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Mission board, Fon people, (wood, pigment & iron)
Mission board, Fon people, (wood, pigment & iron)

LWE410460: Mission board, Fon people, (wood, pigment & iron), Beninois School / Bridgeman Images

Stool figure, Luba people (Democratic Republic of the Congo), early 20th century (wood & pigment)
Stool figure, Luba people (Democratic Republic of the Congo), early 20th century (wood & pigment)

LWE410470: Stool figure, Luba people (Democratic Republic of the Congo), early 20th century (wood & pigment), African, (20th century) / Bridgeman Images

Eros (marble)
Eros (marble)

LWE410500: Eros (marble), Roman, (1st century AD) / Bridgeman Images

Ushabti, 688-343 BC (Egyptian faience)
Ushabti, 688-343 BC (Egyptian faience)

LWE410501: Ushabti, 688-343 BC (Egyptian faience), Egyptian, Late Period (715-332 BC) / Bridgeman Images

Horus the Child, c.664-332 BC (bronze) (see also 401507)
Horus the Child, c.664-332 BC (bronze) (see also 401507)

LWE410506: Horus the Child, c.664-332 BC (bronze) (see also 401507), Egyptian, Late Period (715-332 BC) / Bridgeman Images

Scene of Rome, 1856 (oil on canvas)
Scene of Rome, 1856 (oil on canvas)

LWE410517: Scene of Rome, 1856 (oil on canvas), Beard, William Holbrook (1823-1900) / Bridgeman Images

Madonna and Child and the Infant Saint John, c.1429 (oil on canvas transferred from wood)
Madonna and Child and the Infant Saint John, c.1429 (oil on canvas transferred from wood)

LWE410535: Madonna and Child and the Infant Saint John, c.1429 (oil on canvas transferred from wood), Sarto, Andrea del (1486-1530) (workshop of) / Bridgeman Images

Madonna and Child, c.1520s (tempera on wood)
Madonna and Child, c.1520s (tempera on wood)

LWE410539: Madonna and Child, c.1520s (tempera on wood), Ambrogio da Fossano (Il Bergognone) (c.1460-1523) / Bridgeman Images

View of the Brew-House (photo)
View of the Brew-House (photo)

USB408332: View of the Brew-House (photo) / Bridgeman Images

A glimpse through the door from the Upper Landing to the High Great Chamber (photo)
A glimpse through the door from the Upper Landing to the High Great Chamber (photo)

USB408335: A glimpse through the door from the Upper Landing to the High Great Chamber (photo) / Bridgeman Images

A view through the door from the Upper Landing to the High Great Chamber (photo)
A view through the door from the Upper Landing to the High Great Chamber (photo)

USB408336: A view through the door from the Upper Landing to the High Great Chamber (photo) / Bridgeman Images

Les Mouches, 1978 (mixed media on paper)
Les Mouches, 1978 (mixed media on paper)

MFA408403: Les Mouches, 1978 (mixed media on paper), Sutherland, Graham (1903-80) / Bridgeman Images

Answer to question number 2, 2000 (encaustic on board)
Answer to question number 2, 2000 (encaustic on board)

MFA408408: Answer to question number 2, 2000 (encaustic on board), Mimran, Patrick (b.1956) / Bridgeman Images

Number 24, 1997 (encaustic on board)
Number 24, 1997 (encaustic on board)

MFA408411: Number 24, 1997 (encaustic on board), Mimran, Patrick (b.1956) / Bridgeman Images

Red Bird with Dragon, 1996 (w/c on paper)
Red Bird with Dragon, 1996 (w/c on paper)

MFA408415: Red Bird with Dragon, 1996 (w/c on paper), Szeto Lap (b.1949) / Bridgeman Images

Gate to Blenheim Palace, 1981 (w/c & mixed media on paper)
Gate to Blenheim Palace, 1981 (w/c & mixed media on paper)

MFA408418: Gate to Blenheim Palace, 1981 (w/c & mixed media on paper), Piper, John (1903-92) / Bridgeman Images

Saltash Bridge, 1980 (w/c & mixed media on paper)
Saltash Bridge, 1980 (w/c & mixed media on paper)

MFA408419: Saltash Bridge, 1980 (w/c & mixed media on paper), Piper, John (1903-92) / Bridgeman Images

Granite on Boundry Flowage, 1983 (oil on canvas)
Granite on Boundry Flowage, 1983 (oil on canvas)

MFA408426: Granite on Boundry Flowage, 1983 (oil on canvas), Welliver, Neil (1929-2005) / Bridgeman Images

Abandoned Beaver House, 1983 (oil on canvas)
Abandoned Beaver House, 1983 (oil on canvas)

MFA408430: Abandoned Beaver House, 1983 (oil on canvas), Welliver, Neil (1929-2005) / Bridgeman Images

Peat Bog, 1982 (oil on canvas)
Peat Bog, 1982 (oil on canvas)

MFA408432: Peat Bog, 1982 (oil on canvas), Welliver, Neil (1929-2005) / Bridgeman Images

Two Forms in a Desert, 1974 (pencil & w/c on paper)
Two Forms in a Desert, 1974 (pencil & w/c on paper)

MFA408443: Two Forms in a Desert, 1974 (pencil & w/c on paper), Sutherland, Graham (1903-80) / Bridgeman Images

Forest and Chains (small version) 1972 (oil and gouache on paper)
Forest and Chains (small version) 1972 (oil and gouache on paper)

MFA408452: Forest and Chains (small version) 1972 (oil and gouache on paper), Sutherland, Graham (1903-80) / Bridgeman Images

Landscape with Turning Path, 1972 (w/c on paper)
Landscape with Turning Path, 1972 (w/c on paper)

MFA408457: Landscape with Turning Path, 1972 (w/c on paper), Sutherland, Graham (1903-80) / Bridgeman Images

Root Forms, 1968 (w/c on paper)
Root Forms, 1968 (w/c on paper)

MFA408467: Root Forms, 1968 (w/c on paper), Sutherland, Graham (1903-80) / Bridgeman Images

Pterodactyl: Study for 'The Origins of the Land', 1950 (gouache & crayon on paper)
Pterodactyl: Study for 'The Origins of the Land', 1950 (gouache & crayon on paper)

MFA408484: Pterodactyl: Study for 'The Origins of the Land', 1950 (gouache & crayon on paper), Sutherland, Graham (1903-80) / Bridgeman Images

Organic Form, 1948 (coloured crayons on paper)
Organic Form, 1948 (coloured crayons on paper)

MFA408486: Organic Form, 1948 (coloured crayons on paper), Sutherland, Graham (1903-80) / Bridgeman Images

Vine Pergola, 1947 (gouache & crayon on paper)
Vine Pergola, 1947 (gouache & crayon on paper)

MFA408489: Vine Pergola, 1947 (gouache & crayon on paper), Sutherland, Graham (1903-80) / Bridgeman Images

Landscape with Estuary, 1945 (chalk & gouache on paper laid down on board)
Landscape with Estuary, 1945 (chalk & gouache on paper laid down on board)

MFA408491: Landscape with Estuary, 1945 (chalk & gouache on paper laid down on board), Sutherland, Graham (1903-80) / Bridgeman Images

Tree Form at Convergence of Paths, 1945 (w/c & crayon on paper)
Tree Form at Convergence of Paths, 1945 (w/c & crayon on paper)

MFA408493: Tree Form at Convergence of Paths, 1945 (w/c & crayon on paper), Sutherland, Graham (1903-80) / Bridgeman Images

Fox Terrier, 1902 (oil on canvas)
Fox Terrier, 1902 (oil on canvas)

BSA408894: Fox Terrier, 1902 (oil on canvas), Collyer, Margaret (fl.1893-1910) / Bridgeman Images

Slag Heaps and Mine, 1942 (gouache & indian ink on paper)
Slag Heaps and Mine, 1942 (gouache & indian ink on paper)

MFA408901: Slag Heaps and Mine, 1942 (gouache & indian ink on paper), Sutherland, Graham (1903-80) / Bridgeman Images

Devastation City, Fallen Lift Shaft, 1941 (indian ink & gouache on paper)
Devastation City, Fallen Lift Shaft, 1941 (indian ink & gouache on paper)

MFA408906: Devastation City, Fallen Lift Shaft, 1941 (indian ink & gouache on paper), Sutherland, Graham (1903-80) / Bridgeman Images

Study of an Appletree, 1936 (w/c, ink & pencil on paper)
Study of an Appletree, 1936 (w/c, ink & pencil on paper)

MFA408910: Study of an Appletree, 1936 (w/c, ink & pencil on paper), Sutherland, Graham (1903-80) / Bridgeman Images

A Gloucestershire Valley (oil on board)
A Gloucestershire Valley (oil on board)

MFA408927: A Gloucestershire Valley (oil on board), Seago, Edward (1910-74) / Bridgeman Images

Michaelmas Daisies (oil on board)
Michaelmas Daisies (oil on board)

MFA408928: Michaelmas Daisies (oil on board), Seago, Edward (1910-74) / Bridgeman Images

The Campo S. Zanipolo, Venice (oil on baord)
The Campo S. Zanipolo, Venice (oil on baord)

MFA408931: The Campo S. Zanipolo, Venice (oil on baord), Seago, Edward (1910-74) / Bridgeman Images


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