgeman Images

Portrait of King Charles II (1630-85) (oil on canvas)
Portrait of King Charles II (1630-85) (oil on canvas)

MOU133230: Portrait of King Charles II (1630-85) (oil on canvas), Nason, Pieter (1612-1688/90) (circle of) / Bridgeman Images

Portrait of William Ewart Gladstone (1809-98) c.1877 (oil on canvas)
Portrait of William Ewart Gladstone (1809-98) c.1877 (oil on canvas)

MOU133231: Portrait of William Ewart Gladstone (1809-98) c.1877 (oil on canvas), Roden, William Thomas (1817-92) / Bridgeman Images

View across the Terrace or the Italianate Garden towards the Menai Straits (photo)
View across the Terrace or the Italianate Garden towards the Menai Straits (photo)

USB132557: View across the Terrace or the Italianate Garden towards the Menai Straits (photo) / Bridgeman Images

Detail of scagliola table top bearing the coat of arms of Sir Robert Walpole (1676-1745)
Detail of scagliola table top bearing the coat of arms of Sir Robert Walpole (1676-1745)

USB132560: Detail of scagliola table top bearing the coat of arms of Sir Robert Walpole (1676-1745) / Bridgeman Images

Ceiling in the State Bedchamber with a central medallion inspired by the painting of 'Aglaia', one of the three graces by Angelica Kauffman (photo)
Ceiling in the State Bedchamber with a central medallion inspired by the painting of 'Aglaia', one of the three graces by Angelica Kauffman (photo)

USB132561: Ceiling in the State Bedchamber with a central medallion inspired by the painting of 'Aglaia', one of the three graces by Angelica Kauffman (photo), Kauffman, Angelica (1741-1807) (after) / Bridgeman Images

The Staircase (photo)
The Staircase (photo)

USB132563: The Staircase (photo) / Bridgeman Images

Putti with Symbols (oil on panel)
Putti with Symbols (oil on panel)

USB132566: Putti with Symbols (oil on panel), Italian School, (16th century) / Bridgeman Images

View of the east front, Ardress House, County Armagh, Northern Ireland (photo)
View of the east front, Ardress House, County Armagh, Northern Ireland (photo)

USB132580: View of the east front, Ardress House, County Armagh, Northern Ireland (photo) / Bridgeman Images

The Lover (w/c on paper)
The Lover (w/c on paper)

NWP132604: The Lover (w/c on paper), Fox, George (1851-fl.1889) / Bridgeman Images

Odeon, 1976 (pencil on paper)
Odeon, 1976 (pencil on paper)

NWP132623: Odeon, 1976 (pencil on paper), Jones, Graham (b.1956) / Bridgeman Images

The Emperor's New Clothes, 1949 (w/c on paper)
The Emperor's New Clothes, 1949 (w/c on paper)

NWP132625: The Emperor's New Clothes, 1949 (w/c on paper), Jamieson, Elizabeth (b.1924) / Bridgeman Images

View Inside a Barber's Shop in the French Quarter Near Quantarat El Gedydeh, from 'Voyage Pittoresque' in Persia', engraved by Emile Edmond Ollivier (1800-64) published by Letronne, Paris (engraving)
View Inside a Barber's Shop in the French Quarter Near Quantarat El Gedydeh, from 'Voyage Pittoresque' in Persia', engraved by Emile Edmond Ollivier (1800-64) published by Letronne, Paris (engraving)

STC132649: View Inside a Barber's Shop in the French Quarter Near Quantarat El Gedydeh, from 'Voyage Pittoresque' in Persia', engraved by Emile Edmond Ollivier (1800-64) published by Letronne, Paris (engraving), Coste, Pascal Xavier (1787-1879) (after) / Bridgeman Images

A Marriage in the Town of Cairo, engraved by Charles Emmanuel Patas (1744-1802) from Volume III of 'Voyage Pittoresque', published by Letronne, Paris, 1799 (engraving)
A Marriage in the Town of Cairo, engraved by Charles Emmanuel Patas (1744-1802) from Volume III of 'Voyage Pittoresque', published by Letronne, Paris, 1799 (engraving)

STC132654: A Marriage in the Town of Cairo, engraved by Charles Emmanuel Patas (1744-1802) from Volume III of 'Voyage Pittoresque', published by Letronne, Paris, 1799 (engraving), Cassas, Louis Francois (1756-1827) (after) / Bridgeman Images

View and Details of a Dovecot, in Isfahan, from 'Voyage Pittoresque' of Persia, engraved by Claude Sauvageot (1832-85) published by Lemercier, Paris, 1856 (engraving)
View and Details of a Dovecot, in Isfahan, from 'Voyage Pittoresque' of Persia, engraved by Claude Sauvageot (1832-85) published by Lemercier, Paris, 1856 (engraving)

STC132664: View and Details of a Dovecot, in Isfahan, from 'Voyage Pittoresque' of Persia, engraved by Claude Sauvageot (1832-85) published by Lemercier, Paris, 1856 (engraving), Coste, Pascal Xavier (1787-1879) (after) / Bridgeman Images

Kiosque in the Golestan Qajar Palace 'Kasr l Kadjar', in Teheran, from 'Voyage Pittoresque' of Persia, engraved by Otto Obermayer, published by Lemercier, Paris, 1856 (engraving)
Kiosque in the Golestan Qajar Palace 'Kasr l Kadjar', in Teheran, from 'Voyage Pittoresque' of Persia, engraved by Otto Obermayer, published by Lemercier, Paris, 1856 (engraving)

STC132670: Kiosque in the Golestan Qajar Palace 'Kasr l Kadjar', in Teheran, from 'Voyage Pittoresque' of Persia, engraved by Otto Obermayer, published by Lemercier, Paris, 1856 (engraving), Coste, Pascal Xavier (1787-1879) (after) / Bridgeman Images

The Great Chinese Bridge, between Focheu and Nantai, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)
The Great Chinese Bridge, between Focheu and Nantai, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

STC132723: The Great Chinese Bridge, between Focheu and Nantai, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

Perspective View of the Imperial Palace, Peking, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)
Perspective View of the Imperial Palace, Peking, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

STC132724: Perspective View of the Imperial Palace, Peking, China, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

The Cataracts of the Nile and the Ruins of Thebes, Egypt, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)
The Cataracts of the Nile and the Ruins of Thebes, Egypt, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

STC132727: The Cataracts of the Nile and the Ruins of Thebes, Egypt, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

View of Four Temples taken from Roman Coins, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765), 1721 (engraving)
View of Four Temples taken from Roman Coins, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765), 1721 (engraving)

STC132753: View of Four Temples taken from Roman Coins, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765), 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

Figure of a Horse, Italian, c.1500 (bronze) (detail) (see also 133060 & 133061)
Figure of a Horse, Italian, c.1500 (bronze) (detail) (see also 133060 & 133061)

PFR133062: Figure of a Horse, Italian, c.1500 (bronze) (detail) (see also 133060 & 133061) / Bridgeman Images

Pair of Funerary Vases, Yingqing ware, Chinese, Song dynasty, 960-1279 (glazed pottery)
Pair of Funerary Vases, Yingqing ware, Chinese, Song dynasty, 960-1279 (glazed pottery)

PFR133067: Pair of Funerary Vases, Yingqing ware, Chinese, Song dynasty, 960-1279 (glazed pottery) / Bridgeman Images


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