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Advertising for the painting Robbialac: “” Robbialac triumph at the Tour de France””. A cyclist sells the merites of Robbialac paint for his bike. Engraving. One of “The Little Journal Illustrates”, 1927. Private collection.
Advertising for the painting Robbialac: “” Robbialac triumph at the Tour de France””. A cyclist sells the merites of Robbialac paint for his bike. Engraving. One of “The Little Journal Illustrates”, 1927. Private collection.

XEE4183723: Advertising for the painting Robbialac: “” Robbialac triumph at the Tour de France””. A cyclist sells the merites of Robbialac paint for his bike. Engraving. One of “The Little Journal Illustrates”, 1927. Private collection., Anonymous / Bridgeman Images

The landing of the “America” aircraft on July 1, 1927 at Ver sur Mer (Ver-sur-Mer), crossing the Atlantic with American airmen Richard Evelyn Byrd (1888-1957), Bernt Balchen (1899-1973), George Noville, and Bert Acosta (1895-1954). Engraving. One of “The Little Journal Illustrates”, 1927. Private collection.
The landing of the “America” aircraft on July 1, 1927 at Ver sur Mer (Ver-sur-Mer), crossing the Atlantic with American airmen Richard Evelyn Byrd (1888-1957), Bernt Balchen (1899-1973), George Noville, and Bert Acosta (1895-1954). Engraving. One of “The Little Journal Illustrates”, 1927. Private collection.

XEE4183734: The landing of the “America” aircraft on July 1, 1927 at Ver sur Mer (Ver-sur-Mer), crossing the Atlantic with American airmen Richard Evelyn Byrd (1888-1957), Bernt Balchen (1899-1973), George Noville, and Bert Acosta (1895-1954). Engraving. One of “The Little Journal Illustrates”, 1927. Private collection., Anonymous / Bridgeman Images

Wedding ceremony by plane in Germany. Engraving. One of “The Little Journal Illustrates”, 1927. Private collection.
Wedding ceremony by plane in Germany. Engraving. One of “The Little Journal Illustrates”, 1927. Private collection.

XEE4183761: Wedding ceremony by plane in Germany. Engraving. One of “The Little Journal Illustrates”, 1927. Private collection., Anonymous / Bridgeman Images

A victory of the French wings: the aviators Dieudonne Costes (1892-1973) and Joseph le Brix (1899-1931) triumphed doors at the airport of Buenos Aires (Buenos Aires) in Argentina on October 20, 1927 aboard the Nungesser et Coli (Nungesser-et-Coli) Engraving. One of “The Little Journal Illustrates”, 1927. Private Collection - Aviators Dieudonne Costes (1892-1973) and Joseph le Brix (1899-1931), carried in triumph on their arrival in Buenos Aires, Argentina, on 20 October 1927. Frontpage of English newspaper Le petit Journal Illustre, 1927
A victory of the French wings: the aviators Dieudonne Costes (1892-1973) and Joseph le Brix (1899-1931) triumphed doors at the airport of Buenos Aires (Buenos Aires) in Argentina on October 20, 1927 aboard the Nungesser et Coli (Nungesser-et-Coli) Engraving. One of “The Little Journal Illustrates”, 1927. Private Collection - Aviators Dieudonne Costes (1892-1973) and Joseph le Brix (1899-1931), carried in triumph on their arrival in Buenos Aires, Argentina, on 20 October 1927. Frontpage of English newspaper Le petit Journal Illustre, 1927

XEE4183846: A victory of the French wings: the aviators Dieudonne Costes (1892-1973) and Joseph le Brix (1899-1931) triumphed doors at the airport of Buenos Aires (Buenos Aires) in Argentina on October 20, 1927 aboard the Nungesser et Coli (Nungesser-et-Coli) Engraving. One of “The Little Journal Illustrates”, 1927. Private Collection - Aviators Dieudonne Costes (1892-1973) and Joseph le Brix (1899-1931), carried in triumph on their arrival in Buenos Aires, Argentina, on 20 October 1927. Frontpage of English newspaper Le petit Journal Illustre, 1927, Anonymous / Bridgeman Images

Floods in West Algeria: a woman takes refuge with her child in a tree. Engraving. One of “The Little Journal Illustrates”, 1927. Private collection.
Floods in West Algeria: a woman takes refuge with her child in a tree. Engraving. One of “The Little Journal Illustrates”, 1927. Private collection.

XEE4183872: Floods in West Algeria: a woman takes refuge with her child in a tree. Engraving. One of “The Little Journal Illustrates”, 1927. Private collection., Anonymous / Bridgeman Images

A man throws himself off a bridge right after his marriage. His wife tries to prevent him from committing suicide. Dompierre sur Authie (Dompierre sur Authie), Somme (80). Engraving. One of “Le petit journal illustrious”, 1928. Private Collection
A man throws himself off a bridge right after his marriage. His wife tries to prevent him from committing suicide. Dompierre sur Authie (Dompierre sur Authie), Somme (80). Engraving. One of “Le petit journal illustrious”, 1928. Private Collection

XEE4183901: A man throws himself off a bridge right after his marriage. His wife tries to prevent him from committing suicide. Dompierre sur Authie (Dompierre sur Authie), Somme (80). Engraving. One of “Le petit journal illustrious”, 1928. Private Collection, Anonymous / Bridgeman Images

The smallest conscript in France: Mr. Alexandre Lecourt, painter, who has just passed before the revision board in Paris, is only 1 metre 20. Engraving. One of “Le petit journal illustrious”, 1928. Private Collection
The smallest conscript in France: Mr. Alexandre Lecourt, painter, who has just passed before the revision board in Paris, is only 1 metre 20. Engraving. One of “Le petit journal illustrious”, 1928. Private Collection

XEE4183939: The smallest conscript in France: Mr. Alexandre Lecourt, painter, who has just passed before the revision board in Paris, is only 1 metre 20. Engraving. One of “Le petit journal illustrious”, 1928. Private Collection, Anonymous / Bridgeman Images

A race of midinettes in the streets of the Free Commune of Menilamount. Engraving. One of “Le petit journal illustrious”, 1928. Private collection.
A race of midinettes in the streets of the Free Commune of Menilamount. Engraving. One of “Le petit journal illustrious”, 1928. Private collection.

XEE4184072: A race of midinettes in the streets of the Free Commune of Menilamount. Engraving. One of “Le petit journal illustrious”, 1928. Private collection., Anonymous / Bridgeman Images

Injections transported on stretchers to a rescue station and treated by the French National Rescue Federation. Engraving. One of “Le petit journal illustrious”, 1928. Private collection.
Injections transported on stretchers to a rescue station and treated by the French National Rescue Federation. Engraving. One of “Le petit journal illustrious”, 1928. Private collection.

XEE4184087: Injections transported on stretchers to a rescue station and treated by the French National Rescue Federation. Engraving. One of “Le petit journal illustrious”, 1928. Private collection., Anonymous / Bridgeman Images

The Super Zeppelin (Super-Zeppelin) (Graf Zeppelin or Count Zeppelin) launched by the Germans. Engraving. One of “Le petit journal illustrious”, 1928. Private collection.
The Super Zeppelin (Super-Zeppelin) (Graf Zeppelin or Count Zeppelin) launched by the Germans. Engraving. One of “Le petit journal illustrious”, 1928. Private collection.

XEE4184112: The Super Zeppelin (Super-Zeppelin) (Graf Zeppelin or Count Zeppelin) launched by the Germans. Engraving. One of “Le petit journal illustrious”, 1928. Private collection., Anonymous / Bridgeman Images

Aviators Edmond Serre and Antoine Reine are released after four months as hostages of Moorish looters in Morocco. Engraving. One of “Le petit journal illustrious”, 1928. Private collection.
Aviators Edmond Serre and Antoine Reine are released after four months as hostages of Moorish looters in Morocco. Engraving. One of “Le petit journal illustrious”, 1928. Private collection.

XEE4184134: Aviators Edmond Serre and Antoine Reine are released after four months as hostages of Moorish looters in Morocco. Engraving. One of “Le petit journal illustrious”, 1928. Private collection., Anonymous / Bridgeman Images

Portrait of Hercules Savinien Cyrano de Bergerac (1619-1655), French writer. Engraving from 1928. Private collection.
Portrait of Hercules Savinien Cyrano de Bergerac (1619-1655), French writer. Engraving from 1928. Private collection.

XEE4184173: Portrait of Hercules Savinien Cyrano de Bergerac (1619-1655), French writer. Engraving from 1928. Private collection., Unknown Artist, (20th century) / Bridgeman Images

Rotterdam, Holland: Dutch Windmill. in “” The world illustrates 168 views”” Undated (end 19th century)
Rotterdam, Holland: Dutch Windmill. in “” The world illustrates 168 views”” Undated (end 19th century)

XEE4184184: Rotterdam, Holland: Dutch Windmill. in “” The world illustrates 168 views”” Undated (end 19th century), Unknown Artist, (19th century) / Bridgeman Images

Amsterdam, Holland: view of the Singel Canal. in “” The world illustrates 168 views”” Undated (late 19th century)
Amsterdam, Holland: view of the Singel Canal. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184200: Amsterdam, Holland: view of the Singel Canal. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Stockholm, Sweden: view of the city (General View). in “” The world illustrates 168 views”” Undated (end of 19th century)
Stockholm, Sweden: view of the city (General View). in “” The world illustrates 168 views”” Undated (end of 19th century)

XEE4184209: Stockholm, Sweden: view of the city (General View). in “” The world illustrates 168 views”” Undated (end of 19th century), Unknown Artist, (19th century) / Bridgeman Images

Liverpool, England: view of Town Hall. in “” The world illustrates 168 views”” Undated (late 19th century)
Liverpool, England: view of Town Hall. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184237: Liverpool, England: view of Town Hall. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Hamburg (Hamburg), Germany: view of Wandrahmfleeth. in “” The world illustrates 168 views”” Undated (end of 19th century)
Hamburg (Hamburg), Germany: view of Wandrahmfleeth. in “” The world illustrates 168 views”” Undated (end of 19th century)

XEE4184289: Hamburg (Hamburg), Germany: view of Wandrahmfleeth. in “” The world illustrates 168 views”” Undated (end of 19th century), Unknown Artist, (19th century) / Bridgeman Images

Switzerland: view of the city of Fluelen. in “” The world illustrates 168 views”” Undated (late 19th century)
Switzerland: view of the city of Fluelen. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184323: Switzerland: view of the city of Fluelen. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Baden Baden (Baden-Baden), Germany: view of the city (General View). in “” The world illustrates 168 views”” Undated (end of 19th century)
Baden Baden (Baden-Baden), Germany: view of the city (General View). in “” The world illustrates 168 views”” Undated (end of 19th century)

XEE4184337: Baden Baden (Baden-Baden), Germany: view of the city (General View). in “” The world illustrates 168 views”” Undated (end of 19th century), Unknown Artist, (19th century) / Bridgeman Images

Vienna, Austria: view of the fountain Francois Joseph (Francois-Joseph) (Francis Joseph's Fountain in Vienna). in “” The world illustrates 168 views”” Undated (end 19th century)
Vienna, Austria: view of the fountain Francois Joseph (Francois-Joseph) (Francis Joseph's Fountain in Vienna). in “” The world illustrates 168 views”” Undated (end 19th century)

XEE4184344: Vienna, Austria: view of the fountain Francois Joseph (Francois-Joseph) (Francis Joseph's Fountain in Vienna). in “” The world illustrates 168 views”” Undated (end 19th century), Unknown Artist, (19th century) / Bridgeman Images

Cincinnatti, United States: view of Highland House. in “” The world illustrates 168 views”” Undated (late 19th century)
Cincinnatti, United States: view of Highland House. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184351: Cincinnatti, United States: view of Highland House. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

View of the large waterfall in the park of Saint Cloud (Saint-Cloud), France. in “” The world illustrates 168 views”” Undated (end 19th century)
View of the large waterfall in the park of Saint Cloud (Saint-Cloud), France. in “” The world illustrates 168 views”” Undated (end 19th century)

XEE4184368: View of the large waterfall in the park of Saint Cloud (Saint-Cloud), France. in “” The world illustrates 168 views”” Undated (end 19th century), Unknown Artist, (19th century) / Bridgeman Images

Brighton, England: view of the pavilion. in “” The world illustrates 168 views”” Undated (late 19th century)
Brighton, England: view of the pavilion. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184380: Brighton, England: view of the pavilion. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Milan, Italy: view of the gallery Victor Emmanuel (Victor Emmanuel Arcade). in “” The world illustrates 168 views”” Undated (end 19th century)
Milan, Italy: view of the gallery Victor Emmanuel (Victor Emmanuel Arcade). in “” The world illustrates 168 views”” Undated (end 19th century)

XEE4184406: Milan, Italy: view of the gallery Victor Emmanuel (Victor Emmanuel Arcade). in “” The world illustrates 168 views”” Undated (end 19th century), Unknown Artist, (19th century) / Bridgeman Images

Constantinople, Turkey: view of the Imperial Palace at Dolma Baggsche (Imperial Plalace). in “” The world illustrates 168 views”” Undated (end of 19th century)
Constantinople, Turkey: view of the Imperial Palace at Dolma Baggsche (Imperial Plalace). in “” The world illustrates 168 views”” Undated (end of 19th century)

XEE4184447: Constantinople, Turkey: view of the Imperial Palace at Dolma Baggsche (Imperial Plalace). in “” The world illustrates 168 views”” Undated (end of 19th century), Unknown Artist, (19th century) / Bridgeman Images

Berlin, Germany: view of the Royal Castle. in “” The world illustrates 168 views”” Undated (late 19th century)
Berlin, Germany: view of the Royal Castle. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184499: Berlin, Germany: view of the Royal Castle. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Copenhagen (Copenhagen), Denmark: view of Toldboden (harbour, harbor). in “” The world illustrates 168 views”” Undated (late 19th century)
Copenhagen (Copenhagen), Denmark: view of Toldboden (harbour, harbor). in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184513: Copenhagen (Copenhagen), Denmark: view of Toldboden (harbour, harbor). in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Stuttgart, Germany: view of Chateau Street. in “” The world illustrates 168 views”” Undated (end 19th century)
Stuttgart, Germany: view of Chateau Street. in “” The world illustrates 168 views”” Undated (end 19th century)

XEE4184538: Stuttgart, Germany: view of Chateau Street. in “” The world illustrates 168 views”” Undated (end 19th century), Unknown Artist, (19th century) / Bridgeman Images

Boston, United States: view of Town Hall. in “” The world illustrates 168 views”” Undated (late 19th century)
Boston, United States: view of Town Hall. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184539: Boston, United States: view of Town Hall. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Italian Tyrol: view of the city of Meran (Merano). in “” The world illustrates 168 views”” Undated (end 19th century)
Italian Tyrol: view of the city of Meran (Merano). in “” The world illustrates 168 views”” Undated (end 19th century)

XEE4184554: Italian Tyrol: view of the city of Meran (Merano). in “” The world illustrates 168 views”” Undated (end 19th century), Unknown Artist, (19th century) / Bridgeman Images

Melbourne, Australia; General View. in “The World Illustrates 168 Views” Undated (late 19th century)
Melbourne, Australia; General View. in “The World Illustrates 168 Views” Undated (late 19th century)

XEE4184567: Melbourne, Australia; General View. in “The World Illustrates 168 Views” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Salzkammergut region, Austria: view of the Curhaus in Ischl. “” The world illustrates 168 views”” Undated (late 19th century)
Salzkammergut region, Austria: view of the Curhaus in Ischl. “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184574: Salzkammergut region, Austria: view of the Curhaus in Ischl. “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Chicago, United States: view of Sherman House. in “” The world illustrates 168 views”” Undated (late 19th century)
Chicago, United States: view of Sherman House. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184591: Chicago, United States: view of Sherman House. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

He brought his ecus on a wheelbarrow: a farmer brought to the counter of the bank of Lyon 50 kilos of Louis d'or to be bought back following the government's decision to authorize the bank of France to buy Louis d'Or from private individuals by the weight of fine metal. Engraving in “” Le petit Journal Illustré”” on 24/10/1926. Private collection.
He brought his ecus on a wheelbarrow: a farmer brought to the counter of the bank of Lyon 50 kilos of Louis d'or to be bought back following the government's decision to authorize the bank of France to buy Louis d'Or from private individuals by the weight of fine metal. Engraving in “” Le petit Journal Illustré”” on 24/10/1926. Private collection.

XEE4185876: He brought his ecus on a wheelbarrow: a farmer brought to the counter of the bank of Lyon 50 kilos of Louis d'or to be bought back following the government's decision to authorize the bank of France to buy Louis d'Or from private individuals by the weight of fine metal. Engraving in “” Le petit Journal Illustré”” on 24/10/1926. Private collection., Anonymous / Bridgeman Images

At the crossing of the line: Prince of Wales Edward VIII plays the role of a barber during a traditional feast (on the occasion of the change of hemisphere) on the liner “Kenilworth Castle” which goes to South Africa. Engraving in “” Le Petite Journal Illusque””, on 26/01/1930. Private collection.
At the crossing of the line: Prince of Wales Edward VIII plays the role of a barber during a traditional feast (on the occasion of the change of hemisphere) on the liner “Kenilworth Castle” which goes to South Africa. Engraving in “” Le Petite Journal Illusque””, on 26/01/1930. Private collection.

XEE4185955: At the crossing of the line: Prince of Wales Edward VIII plays the role of a barber during a traditional feast (on the occasion of the change of hemisphere) on the liner “Kenilworth Castle” which goes to South Africa. Engraving in “” Le Petite Journal Illusque””, on 26/01/1930. Private collection., Anonymous / Bridgeman Images

The trip of the president of the republic to Algeria: spectacle of a fantasy to welcome the French president Gaston Doumergue (1863-1937) Engraving. One of the newspaper “” Le Petite Journal Illustrous””, 18/05/1930. Private collection.
The trip of the president of the republic to Algeria: spectacle of a fantasy to welcome the French president Gaston Doumergue (1863-1937) Engraving. One of the newspaper “” Le Petite Journal Illustrous””, 18/05/1930. Private collection.

XEE4186024: The trip of the president of the republic to Algeria: spectacle of a fantasy to welcome the French president Gaston Doumergue (1863-1937) Engraving. One of the newspaper “” Le Petite Journal Illustrous””, 18/05/1930. Private collection., Anonymous / Bridgeman Images


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