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Set of fittings for bedroom furniture, c.1900 (silver electroplated on cast copper)
Set of fittings for bedroom furniture, c.1900 (silver electroplated on cast copper)

CNC6492: Set of fittings for bedroom furniture, c.1900 (silver electroplated on cast copper), Feure, Georges de (1868-1943) / Bridgeman Images

Covered dish by Meriden Britannia Co., 1869 (silver-plated)
Covered dish by Meriden Britannia Co., 1869 (silver-plated)

CNC6512: Covered dish by Meriden Britannia Co., 1869 (silver-plated), American School, (19th century) / Bridgeman Images

Two chairs, ebonised wood with cane seats, by George Walton, c.1896
Two chairs, ebonised wood with cane seats, by George Walton, c.1896

CNC6518: Two chairs, ebonised wood with cane seats, by George Walton, c.1896 / Bridgeman Images

Chair with leather seat, Liberty & Co. Ltd, 1898-1900 (walnut & leather)
Chair with leather seat, Liberty & Co. Ltd, 1898-1900 (walnut & leather)

CNC6525: Chair with leather seat, Liberty & Co. Ltd, 1898-1900 (walnut & leather), Riemerschmid, Richard (1868-1957) / Bridgeman Images

Marquetry escritoire and stand, designed by George Jack for Morris and Co., 1893
Marquetry escritoire and stand, designed by George Jack for Morris and Co., 1893

CNC6527: Marquetry escritoire and stand, designed by George Jack for Morris and Co., 1893 / Bridgeman Images

Victorian turquoise brooch, mother-of-pearl, green garnets and set in gold
Victorian turquoise brooch, mother-of-pearl, green garnets and set in gold

CNC6539: Victorian turquoise brooch, mother-of-pearl, green garnets and set in gold / Bridgeman Images

Two powder compacts, one of pierced gold the other of black enamel set with diamonds, both by Cartier, c.1925
Two powder compacts, one of pierced gold the other of black enamel set with diamonds, both by Cartier, c.1925

CNC6542: Two powder compacts, one of pierced gold the other of black enamel set with diamonds, both by Cartier, c.1925, Cartier / Bridgeman Images

Three horn combs, French, c.1890-1900
Three horn combs, French, c.1890-1900

CNC6546: Three horn combs, French, c.1890-1900 / Bridgeman Images

Turret clock in cast iron frame, Gillet and Bland, 1870
Turret clock in cast iron frame, Gillet and Bland, 1870

CNC6550: Turret clock in cast iron frame, Gillet and Bland, 1870 / Bridgeman Images

Movements of two deck watches: by A.Johannsen and Company, 1894, and by Ulysse Nardin, c.1920
Movements of two deck watches: by A.Johannsen and Company, 1894, and by Ulysse Nardin, c.1920

CNC6551: Movements of two deck watches: by A.Johannsen and Company, 1894, and by Ulysse Nardin, c.1920 / Bridgeman Images

Skeleton clock in form of a cathedral, by John Smith and Son of Clerkenwell, c.1860
Skeleton clock in form of a cathedral, by John Smith and Son of Clerkenwell, c.1860

CNC6556: Skeleton clock in form of a cathedral, by John Smith and Son of Clerkenwell, c.1860 / Bridgeman Images

Minton dish painted by an amateur artist, c.1880
Minton dish painted by an amateur artist, c.1880

CNC6557: Minton dish painted by an amateur artist, c.1880, English School, (19th century) / Bridgeman Images

Ashstead, c.1920 (earthenware)
Ashstead, c.1920 (earthenware)

CNC6559: Ashstead, c.1920 (earthenware), English School, (20th century) / Bridgeman Images

Vase with applied decoration, by Boch freres, c.1850 (stoneware)
Vase with applied decoration, by Boch freres, c.1850 (stoneware)

CNC6566: Vase with applied decoration, by Boch freres, c.1850 (stoneware), Belgian School, (19th century) / Bridgeman Images

Tureen by Leboeuf et Milliet, decorated by Rousseau after Bracquemond's designs (faience)
Tureen by Leboeuf et Milliet, decorated by Rousseau after Bracquemond's designs (faience)

CNC6567: Tureen by Leboeuf et Milliet, decorated by Rousseau after Bracquemond's designs (faience), French School / Bridgeman Images

Collection of earthenware vases with sgraffito decoration, Barum pottery, by Charles Brannum, 1883-89
Collection of earthenware vases with sgraffito decoration, Barum pottery, by Charles Brannum, 1883-89

CNC6570: Collection of earthenware vases with sgraffito decoration, Barum pottery, by Charles Brannum, 1883-89 / Bridgeman Images

Plate painted by Edith Cowper for Howell and James with azaleas, exhibited at the Paris Exhibition, 1878 (ceramic)
Plate painted by Edith Cowper for Howell and James with azaleas, exhibited at the Paris Exhibition, 1878 (ceramic)

CNC6590: Plate painted by Edith Cowper for Howell and James with azaleas, exhibited at the Paris Exhibition, 1878 (ceramic), English School, (19th century) / Bridgeman Images

Pair of vases, transfer-printed, with tube line decoration, Minton Art Pottery Studio, c.1895 (ceramic)
Pair of vases, transfer-printed, with tube line decoration, Minton Art Pottery Studio, c.1895 (ceramic)

CNC6600: Pair of vases, transfer-printed, with tube line decoration, Minton Art Pottery Studio, c.1895 (ceramic), English School, (19th century) / Bridgeman Images

Vase with applied decoration, by Wahliss, c.1890
Vase with applied decoration, by Wahliss, c.1890

CNC6658: Vase with applied decoration, by Wahliss, c.1890 / Bridgeman Images

Minton parian porcelain vase with pate-sur-pate decoration by M.L.Solon, exhibited in Philadelphia, 1876
Minton parian porcelain vase with pate-sur-pate decoration by M.L.Solon, exhibited in Philadelphia, 1876

CNC6660: Minton parian porcelain vase with pate-sur-pate decoration by M.L.Solon, exhibited in Philadelphia, 1876, English School, (19th century) / Bridgeman Images

Figure of a Boy on a Snail, made by Wiener Keramick, c.1907 (earthenware)
Figure of a Boy on a Snail, made by Wiener Keramick, c.1907 (earthenware)

CNC6678: Figure of a Boy on a Snail, made by Wiener Keramick, c.1907 (earthenware), Powolny, Michael (1871-1954) / Bridgeman Images

Winter's Evening
Winter's Evening

OJ6878: Winter's Evening, Williams, Caroline (1836-1921) / Bridgeman Images

Mitre with the Coronation of the Virgin worked in gold and silk ground, mid 14th century
Mitre with the Coronation of the Virgin worked in gold and silk ground, mid 14th century

HB6897: Mitre with the Coronation of the Virgin worked in gold and silk ground, mid 14th century / Bridgeman Images

Chasuble with Renaissance design on violet silk with applied painted figures and the arms of Cardinal Alessandro Farnese, 1550-75
Chasuble with Renaissance design on violet silk with applied painted figures and the arms of Cardinal Alessandro Farnese, 1550-75

HB6918: Chasuble with Renaissance design on violet silk with applied painted figures and the arms of Cardinal Alessandro Farnese, 1550-75 / Bridgeman Images

Wall hanging with harlequin (detail) Dresden, 1710-20
Wall hanging with harlequin (detail) Dresden, 1710-20

HB6942: Wall hanging with harlequin (detail) Dresden, 1710-20 / Bridgeman Images

'Having coaxed my 'Lotus-Faced Girl' to come towards the bed, I eagerly prepare to undo her bodice', from Bhanudattas 'Rasamanjari', Basohli, Himachal Pradesh, c.1660-70, (w/c on paper)
'Having coaxed my 'Lotus-Faced Girl' to come towards the bed, I eagerly prepare to undo her bodice', from Bhanudattas 'Rasamanjari', Basohli, Himachal Pradesh, c.1660-70, (w/c on paper)

VAM7106: 'Having coaxed my 'Lotus-Faced Girl' to come towards the bed, I eagerly prepare to undo her bodice', from Bhanudattas 'Rasamanjari', Basohli, Himachal Pradesh, c.1660-70, (w/c on paper), Pahari School, (17th century) / Bridgeman Images

Radha being told by a friend that her love for Krishna has been discovered, from Bhanudatta's 'Rasamanjari', Basohli, Himachal Pradesh, c.1660-c.1730 (w/c on paper)
Radha being told by a friend that her love for Krishna has been discovered, from Bhanudatta's 'Rasamanjari', Basohli, Himachal Pradesh, c.1660-c.1730 (w/c on paper)

VAM7107: Radha being told by a friend that her love for Krishna has been discovered, from Bhanudatta's 'Rasamanjari', Basohli, Himachal Pradesh, c.1660-c.1730 (w/c on paper), Pahari School / Bridgeman Images

Hare's fur glazed bowl, Sung Dynasty
Hare's fur glazed bowl, Sung Dynasty

CNC7257: Hare's fur glazed bowl, Sung Dynasty / Bridgeman Images

Collection of German snuff boxes, late 18th century
Collection of German snuff boxes, late 18th century

CNC7263: Collection of German snuff boxes, late 18th century / Bridgeman Images

Bohemian ruby flashed wine glass, engraved with the Crystal Palace, dated 1851
Bohemian ruby flashed wine glass, engraved with the Crystal Palace, dated 1851

CNC7270: Bohemian ruby flashed wine glass, engraved with the Crystal Palace, dated 1851, Unknown Artist, (19th century) / Bridgeman Images

Scagliola table top, with decorative figures in cartouche, detail, early 19th century
Scagliola table top, with decorative figures in cartouche, detail, early 19th century

CNC7279: Scagliola table top, with decorative figures in cartouche, detail, early 19th century / Bridgeman Images

Lung Ch'uan celadon bottle, with iron brown spot decoration, Yuan Dynasty
Lung Ch'uan celadon bottle, with iron brown spot decoration, Yuan Dynasty

CNC7285: Lung Ch'uan celadon bottle, with iron brown spot decoration, Yuan Dynasty / Bridgeman Images

Limoges plate, one of set of 12 depicting the months of the year, 1584 (enamel)
Limoges plate, one of set of 12 depicting the months of the year, 1584 (enamel)

CNC7306: Limoges plate, one of set of 12 depicting the months of the year, 1584 (enamel), Reymond, Pierre (c.1513-p.1584) / Bridgeman Images

Cast and engraved brass lock, signed and dated 1680; steel lock in case of engraved brass, late 17th century
Cast and engraved brass lock, signed and dated 1680; steel lock in case of engraved brass, late 17th century

CNC7310: Cast and engraved brass lock, signed and dated 1680; steel lock in case of engraved brass, late 17th century / Bridgeman Images

Nailsea inkwell and miniature 'dumpies' made from bottle glass, mid 19th century
Nailsea inkwell and miniature 'dumpies' made from bottle glass, mid 19th century

CNC7321: Nailsea inkwell and miniature 'dumpies' made from bottle glass, mid 19th century / Bridgeman Images

Nef, parcel-gilt made in Nuremberg, by Caspar Bentmuller II, c.1620
Nef, parcel-gilt made in Nuremberg, by Caspar Bentmuller II, c.1620

CNC7323: Nef, parcel-gilt made in Nuremberg, by Caspar Bentmuller II, c.1620 / Bridgeman Images


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