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Portrait of Ivan Fedorovich Kolesnikov (1887-1929) (oil on canvas)
Portrait of Ivan Fedorovich Kolesnikov (1887-1929) (oil on canvas)

SRM92436: Portrait of Ivan Fedorovich Kolesnikov (1887-1929) (oil on canvas), Baranoff-Rossine, Daniel Vladimir (1888-1942) / Bridgeman Images

View of the Lebyazhyeva Canal looking towards the Mikhailovsky Palace, St. Petersburg (oil on panel)
View of the Lebyazhyeva Canal looking towards the Mikhailovsky Palace, St. Petersburg (oil on panel)

SRM92442: View of the Lebyazhyeva Canal looking towards the Mikhailovsky Palace, St. Petersburg (oil on panel), Bogolyubov, Aleksei Petrovich (1824-96) / Bridgeman Images

Mask: Silly Girl, 1928 (no 47) (w/c on paper on cardboard)
Mask: Silly Girl, 1928 (no 47) (w/c on paper on cardboard)

PWI92479: Mask: Silly Girl, 1928 (no 47) (w/c on paper on cardboard), Klee, Paul (1879-1940) / Bridgeman Images

Temple or Pyramid of the Sun, post 150 AD (photo)
Temple or Pyramid of the Sun, post 150 AD (photo)

XAM92501: Temple or Pyramid of the Sun, post 150 AD (photo) / Bridgeman Images

Temple or Pyramid I, funerary monument to the ruler Ah Cacao (c.682-730 AD) Late Classic Period (600-900 AD) (photo) (see also 92503)
Temple or Pyramid I, funerary monument to the ruler Ah Cacao (c.682-730 AD) Late Classic Period (600-900 AD) (photo) (see also 92503)

XAM92504: Temple or Pyramid I, funerary monument to the ruler Ah Cacao (c.682-730 AD) Late Classic Period (600-900 AD) (photo) (see also 92503) / Bridgeman Images

Carved capital depicting Daniel in the Lion's Den, originally from the Church of St. Genevieve (Pantheon), Paris, late 11th century (marble)
Carved capital depicting Daniel in the Lion's Den, originally from the Church of St. Genevieve (Pantheon), Paris, late 11th century (marble)

PWI92534: Carved capital depicting Daniel in the Lion's Den, originally from the Church of St. Genevieve (Pantheon), Paris, late 11th century (marble) / Bridgeman Images

Attic red-figure amphora depicting a satyr struggling with a maenad, with a seated woman tying her sandal on the neck, made by Pamphaios and painted by Oltos, c.510-500 BC (pottery) (see also 92572)
Attic red-figure amphora depicting a satyr struggling with a maenad, with a seated woman tying her sandal on the neck, made by Pamphaios and painted by Oltos, c.510-500 BC (pottery) (see also 92572)

PWI92571: Attic red-figure amphora depicting a satyr struggling with a maenad, with a seated woman tying her sandal on the neck, made by Pamphaios and painted by Oltos, c.510-500 BC (pottery) (see also 92572), Greek school, (6th century BC) / Bridgeman Images

Herakles Struggling, detail from an Attic red-figure calyx-krater, 5th century BC (pottery)
Herakles Struggling, detail from an Attic red-figure calyx-krater, 5th century BC (pottery)

PWI92581: Herakles Struggling, detail from an Attic red-figure calyx-krater, 5th century BC (pottery) / Bridgeman Images

Detail of the 'barley-twist' half pillars surmounted by gilded cherubs in the Gold Drawing Room, designed by Bernard Simon (1816-1900) (walnut)
Detail of the 'barley-twist' half pillars surmounted by gilded cherubs in the Gold Drawing Room, designed by Bernard Simon (1816-1900) (walnut)

HAZ92588: Detail of the 'barley-twist' half pillars surmounted by gilded cherubs in the Gold Drawing Room, designed by Bernard Simon (1816-1900) (walnut) / Bridgeman Images

View into the Rotunda from the Square Room showing the gallery above, designed by Andrei Stakenschneider (1802-65) (photo)
View into the Rotunda from the Square Room showing the gallery above, designed by Andrei Stakenschneider (1802-65) (photo)

HAZ92593: View into the Rotunda from the Square Room showing the gallery above, designed by Andrei Stakenschneider (1802-65) (photo) / Bridgeman Images

Detail of the arch at the end of Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (photo)
Detail of the arch at the end of Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (photo)

HAZ92599: Detail of the arch at the end of Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (photo) / Bridgeman Images

Detail of the bottom of porcelain columns with gilt bronze bases in the Bedchamber of Maria Feodorovna in the First Apartment, the Catherine Palace, designed by Charles Cameron (c.1740-1812) (photo)
Detail of the bottom of porcelain columns with gilt bronze bases in the Bedchamber of Maria Feodorovna in the First Apartment, the Catherine Palace, designed by Charles Cameron (c.1740-1812) (photo)

HAZ92608: Detail of the bottom of porcelain columns with gilt bronze bases in the Bedchamber of Maria Feodorovna in the First Apartment, the Catherine Palace, designed by Charles Cameron (c.1740-1812) (photo) / Bridgeman Images

A pair of lapis lazuli wine coolers by Ippolito Monighetti (1819-78) from the Blue Snuff Room in the Fifth Apartment of the Catherine Palace (photo)
A pair of lapis lazuli wine coolers by Ippolito Monighetti (1819-78) from the Blue Snuff Room in the Fifth Apartment of the Catherine Palace (photo)

HAZ92612: A pair of lapis lazuli wine coolers by Ippolito Monighetti (1819-78) from the Blue Snuff Room in the Fifth Apartment of the Catherine Palace (photo) / Bridgeman Images

The Great Hall of the Agate Pavilion, the Catherine Palace, designed by Charles Cameron (c.1740-1812) (photo)
The Great Hall of the Agate Pavilion, the Catherine Palace, designed by Charles Cameron (c.1740-1812) (photo)

HAZ92614: The Great Hall of the Agate Pavilion, the Catherine Palace, designed by Charles Cameron (c.1740-1812) (photo) / Bridgeman Images

The bed alcove in the Damask Bedroom of the Chinese Palace designed by Antonio Rinaldi (1709-94) (photo)
The bed alcove in the Damask Bedroom of the Chinese Palace designed by Antonio Rinaldi (1709-94) (photo)

HAZ92618: The bed alcove in the Damask Bedroom of the Chinese Palace designed by Antonio Rinaldi (1709-94) (photo) / Bridgeman Images

Detail of painted bands between the panels in Catherine the Great's Bedroom, decorated with a garland of flowers ending in an urn with acanthus leaves designed by Ivan Starov (1744-1808) (photo)
Detail of painted bands between the panels in Catherine the Great's Bedroom, decorated with a garland of flowers ending in an urn with acanthus leaves designed by Ivan Starov (1744-1808) (photo)

HAZ92631: Detail of painted bands between the panels in Catherine the Great's Bedroom, decorated with a garland of flowers ending in an urn with acanthus leaves designed by Ivan Starov (1744-1808) (photo) / Bridgeman Images

Mirror over the corner fireplace in Catherine the Great's Boudoir with painted panel borders decorated with fronds of foliage, 18th century (photo) (for detail see 92634)
Mirror over the corner fireplace in Catherine the Great's Boudoir with painted panel borders decorated with fronds of foliage, 18th century (photo) (for detail see 92634)

HAZ92635: Mirror over the corner fireplace in Catherine the Great's Boudoir with painted panel borders decorated with fronds of foliage, 18th century (photo) (for detail see 92634) / Bridgeman Images

Detail of the wall and ceiling decoration in the Snuff Box Room, 18th century (photo)
Detail of the wall and ceiling decoration in the Snuff Box Room, 18th century (photo)

HAZ92637: Detail of the wall and ceiling decoration in the Snuff Box Room, 18th century (photo) / Bridgeman Images

Nymph and a cherub with a sheet of music, detail of the front panel of a ceramic stove, from the Arabesque Room, 18th century (ceramic) (detail of 92638)
Nymph and a cherub with a sheet of music, detail of the front panel of a ceramic stove, from the Arabesque Room, 18th century (ceramic) (detail of 92638)

HAZ92639: Nymph and a cherub with a sheet of music, detail of the front panel of a ceramic stove, from the Arabesque Room, 18th century (ceramic) (detail of 92638) / Bridgeman Images

View up into the dome of the Rotunda, designed by Andrei Stakenschneider (1802-65) (photo)
View up into the dome of the Rotunda, designed by Andrei Stakenschneider (1802-65) (photo)

HAZ92646: View up into the dome of the Rotunda, designed by Andrei Stakenschneider (1802-65) (photo) / Bridgeman Images

Main facade of the palace designed by Andrei Stakenschneider (1802-65) completed 1861 (photo)
Main facade of the palace designed by Andrei Stakenschneider (1802-65) completed 1861 (photo)

HAZ92651: Main facade of the palace designed by Andrei Stakenschneider (1802-65) completed 1861 (photo) / Bridgeman Images

Detail of moulded stucco work by David Jensen (1816-1902) in the White Parlour
Detail of moulded stucco work by David Jensen (1816-1902) in the White Parlour

HAZ92653: Detail of moulded stucco work by David Jensen (1816-1902) in the White Parlour / Bridgeman Images

Moorish style lamp from Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (gilded bronze)
Moorish style lamp from Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (gilded bronze)

HAZ92661: Moorish style lamp from Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (gilded bronze) / Bridgeman Images

Aborigine with a Boomerang, c.1860s (sepia photo)
Aborigine with a Boomerang, c.1860s (sepia photo)

STC92667: Aborigine with a Boomerang, c.1860s (sepia photo) / Bridgeman Images

Mates, plate 12 from 'Costume of the Royal Navy and Marines', engraved by the artists, c.1830-37 (colour litho)
Mates, plate 12 from 'Costume of the Royal Navy and Marines', engraved by the artists, c.1830-37 (colour litho)

STC97222: Mates, plate 12 from 'Costume of the Royal Navy and Marines', engraved by the artists, c.1830-37 (colour litho), Mansion, L. and Eschauzier, St. (19th century) / Bridgeman Images

Master of the Fleet and Physicians, plate 13 from 'Costume of the Royal Navy and Marines', engraved by the artists, c.1830-37 (colour litho)
Master of the Fleet and Physicians, plate 13 from 'Costume of the Royal Navy and Marines', engraved by the artists, c.1830-37 (colour litho)

STC97223: Master of the Fleet and Physicians, plate 13 from 'Costume of the Royal Navy and Marines', engraved by the artists, c.1830-37 (colour litho), Mansion, L. and Eschauzier, St. (19th century) / Bridgeman Images

Royal Marines (Subalterns) 2nd Lieutenant carrying Divisional Colours, plate 15 from 'Costume of the Royal Navy and Marines', engraved by the artists, c.1830-37 (colour litho)
Royal Marines (Subalterns) 2nd Lieutenant carrying Divisional Colours, plate 15 from 'Costume of the Royal Navy and Marines', engraved by the artists, c.1830-37 (colour litho)

STC97225: Royal Marines (Subalterns) 2nd Lieutenant carrying Divisional Colours, plate 15 from 'Costume of the Royal Navy and Marines', engraved by the artists, c.1830-37 (colour litho), Mansion, L. and Eschauzier, St. (19th century) / Bridgeman Images

A Buffalo Pound, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by John Franklin (1786-1847) engraved by Edward Finden (1791-1857) 1823 (engraving)
A Buffalo Pound, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by John Franklin (1786-1847) engraved by Edward Finden (1791-1857) 1823 (engraving)

STC97246: A Buffalo Pound, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by John Franklin (1786-1847) engraved by Edward Finden (1791-1857) 1823 (engraving), Back, George (1796-1878) (after) / Bridgeman Images

Pride is an Enemy to God and to the World but Humility is the Friend of God and Man (engraving)
Pride is an Enemy to God and to the World but Humility is the Friend of God and Man (engraving)

STC97247: Pride is an Enemy to God and to the World but Humility is the Friend of God and Man (engraving), Dutch School, (16th century) / Bridgeman Images

Night, engraved by Paul Furst (c.1605-66) (engraving)
Night, engraved by Paul Furst (c.1605-66) (engraving)

STC97249: Night, engraved by Paul Furst (c.1605-66) (engraving), German School, (17th century) / Bridgeman Images

The Eggs Duly Hatch into Worms, they are Covered by Mulberry Leaves and then the Women Place them in Branches to Weave their Cocoons, plate 4 from 'Vermis Sericus' (The Silkworm) engraved by Philip Galle (1537-1612) (engraving)
The Eggs Duly Hatch into Worms, they are Covered by Mulberry Leaves and then the Women Place them in Branches to Weave their Cocoons, plate 4 from 'Vermis Sericus' (The Silkworm) engraved by Philip Galle (1537-1612) (engraving)

STC97253: The Eggs Duly Hatch into Worms, they are Covered by Mulberry Leaves and then the Women Place them in Branches to Weave their Cocoons, plate 4 from 'Vermis Sericus' (The Silkworm) engraved by Philip Galle (1537-1612) (engraving), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

Mrs Garrick, engraved by W.P. Sherlock, 1802 (coloured engraving)
Mrs Garrick, engraved by W.P. Sherlock, 1802 (coloured engraving)

CWA97263: Mrs Garrick, engraved by W.P. Sherlock, 1802 (coloured engraving), Read, Catherine (1723-78) (after) / Bridgeman Images

Fores's Christmas Envelope, pub. by Messrs Fores, c.1840 (coloured engraving)
Fores's Christmas Envelope, pub. by Messrs Fores, c.1840 (coloured engraving)

CWA97264: Fores's Christmas Envelope, pub. by Messrs Fores, c.1840 (coloured engraving), English School, (19th century) / Bridgeman Images

Fores's Musical Envelope, pub. by Messrs Fores, c.1840 (coloured engraving)
Fores's Musical Envelope, pub. by Messrs Fores, c.1840 (coloured engraving)

CWA97265: Fores's Musical Envelope, pub. by Messrs Fores, c.1840 (coloured engraving), English School, (19th century) / Bridgeman Images

CWA97278: "How Ar'Ye Off for Fish!", engraved by George Hunt, c.1825-30 (colour litho), English School, (19th century) / Bridgeman Images

His Majesty's Servants, a 'Spy' cartoon from the supplement to 'The World', 21st December 1909 (colour litho)
His Majesty's Servants, a 'Spy' cartoon from the supplement to 'The World', 21st December 1909 (colour litho)

CWA97289: His Majesty's Servants, a 'Spy' cartoon from the supplement to 'The World', 21st December 1909 (colour litho), Ward, Leslie Matthew (Spy) (1851-1922) / Bridgeman Images


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